Showing posts with label coverups. Show all posts
Showing posts with label coverups. Show all posts

Absolute Power (Snap Case) (1997) Review

Absolute Power (Snap Case) (1997)
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At the start of "Absolute Power" Luther Whitne (Clint Eastwood), cat burglar par excellence, finds himself in a very strange situation. While robbing a rich man's safe in a large bedroom closet, he is interrupted by the appearance of a man and woman who head straight for the bed. While hiding in the closet, where he sees what is going on through a two-way mirror, he watches while the sex play gets rough: the man hits her, she stabs him with a letter opener, and then two men come into the room and shoot her. Luther gets out of there, but while his presence was undetected it does not go undiscovered. The problem is that the man he was watching happens to be the President of the United States (Gene Hackman).
Now, I have to stop at this point and tell you that one of my cinematic pet peeves is the idea that the United States Secret Service will let the president do anything, no matter how stupid or reckless, without batting an eye. Indeed, in "Absolute Power" there are two such agents, who help to cover up the murder and then try to track down Luther and kill him. However, the actors playing those two agents happen to be Scott Glenn and Dennis Haysbert, which is an important fact because a lot of the faults in this film area absolved by the casting, the credit for which goes to the film's director: Clint Eastwood.
The hook for this thriller is the idea that the president, his Chief of Staff (Judy Davis), and the Secret Service are out to get Luther, whose stated intention is to get out of town and get lost as quick as possible. But the key to this film ends up being a rather odd romantic triangle that exists between Luther, his estranged daughter, Kate (Laura Linney), and the D.C. homicide cop, Seth Frank (Ed Harris), who is assigned to the murder. Frank interviews Luther, not because he thinks the old con is a murderer, but because he is one of the few that could have pulled off the heist. He then moves on to Kate, hoping to get her to persuade her father to turn himself in before the wrath of the rich man (E.G. Marshall) whose wife is dead comes crashing down on him. Frank clearly likes Kate and is rather impressed by Luther, which is good because I like smart cops. For his part, Luther clearly has some admiration for the detective and also likes his taste in women.
My favorite scene in this movie is when Frank takes Kate to her father's house, where she has never been, and (knowing where Luther hides the key), takes her inside. In one room she finds a gallery of photographs, of all of the key moments in her life after her father left. "She was at none of these," she insists to Frank, although clearly that was never the case and we can see in an instant that she is rethinking her entire relationship with her father. As much as it is fun to watch Luther outsmart the cops, the Secret Service, and the hitman sent by old man Sullivan, the heart of this film is between Luther and Kate. Even when she sets him up, believing it to be the only way of helping keep her father alive, he surprises her by showing up. His reasoning? He did not want her to believe he was a murderer. Besides, his daughter wanted to see him.
I understand the script by William Goldman is quite different from David Balducci's novel, but that simply has to do with Eastwood playing Luther (if you read the novel you will understand why this would matter in terms of the significant changes). Eastwood's direction is competent as always, and, as I mentioned above, he gets the credit for being able to bring together such a solid cast for one of his projects (who would turn down a Clint Eastwood movie?). Final Note: the White House Tour Guide is played by the director's daughter, Kimber Eastwood.

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He was there he shouldn't have been and saw what he shouldn't have seen. Now, who will believe the word of a career thief and ex-con? Who will trust Luther Whitney when he says he saw a woman killed and that the man responsible for her death is the President of the United States? Clint Eastwood portrays Whitney and directs this crisp, finely acted thriller based on David Baldacci's best-selling novel. A stellar cast which includes Gene Hackman and Ed Harris creates well-rounded characters that intensify constantly spiraling game of cat and mouse between Whitney, local police and the highest levels of White House power. Eastwood is a master at steadily raising the stakes in thrillers. Here his mastery is absolute.

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Basic (2003) Review

Basic (2003)
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John Travolta plays Tom Hardy, a ex-military Ranger now DEA agent brought in by an old friend to investigate the disappearances and/or deaths of several Army Ranger trainee's and their legendary drill instructor, Sgt. Nathan West (Jackson), during an exercise at a basic training camp, Fort Clayton, in Panama.
Once Hardy gets there a series of different storys are told and changed by the trainee's that he question's on the events that occurred at this training camp. Which starts to form a huge question in the audiencies mind, WHO'S TELLING THE TRUTH? However by the end there is a huge climax and everything is explained and leaves you in half shock, half amazement. I recommend this movie to anyone who liked 'A Few Good Men' or 'Mission:Impossible'.
'Basic' has terrific performances by Samuel L. Jackson and John Travolta although a shaky performance by Connie Nielson. It also has great supporting acts from Giovanni Ribisi, Taye Diggs, and Brian Van Holt.

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Casualties of War (1989) Review

Casualties of War (1989)
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Casualties of War is a unique film. There are many films that depict wartime atrocities. This one stands above the rest because of it's character development. We get to know the guilty parties, and they are not purely evil, but are in many ways quite ordinary. They seem like regular US GI's at first, just trying to survive day by day.
Sean Penn's character (Sgt Meserve) leads them into an abyss, and only one of them (Eriksson, played by Micheal J Fox) refuses to enter. The others commit murder and rape, while Eriksson cringes. The separate perpetrators display trepidation, anxiousness, remorse and the lack thereof. Other characters exhibit cynicism and callousness. Their victim shows her fear alone.
This film is effective because it shows all but one of the soldiers as having different and human sides. Eriksson and Diaz (John Leguizamo) know that what is happening is wrong, but one fails to stop it, and the other participates. Meserve comes up with absurd lies to try to justify what they are doing, not only for Eriksson, but for the others, and it seems even for himself. Only one character in this film (Clark) is completely inhuman. His sadistic fervor and amoral smugness makes him appear as a monster, plain and simple.
This film is effective because it shows seemingly normal men in a descent into utter barbarism. Thuy Thu Le sets the mood for this by portraying the terror of their victim so well. Sympathy for the victim will surely make anyone cringe. But, it is by showing that the perpetrators, except Clark, are like most anyone that this film has its' strongest affect. How would we each fare if faced by such a situation? Who among us would stand against it? Who would succumb to it? This film strikes deeper than any horror film, with obviously inhuman monsters. It shows real people who become monsters, and is therefore vastly more effective- even more so because it all really happened.

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