Showing posts with label futuristic. Show all posts
Showing posts with label futuristic. Show all posts

A Boy & His Dog (1975) Review

A Boy and His Dog (1975)
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It's the year 2024, and most of the Earth's nations have been demolished by yet another world war (the latest being WWIV). In this postapocalyptic world, slow-witted survivor Vic (Don Johnson) forages through the ruins for food and women with the help of his faithful dog, Blood (voiced by Tim McIntire), with whom he is able to communicate telepathically. Blood, more intelligent and more cultured than his young "master," often gets impatient with Vic's immature behavior and lack of interest in his attempts to educate the boy, but he nonetheless loves Vic and sticks with him to help him survive. And after several minor adventures and one huge misadventure, Vic does learn one incontestable actuality: Nothing is more important to a boy than his dog.
Based on an award-winning novella by the curmudgeonly SF writer Harlan Ellison, A BOY AND HIS DOG was adapted and directed by character actor L.Q. Jones and co-produced by Jones and Alvy Moore (the latter probably best known for his portrayal of scatterbrained Hank Kimball on TV's GREEN ACRES). While Ellison has said many times publicly that the film is the most faithful adaptation of any of his works, he has nonetheless complained vehemently about some of Jones' "adjustments"--most notably the minor addition of some gross or vulgar dialogue--and tried unsuccessfully to get them changed. Whether or not Ellison's complaints have merit, A BOY AND HIS DOG has come to be regarded as a science-fiction classic, its popularity undoubtedly due to its likeable characters who, despite their constant bickering and individual quirks, are redeemed by their committed friendship and their sarcastically humorous approach to survival.
The performances in A BOY AND HIS DOG are top-notch. Johnson convincingly portrays Vic as a filthy scavenger who, in spite of his dire situation, still manages to remain a decent human being at the core. Tim McIntire's vocal characterization of Blood embodies Ellison's original concept of a mutant pooch with a caustic ego that is balanced with just the right amount of off-beat humanity, and this portrayal is enhanced further by the outstanding on-screen performance of Tiger, the canine thespian that portrayed the family pet on TV's THE BRADY BUNCH. In his supporting role as the governor of a subterranean dystopia, Jason Robards is delightfully smarmy. And when beautiful Susanne Benton bares her ample "talents" on the screen, that's a lot of fun watch, too.
With A BOY AND HIS DOG, Jones' intention is not to make deep socio-political innuendos or to meet the average action-fan's prosaic expectations, and sentimentality is obviously far from his mind. Instead of serving up a dull postapocalyptic survival-of-the-fittest thriller or a cliché love-among-the-ruins drama, Jones gives us a wry black comedy that doesn't take itself too seriously. His direction is tight, his staging often inventive, and the dialogue--while MOSTLY lifted directly from Ellison's story--is often sharply sardonic and frequently witty. With this AND the outstanding performances he elicits from his cast, Jones creates a realistic world of future desolation, but he peoples it with central characters that learn to deal with the nightmare while still maintaining their humanity...and a sense of humor.
Several DVD editions of A BOY AND HIS DOG have been available over the past few years, and all have delivered good letterbox widescreen digital transfers. The current offering from First Run Features is an anamorphic widescreen version, and it also contains an interesting feature commentary and theatrical trailers.
All in all, A BOY AND HIS DOG is a wonderful interpretation of a classic SF novella, and this DVD will make a great entry in the film collections of SF fans who love quirky non-mainstream films.

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A BOY AND HIS DOG is a wild, kinky and darkly hilarious cinematic adventure, a cult classic for almost 30 years and an inspiration for an era of sci-fi films, including the Mad Max movies. Based on the Nebula winning novella by Harlan Ellison and directed by L. Q. Jones, it stars Don Johnson, Jason Robards and Susanne Benton. Set in the year 2024 in Post-Apocalyptic America, 18-year old Vic (Johnson) and his telepathic dog Blood (voiced by Tim McIntyre) are happy scavengers in the desolate wilderness ravaged by World War Four, where survivors must battle for food, shelter, and sexual companionship in the desert-like wasteland. Vic and Blood eke out a meager existence, foraging for food and fighting gangs of cutthroats. When they find a woman named Quilla Jones (Benton), she lures Vic into a bizarre underground city, where he is to be used against his will to impregnate dozens of young ladies!

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Sliders - The First and Second Seasons (1995) Review

Sliders - The First and Second Seasons (1995)
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Though the first two seasons are the best, I enjoyed them
all. And it's about time this set is coming out.
Here are my personal grades and info on the episodes from
the first two seasons.
Here is what you get with the first two seasons.
1. The Pilot Part 1 ( still the best episode) Quinn first discovers that his sliding technology works. Then he tells the proffesor who at first does not believe him. But later comes around. Along with Wade Wells the three of them test out sliding. But when doing so they accidentaly pull in soul singer
Rembrant Brown.( Episode Grade A+ )
2. Pilot Part 2 ( The sliders find San Fran. under an ice age,
and The U.S under Soviet Communist rule. ( Episode Grade A+ )
3.Fever ( The sliders travel to a world that has never developed Antibiotics.Evereyone around them is sick so they must do something before time runs out.(Episode Grade A-)
4.Last Days ( Sliders find a world where an asteroid is about to destroy the earth. The professor saves the day by showing
a fellow scientist how to build a nuke.( Episode grade A+ )
5.Prince of Wails ( In this world America is still under England's Colonial rule.( Episode Grade B )
6. Summer Of Love ( Sliders find alternate world where We are
at war with Austraila and Remy replaces his dead alternate self
as husband to a old high school crush. ( Episode grade C+ )
7.Eggheads ( In this world intellectuals are treated like athletes, and Quinn competes in A weird sport that tests your intellect. ( Episode grade B- )
8. The Weaker Sex ( Sliders enter a world where women are the dominant sex. Arturo makes men believe that they are equals when he runs for office. (ep grade A- )
9.The King Is Back ( Sliders find a world where Rembrant is treated like Elvis. ( Ep grade B- )
10.Luck Of The Draw- (Sliders find a world where money is free if you play the lottery. But the catch is you must give your life in a form of population control.(Ep Grade A+ )
Season 2
11. Into The Mystic ( Sliders enter a world of witchcraft.
Quinn is sick and gets healed by a witchdoctor. Quinn refuses
to pay and the Grim Reaper himself serves Quinn a subpeona.
ep.( Grade A+ )
12.Love Gods ( Quinn,Arturo,Rembrant are in a world with a shortage of men. They are being used as studs to repopulate.
( grade B+
13.Gillian Of The Spirits (Quinn is stuck on an astral plane,
and only a psyhcic girl can see him. ( grade B-
14.The Good The Bad And the Wealthy ( Sliders enter a world not unlike the wild west. Where stocks are exchanged through gunfights. ( grade A- )
15. El Sid ( Sliders find a world where the city of San Francisco is a prison. ( grade A+ )
16.Time and Again World ( Sliders enter world where there is no
U.S. Constitution to be found except on one little floppy disk.
( grade A+ )
17. In Dino Veritas ( Sliders enter a dinosaur wild life reserve) ( grade A- )
18. Post-Traumatic Slide Syndrome ( The sliders think they are home. Rembrant then goes to a psyhciatrist and discovers they are not. ( grade B+ )
19. Obsession ( Sliders find world where everyone can read minds.
( grade B- )
20. Greatfellas ( Sliders find world where the mob controls evereything. ( grade C+ )
21. The Young and The Relentless ( Sliders slide into the backyard of an alternate Quinn and Wade. In this world the young
rule and at a certain age you lose your rights.
( grade B- )
22. Invasion ( Sliders first encounter with the Kromags and unfortunatley not the last. Though this is a quality episode.
The writers seemed to use it too much in later episodes.
( grade B- )
23.As time goes by ( On this episode thse sliders slide 3 times.
Quinn tries to prevent a murder. And the Sliders find time is moving backwards. ( grade A- )
Overall This is a great package with or without extras. We
will have to wait and see what Universal adds.
Finally I can get rid of those tapes.

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SLIDERS:SEASONS 1 & 2 - DVD Movie

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The Postman (1997) Review

The Postman (1997)
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It is difficult to review a film that you like, when every professional critic has slammed it. On the other hand, I have to believe I am not alone in my tastes, so, here is some praise for "The Postman", Kevin Costner's cinematic version of the great book of the same name, written by David Brin.

After the success of "Dances With Wolves", it's pretty clear that Costner has been trying to recapture that epic feeling. But where "Water World" was silly to the point of being a caricature of a sweeping drama, "The Postman" avoids the trap. The nemesis, General Bethlehem is played seriously by Will Patton and the situation in general is believable if not completely explained.

I admit there were a few moments that were too heavy handed, the most memorable when the Postman gallops back to snatch a letter from a boy's hand. Even so, I can forgive a little over enthusiasm when it is mixed with a stirring tale. I know that during times of war, rhetoric is grist for the mill and so, the character's obsession with the American way, is understandable, given that it no longer exists.

You see, civilisation has fallen. It's implied that nuclear weapons were used, perhaps even biological weapons. Whatever the cause, people survive precariously, huddled together in fortified towns dreading the next visit of the Holenist army. A band of thugs created during the last days of the war and now led by General Bethlehem towards some nebulous vision, who's only constant is that Bethlehem will be the one in power.

Enter stage left, an unlikely hero. Kevin Costner's character may have a name but it is not revealed during the film. At first he is known as Shakespeare because he is a wandering loner who is sometimes driven to produce one man, one mule, productions of the Bard in the hopes of winning a meal from his audience. His aimless existence is abruptly ended when he is roughly drafted into the Holenist army.

From the first he stands out from the crowd of beaten hopeless recruits and so is singled out for special torments and duties. The army life is brutal enough without having earned the enmity of your squad leader. One thing leads to another and escape presents itself for Shakespeare. Without food or any other protection he stumbles on the remains of an old mail van and spends a night huddled in its dubious warmth, kept company by the body of a US Postal worker.

Whether by chance, destiny or foresight, he dons the guise of a postman and scams his way into a local town. "The mailman's here. Lock up your dogs." So long starved of civilisation, the bedraggled townsmen clamour for news of the world, the government, the future. He has little choice but to answer their questions, with creative and plausible fictions. It is here that the wheels of fate start turning.

The idea he has created, of a new America, is too big for one man to control. The film takes us on a steamroller ride headed straight towards the Holenist army. People with hope demand action. The desire for action creates leaders. Leaders are often forced to carry out the will of the people despite a lack of talent, desire or knowledge.

In this case, a young man, self named Ford Lincoln Mercury, forces the Postman to become a symbol of civilisation and eventually the symbol of resistance. Ford's passion and his actions are resisted for a long time but eventually the Postman comes to share the myth. One man can stand up to tyranny, especially with the help of a few courageous friends and the trust of one strong willed woman.

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Set in the near future after a catastrophic war which has destroyed the government, a traveler finds an old mail bag and starts delivering it.Genre: Feature Film-Action/AdventureRating: RRelease Date: 8-FEB-2005Media Type: DVD

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Ultraviolet (Unrated, Extended Cut) (2006) Review

Ultraviolet (Unrated, Extended Cut) (2006)
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The Amazon review stated, "As an overdose of eye candy, Ultraviolet can be marginally recommended as the second-half of a double-feature with Aeon Flux. Both films are disposable adolescent fantasies featuring an ass-kicking babe (in this case, the svelte and sexy Milla Jovovich) in a dystopian future, and both specialize in the kind of barely-coherent, video-game storytelling that's constantly overwhelmed by an over-abundance of low-budget CGI."
My question is, "Is there a problem with this?"
Ultraviolet was a fun 'comic book movie' with a touch of Anime feel, a touch of 'Brave New World' and a very interesting blending of CGI that was (in my opinion) not "low budge" but quality controled to straddle the line between the comic book world and the 'live action world. A reasonable "graphic novel" plot... lots of action... nice parody twist on the "guns... lots of guns" bit in Matrix... plot doesn't drag... action doesn't slow down... minor moralizing (just enought to stay true to the genra)... sheesh... what's not to like?
It ain't "Gone wiht the Wind"... but then... wasn't intended to be... If ya' like you're comic-book movies to be comic-book movies you'll love "Ultraviolet"... if ya' want something deep and meaningful... watch "Lord of War"...

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Milla Jovovich (Resident Evil, The Fifth Element), Cameron Bright (X-Men 3), Nick Chinlund (The Legend of Zorro) and William Fichtner (The Longest Yard) star in this theatrical set in the late 21st century, a subculture of humans have emerged who have been modified genetically by a vampire-like disease (Hemophagia), giving them enhanced speed, incredible stamina and acute intelligence, and as they are set apart from "normal" and "healthy" humans, the world is pushed to the brink of worldwide civil war (a war between humans and hemophages) aimed at the destruction of the "diseased" population. In the middle of this crossed-fire is - an infected woman - Ultraviolet, who finds herself protecting a nine-year-old boy who has been marked for death by the human government as he is believed to be a threat to humans.

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Equilibrium (2002) Review

Equilibrium (2002)
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I can understand the urge to compare "Equilibrium" and "The Matrix". Both films feature dark, foreboding cinematography. Both films are about rebellion against a warped reality. Both films feature a reluctant, messianic protagonist. And, finally, both films rely heavily on stylistic, hyper-kinetic combat scenes that can only be described as, well, reverent. That is where the similarity ends because while "Equilibrium" has a few moments of slow-motion it's action scenes are much more original than those of "The Matrix Trilogy". No Wires, just pure crazy choreography which makes the action feel all the more authentic. The environment is also a great deal more organic in contrast to the cryptic automaton of the Matrix.
"Equilibrium", in short, manages to be entirely its own movie. Where The Matrix relies on "bending" the rules of physics in an imaginary construct of a world, "Equilibrium" goes the other way and hypothesizes the "Gun-Kata", a martial arts ballet that allows it's practitioners to predict and anticipate close quarters gun fighting and hand to hand combat. Then, through a series of precise, dance like movements, a person can take on several combatants, using exacting, fluid actions to eliminate his attackers. Given a decidedly artistic presentation within the course of the film, these rapid-fire rhapsodies are exhilarating and oddly beautiful. They glamorize death as an abstract expression of powder bursts and shrieking projectiles. The film features some of the best choreographed shootouts I have ever seen, and ends up putting anything in The Matrix Trilogy to shame.
"Equilibrium" is a film that explores what it theorizes to be the root of all worldly chaos, human emotion. The movie takes place in the near future after a third world war that leaves Earth on the verge of total destruction. From the ashes arises a government that regulates everything and everyone through mind control. The drug Prozium is hailed as the elixir to the world's problems because it suppresses human emotion and thus eliminates the possibility war. All art, music, poetry and any emotion are considered contraband and must be destroyed upon discovery.
The primary clash is between individualism and collectivism -- the notion that each person is an end to him or herself and pursues his or her own happiness, and the theory that the individual exists only to further the interests of the state. In "Equilibrium", the side of "feelings" (the side that promotes painting, music, and literature) is the side of the sovereign individual.
The film clearly suggests that emotions -- the ability to "feel" -- are what make life worth living; yet they are also the source of violence and war. At some level, this is clearly true. The joy of art, the intensity of romantic love, the pleasures of a touch or the sight of a sunrise, the fascination of a great idea -- these are the things we live for. "Crimes of passion" such as murder, domestic violence, and assault generally involve uncontrolled emotions.
In "Equilibrium", murder and war among the civilian population have been wiped out. Of course, they have been replaced by state-sponsored murder and terror. Thus, the film points out the real purpose of deadening people's emotions is to perpetuate state oppression.
This nightmare is presided over by the Big Brother-like dictator Father, and enforced by a quasi-religious order of "Clericks," whose incredible combat skills are unleashed on "sense offenders" who have gone off the drugs that keep the populace docile.

John Preston (Christian Bale) is the perfect Grammaton Clerick (the government is known as the Tetragrammaton). He kills "sense offenders" without passion or guilt ... until he inadvertently fails to take his prescribed tranquilizer dose and events begin to catch up with him. Little by little, he finds himself drawn into "sense crime" and then into the resistance. I hesitate to reveal much more about the plot of "Equilibrium", jammed as it is with surprise and invention -- suffice to say, this is an intellectual rollercoaster ride, as cerebral as it is visceral; both a bleak glimpse into a possible future and a stirring tribute to the indomitable human spirit.
The creators of "Equilibrium" had to take some liberties with the very idea of emotion, of course. The drug really only eliminates the "highs" and "lows," leaving enough emotive strength for the characters to retain ambition and a visceral hatred of their enemies. Plot means conflict and human conflict is impossible without emotion.
The acting is excellent, and if you like Christian Bale as much as I do, he shines above all else. Bale is truly exceptional in bringing a real sense of emotional conflict to the character of Preston, and as the film moves on he gradually brings that emotion to the forefront. At the start of the film, and in it's many flashbacks, Preston is supposed to be this emotionless killer that doesn't realize he's actually feeling subtle emotions. Bale's performance keeps the perfect monotone voice of an emotionless character, but in his eyes shows the doubt, remorse and anger. Then as the films moves on he gradually starts changing his tone of voice, allowing the monotone to falter in key moments, until in the end he completely releases all of his emotions.
As you can tell, Equilibrium's plot draws from a rich variety of sources. There's a lot of Orwell's "1984" and Aldous Huxley's "Brave New World".
True, there are a few minor plot problems, but any movie that treats ideas and symbols seriously these days is a find, and one that pulls off a serious treatment of life's most fundamental questions in the context of a gripping story is a rare jewel.
"Equilibrium" is not science fiction so much as political speculation. It's that mainstay of movies, the cautionary tale, twisted into a decidedly dense and deceptive action thriller. While it may not always deliver in the thought department, we sure get some wonderful visual flourishes. And if a sci-fi film can stir your imagination, it's won most of the battle.
The creation of the enigmatic weapons battle dance, "Gun-Kata", makes the movie a see at least once exercise in speculative movie making.

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Delivering awesome high-tech action in the power-packed style of THE MATRIX and MINORITY REPORT, EQUILIBRIUM stars Christian Bale (REIGN OF FIRE) and Taye Diggs (CHICAGO) in a thrilling look at a future where the only crime is being human! In an attempt to end wars and maintain peace, humankind has outlawed the things that trigger emotion -- literature, music, and art. To uphold the law, a special breed of police is assigned to eliminate all transgressors. But when the top enforcer (Bale) misses a dose of an emotion-blocking drug, he begins to realize that things are not as they seem! Also starring Sean Bean (THE LORD OF THE RINGS) and Emily Watson (RED DRAGON).

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The Place Promised in Our Early Days Review

The Place Promised in Our Early Days
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After seeing the trailer at the ADV website, and knowing it was another Shinkai movie, I had to see this one, and it was just as good as I thought it would be. Hell, I'm almost willing to call it the best I've seen in the last few years. I can see now why some call Shinkai the next Miyazaki...if you think that is blasphemous to say, you ought to check out his works before judging that for yourself.
As much as I enjoyed Voices of A Distant Star (Hoshi no Koe), I found it too short. His animation style, the colors, the computer effects were all amazing...and even more so that he did the whole thing by himself.
Then he comes up with this masterpiece. Voices had an okay plot, but wasn't too terribly developed or interesting. This one is spectacular. It everything that Voices should have been...full length, proffessional looking, same beautiful use of computers to enhance colors, Shinkai's little trick of using real places in Japan to draw out buildings...it just blew me away.
Any anime fan looking for something fresh and beautiful should check this out, it is well worth the small amount of cash it will cost you. And if you are fortunate enough to live in one of the cities where its being shown in the theaters, I highly encourage you to see it there on the big screen.
The story is about three children and their quest to greater know the world they live in. This alternate universe takes place after WWII, except here the island of Honshu (the main island of Japan) and all southern islands came under US occupation, and the northern most island Hokaido came under control of the mysterious "Union", who in 1974 erected an enourmous tower for an unknown purpose. The two boys, and the one girl they both loved, Sayuri, promised each other that some day they would fly to that tower in the plane they built.
But then Sayuri falls into a mysterious coma, and the promise is delayed... I won't spoil the story, but needless to say its quite terrific and the ending quite satisfying.
Enjoy this one for yourself, trust me when I say its worth every penny.

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In 1996, an enormous tower is constructed on the southern shore of Hokkaido, it's purpose-unknown.Curious, three school children make a vow to discover the mysterious tower's secrets.Will this promise have to be left unfulfilled when one of the three falls into a coma?

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Fist of the North Star Volume 1 (1991) Review

Fist of the North Star Volume 1 (1991)
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This is one of my favorite anime of all time. It is simply an over-the-top gorefest. I love the fact that it pulls no punch and simply gets the plot out of the way in the first few minutes..
I can sum this movie up as:
Good Guys: "Man builds really big bombs and is stupid and annihilates the whole planet. This was a bad thing, let's not do this in real life. Oh look, a flower survived. Now we have hope."
Bad Guys: "Hope?! We can't have hope! We love slaughtering everything in sight for no apparent reason. Die flower die!"
Good Guys: "That's it! You die now!"
(Insert 70 minutes of insane fighting).
As silly as that sounds, this movie is GREAT. Turn off your brain and enjoy it..

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Voices of a Distant Star Review

Voices of a Distant Star
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For those who say this is eye candy - well, they're absolutely right, but to say it's just that - well, they couldn't be more wrong. "Voices of a Distant Star" is a short 30 minute animation by Makoto Shinkai that uses both 3D and traditional drawings. And while the graphics are visually stunning with otherworldly effects that will keep you captivated, it's the story that did it for me. Although I do wish this film had been longer to give us viewers more insight on the depth and history of their friendship/relationship, quality rules over quantity here and you can't help but feel the strong connection they have for one another right from the start...
Nuboro and Mikako had hopes of attending the same high school together but when a strange alien force threatens the human race, Mikako gives in to her fascinations with the sky above and decides to become a pilot for the UN Forces to help save mankind. But in doing so she was forced to leave behind the one person she cared about more than anything: Nuboro. Their only means of communicating is through text messaging but the further Mikako goes out to space, the longer the messages take to reach him (1 month, 1 year, 8 years...) as he grows older and she remains young.
There's of course a sprinkle of battle scenes here and there with sci-fi imagery but "Voices of a Distant Star" mostly relies on emotional impacts to keep one entranced and Makoto has done that with misty-eyed perfection. In short, this is a breathtaking anime about one couple's heart-wrenching struggles and how they deal with being apart. It shows that no matter the distance, true love can withstand the test of time, despite how difficult it may be.
{This DVD also includes the independently produced "She and Her Cat" which won Makoto several awards}.
LOVE IS FOREVER

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VOICES OF A DISTANT STAR

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