Showing posts with label third reich. Show all posts
Showing posts with label third reich. Show all posts

Europa Europa (1990) Review

Europa Europa (1990)
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This is one of the best films in the genre--historial film from autobiography. Marco Hofschneider brings to brilliant life the story of Salamon Perel, a German Jew. From the days of Kristallnacht--the Night of Broken Glass, when Jewish businesses were trashed and vandalized throughout Germany, to his final reunification with his brother--to poignant to say more about this here...this is a cinematic masterpiece.
I've seen few films that capture the turmoil of adolescent identity and identification so well. True, the Nazi era is the backdrop, but the themes couldn't be more universal. In that respect, it is also more relevant today, in 2004, than during the 1980s, when it was filmed--especially in America, where the American identity has been deconstructed so as to be hardly palpable. Also, it is equally relevant in Europe, where national distinctions could meld into a Confederacy if not a Union of some power.
Politics aside, this is an intensely personal film, one where the unquestioned identity of youth (German) falls victim to oncoming War and cruel happenstance. Perel must continually revise his vision OF himself and FOR himself, and at one point wishes for nothing more than to be an Nazi, for a beautiful young German girl becomes enfatuated with him. How did he end up in this position, wearing the uniform of the Hitler Youth at an Elite boarding school in Berlin? Or lose his virginity to a high-ranking female Party member while he is escorted by train from the Eastern Front to Berlin, as a Folk Hero (Volksdeutscher Held). Perhaps you think it unimaginable. I do not.
I've seen places in German where the remnants of Jewish culture and tradition are clear as day--such as a former High School for Jews in Berlin--with Hebrew and German inscribed clearly in the stones.
No, though Germany seems to some a heartless pillar of unemotionality, efficiency, heartlessness, the German characters in Europa, Europa are as human as those found anywhere. They fall victim to their personal aspirations, desire to please, deceitfulness, betrayal...simply put, human.
Although current fashion is to think of the period as one of the "banality of evil" (attributed to Hannah Arendt, Holocaust scholar), this film exposes the period as one more of human triumph and tragedy, and that, while we grow into adulthood, our personal identity is as much at the mercy of the passage of time and events as a unique, solitary construction.
See this film! It will draw you into the themes of Life, Love, and Redemption, and be over leaving you desperate for more.

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This "incredible, true story" (Los Angeles Times) is at once "eye-opening, harrowing and humorous" (Leonard Maltin) as it recounts the severe actions a young boy must take in order to survive the Holocaust. Based on the autobiography of Solomon Perel, a young German Jew, the film "bounds from one jaw-dropping episode to the next" (The New Yorker) and puts you in the middle of war-torn Europe where ingenuity, timing and luck are the key to survival.Separated from his family at the age of thirteen, Solly (Marco Hofschneider) takes on various identities to hide his Jewishheritage. First passing himself off as an orphan and later as one of the "Hitler Youth," Solly carries on his charade, hoping desperately to keep his identity hidden and make it through the war alive.

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Hitler in Colour (2005) Review

Hitler in Colour (2005)
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Adolf Hitler and the people of the Third Reich are seen here as we've never seen them before -- not only in color, but laughing, clowning, having a good time.
Well, the German people were, anyway. Hitler always seemed to be too aware of his position as the stern, implacable warlord to loosen up whenever he even suspected a camera was focused on him. To see Der Fuehrer smile, laugh or appear even moderately light-hearted, you have to watch for the moment when he happens to be looking partially away from the camera, to have momentarily forgotten its presence. There is one scene where he chats briefly with a group of German children, giving one pretty little blonde girl a hug. But it's shot from a short distance and his face is partially hidden. I've seen still photos, candid ones, of Adolf Hitler interacting with children, who seem to be relaxed and happy in his presence. Look at those photos, and read reminiscences of people who were close to Hitler, and you'll find out, probably to your amazement, that yes, the "most evil man in history" was fond of children.
"Hitler In Colour" does give us a much more "human" look at the German people of the Third Reich era, showing them at work and play (although footage of smiling children giving the Nazi salute are admittedly unsettling.) Normal human interactions and the underlying evil of the Nazi era often were overlaid, one on the other.
This DVD is very illuminating for those who have until now only seen fading black and white movies of the Hitler era. It is an experience not to be missed.

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The producers of the internationally acclaimed and award-winning In Colour DVD series now bring Hitler in Colour, a telling story of the rise and fall of a man who devastated the lives of countless numbers of people around the world. For 12 years, Hitler's overpowering personality dominated the German nation. He led his people from economic ruin in European conquest and to the brink of creating a New World Order. In his wake, he brought a reign of terror that caused death to millions. Drawing from recently discovered German film collections that comprise hours of previously unseen color footage, and woven with eyewitness testimony, Hitler in Colour tells the astonishing and disturbing story as never before. Narrated by Emmy Award winning British actor Brian Cox.

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