Showing posts with label academy award winner. Show all posts
Showing posts with label academy award winner. Show all posts

The Adventures of Robin Hood (Two-Disc Special Edition) (1938) Review

The Adventures of Robin Hood (Two-Disc Special Edition) (1938)
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The pinnacle of Errol Flynn's string of swashbuckling adventures...The most expensive film Warners had ever made (until 1938), and in glorious Technicolor, to boot...The film with the most cherished of Erich Wolfgang Korngold's many film scores...The film that literally set the standard for every 'Robin Hood' and 'Knighthood' movie since...One of the greatest films, not only of the 1930s, but of all time...THE ADVENTURES OF ROBIN HOOD is, in EVERY sense of the word, a CLASSIC, and the new DVD edition is LONG overdue!
The story of Sherwood Forest's favorite bandit had been a movie staple since silent films (Douglas Fairbanks' acrobatic 1922 version was regarded as one of his finest roles), and the WB, riding high on a string of hits by Fairbanks' younger and sexier successor, Errol Flynn, knew they had all the elements in place to create a grand entertainment that no other studio could match!
Originally intended for James Cagney, the property had languished for three years, until Errol Flynn exploded onto the scene, and the studio knew they had the actor 'born' to play the role. Not wishing to run into legal problems with United Artists, who'd produced the 1922 film, an original script, incorporating elements of "Ivanhoe", ancient legends, medieval ballads, a popular 19th century stage production, and a bit of Howard Pyle, was written by Norman Reilly Raine and Seton I. Miller (with some uncredited assistance by Rowland Leigh). Casting nearly all of their "British Colony" in speaking roles, the studio brought back Alan Hale to reprise his 1922 role of Little John (an excellent choice, as Flynn and Hale had terrific rapport), casted rotund comic actor Eugene Pallette (Guy Kibbee was the first choice) as a gravelly-voiced Friar Tuck, and Flynn's LIGHT BRIGADE costar, Patric Knowles, as Will Scarlett (David Niven was unavailable). As the villains, Claude Rains played the fey Prince John, and Basil Rathbone (whose duel with Flynn in CAPTAIN BLOOD was a film highlight) was perfection as the villainous Sir Guy of Gisbourne, Maid Marion's Norman suitor, and Robin's arch-nemesis. In the role of Marion, could anyone OTHER than Olivia de Havilland have been cast? Flynn and de Havilland had already done two films together (and would do four more, after ROBIN HOOD), and their chemistry was so perfect that 1930s screen magazines were always hinting of a romance between the two (there wasn't, despite overtures by Flynn; they remained simply friends, with Olivia and Errol constantly playing pranks on each other).
Not that the production was problem-free; the original director, William Keighley, was axed after the location shooting was completed, as the studio didn't like his approach to the script and actors; Michael Curtiz, who had 'made' a star of Flynn, in CAPTAIN BLOOD, was quickly brought in, adding his sense of drama, lighting (the
'light-and-shadow' climactic duel between Robin and Sir Guy was a Curtiz 'trademark'), and style. Both Curtiz and Keighley would share the 'Director' credit when the film was released.
THE ADVENTURES OF ROBIN HOOD was Warners' biggest box office hit of 1938, became a multiple Academy Award winner (with the most statuettes of any film that year), and it's luster has only increased through the years, being named as one of the AFI's 100 Greatest Films of All Time. This is a classic that TRULY lives up to the term, and is an absolute MUST for your DVD collection!

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Errol Flynn is eternally charming as Robin, defender of the poor, in this rousing family adventure that co-stars Olivia de Havilland and Claude Rains. Year: 1938 Director: Michael Curtiz, William Keighley Starring: Errol Flynn, Olivia de Havilland, Basil Rathbone, Claude Rains, Alan Hale

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Sophie's Choice (1982) Review

Sophie's Choice (1982)
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Alan Pakula brings the Styron novel to the screen with period-perfection, and he has in his court a trio of superb performances, lead, of course, by Meryl Streep, who finally won me over with her transformation into Sophie. The character is layered and rich with emotional baggage, and Meryl's performances is nothing short of transcendental. When I saw this movie in the theatre upon its release, there was an older woman in the audience, towards the front, who ran screaming from the theatre, her hands on her ears, during the gut-twisting "choice" sequence. Kevin Kline and Peter MacNicol, who do battle over Sophie, and within their own hearts, are exceptional foils for Sophie, and each brings a resonance to the evocative Brooklyn locations. The European sequences, swathed in a sepia tone, are mesmerizing and horrific. Sophie's journey is also a mystery, and it unravels with devastating results. Marvin Hamlish designed the lush musical score, which continues to rip my heart open every time I play it. While Schindler's List is a more gigantic vision of the experience of the Holocaust, this movie is intensely personal, but does perhaps more to drive a stake through your heart. You will continue to wonder, long after the haunting images of Sophie's face fade from view, what might you have done in her shoes?

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