Showing posts with label john travolta. Show all posts
Showing posts with label john travolta. Show all posts

John Travolta Triple Feature (Face/Off / The General's Daughter / Domestic Disturbance) Review

John Travolta Triple Feature (Face/Off / The General's Daughter / Domestic Disturbance)
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These are good movies. Face off and The General's Daughter is not appropriate for children under 17. Domestic disturbance is not appropriate for children under 13.

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Face/Off - John Travolta stars as FBI agent Sean Archer doing the unthinkable to stop the elusive terrorist Castor Troy (Nicolas Cage). Watch the bullets fly and the action explode as master action director John Woo ( Broken Arrow) detonates the screen in this special collector’s edition DVD. Loaded with high-voltage special features, this two-disc set redefines the action genre like never before!The General's Daughter - There's the right way, the wrong way and the Army way. But there's no way military investigator Paul Brenner (John Travolta) is going to participate in a cover-up when Fort MacCallum officials try to hide the motive behind the murder of a beautiful female officer. Travolta's magnetic performance sparks this riveting thriller from the director of Con Air and the producer of The Hunt for Red October. Madeleine Stowe plays Brenner's co-investigator and former flame. And James Cromwell, Timothy Hutton, Clarence Williams III and James Woods are among the suspects in this "steamy game of cat and mouse that will keep you guessing until the surprising explosive ending."Domestic Disturbance - In this "edge of your seat thriller," John Travolta stars as Frank Morrison, a man who discovers that his son's new stepfather (Vince Vaughn) is not who he pretends to be. Frank's investigation into this man's past explodes into a terrifying mission to rescue his son from the ultimate danger. This chilling, critically acclaimed hit will have your heart pounding from start to finish!

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Battlefield Earth (2000) Review

Battlefield Earth (2000)
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#1 Johnny Goodboy used a Psychlo learning machine, and learned "Euclidean" Geometry. I guess the psychlos were fans of the ancient Greeks.
#2 The tribes lived in caves in Denver for 1000 years, but one spoke with a heavy British accent.
#3 They had no system of writing any more, but after using the learning machine that taught him Pyschlo, Johnny knew how to read English
#4 It took the psychlos 9 minutes to defeat the combined armies, navies, air force, marines of the USA, China, Russia, and England etc... but it took 9 minutes for a dozen cavemen to defeat them?
#5 If the psychlos were so smart that they had a learning machine, then how come they couldn't learn English, but needed to teach Johnnie their language? Also, the ancient teacher from another alien race spoke to Johnnie in English.
#6 The Styrofoam creatures at the mini golf place looked mighty nice after 1000 years. I guess styrofoam really doesn't biodegrade.
#7 The Psychlos have advance mapping capabilities that allowed them to detect a tiny bit of gold from a earthquake in the rocky mountains, but they couldn't find Ft. Knox in 1000 years. It took cavemen a few days to figure that out.
#8 The library of congress is topped with the capitol dome.
#9 The Psychlos fought a war, albeit a short one with humans with aircraft, yet thought dogs were smart and humans were unable to operate mining equipment.
#10 The Pyschlos taught the most rebellious human to use their flying equipment, which is dumb in and of itself. How did they beat us in the first place? But then, he sneaks off in the craft for a week, cruising to Ft. Knox, Washington D.C., and Ft. Hood, Texas, and they don't notice it or track it with radar.
#11 In Ft. Hood Texas, the rebels arrive 1000 years after humanity was decimated, to find that the power was still on. I guess themilitary paid their electrical bills way in advance. Not only was the power on, but there were harrier jets with full gas tanks, missiles, and a flight simulator that was still functioning and turned on when they arrived. Oh, and there was a nuclear bomb left out in the open for them to grab too. How convenient.
#12 The rebels, aside from Johnny did not get the learning machine experience, but he was able to train them to read English in seven days. He got them enough training time each in the flight simulator for them to learn battle tactics and to fly advanced military aircraft to beat the evil aliens in battle. Let's see. 10's of thousands of air force personnel who trained for years and years were vanquished by the Psychlos, but 3 dozen hillbillies with a week of training in English, battle tactics, and flying were able to destroy them without breaking a sweat.
#13 When Johnny is shot with a pyschlo radar gun, he goes through 5 or 6 plate glass windows without getting a cut.
#14 The night they defeat the aliens, Johnnie's hair is all thrashed around and going this way and that, after a hard night of battle, he emerges with clean hair that is nicely braided in front.
#15 The books in the Denver library were still very readable after 1000 years of exposure to atmosphere.
#16 The buildings still had glass in the windows 1000 years later.
#17 Cars were slightly rusted, but still had their original paint job from 1000 years ago.
#18 Cars still had air pressure in their tires after a millenium of disuse.
#19 The nuclear bomb had no casing, but the rebels didn't show signs of exposure.
#20 The humans instead of mining the gold, got bars of it from Ft. Knox. I was surprised that John Travolta's character noticed, but Johnny said that they melted it down into bars for them. Yeah, from what foundry near by?
#21 Johnny was tortured by the Psychlos, testing if he could survive for 4 minutes without oxygen which they didn't breathe. He runs through the place, and there are several fires burning despite the lack of oxygen. I guess the laws of chemistry are suspended in the 31st century.
So...the guy who said the film had no plot holes apparently possesses quite a few holes in his own thinking. This is not the kind of stuff on which you base suspension of disbelief - this is inexcusable tripe from talentless filmmakers (and a hack scifi writer who was the laughing stock of his generation) aiming only to cash in on the success of numerous superior films. And since when is scifi poorly received in the press? Movies like "The Matrix," "Star Wars," and "Pitch Black" all received well-deserved accolades. The reviews for "Battlefield Earth" have been resoundingly negative not due to any religious bias but due to the simple fact that it's an ineptly filmed, poorly acted, incoherent, derivative attempt to milk genre fans of their money.
But, judging from the dismal box office receipts, it's nice to see that the proposed sequel will probably never happen. Thank God.
Now go watch some real scifi flicks, and hey, go read some books by Heinlein, Campbell, or Bradbury, a group of writers who each possessed more talent in their pinky fingers than L. Ron Hubbard exhibited through a career propelled by some of the worst prose ever produced. Scientologist or not, the guy just plain sucked.

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The security chief for the alien Psychlos, who have conquered the Earth, decides to use human slaves to mine for gold, but a young man decides to challenge Psychlos domination.Genre: Science FictionRating: PG13Release Date: 16-JUL-2002Media Type: DVD

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The General's Daughter (1999) Review

The General's Daughter (1999)
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Not a great movie, but still entertaining. I especially enjoyed the characters and performances of Travolta and James Woods. The nudity and S&M in the film is disturbing, as it was probably intended to be, but its so in-your-face that it threw me off from fully immersing in the experience, making me feel like I'd stepped into the wrong movie. Stowe was underused, her role as a romantic foil for Travolta forced. You have a pretty good idea who the bad guys are going to be by the middle of the movie, if not earlier, but there's still enough doubts and twists to keep you second guessing till near the end. I didn't like the same old portrayal of the military. From this film you'd think most of the officers are sexual or moral deviants without integrity or honor. But I guess it wouldn't have been much of a who-done-it if you can't suspect everyone. Watch the film, but don't let your expectations get too high.

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SWEENEY TODD COLLECTOR'S EDITION - DVD Movie

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Welcome Back, Kotter: The Complete First Season (1975) Review

Welcome Back, Kotter: The Complete First Season (1975)
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It has been years since I last saw "Welcome Back, Kotter." It is a real treat to see it coming out on DVD. No one could have imagined the break out star John Travolta would become, trading in his tight t-shirt for a white leisure suit, as Gabe Kaplan fights to hold his own against an unruly class of "Sweathogs," who fall below the curve of Buchanan High School. This was the first high school comedy to capture a gritty urban feel. Room 222 had its moments but was sticky sweet by comparison. Gabe Kaplan drew on his life experiences, which had been the fodder of his stand-up routines, to capture a lively classroom of remedial kids led by Vinnie Barbarino. They manage to stay one step ahead of Vice Principal Woodman (John Sylvester White), but Kotter knows the tricks all too well, having been a sweathog himself in his youth. Robert Hegyes, Lawrence Hilton-Jacobs (who enjoyed a brief celebrity of his own) and Ron Palillo round out the motley crew, representative of the racial diversity of the school. Marcia Strassman is wonderful as Kotter's wife, Julie, who has to listen to his daily accounts each evening, reminiscent of the bed conversations between Bob and Emily Newhart. The show had a good run of 4 seasons, which is appropriate given that it was a high school comedy. And, don't forget the wonderful theme song by John Sebastian.

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Mr. Kotter, meet the Sweathogs, the goofiest group of remedial students who ever set off the fire alarm two minutes before a test or spent algebra class constructing spit wads. Sweathogs, meet Mr. Kotter, a former Sweathog who's returned to his old high school as your new teacher. Gabriel Kaplan stars as Kotter and John Travolta, in his breakthrough role, plays Sweathog leader Vinnie Barbarino in this multicultural, multicomical 1970s smash hit set at Brooklyn's James Buchanan High School. Join them plus jivin', high-fivin' Freddie Washington, tough-guy Juan Epstein and peppy pipsqueak Arnold Horshack for all the Season One fun - or it's up your nose with a rubber hose! DVD Features:Featurette:The shows cast and creators reflect on the influence of the show, their personal experiences and memorable momentsOther:Actors' Original Screen Tests


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A Civil Action (1999) Review

A Civil Action (1999)
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Sometime in the late 1960's, a hideous act of pollution took place in Woburn, Massachusetts, a small town north of Boston. Over the next fifteen years, twelve people died of leukemia. Eight of those were children. The firm of Jan Schlichtmann, Kevin Conway, James Gordon, and Bill Crowley take on the case on behalf of Anne Anderson, a woman who lost her child to cancer. For her, money isn't the point. All she wants to know is what happened, and for the responsible parties to come over and apologize to her and the other families. Thing is, corporations apologize with money, and if the corporations have deep pockets, it's a case worth taking, so money does indeed become the point in A Civil Action.
Schlichtmann uncovers the culprits, a chemical company, WR Grace and Beatrice Foods, who provide services for a tanning company owned by Riley. With that, he files a lawsuit, the legal equivalent to a declaration of war, and hires a geological team to provide scientific evidence should it come to trial.
Jan then does a couple things that leads to his downfall. One, he gets personally involved. In a news broadcast, he holds up snaps of the Woburn kids who have died. He shows empathy, which is a grave disservice to the legal profession because it clouds his judgment. He says it's like a doctor recoiling at the sight of blood. That leads to his demanding of WR Grace and Beatrice Foods a multi-million dollar settlement, including money for a research foundation, to cover expenses, and to provide for the families for thirty years, which the corporations refuse, which in turn takes the case to trial. He does this without consulting his partners, which doesn't bode well. James Gordon, the accountant, points out that they need to work on other cases to provide a cash flow. Schlichtmann has sunken a million into the Woburn case, and pretty soon, they teeter on the waterfalls of insolvency to the point of mortaging their homes. It's become a source of pride, which has undone many an attorney as opposed to idiot witnesses, lousy evidence, and the hanging judge put together, as Jerome Fasher tells his law class.
Fasher, the attorney for Beatrice, is a statesman-like man of experience, but has a detached air coupled with some eccentricities. Yet he is a clever man, and his observation on the justice system is true, at times sickening. When Schlichtmann tells him he's searching for the truth, he tells him, "You've been around long enough to know that a courtroom's not the place to look for the truth." And he accurately says that the case stopped being about children the moment Schlichtmann filed for action.
The movie is sprinkled with legal commentary from Schlichtmann, which lays out how callous, ugly, and illogical the justice system is. He begins by talking about which types of clients are worth more, i.e. are winning cases. Whites are worth more than blacks, men more than women, a long agonizing death over a quick one. A white male professional in his 40's, in his prime, is worth the most. A dead child is worth least of all. Well, Schlichtmann finds out that children are worth something after all, especially when he imagines an agonizing scene where the LaFierros were taking their son to the hospital and died en route.
While John Travolta's best known for Grease and Saturday Night Fever, A Civil Action proves he can handle serious drama and he turns in one of his best ever performances. However, the real Jan Schlichtmann came to Farmington. He's close to seven feet tall, and in terms of resemblance, could've been played by Richard Gere. As Anne Anderson, Kathleen Quinlan is the other great performer, playing a woman changed through her ordeal into someone who has a tired and sad visage. The scene where Al Love (James Gandolfini), a conscience-stricken tannery employer personally apologizes to her shows that maybe the only real meaningful apologies come from humans, not corporations.
Trials and lawsuits are examples of how corrupt and rotten the legal system and some lawyers are. Is it worth having a system where the first party to come to their senses (i.e. to cut their losses and call for a settlement) is the loser? A Civil Action also shows that despite the need for compassion, it's better to have a lawyer who thinks more with the head than the heart.

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Jan Schlichtmann is a cynical, high-priced personal injury attorney who only takes big-money cases he can safely settle out of court. Though his latest case at first appears straightforward, Schlichtmann soon becomes entangled in an epic legal battle ... one where he's willing to put his career, reputation, and all that he owns on the line for the rights of his clients! Also featuring Robert Duvall, William H. Macy, and John Lithgow -- this gripping, widely acclaimed hit delivers edge-of-your-seat entertainment!

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The Punisher (2004) Review

The Punisher (2004)
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And someone somewhere calls "The Punisher" a box-office failure, because it does not hit the number 1 spot, both Daredaevil and Hulk were #1 in the Box Office. I paraphrase Thomas Jane when I say that the film industry is in a sorry state if this is how we gauge a successful film...

I have been a Punisher fan since 1986 (thanks to my best friend Morris Koplow. Morris, if you read this, Thank you. I can never repay you for the enjoyment this Comic has brought me.).

After lagging book sales in Marvel's Punisher, Punisher: War Journal and Punisher: War Zone, executives at the comic powerhouse decide to follow a sad trend at the time and "redefine" the Punisher Character. Simply put, Marvel wrote Frank Castle into a depression and left him with no alternative but to end his own life, something DC did with it's own vigilante, creatively titled "Vigilante". The results was a rippling sense of betrayal for the fans, who felt that Castle was never written to be so weak as to suicide.

A few years later, Marvel breathed life into the Punisher through one of the classicly odd returns. Castle was resurrected by angels. This, too, did not fly (imagine a tank with little butterfly wings). Then Garth Ennis took over.

Ennis's work with the Punisher has brought back the grit and out and out nastiness that Frank Castle has always had. It was this work that the movie has been based on.

Yes, there has been "creative liberties" taken with "The Punisher", but they have been, for the most part, all for the better.

In the Comic, Castle loses his wife and two children to a mafia hit crew. While a justifiable reason to enter a world of vengence and punishment in comic books, film-goers wouldn't justify Castle waging a never-ending one man war on crime for that easily. Thus, wiping out his entire family was the key.

The Crime family (Make no mistake, Travolta and company were 100% unadulturated criminals, all businesses were fronts/laundering for their activities) in question certianly never appeared in any issue of the Punisher comic, but when the hero's "Rogue Gallery" is largely the cast of the Godfather, Casino, Goodfellas, Donnie Brasco, Resevior Dogs, etc, etc..., then a specific villian is not necessary, especially since most Punisher fans cannot name the Mafia Family that called the hit on Castle's family in the original comic. No, I don't remember who it was, either... The inclusion of "The Russian" was certainly a treat for any one who has read Ennis's "Welcome Back, Frank" and I hope that they can find a believable way to bring him back for the sequel (maybe get Nash some lessons in Russian and accents so we can get some of "The Russian's" fantastic dialogue).

Castle's Neighbors were taken DIRECTLY out of the Comic. Bumpo and Spacker Dave were near perfect castings and the only real difference with Joan in the film vs. the comic was that Rebecca Romijn-Stamos is more attractive, less mousey and attempted to be Castle's love interest. Like the comic, they proved that Castle was not completely devoid of humanity, nor unredeemable.

The Hero: Tortured, depressed and he enjoy's his Whiskey... Sounds about right for a man who just witnessed his entire family slaughtered and his wife and son run down by a pick-up truck loaded with "Goomba's". Thomas Jane's portrayal of Frank Castle is everything you expect it to be, if Castle was a real person driven to extremes. Jane captures to essentials of the character, and like Christopher Reeves, Ron Pearlman, Brandon Lee, Tobey Maguire and Hugh Jackman in their respective comic book films, molds the details to himself, making himself a living breathing Frank Castle. Jane is superb. He does what many thought was impossible, that being making himself into a live-action comic book character, without benefit of additional makeup or masks, and makes us believe that Frank Castle roamed the earth.

The Villian: Travolta is always a wonderful villian. Normal he "chews scenery" left and right and the audience is right with him. Not in "The Punisher". Travolta was still excellent and quite a urbane and sophistcated villian, but he was not the madman that most people expect from Travolta (IE: Face/Off and Broken Arrow). Will Patton was the "Mad Dog Villian" in "The Punisher" and while I would have preferred his end go differently, it was still satisfying to watch and his performance was certainly fun.

The action, overall, fed the story, as it should have. I personally would have liked to have seen a little more action from Castle, but I certainly wasn't disappointed in what I received. Many fans of the comics have commented that the violence in the film did not match that of the comic (the comic being more graphic). According to Thomas Jane, the plans for the second Punisher film will take the violence up a notch, almost as if (to my mind), that Frank Castle's morality was slipping away from him during the first film and the second will show the grotesque that Castle has become with the death of his family.

Overall, "The Punisher" 2004 film is as accurate and true to Punisher canon laid down by Marvel and Garth Ennis as Sam Rami's Spider-Man and Spider-Man 2 films have been to the "Webbed Wall-Crawler's" own canon setup by Stan "The Man" Lee and Steve Ditko. I cannot recommend this film enough, especially to fans of Comics, High-Action films and "The Punisher" himself. It truly is under appreciated and one of the best and most accurate comic films ever.

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Each DVD at launch will include a 28 page mini-comic inside the amray case. The comic is the first ever prequel comic to a movie. It is an alternate origin story to the Punisher and ends with the opening dock scene of the movie.It is written by Garth Ennis, premiere writer of Punisher comics, and the cover is illustrated by Tim Bradstreet. The comic is being written exclusively for this promotion, and will not be anywhere else in the marketplace for 6 months. The comic is full color and has a retail value of $2.25. 10,000 comics out of the total run will have a unique cover and be positioned as a limited edition.They will be randomly inserted into the DVDs and randomly distributed to retail.

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The Punisher (Extended Cut) (2004) Review

The Punisher (Extended Cut) (2004)
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And someone somewhere calls "The Punisher" a box-office failure, because it does not hit the number 1 spot, both Daredaevil and Hulk were #1 in the Box Office. I paraphrase Thomas Jane when I say that the film industry is in a sorry state if this is how we gauge a successful film...

I have been a Punisher fan since 1986 (thanks to my best friend Morris Koplow. Morris, if you read this, Thank you. I can never repay you for the enjoyment this Comic has brought me.).

After lagging book sales in Marvel's Punisher, Punisher: War Journal and Punisher: War Zone, executives at the comic powerhouse decide to follow a sad trend at the time and "redefine" the Punisher Character. Simply put, Marvel wrote Frank Castle into a depression and left him with no alternative but to end his own life, something DC did with it's own vigilante, creatively titled "Vigilante". The results was a rippling sense of betrayal for the fans, who felt that Castle was never written to be so weak as to suicide.

A few years later, Marvel breathed life into the Punisher through one of the classicly odd returns. Castle was resurrected by angels. This, too, did not fly (imagine a tank with little butterfly wings). Then Garth Ennis took over.

Ennis's work with the Punisher has brought back the grit and out and out nastiness that Frank Castle has always had. It was this work that the movie has been based on.

Yes, there has been "creative liberties" taken with "The Punisher", but they have been, for the most part, all for the better.

In the Comic, Castle loses his wife and two children to a mafia hit crew. While a justifiable reason to enter a world of vengence and punishment in comic books, film-goers wouldn't justify Castle waging a never-ending one man war on crime for that easily. Thus, wiping out his entire family was the key.

The Crime family (Make no mistake, Travolta and company were 100% unadulturated criminals, all businesses were fronts/laundering for their activities) in question certianly never appeared in any issue of the Punisher comic, but when the hero's "Rogue Gallery" is largely the cast of the Godfather, Casino, Goodfellas, Donnie Brasco, Resevior Dogs, etc, etc..., then a specific villian is not necessary, especially since most Punisher fans cannot name the Mafia Family that called the hit on Castle's family in the original comic. No, I don't remember who it was, either... The inclusion of "The Russian" was certainly a treat for any one who has read Ennis's "Welcome Back, Frank" and I hope that they can find a believable way to bring him back for the sequel (maybe get Nash some lessons in Russian and accents so we can get some of "The Russian's" fantastic dialogue).

Castle's Neighbors were taken DIRECTLY out of the Comic. Bumpo and Spacker Dave were near perfect castings and the only real difference with Joan in the film vs. the comic was that Rebecca Romijn-Stamos is more attractive, less mousey and attempted to be Castle's love interest. Like the comic, they proved that Castle was not completely devoid of humanity, nor unredeemable.

The Hero: Tortured, depressed and he enjoy's his Whiskey... Sounds about right for a man who just witnessed his entire family slaughtered and his wife and son run down by a pick-up truck loaded with "Goomba's". Thomas Jane's portrayal of Frank Castle is everything you expect it to be, if Castle was a real person driven to extremes. Jane captures to essentials of the character, and like Christopher Reeves, Ron Pearlman, Brandon Lee, Tobey Maguire and Hugh Jackman in their respective comic book films, molds the details to himself, making himself a living breathing Frank Castle. Jane is superb. He does what many thought was impossible, that being making himself into a live-action comic book character, without benefit of additional makeup or masks, and makes us believe that Frank Castle roamed the earth.

The Villian: Travolta is always a wonderful villian. Normal he "chews scenery" left and right and the audience is right with him. Not in "The Punisher". Travolta was still excellent and quite a urbane and sophistcated villian, but he was not the madman that most people expect from Travolta (IE: Face/Off and Broken Arrow). Will Patton was the "Mad Dog Villian" in "The Punisher" and while I would have preferred his end go differently, it was still satisfying to watch and his performance was certainly fun.

The action, overall, fed the story, as it should have. I personally would have liked to have seen a little more action from Castle, but I certainly wasn't disappointed in what I received. Many fans of the comics have commented that the violence in the film did not match that of the comic (the comic being more graphic). According to Thomas Jane, the plans for the second Punisher film will take the violence up a notch, almost as if (to my mind), that Frank Castle's morality was slipping away from him during the first film and the second will show the grotesque that Castle has become with the death of his family.

Overall, "The Punisher" 2004 film is as accurate and true to Punisher canon laid down by Marvel and Garth Ennis as Sam Rami's Spider-Man and Spider-Man 2 films have been to the "Webbed Wall-Crawler's" own canon setup by Stan "The Man" Lee and Steve Ditko. I cannot recommend this film enough, especially to fans of Comics, High-Action films and "The Punisher" himself. It truly is under appreciated and one of the best and most accurate comic films ever.

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The Punisher walks through the world we all know, a world darkened by war, crime, cruelty and injustice. He has no superpowers to battle the evil he sees - only his fierce intelligence, his years of combat experience and, above all, his iron determination to avenge those wronged by society's villains.

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Basic (2003) Review

Basic (2003)
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John Travolta plays Tom Hardy, a ex-military Ranger now DEA agent brought in by an old friend to investigate the disappearances and/or deaths of several Army Ranger trainee's and their legendary drill instructor, Sgt. Nathan West (Jackson), during an exercise at a basic training camp, Fort Clayton, in Panama.
Once Hardy gets there a series of different storys are told and changed by the trainee's that he question's on the events that occurred at this training camp. Which starts to form a huge question in the audiencies mind, WHO'S TELLING THE TRUTH? However by the end there is a huge climax and everything is explained and leaves you in half shock, half amazement. I recommend this movie to anyone who liked 'A Few Good Men' or 'Mission:Impossible'.
'Basic' has terrific performances by Samuel L. Jackson and John Travolta although a shaky performance by Connie Nielson. It also has great supporting acts from Giovanni Ribisi, Taye Diggs, and Brian Van Holt.

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BASIC - DVD Movie

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