Showing posts with label don johnson. Show all posts
Showing posts with label don johnson. Show all posts

A Boy & His Dog (1975) Review

A Boy and His Dog (1975)
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It's the year 2024, and most of the Earth's nations have been demolished by yet another world war (the latest being WWIV). In this postapocalyptic world, slow-witted survivor Vic (Don Johnson) forages through the ruins for food and women with the help of his faithful dog, Blood (voiced by Tim McIntire), with whom he is able to communicate telepathically. Blood, more intelligent and more cultured than his young "master," often gets impatient with Vic's immature behavior and lack of interest in his attempts to educate the boy, but he nonetheless loves Vic and sticks with him to help him survive. And after several minor adventures and one huge misadventure, Vic does learn one incontestable actuality: Nothing is more important to a boy than his dog.
Based on an award-winning novella by the curmudgeonly SF writer Harlan Ellison, A BOY AND HIS DOG was adapted and directed by character actor L.Q. Jones and co-produced by Jones and Alvy Moore (the latter probably best known for his portrayal of scatterbrained Hank Kimball on TV's GREEN ACRES). While Ellison has said many times publicly that the film is the most faithful adaptation of any of his works, he has nonetheless complained vehemently about some of Jones' "adjustments"--most notably the minor addition of some gross or vulgar dialogue--and tried unsuccessfully to get them changed. Whether or not Ellison's complaints have merit, A BOY AND HIS DOG has come to be regarded as a science-fiction classic, its popularity undoubtedly due to its likeable characters who, despite their constant bickering and individual quirks, are redeemed by their committed friendship and their sarcastically humorous approach to survival.
The performances in A BOY AND HIS DOG are top-notch. Johnson convincingly portrays Vic as a filthy scavenger who, in spite of his dire situation, still manages to remain a decent human being at the core. Tim McIntire's vocal characterization of Blood embodies Ellison's original concept of a mutant pooch with a caustic ego that is balanced with just the right amount of off-beat humanity, and this portrayal is enhanced further by the outstanding on-screen performance of Tiger, the canine thespian that portrayed the family pet on TV's THE BRADY BUNCH. In his supporting role as the governor of a subterranean dystopia, Jason Robards is delightfully smarmy. And when beautiful Susanne Benton bares her ample "talents" on the screen, that's a lot of fun watch, too.
With A BOY AND HIS DOG, Jones' intention is not to make deep socio-political innuendos or to meet the average action-fan's prosaic expectations, and sentimentality is obviously far from his mind. Instead of serving up a dull postapocalyptic survival-of-the-fittest thriller or a cliché love-among-the-ruins drama, Jones gives us a wry black comedy that doesn't take itself too seriously. His direction is tight, his staging often inventive, and the dialogue--while MOSTLY lifted directly from Ellison's story--is often sharply sardonic and frequently witty. With this AND the outstanding performances he elicits from his cast, Jones creates a realistic world of future desolation, but he peoples it with central characters that learn to deal with the nightmare while still maintaining their humanity...and a sense of humor.
Several DVD editions of A BOY AND HIS DOG have been available over the past few years, and all have delivered good letterbox widescreen digital transfers. The current offering from First Run Features is an anamorphic widescreen version, and it also contains an interesting feature commentary and theatrical trailers.
All in all, A BOY AND HIS DOG is a wonderful interpretation of a classic SF novella, and this DVD will make a great entry in the film collections of SF fans who love quirky non-mainstream films.

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A BOY AND HIS DOG is a wild, kinky and darkly hilarious cinematic adventure, a cult classic for almost 30 years and an inspiration for an era of sci-fi films, including the Mad Max movies. Based on the Nebula winning novella by Harlan Ellison and directed by L. Q. Jones, it stars Don Johnson, Jason Robards and Susanne Benton. Set in the year 2024 in Post-Apocalyptic America, 18-year old Vic (Johnson) and his telepathic dog Blood (voiced by Tim McIntyre) are happy scavengers in the desolate wilderness ravaged by World War Four, where survivors must battle for food, shelter, and sexual companionship in the desert-like wasteland. Vic and Blood eke out a meager existence, foraging for food and fighting gangs of cutthroats. When they find a woman named Quilla Jones (Benton), she lures Vic into a bizarre underground city, where he is to be used against his will to impregnate dozens of young ladies!

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G.I. Joe - Ernie Pyle Review

G.I. Joe - Ernie Pyle
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I was expecting a 70 minute biographical sketch on Ernie Pyle, and wouldn't have been disappioned at all. Instead, I got what made him tick, along with insight from other WWII correspondents, & those who served in the war. This is a terrific tribute to anyone who served in the war, and I cannot state enough how highly I recommend it.

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G.I. Joe: Ernie Pyle celebrates the life of the nation’s most beloved war correspondent.Through dramatic re-enactments, still photos, and Pyle’s own moving words, a common thread of reality is woven into the fabric of the everyday man’s perspective.Interviews with Gerald Ford, Walter Kronkite and Andy Rooney pay tribute to a man who painted a true portrait of war from the frontline.

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Beulah Land (1980) Review

Beulah Land (1980)
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This is what I especially love about DVDS, the chance to see something that will likely never play on a television channel again. 1980's BEULAH LAND was a three-part mini series running just over four and a half hours. It's not perfect but it is highly entertaining and very well-acted. The program spans a period of over 30 years, from decades before the Civil War to the War to it's aftermath. BEULAH LAND stars Lesley Ann Warren who marries her childhood crush and eventually becomes mistress (the nice kind!) of his vast plantation estate, Beulah Land, battling evil overseer Paul Shenar, Yankees, financial hardships, hunger, and her feelings for artist Michael Sarrazin, not necessarily in that order. At times BEULAH LAND threatens to become a P.C. GONE WITH THE WIND or a PG MANDINGO (or vice versa) but it's extremely watchable (I planned to watch it over several nights and ended up watching the full movie in a night) and nice bit of nostalgia when these lavish mini series were on the main networks several times a year in the late 1970's and early 1980's. One thing I found a bit irritating was the continous jumps in years in the storyline as well as several main characters dying outside of the story, having just read some Amazon reviews of the book it appears the movie is only following what the book outlined.
Lesley Ann Warren is very appealing as the noble heroine Sarah, Meredith Baxter is fun as her fairly trampy sister. Paul Rudd (not the current film star of the same name) is appropiately bland as Sarah's husband Leon and Hope Lange shines in a too brief role as his imposing mother. Paul Shenar may give the best performance as the rather dashing example of pure evil but equally fine work is done by Dorian Harewood in the complex role of Floyd, a slave of dignity and intelligence who yearns to be a free man but remains on at Beulah Land. Clarice Taylor as Floyd's mother Lovey also gives a superb performance. Jenny Agutter is pretty good as the whore who becomes Shenar's bride although the British actress curiously speaks with an Australian accent at times instead of a Southern one.
Some of the more fascinating threads in the storyline of BEULAH LAND are somewhat under the surface: Leon and Floyd's relationship from best friends in childhood to it's ultimate strain as they grow into master and slave, Floyd's discreet unrequited love for Sarah, and a strong suggestion of at least a latent lesbian relationship between Leon's sister and her devoted black companion.
The current DVD cover shown on Amazon.com for BEULAH LAND seems to suggest the film is a grittier Civil War story like THE BLUE AND THE GREY; the copy I own has a more appropiate cover of Warren and Sarrazin that suggests a old-fashioned romance. Although the DVD lacks any sort of "extras", and doesn't even have closed-captioning, I consider it rather bargain-priced considering it's a two-disc set with 281 minutes of story at it's current price. BEULAH LAND may not be a classic but it's a solid piece of storytelling and should appeal to those who enjoy this genre of filmmaking.

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Item Name: Beulah Land; Studio:Sony

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