Showing posts with label elizabeth taylor. Show all posts
Showing posts with label elizabeth taylor. Show all posts

Little Women (1949) Review

Little Women (1949)
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This version of Louisa May Alcott's classic book, "Little Women," starring June Allyson, Janet Leigh, Liz Taylor and Margaret O'Brien, was the first remake of the film (which originally starred Kathryn Hepburn) and the version that is truest to the book.
The Wynona Ryder film, the third and latest version, was seriously flawed, especially by the inclusion of "politically correct" and contemporary social views like the scene in which Ryder, playing Jo, expresses feminist sympathies to young men in a bar. I've read the book: there's nothing like that in it. In fact, the book is practically a morality play and in the earlier film versions the girls' struggle to improve their characters is portrayed, if somewhat lightly. These struggles, which are necessary to the accurate portrayal of each character and the time in which they lived, was totally deleted from the most recent version.
Both the Hepburn version and the Allyson version use quite a bit of Alcott's original text in the screenplay and characters in both films follow the book almost to the proverbial "T." The Ryder film, on the other hand, is a blatant and successful attempt to "modernize" Louisa Alcott, resulting in a totally inferior production.

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Louisa May Alcott's famous novel of the March family, brought to the screen.

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Elizabeth Taylor and Richard Burton Film Collection (Who's Afraid of Virginia Woolf 2-Disc Special Edition / The Comedians / The Sandpiper / The V.I.P.s) 5 Disc Set (1965) Review

Elizabeth Taylor and Richard Burton Film Collection (Who's Afraid of Virginia Woolf 2-Disc Special Edition / The Comedians / The Sandpiper / The V.I.P.s)  5 Disc Set (1965)
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The movie BOOM was obviously not included as it is a Universal release, whereas the 4 titles are Warners and MGM[library owned by Warners]. My big gripe is the fact that Elizabeth Taylor's MGM movies from the '50s are still not available on DVD: Beau Brummell, Rhapsody, a decent transfer of The Last Time I Saw Paris, Raintree County, The Girl Who had Everything. These are now owned by Warners, and it's a disgrace that they have never been released on DVD. Hopefully, with the new Liz/Burton collection, someone at Warners is paying attention. A gem in the new collection is THE VIP's - made after Cleopatra and rushed into release before Cleo hit the screens, to capitalise on the red-hot duo, the movie is glossy, all-star fun.

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ELIZABETH TAYLOR & RICHARD BURTON FIL - DVD Movie

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Lassie Come Home (1943) Review

Lassie Come Home (1943)
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Who would have thought that a collie could inspire such loyalty and devotion from movie goers? When Loewes Inc. President Nicholas Schenk first screened "Lassie Come Home" he reportedly told director, Fred Wilcox that it was so bad he was going to recommend to MGM's mogul, L.B. Mayer, that the film not be released. Thankfully, Mayer thought otherwise and the film, with all its maudlin charm and abundantly potent sentimentality, became one of the biggest grossing films of 1943. What makes "Lassie Come Home" such an engaging and enduring cinematic experience is the tender and wistful relationship between Joe Carraclough (Roddy McDowell) and his loyal four-legged companion. When Joe's father, Sam (Donald Crisp) is forced to sell Lassie to the wealthy, Duke of Rudling (Nigel Bruce), Joe's heart is shattered. But the collie refuses to stay with his new master, crossing hill and dale, stream and mountain in a picturesque trek that is in the best tradition of travelogue meets melodrama. At the age of ten, Elizabeth Taylor completely captivates as Pricilla, the Duke's granddaughter who eventually realizes that the bond between Joe and Lassie can never and should never be broken. Truthfully, I found myself getting a lump in the throat when at last Joe - who can't believe his eyes when, after some time Lassie suddenly appears patiently waiting for him outside in the school yard - utters the now much clichéd and overplayed "Oh, there's my Lassie, come home!" This film is the sort of MGM glamorous treatment that all of the studio's best movies had in spades. It's lushly photographed and vibrantly told with poignant performances that have long withstood the test of time.
Warner's DVD is somewhat of a disappointment. Not having considered the overall magnitude and enduring impact of the film on audiences Warner has not done a thing to restore "Lassie Come Home" to its original brilliance. The worn film negative exhibits a very dated picture with inconsistently rendered colors that, at times, are vibrant - if garish - and other times, quite pale and uninspiring. Age related artifacts abound throughout and there is a considerable amount of edge enhancement and pixelization. Overall, fine details are very nicely realized. However, contrast and black levels are not very solid. The audio is mono but respectably cleaned up and presented with a fidelity that outweighs the visual characteristics. There are NO extras.


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LASSIE COME HOME - DVD Movie

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Ivanhoe (1952) Review

Ivanhoe (1952)
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This movie is what we use to call "a good one from Hollywood".
It was filmed in 1952 in radiant Technicolor when Hollywood was launching one hit after other, "Ivanhoe" passed with quite good marks.
I was a kid when it was released and saw it with undivided attention as most of my age-mates and parents.
I recently viewed the VHS version again and I am still fond of this film. Is it a great movie? No. Is it a good movie? It certainly is and fully entertaining!
Based on Sir Walter Scott well known novel is a rich mixture of history, romance and drama.
It narrates the adventures of Wilfred of Ivanhoe, a knight of Saxon origins, who has gone into the Crusades against his father's will.
He returned to England to raise funds in order to rescue his imprisoned King, Richard Lionhearted.
He founds the kingdom ruled by John Lackland, Richard's junior brother, who by no means will cooperate and more so will try to stop his intents.
From here on adventures follow with jousts, castle's sieges, rescue of the feeble, difficult romances, out-laws helping the knight, evil knights trying to kill our hero but to no avail.
You name it you have it!

It was directed by Richard Thorpe, an artisan with 186 films in his account. He has started directing movies in the silent period. He was very versatile, directed Johnny Weissmuller in four Tarzan's chapters.
Between 1951 till 1953 he delivered at least four successful movies: "The Great Caruso" (1951), "The Prisoner of Zenda" (1952), "Ivanhoe" (1952) and "The Knights of the Round Table" (1953). He retired in 1967.
The Taylors perform paramount. Robert gives the viewers one of his classic hero's portraits with skill and wit. Elizabeth is very young and fascinating woman, she also delivers a very good acting piece. Even if she was never very fond of this film, WE were, and it is known: the public rules.
George Sanders as the evil Bois-Guilbert is very convincing. Joan Fontaine as Lady Rowena is a little faded.
A final reference for musical score authored by Budapest born Miklos Rozsa: underline forcefully the movie pictures.
If you like romance and adventure, do not miss this film!
Reviewed by Max Yofre.

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IVANHOE - DVD Movie

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Giant (Two-Disc Special Edition) (1956) Review

Giant (Two-Disc Special Edition) (1956)
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The 1956 film is aptly named; everything about it is huge. Three years in the making, and a full 202 minutes long, it's the sweeping story of a Texas family that starts in the 1920s. Elizabeth Taylor is the young bride from East who, after a whirlwind romance with Rock Hudson, comes to his huge 595-acre Texas ranch. Here, she finds his unwelcoming sister, prejudice against the Mexican servants, and a condescending attitude to her as a woman. James Dean is here too, a sullen ranch hand who yearns for her as well as wealth. She's feisty though, as well as beautiful, and the rational center of the film, which spans a quarter of a century, as she and Rock Hudson quarrel, make up and raise their three children. Texas changes too. James Dean, the ranch hand, is the first to discover oil, and all of their lives change dramatically then. After a while all the land in the area is gushing oil wells where cattle used to roam.
During the course of film the makeup changes to show the cast aging, and Elizabeth Taylor, who was only 23 at the time, is shown as a mature woman. Dennis Hopper plays her grown son and Carol Baker her daughter. There's even a small part for Sal Mineo, who plays a grown up Mexican-American boy. By then the story is a family saga with the son choosing to be a doctor and the daughter finding the older James Dean an attractive man. This is the stuff of soap opera, which I usually don't like. But somehow, I was completely captivated by this film, which shows how everyone's character develops through the years.
I was impressed with the quality of all of the actors, including Mercedes McCambridge, who has a small role as the sister. Sometimes I forget how talented Elizabeth Taylor is as an actress and even Rock Hudson, who is known for his rather stilted performances, was able to show some real feelings. James Dean, however, stood out above all the rest. The scenes he had with Elizabeth Taylor in which he showed his awkward vulnerability were ripe with nuance. It demanded mastery of his craft. His performance was indeed outstanding.
However, it is almost half a century since the film was produced. I now know what Elizabeth Taylor really looks like as a mature woman. I have to smile at her gray-haired persona in the film, in which she remained slim and elegant. I can't help thinking about Rock Hudson's super masculine image as he dukes it out in a diner when his Mexican-American daughter-in-law is refused service. And I'm saddened to think of poor James Dean, who died tragically in a car accident at the age of 23 shortly after the film was made. His movie image of aging alcoholic millionaire is the only hint we have of what he might have looked like if he lived. The film even brought out thoughts of our own President Bush, himself a product of a Texas background and his own mixed Mexican-American family.
The video consisted of two reels, and included about an hour's worth of features in addition to the more than three hours of the film itself. I stayed up late into the night to watch it all, including a short documentary about the small town in Texas in which part of the film was made, an interview with Dimitri Tiomkin who wrote the music for the film, an interview with the son of the director, George Stevens, and a long telecast of opening night both in Hollywood and New York with Jayne Meadows interviewing different stars as they entered the theater. Although the film itself was in color, all of these features were in black and white and brought back memories of live television shows, bouffant hairdos and mink stoles.
I never saw "Giant" when it first came out. Videos and DVDs were years away in the future and, in those days, if you didn't catch a film in the theaters when it first was released, that was that. I'm so glad that this film was so easily available all these years later because I totally enjoyed the experience of spending a evening watching it. I was able to sit back, relax, and return to a time, place and cinematic point of view that doesn't exist anymore. The world is changed now. And so have I. But I absolutely loved this film. Highly recommended.

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Giant is a movie of huge scale and grandeur in which three generations of land-rich Texans love, swagger, connive and clash in a saga of family strife, racial bigotry and conflict between cattle barons and newly rich oil tycoons. It's also one of the most beloved works of director George Stevens, who won an Academy AwardO* for this film, one of 10 Oscar nominations** the film earned.

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National Velvet (1945) Review

National Velvet (1945)
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National Velvet is a classic film, enjoyable and entertaining for the whole family. I give the film itself 5 stars for this reason alone. They just don't make 'em like this anymore!!!
...And now for the real nitty gritty...Warner (and previously MGM DVD) should be ashamed of themselves for putting out such an atrocious transfer of this great Technicolor classic! While the colors show up well in most of the film, the main problem with this DVD is that the source print was VERY DIRTY!!!!
Expect to see PLENTY of scratches, dust, and out-of-focus shots throughout the 124 minute running time.
Overall, this is a complete disgrace because Turner Classic Movies runs a fantastically restored PRISTINE print of National Velvet on their network...free of scratches and dust.
Also, I have another word to the folks at Warner: LOSE THE CHEAPIE SNAPPER CASE PACKAGING!!! AMARAY KEEP CASE ALL THE WAY!!!
5 stars for the film....1 star for the lousy treatment on DVD!!!

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Enchantingly beautiful Elizabeth Taylor became a movie star at age twelve after starring in this classic about a girl and her jockey pal (Mickey Rooney) who transform an unruly horse into a champion.

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