Showing posts with label eastwood. Show all posts
Showing posts with label eastwood. Show all posts

Rawhide: Season Three, Vol. 1 Review

Rawhide: Season Three, Vol. 1
Average Reviews:

(More customer reviews)
The greatest western there has ever been or will ever be is Rawhide!
Outstanding western series! Keep them coming Paramount! We are loving it! It's true that Gil and Rowdy rule and Rawhide is #1!
episodes from the first half of Season 3
Season 3, Episode 1: Incident at Rojo Canyon
Season 3, Episode 2: Incident of the Challenge
Season 3, Episode 3: Incident at Dragoon Crossing
Season 3, Episode 4: Incident of the Night Visitor
Season 3, Episode 5: Incident of the Slavemaster
Season 3, Episode 6: Incident on the Road to Yesterday
Season 3, Episode 7: Incident at Superstition Prairie
Season 3, Episode 8: Incident at Poco Tiempo
Season 3, Episode 9: Incident of the Captive
Season 3, Episode 10: Incident of the Buffalo Soldier
Season 3, Episode 11: Incident of the Broken Word
Season 3, Episode 12: Incident at the Top of the World
Season 3, Episode 13: Incident Near the Promised Land
Season 3, Episode 14: Incident of the Big Blowout
Season 3, Episode 15: Incident of the Fish Out of Water
All episdoes are outstanding!
After years of waiting and the cruel betrayal of Columbia House, who had started making DVDs available in 2003, uncut and in series order but then abruptly stopped August 2004, Parmount has come to the rescue! Now in Paramount's capable hands, we are finally making real progress!
Paramount has released more episodes than anyone else to date, even more than Columbia House who had released dozens of VHS tapes(not in episode order). Eric Fleming is amazing as Gil Favor in this seris, there's no one else like him. Rowdy is also incredible in this series. The details of the old west in this series are fantastic. They don't make anything like it nowadays and we'll probably never see anything like it again.
Thank you Paramount!
Here's a great editorial review for Rawhide below
Like anyone growing up in the late fifties and early sixties I watched as much television as possible. Remember that this was the era of the eleven inch, black and white screen, the single three inch speaker and the universal remote was the youngest family member who had to get up to turn the knobs. This was also the golden years of television. The series that were around back then created the genres that are still around decades later. There was also something special about TV back then, it was the era of the western. Every single boy had a cowboy hat, boots and play six shooter. Even the girls refused to be left out and clamored for a fringe skirt cowgirl outfit and hat. The vast majority of television programming was dedicated to the American old west. Every network, all three of them, filled their schedules with one variation of the theme after another. Most of those series are now only a small footnote in the history of television. Several remain today as cult classics and the undisputed leaders in this field. After `Gunsmoke' one TV western still stands above the rest `Rawhide'. This was `THE' show to watch back then. We kids would put on our cowboy gear, make the coffee table into a covered wagon and sit there mesmerized by the action. This is more than an old television show; for many of us this is a piece of our personal history.
The folks over at Paramount Pictures have the most incredible vault of classic television series imaginable. Anybody would love to be able to sit there for a month or two watching the myriad of shows they have on tap. Since this is not a likely prospect it is very fortunate that Paramount has been in a sharing mood. Lately they have been bringing out DVD set after set of series from these golden years. Now they have the second volume of the second season and like the previous ones, it is fantastic. The thing about `Rawhide' is it may have been one of the most famous television westerns but it was not very typical of the genre. Most westerns had the required action. There were good guys with white hats and bad one wearing black and the Native Americans, `Indians' back then, where rarely more than savages. Rawhide took a different slant. It was a dramatic series that just happened to be set in the old west. The six-shooter was there but not as important as the moral and emotional dilemmas the characters faced each week. The stories were centered on the characters over mindless action. It was possible to do this back then. Now so much of television has degenerated into mindless pap that it is easy to forget just how powerful this medium is. In those days everything was new and the studios were willing to take a chance. Rawhide stands the test of time because it dared to be different. So bring in the youngsters and let them see television the way it was meant to be. If they complain just make them stand behind the TV holding a set of rabbit ear antennas like we had to.
The premise of the series is elegant in its simplicity following the lives a group of cowboys working on a cattle drive. Many westerns showed cowboys riding around, shooing cattle now and again but it always felt like the cowpokes really didn't have a whole lot to do. This series depicted the arduous struggle to move a heard of cattle from one location to another. It was a daily hardship battling the weather, rustlers, the cattle and even each other. The drama of the series came organically from the realism of the characters and stories. These were the kind of men that built the west. At the head of the chain of command is Gil Favor (Eric Fleming), the trail boss. He is the one in command of the drovers and support staff on the drive. He is a man who has been around and seen it all. Although he is grizzled and tough he is also fair. His right hand man is Rowdy Yates (Clint Eastwood), the ramrod. It is up to him to work along side the men making sure they do things right. While the men keep the cattle in line it is up to Rowdy to keep them moving in the right direction. Also in constant attendance is Wishbone (Paul Brinegar) the camp cook. He you are responsible for providing a group of hungry cowboys with chow you have to be ready for just about anything. He depends on his assistant Mushy (James Murdock). One of the senior wranglers is Hey Soos (Robert Cabal) he is not a stranger to getting into trouble. Usually there to scout out the land ahead is Pete Nolan (Sheb Wooley).
This series doesn't look or feel like a television show at all. It is more like short, 50 minute, movies. The production quality here is spectacular. There is more emphasis on the plot than action. The fight scenes are just a small part of the series and this set it apart from the large pack of westerns back then. Life on a long cattle drive was shown in a realistic fashion. On such a trek boredom was the real enemy. Cowpokes looking for some excitement on their down time would head off to the nearest town and typically get into some mess or another. There are also plenty of slice of life shots. In one the men side around the chuck wagon, the center of cattle drive society, and grab a snack, mend their clothes, get in a snooze or tend to their saddles. These quite times were usually disrupted by some form of mayhem. Either it is a group of cattle rustlers out to steal the heard or an Indiana attack that forces the cowboys into action. Each episode was titles `Incident at ...' which is extremely fitting. These stories are notable incidents on an otherwise routine cattle drive.
Every episode begins with Gil waxing philosophically about some aspect of his line of work. Whether it is how the good Lord swells a little stream so it takes days to cross or the economics of bringing in the heard on time and in sellable shape Gil gets to show off his deeper side. This was also the series that made a star out of Clint Eastwood. He is more than an actor; he is a true renaissance man who has achieved fame as an actor, director, jazz musician, composer and even a politician. This is where it all began for him. He could stare down the meanest bad guy with a single stare and if necessary back it up with his six-shooter. Also gaining a good deal of fame here was the singer of the theme song, Frankie Lane. This song has lived on long after the series was cancelled and is known throughout the world.
Paramount certainly took care of the original elements of this series. The black and white full screen video is incredibly clear. There is a little speck every so often but over all the video is excellent. This is better than I remember the show ever being. the Dolby 2.0 mono is clear and without flaw. These episodes are completely re-mastered and it shows. Typical of an older television set for Paramount there are no extras included. That really doesn't matter here; the series is a great buy on its own. This is a must have for everyone that appreciates quality television.And here's another good editorial review.
More often than not, Rawhide (1960) is remembered as the show that started the long and illustrious career of Clint Eastwood. After all, his appearance in this Western-themed show would eventually lead to his participation in the classic Sergio Leone spaghetti westerns as The Man With No Name. From there he would start directing and then eventually become the Academy Award winning talent that he is today. it's a very successful show in its own right, as illustrated by this release of Rawhide
Rawhide was always a fan favorite for those interested in the Western genre (and those old enough to have seen the show), and even today it is still a standout in the genre, with excellent direction, writing, and acting.
The series as a whole revolves around the cattle drives of the old west, but that simple premise leaves plenty of room for the writers to come up with tons of interesting stories, episode after episode. What's...Read more›

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The tale of Gil Favor, trail boss, and Rowdy Yates, his assistant, as they drive cattle across the old West. Along the way they meet up with adventure and drama.

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Absolute Power (Snap Case) (1997) Review

Absolute Power (Snap Case) (1997)
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At the start of "Absolute Power" Luther Whitne (Clint Eastwood), cat burglar par excellence, finds himself in a very strange situation. While robbing a rich man's safe in a large bedroom closet, he is interrupted by the appearance of a man and woman who head straight for the bed. While hiding in the closet, where he sees what is going on through a two-way mirror, he watches while the sex play gets rough: the man hits her, she stabs him with a letter opener, and then two men come into the room and shoot her. Luther gets out of there, but while his presence was undetected it does not go undiscovered. The problem is that the man he was watching happens to be the President of the United States (Gene Hackman).
Now, I have to stop at this point and tell you that one of my cinematic pet peeves is the idea that the United States Secret Service will let the president do anything, no matter how stupid or reckless, without batting an eye. Indeed, in "Absolute Power" there are two such agents, who help to cover up the murder and then try to track down Luther and kill him. However, the actors playing those two agents happen to be Scott Glenn and Dennis Haysbert, which is an important fact because a lot of the faults in this film area absolved by the casting, the credit for which goes to the film's director: Clint Eastwood.
The hook for this thriller is the idea that the president, his Chief of Staff (Judy Davis), and the Secret Service are out to get Luther, whose stated intention is to get out of town and get lost as quick as possible. But the key to this film ends up being a rather odd romantic triangle that exists between Luther, his estranged daughter, Kate (Laura Linney), and the D.C. homicide cop, Seth Frank (Ed Harris), who is assigned to the murder. Frank interviews Luther, not because he thinks the old con is a murderer, but because he is one of the few that could have pulled off the heist. He then moves on to Kate, hoping to get her to persuade her father to turn himself in before the wrath of the rich man (E.G. Marshall) whose wife is dead comes crashing down on him. Frank clearly likes Kate and is rather impressed by Luther, which is good because I like smart cops. For his part, Luther clearly has some admiration for the detective and also likes his taste in women.
My favorite scene in this movie is when Frank takes Kate to her father's house, where she has never been, and (knowing where Luther hides the key), takes her inside. In one room she finds a gallery of photographs, of all of the key moments in her life after her father left. "She was at none of these," she insists to Frank, although clearly that was never the case and we can see in an instant that she is rethinking her entire relationship with her father. As much as it is fun to watch Luther outsmart the cops, the Secret Service, and the hitman sent by old man Sullivan, the heart of this film is between Luther and Kate. Even when she sets him up, believing it to be the only way of helping keep her father alive, he surprises her by showing up. His reasoning? He did not want her to believe he was a murderer. Besides, his daughter wanted to see him.
I understand the script by William Goldman is quite different from David Balducci's novel, but that simply has to do with Eastwood playing Luther (if you read the novel you will understand why this would matter in terms of the significant changes). Eastwood's direction is competent as always, and, as I mentioned above, he gets the credit for being able to bring together such a solid cast for one of his projects (who would turn down a Clint Eastwood movie?). Final Note: the White House Tour Guide is played by the director's daughter, Kimber Eastwood.

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He was there he shouldn't have been and saw what he shouldn't have seen. Now, who will believe the word of a career thief and ex-con? Who will trust Luther Whitney when he says he saw a woman killed and that the man responsible for her death is the President of the United States? Clint Eastwood portrays Whitney and directs this crisp, finely acted thriller based on David Baldacci's best-selling novel. A stellar cast which includes Gene Hackman and Ed Harris creates well-rounded characters that intensify constantly spiraling game of cat and mouse between Whitney, local police and the highest levels of White House power. Eastwood is a master at steadily raising the stakes in thrillers. Here his mastery is absolute.

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