Showing posts with label james dean. Show all posts
Showing posts with label james dean. Show all posts

Jailhouse Rock (Deluxe Edition) (1957) Review

Jailhouse Rock (Deluxe Edition) (1957)
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Slap my hand for being slow to get around to it but I have only recently seen JAILHOUSE ROCK for the first time - in fact at the 25th anniversary of his passing.
Elvis's acting is nothing less than superb in this film. It shows how gifted an actor he REALLY was and how insultingly poor most of the latter scripts were, to effectively lower a talented actor to the level of the writers plots. (The quality of many movie songs is also an insult. I can only have nightmares about any songs that may have not have been good enough to made the cut.)
JAILHOUSE ROCK reminded me what a phenominal "mover" Elvis was, in the league of the finest dancers or athletes. Sadly the memory of his many gifts are often clouded by over the top impressionists and silly glitzy Vegas trinkets. The man was a formidable singing AND acting talent and this film is the proof.
My general feeling is pan and scan stinks and should be avoided at all costs. Enjoy the full width version and see exactly what the director captured as Elvis gave possibly his best film performance ever.
If only we could go back in time...keep Elvis clean of drugs, keep the scripts to this level, and put Col. Parker on a slow boat nowhere.
If I can dream.....

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The Complete James Dean Collection (East of Eden / Giant / Rebel Without a Cause Special Edition) (1955) Review

The Complete James Dean Collection (East of Eden / Giant / Rebel Without a Cause Special Edition) (1955)
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I've anxiously anticipated this collection of James Dean's films, together in a complete set. Each of the films is presented in a two-disc package, with extras.
"East of Eden" is, for me, the most welcome film in this set, simply because it has been so difficult to obtain a copy of it in recent years. The anamorphic transfer here is stunning, with crisp color and detail. The stereo soundtrack is fine. There is an audio commentary, as well as a wealth of bonus materials. Some of the material here includes screen tests, and wardrobe tests, although strangely some footage included briefly in the included documentaries (Dean's test with Paul Newman, the playful "pinching" footage of Dean and Julie Harris) is not included here.
"Rebel Without a Cause", like "Eden" offers a stunning anamorphic transfer with strong surround sound. The extras include a commentary, deleted scenes for the film (both in the original black and white, and the final color version), and screen tests. There is a very funny and insightful screen test here with Dean, Mineo and Wood. The previous DVD release of this film had only shown portions of this clip, but this release offers the full (some may say 'uncensored') version. There is also a documentary reflecting on Dean's spectacular, but brief career.
Dean's final film, "Giant" is featured here in a very clean, but oddly NOT-anamorphic transfer. This would not be an issue, if the film was not presented in a letterbox transfer. I would imagine this is the same transfer that was done several years back. However, I don't think it's acceptable that any recent widescreen DVD release not be presented in an anamorphic transfer. Additionally, the film's soundtrack has been remastered in a 5.1 mix, that sounds weak at best. I would have preferred to have seen this film released in it's original full-frame image, with a clean mono soundtrack. That aside, there is a wealth of extras here.
All in all, a very nice set, not totally perfect, but the best to date, by far.


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Giant (Two-Disc Special Edition) (1956) Review

Giant (Two-Disc Special Edition) (1956)
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The 1956 film is aptly named; everything about it is huge. Three years in the making, and a full 202 minutes long, it's the sweeping story of a Texas family that starts in the 1920s. Elizabeth Taylor is the young bride from East who, after a whirlwind romance with Rock Hudson, comes to his huge 595-acre Texas ranch. Here, she finds his unwelcoming sister, prejudice against the Mexican servants, and a condescending attitude to her as a woman. James Dean is here too, a sullen ranch hand who yearns for her as well as wealth. She's feisty though, as well as beautiful, and the rational center of the film, which spans a quarter of a century, as she and Rock Hudson quarrel, make up and raise their three children. Texas changes too. James Dean, the ranch hand, is the first to discover oil, and all of their lives change dramatically then. After a while all the land in the area is gushing oil wells where cattle used to roam.
During the course of film the makeup changes to show the cast aging, and Elizabeth Taylor, who was only 23 at the time, is shown as a mature woman. Dennis Hopper plays her grown son and Carol Baker her daughter. There's even a small part for Sal Mineo, who plays a grown up Mexican-American boy. By then the story is a family saga with the son choosing to be a doctor and the daughter finding the older James Dean an attractive man. This is the stuff of soap opera, which I usually don't like. But somehow, I was completely captivated by this film, which shows how everyone's character develops through the years.
I was impressed with the quality of all of the actors, including Mercedes McCambridge, who has a small role as the sister. Sometimes I forget how talented Elizabeth Taylor is as an actress and even Rock Hudson, who is known for his rather stilted performances, was able to show some real feelings. James Dean, however, stood out above all the rest. The scenes he had with Elizabeth Taylor in which he showed his awkward vulnerability were ripe with nuance. It demanded mastery of his craft. His performance was indeed outstanding.
However, it is almost half a century since the film was produced. I now know what Elizabeth Taylor really looks like as a mature woman. I have to smile at her gray-haired persona in the film, in which she remained slim and elegant. I can't help thinking about Rock Hudson's super masculine image as he dukes it out in a diner when his Mexican-American daughter-in-law is refused service. And I'm saddened to think of poor James Dean, who died tragically in a car accident at the age of 23 shortly after the film was made. His movie image of aging alcoholic millionaire is the only hint we have of what he might have looked like if he lived. The film even brought out thoughts of our own President Bush, himself a product of a Texas background and his own mixed Mexican-American family.
The video consisted of two reels, and included about an hour's worth of features in addition to the more than three hours of the film itself. I stayed up late into the night to watch it all, including a short documentary about the small town in Texas in which part of the film was made, an interview with Dimitri Tiomkin who wrote the music for the film, an interview with the son of the director, George Stevens, and a long telecast of opening night both in Hollywood and New York with Jayne Meadows interviewing different stars as they entered the theater. Although the film itself was in color, all of these features were in black and white and brought back memories of live television shows, bouffant hairdos and mink stoles.
I never saw "Giant" when it first came out. Videos and DVDs were years away in the future and, in those days, if you didn't catch a film in the theaters when it first was released, that was that. I'm so glad that this film was so easily available all these years later because I totally enjoyed the experience of spending a evening watching it. I was able to sit back, relax, and return to a time, place and cinematic point of view that doesn't exist anymore. The world is changed now. And so have I. But I absolutely loved this film. Highly recommended.

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Giant is a movie of huge scale and grandeur in which three generations of land-rich Texans love, swagger, connive and clash in a saga of family strife, racial bigotry and conflict between cattle barons and newly rich oil tycoons. It's also one of the most beloved works of director George Stevens, who won an Academy AwardO* for this film, one of 10 Oscar nominations** the film earned.

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