Showing posts with label jon voight. Show all posts
Showing posts with label jon voight. Show all posts

The Odessa File (1974) Review

The Odessa File (1974)
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The year is 1963...as the world is reeling from the assassination of President Kennedy, Egypt has missiles posed to annihilate Israel. The only thing preventing this is the lack of guidance technology to properly target the missiles, which Egypt is on the verge of obtaining with assistance from a group of Germans, once officers within the SS during World War II, now members of a group called Odessa, a clandestine organization designed to assist ex-German military personal gain new identities and lives, thereby avoiding capture, after the end of the war.
The Odessa File (1974) takes the popular Frederick Forsyth novel of the same name, which is supposedly based on actual facts and events, and presents it as a truly wonderful, tense thriller that I really enjoyed. Directed by accomplished cinematographer and director Ronald Neame, the film stars Jon Voight as freelance German journalist Peter Miller and Maximilian Schell as an ex-German officer named Eduard Roschmann, a man responsible for horrible atrocities, earning him the nickname `The Butcher', during his tenure as head of a concentration camp which housed Jewish prisoners. After the passing of an elderly Jewish survivor of a WWII concentration camp, Miller comes into possession of a diary kept by the man, one which detailed, in particular, the various crimes against humanity by Roschmann, and also seemed to indicate that the war criminal may still be alive. As Miller begins delving into the story, uncovering tidbits of information, he meets resistance in the form of various individuals, many of which turn out to be members of the secret Odessa organization, and are now actively working against Miller for fears that he may uncover their secrets.
As Miller gets closer to uncovering the truths, the resistance against him grows, and takes the form of actual attempts on his life. Around this time he comes into contact with a Jewish group, working to locate the site within Germany that's developing the guidance system for the Egyptian rockets, and Miller agrees to work with them, changing his identity in order to become an ex-German officer and enable him access to the Odessa organization. In exchange for this, Miller will supply the group with information, while he himself tries to get closer to Roschmann. As Miller infiltrates the group, his cover is eventually blown, but not before he learns of the existence of the Odessa file, documents that detail many of the members within the group, including Roschmann. The goal now is survival, and given the circumstances, his chances seem pretty slim.
I have not actually read the book, but I really liked this film. Jon Voight is wonderful and believable, German accent and all, as a reporter, seemingly driven by a determination to expose a subversive hideousness, once prominent in his country, that has now gone underground, and threatens yet again a great many peoples of the world. Listed as a thriller/drama, The Odessa File certainly doesn't disappoint. The plot, while having many twists and turns, keeps focused, and rarely falters in its' progression. The development of the characters is carefully planned, but not so to bring attention to the fact, allowing for the viewer to become drawn into the film. The exposition at the beginning was a little awkward to me, but I didn't see any other way around it, so I accepted it. Schell provides an excellent performance as an ex-German officer hiding in broad daylight, one who will resort to any means necessary to protect his secrets, along with those of the Odessa group. One point I enjoyed was near the end, as a particular revelation was made. Prior to that point, I had started to question one of the main character's motivations, and, as if the film knew what I was thinking, it answered my question in a completely satisfying manner. The film runs just over two hours, and the first half may seem slow, but I felt as if this was deliberate, allowing time for the story to develop. During the second half the film picks up speed as the tension mounts, drawing on the momentum carefully constructed in the beginning, resulting in a wholly enjoyable conclusion. Given the nature of realizing novels to film, I suspect a number of plot elements were left out, but what was left seemed to be missing very little, at least anything that left a glaring hole which would pull the viewer out of the movie with its' obviousness, which indicates a skillful adaptation of original source material, done with care to preserve the elements which made the book so very popular and well received. All in all, this is a really thrilling outing, one that requires a little patience, but provides a rewarding experience overall.
Presented on this release are really good looking prints, both in wide screen and full screen formats (it's double-sided). The audio seems a bit soft, but there are English subtitles, so I missed nothing. As far as special features, there are some well put together production notes in a four page booklet within the DVD case, an original theatrical trailer, talent biographies for actors Voight, Schell, and director Neame, and trailers for Anaconda (1997) and Oliver Stone's U-Turn (1997), neither film as good as this one, but both certainly benefiting from Voight's appearance...and that's another thing...remember when Jon Voight appeared in good films? Along with this film, I also count Midnight Cowboy (1969), Catch-22 (1970), Deliverance (1972), and Runaway Train (1985) to be some real highlights of his career...and let's look at some of his more recent films...Most Wanted (1997), The Karate Dog (2004), and Baby Geniuses 2 (2004)...not exactly the caliber of films early in his career, but who knows what the future holds?
Cookieman108

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A German journalist sets out to track down a Nazi war criminal, and discovers the existence of a secret Nazi organization called Odessa.Genre: Feature Film-DramaRating: PGRelease Date: 28-AUG-2001Media Type: DVD

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Pride and Glory (2008) Review

Pride and Glory (2008)
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I agree with the other review in that the story line is nothing out of the ordinary. Typical New York good cop, bad cop storyline. This is why I didn't give it four stars but I have to give a lot of credit to the actors especially Collin Farrell. He is brilliant in this movie. I have to say, he nailed his performance to the tee. So the story goes: A family of cops, the dad (Jon Voight (Francis Sr.), his two sons (Edward Norton (Ray),Noah Emmerich (Francis Jr.) and their brother in law (Collin Farrell (Jimmy). They were all after this drug dealer who killed four other cops. Ray was thrown in this wild goose chase only to find out that Jimmy was somehow involved. So Jimmy somehow framed Ray (can't spoil the movie too much), they were in this battle of Ray's words against Jimmy. The ending could've been better but overall, it is a pretty good movie. Worth watching on DVD.

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Edward Norton, Colin Farrell, Jon Voight and Noah Emmerich star in a gritty, tension-packed tale of a multigenerational family of cops facing hard realities and tough choices. Set and filmed in Manhattan's Washington Heights, Pride and Glory draws you into a grippingly raw real world...and into a house divided.

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Deliverance (1972) Review

Deliverance (1972)
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When it comes to fictional survival stories, few can approach the sheer grueling brutality of DELIVERANCE. Brilliantly adapted by James Dickey from his best-selling book and superbly directed by John Boorman (POINT BLANK, HOPE AND GLORY), this is a tremendous endeavor. So much so that horror writer Stephen King and Boorman's fellow director Stanley Kubrick both expressed a tremendous admiration of it.
As pretty much everyone knows, DELIVERANCE focuses on four Atlanta businessmen (Burt Reynolds, Jon Voight, Ned Beatty, Ronny Cox) who decide to take a canoe trip down the Cahulawassee River in the Appalachian Mountains of northern Georgia before it is dammed up into a lake. It is apparent, however, that the local folk don't take kindly to these "city boys" messing around in their woods. And when Voight and Beatty are sexually assaulted at gunpoint by a pair of sadistic rednecks (Bill McKinney, Herbert "Cowboy" Coward), in the infamous "SQUEAL!!" segment, what began as a canoe trip explodes into a nightmare.
Much is made, and justifiably so, not only of the "SQUEAL" scene but also of the "Dueling Banjos" part, between Cox and a retarted mountain kid. But DELIVERANCE has much more to offer besides these moments. Like A CLOCKWORK ORANGE and STRAW DOGS, it offers a hard-hitting and unflinching look at Man's penchant for violent and (arguably) abhorrent behavior. The four leads are extremely good in their roles, and McKinney and Coward make for two of the more frightening and vicious villains in screen history. Dickey appears in the film's final reel as a local sheriff who, as he puts it would "kinda like to see this town die peaceful."
Shot totally on location, and featuring ominous cinematography from the legendary Vilmos Zsigmond, DELIVERANCE is a great and frightening piece--arguably a modern gothic horror film, certainly a great action film with an undercurrent as sinister as the Cahulawassee River itself. It is not to be missed,

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A terrifying exploration of mans alienation from nature based on james dickys novel. Four men trying to get away from it all get more than they bargained for when they take a canoe trip.Studio: Warner Home VideoRelease Date: 06/07/2005Starring: Jon Voight Burt ReynoldsRun time: 109 minutesRating: RDirector: John Boorman

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