Showing posts with label ireland on film. Show all posts
Showing posts with label ireland on film. Show all posts

Bloody Sunday (2002) Review

Bloody Sunday (2002)
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"Bloody Sunday" is a remarkable and powerful film; a rare breed of film that makes you wonder why such a gem goes so unrecognized by moviegoers. This is such a well-done and important film that has the ability to re-create history with pure authenticity. One of the best things I did last week was purchase this DVD. As soon as I started it, I knew there was no turning back.
I had never heard of the event itself (here's my age showing again). Never even learned about it in high school. As a matter of fact, I'm learning there's LOTS of things I never learned in high school, but back to the movie. "Bloody Sunday" is a documentary-like film that re-creates what transpired on Sunday, January 30th, 1972. In a Civil Rights demonstration in Northern Ireland, British troops opened fire on protesters when things were getting hairy, which would eventually lead to 27 wounded and 13 dead. This was a tragedy that struck a major blow to the Civil Rights movement, and to Ireland and Britain as well.
From what I understand, this is still a very controversial topic, even today. Nobody is still 100% sure of what exactly happened. Both sides are still debating and offering their versions of what really went down. I don't know much about the event, as I said in the beginning of this review. What I do know is that this film was done in a very realistic and authentic way, and I believe that what happened on that tragic day might've gone down the way it did in the film, or very close to it. I also believe that the movie shows both sides, not just one.
This film was done entirely hand-held, meaning not once did the filmmakers use a dolly or camera stands. The end result is that it gives it the raw and realistic feel that it needs to be affective. There is no story or plot in the movie. The movie isn't there to tell a single story or show us "characters;" the only goal is to try to educate us all on what happened on January 30th. You never look at the actors as actors, but more like the real people themselves. In fact, when I was watching this, I was very convinced that I wasn't watching a movie, but a real documentary.
The DVD comes equipped with some very nice special features. Those being two commentary tracks and 2 documentary features. That may not sound like a lot, but when you view or hear them, you feel very satisfied. It would've been nice to have a few more extras, but I can't really complain. Nor do I want to.
I really believe the filmmakers when they say that they did not make "Bloody Sunday" to open old wounds. They want to educate us all on what happened and they want us to confront it. Much like when an addict has a problem but he or she won't admit it, the problem will never come to a resolution if we continue to ignore it. I urge every history teacher to make their students watch this movie. I urge EVERYONE I know to give this movie a try. It is a rare and unique gem that takes historical films to a new level that it has never reached before. It's a shame that not many have seen it, but my hope is that more people will see it now since it is available to own and rent on DVD and video. "Bloody Sunday" is an experience you will never forget, and it is an important one you do not want to miss out on. Definitely makes my Top 10 of 2002 list, without question.

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Michael Collins (1996) Review

Michael Collins (1996)
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Digging back into their roots, director Neil Jordan and actor Liam Neeson have respectively delivered their most memorable and deep-cutting works to date. Michael Collins has nagging flaws, but in the sweep of the passionate filmmaking and performances, all else is moot. You will be carried forth by the conviction of the story.
Neeson was simply born to play this role. An actor of tremendous power, Neeson is here given a role that's multi-dimensional enough for him to show his formidable chops. The Michael Collins character is alternately a boyish, dashing ladykiller and a tactician with a steel will, and just watching Neeson tackle the character's inner and outer demons is worth the price of the movie. He indeed projects the power and charisma of a great leader in his "our refusal" speech. There's more -- Aidan Quinn gives his best performance as friend-turned-enemy Harry Boland; Alan Rickman utilizes his deadpan comic timing and hidden deviance to perfection as Eamon de Valera; Stephen Rea is great as usual as English traitor Ned Broy. The one weak link is of course Julia Roberts, as Harry and Mick's love interest Kitty, with her bad Irish accent and vacant presence. She's paralyzed by the scope of the historical drama and comes off stiff as a result, injecting the character with neither warmth nor power, and none of her signature girlish exuberance. However, this was one case where the filmmaker's sacrifice of a character was to the benefit of the film. In directing the film, Jordan sliced down Kitty's importance and makes her mostly a footnote; the result is that we are now free to interpret Mick and Harry's split as a philosophical and political one, rather than the ol' romantic triangle. And for the better.
The cinematography is terrific, and the script ranks among my favourite of the '90s. Jordan is deeply tapped into the behaviour and concerns of these characters, and he fills every minute with humour, danger, urgency, and personality. The writing translates onto the screen beautifully, giving the audience an insight into not only the sociological scape of the film, but also the psychological. And the pacing and editing never let up -- from the perfectly chosen "in medias res" opening to the brilliant "Bloody Sunday" assassination montage.
A great neglected classic.

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Neil Jordan returns to the strife-torn Irish political landscape for this real-life epic set in 1920 and starring Liam Neeson as the legendary Irish revolutionary leader and Julia Roberts as his headstrong fiancee.

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