Showing posts with label classic rock. Show all posts
Showing posts with label classic rock. Show all posts

Lennon Legend - The Very Best of John Lennon (2003) Review

Lennon Legend - The Very Best of John Lennon (2003)
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I have so many mixed feelings about this DVD. While I welcome and look forward to all John Lennon releases, this particular collection has both great features and some stumbling points.
To begin with, the sound is stunning. Most of the songs have been remixed in 5.1 and are almost revelatory in their clarity and power.
The only problem I have with the release are some of the actual videos themselves. It should be noted that all of the video used itself looks fabulous, considering it was primarily sourced from obsolete analog formats. Here goes:
1. Imagine: More or less the same footage we've all come to know and love, with much greater clarity.
2. Instant Karma: This is a live performance, and really great to watch.
3. Mother: A simple montage of photos, but effective. Can someone explain the strange addition of Brian Epstein in this video however?
4. Jealous Guy: Footage of John singing the vocal track in the studio, mixed with the boat rowing footage from Imagine.
5. Power to the People: A truly bad video visually, it looks like a seventh grade slide-show presentation
6. Cold Turkey: Another live performance synched to the studio version.
7. Mind Games: This has some really wonderful footage of John wandering around NYC mingling with people, dancing, and such. One of the better videos, and only marred by a quick shot of John from the morgue. I found that element really distasteful.
8. Whatever Gets You Through the Night: This video is superb. It features a number of John's drawings animated and colorized.
9. #9 Dream: This is an interesting video with footage from one of John and Yoko's short films called Smile. Something about the footage of John really struck me, as he appears so natural and relaxed. It's kind of amusing that May Pang's vocals on the song are made to appear to be Yoko's in the video.
10. Stand by Me: Live footage previously seen on "The Old Grey Whistle Test"
11.(Just Like) Starting Over: This is initially a very, very emotional and harrowing video. It begins with the premise of where John would be now had he lived, which is a terrific and powerful concept. However, rather than sticking with that idea, the video degenerates into cheesy looking graphics of the photos flying around everywhere. It's ultimately redeemed, but I think they bungled the chance for something truly great.
12. Woman: Footage of Yoko...the same video that was released by Yoko in 1981.
13. Beautiful Boy: This is a home video of Sean playing and talking with Yoko, and John sort of sitting there and talking to other people. I think this video was in really poor taste as it's a song that John wrote about how much he loved Sean. Shouldn't the video focus on--maybe I'm crazy--him and Sean?? Especially considering ALL the footage of the both of them available?
14. Watching the Wheels: Okay, there's some redemption to the above as this video features mostly footage of John and Sean together. Very nice to watch.
15. Nobody Told Me: A compilation of old Imagine footage and clips of John with Andy Warhol, Miles Davis, etc. It's ok, but not really anything we haven't seen before.
16. Borrowed Time: Has lots of home footage and outtakes from previously unavailable sources...
17. Working Class Hero: A really good video filmed at Strawberry Fields and John's childhood home. It's nice to see that footage, but again, the phantom of John's death is paraded out again. Sadly, these images are prevalent throughout the DVD. It's just not something I think John would want drawn so much attention, too. Why not focus on the positive aspects of his life, and message more?
18. Happy Xmas (War Is Over): This is a brilliant video, and while some have critized it as Yoko politicizing, I think it's artistically great and I think John would have completely approved.
19. Give Peace a Chance: Includes the Bed-in footage, various protests, and--again--vigils for John in 1980.
Overall, it's a must buy if you're any kind of John Lennon fan. It's good in that either the beginning John Lennon fan, or the long time devotee is going to find something good to see. My main points of contention are not that it was bad, but that it could have been even better than it was.

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M*A*S*H (1973) Review

M*A*S*H (1973)
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The Five-Star Collection is Fox Studios' top-of-the-line releases. Movies like French Connection have already made the list, and now Fox debuts the greatest anti-war movie of all time, M*A*S*H. The basis for the long-running TV series (which also debuted recently on DVD), M*A*S*H introduces us to the antics of Hawkeye Pierce (Donald Sutherland), Trapper John (Elliot Gould), Hot Lips (Sally Kellerman), and Radar (Gary Burghoff).
Altman's black comic masterpiece doesn't have a solid plot so much as a series of skits and sketches about life during the war. From golfing 5 miles from the front to suspension of marital promises to trying to figure out why people are dying all around, M*A*S*H handles the gruesomeness of stupidity of war in the only way possible - if you're not laughing, then you're going to be crying, so it's probably better to laugh.
And what a way to bring this classic to DVD - the movie has never looked so good. For being 30 years old, it looks great after Fox's extensive restoration and is presented in its original theatrical ratio of 2.35:1 with an anamorphic transfer. There's some grain here and there, but the colors are exceptionally vibrant, with great contrast on the blacks and whites especially. The sound mix is a decent DD 2.0, which is fine considering that the movie is mostly dialogue, but the lack of a more dynamic soundtrack was noticeable during the football game and any time there was music. There are enough extras to make up for it, though, including Altman's commentary track, three featurettes including A&E's "The Story of M*A*S*H" and a 30-year cast reunion that's both touching and funny.
The lack of the DD 5.1 soundtrack doesn't sully the otherwise pristine quality of the rest of this 2-disc set. It's a must have - get it now. Now, trooper! Now!

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It's set during the Korean War, in a mobile army surgical hospital. But no one seeing "M*A*S*H" in 1970 confused the film for anything but a caustic comment on the Vietnam War; this is one of the counterculture movies that exploded into the mainstream at the end of the '60s. Director Robert Altman had labored for years in television and sporadic feature work when this smash-hit comedy made his name (and allowed him to create an astonishing string of offbeat pictures, culminating in the masterpiece "Nashville"). Altman's style of cruel humor, overlapping dialogue, and densely textured visuals brought the material to life in an all-new kind of war movie (or, more precisely, antiwar movie). Audiences had never seen anything like it: vaudeville routines played against spurting blood, fueled with open ridicule of authority. The cast is led by Elliott Gould and Donald Sutherland, as the outrageous surgeons Hawkeye Pierce and Trapper John McIntyre, with Robert Duvall as the uptight Major Burns and Sally Kellerman in an Oscar-nominated role as nurse "Hot Lips" Houlihan. The film's huge success spawned the long-running TV series, a considerably softer take on the material; of the film's cast, only Gary Burghoff repeated his role on the small screen, as the slightly clairvoyant Radar O'Reilly. "--Robert Horton"

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Neil Young & Crazy Horse - Rust Never Sleeps - The Concert Film (1978) Review

Neil Young and Crazy Horse - Rust Never Sleeps - The Concert Film (1978)
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This is Neil at the top of his game. The decade preceding this release saw Young put out all the strongest material that would carry his reputation for the next 25 years. Sure, he would return to form in the late 80's for another strong run, but this is where he and the Horse hit their stride. Crazy Horse is a one trick pony, but that trick is something else when they have it all together, and they have it all together all the way through this DVD.
The stage show is a bit silly in retrospect, the kind of grandstanding he must have done, tongue in cheek, but the music is undeniably powerful. In many cases, these are the definitive versions of these songs, and Young clearly revels in their glories. You'll not find a better version of "Cinnamon Girl" or "Powderfinger" anywhere, and the proof is how well these renditions in particular have stood up.
Of course, it would all go south almost immediately after this tour. Becoming a father to two severely handicapped sons, dealing with failed relationships and a new marraige and trying to keep his private life out of the public eye and out of the manipulating hands of David Geffen would result in some truly awful, often bewildering, constantly changing directions that would span the 80's. Not until the Bluenotes Cd and then FREEDOM would Neil find his groove and court passionately his muse again, but at least at this point, it is as though he is that kid on the dock in "Powderfinger" who is just about to see his face flash in the sky.
This is a landmark concert, well worth watching over and over again. The sound transfer is great.

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RUST NEVER SLEEPS - DVD Movie

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Quadrophenia (Special Edition) (1979) Review

Quadrophenia (Special Edition) (1979)
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When "Quadrophenia" first came out in 1979, I think most people were expecting a "Tommy"-like rock opera, with music by The Who blasting from the speakers and Roger Daltry playing pinball adorned in a mask. Much to most people's surprise, "Quadrophenia" is a story about teen angst in England, with background music by The Who. The story is the key, and "Quadrophenia" details the historic Mod/Rocker riots of the 1960s. The riots were fueled by teen rebellion, rock music and a youthful generation seeking its identity.
The beauty of "Quadrophenia" is the film's themes of youths trying to find their place in the world is timeless and internationally identifiable. You don't have to be a British lad to love this story. Several scenes are so emotionally harrowing as to be disturbing. The protagonist Jimmy Michael Cooper (brilliantly played by Phil Daniels) begins to self destruct as the movie progresses. He loses his home, his job, his girlfriend and eventually his identity in a haze of drugs and misguided motivation. The scene where he begs his ex-girlfriend to explain herself, to which she answers "It was just a giggle" will bring a tear to most eyes. It is the saddest form of rejection and as emotionally truthful a scene one is most likely to see.
I think many teenagers eventually go through a process similar to what is seen in "Quadrophenia." One's identity when growing up is always related to the music, the parties, the mode of dress and the friends one chooses. The world is seemingly yours. As the Mods begin their march in Brighton, chanting, screaming, arms wrapped around one another, they are a force. They can change the world. So when the world rudely interrupts the dream, as the police break up the riots, as people move on to the next day, one uncomfortably realizes it really was all just a "giggle."
This is the sad quandry Jimmy Michael Cooper must confront. When watching "Quadrophenia," specifically the final scene where he rides the stolen scooter along the cliffs of Brighton, you're never sure what choice Cooper is going to make.
The Mods most certainly fueled the eventual punk movement, and I think many people who love this film came from that 1980s generation. The clothes and the hairstyles (including Sting, in an early role as the coolest Mod) are identifiable to the punk generation. What Jimmy Michael Cooper eventually confronts is similar to the conflicts of the punk generation (or any teen generation for that matter). Sadly, the movement must be left behind and we must ask ourselves what the meaning of it all was. To reach maturity, many of us must travel the same path of Jimmy Michael Cooper - and he's faced with some difficult choices.
The Who produced this film, and they must be applauded (as should director Franc Roddam) for creating a classic work about teen rebellion. The music of The Who, including "The Real Me," "Love Reign O'er Me," "Bell Boy," and "I Am the Sea" has been expertly used throughout. "Quadrophenia" is a great film not just because it details British teen angst, but timeless, international teen angst.

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Masked and Anonymous (2003) Review

Masked and Anonymous (2003)
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You would probably have to go back to early Godard to find a movie as audacious, shockingly funny and brilliantly incisive in its analysis of the uneasy alliance between art and commerce as the sci-fi/film noir/spaghetti-western/Shakespearean musical-tragicomedy, Masked and Anonymous, the new movie from Bob Dylan and Larry Charles. As with some Godard, I can't say whether it's a comedy or a tragedy - but it's definitely a masterpiece.
To direct the Hollywood cast to speak in the script's poetic, ornate language could not have been easy but the actors do an exemplary job. Nearly all of them manage to hit just the right note of cartoonish hysteria to give the film a sense of unity and harmony. Except, that is, for Bob Dylan. His character, Jack Fate, is the calm in the eye of the storm, the one rational character surrounded by a world of swirling insanity and director Charles gets a lot of comic mileage out of the contrast
between Dylan's deadpan delivery and the over-the-top performances of nearly everyone else; it's like taking a Humphrey Bogart character out of the '40's and plunking him down in the middle of a massively absurd science-fiction landscape - the resignation and world-weariness of the film noir hero remains hilariously intact. The very idea is inspired and the execution is flawless.
The performance footage of course is terrific. Dylan and His Band play eight songs live on camera and there is a warmth, an intimacy and a relaxed quality to the performances that you will only see at Dylan's best club shows. Although none of the songs are heard in their entirety, these sequences are nonetheless beautifully filmed. There is none of the rapid-fire editing and pointlessly roving camera that mars the filmed footage of so many live musical performances. Instead, Charles' strategy is to have the band crowd together and film them in close-up with a wide-angle lens. There are numerous long takes in which all of the band members can be seen and when the camera does move, it's deliberate and meaningful.
In a recent interview, Larry Charles said he never worried about
finding a distributor for the film and that Dylan had told him long ago not to worry about the film "in the short term." However the film _is_ received in the short term, the richly orchestrated tapestry of sound and image that is Masked and Anonymous is sure to keep Dylanologists and film fans alike busy for decades.

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In a fictional America caught up in a civil war that is tearing the nation apart, a benefit concert is being organized. A traveling troubadour named Jack Fate (Bob Dylan) is sprung from jail by his scheming former manager (John Goodman) to headline a concert with the expectations to bring peace to a country that is entrenched by chaos, lawlessness and pandemonium. Star-studded cast includes: Jeff Bridges, Penelope Cruz, Bob Dylan, John Goodman, Jessica Lange, Luke Wilson. Cameos by Mickey Rourke, Angela Basset, Giovanni Ribisi, Val Kilmer, Cheech Marin, Ed Harris and Bruce Dern.

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Led Zeppelin - The Song Remains the Same Review

Led Zeppelin - The Song Remains the Same
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This 1976 concert film is one Led Zeppelin item that really did deserve to be improved and expanded. In the November 2007 glut of new Zep products related to the film, this 2-DVD set is clearly the optimal purchase. (Note that this review was written after actually purchasing and consuming the item in question, which appears to be a real rarity so far.) The "Collector's Edition" DVD set adds merchandise that will only be of value to super-diehards, and the new edition of the soundtrack album is apparently built around the new remaster of the movie itself and displays some odd editing choices. I have always felt that the purely audio soundtrack of the movie suffers from the lack of visuals - for example, all 27 minutes of "Dazed and Confused" makes more sense visually because you can watch the theatricality of Jimmy Page's stage performance, while merely listening to the accompanying soundtrack can be tedious. To a lesser extent, the same goes for the extra lengthy "Moby Dick" because while soloing, John Bonham could be even more enjoyable to watch than to listen to. So the film itself is the apotheosis of the entire "The Song Remains the Same" project, and this 2-DVD set presents much needed improvements in audio and video quality, with some bonus items that add value for the enthusiastic fan without becoming obsessive.
Though I'm a lifelong Zep fan, I actually hadn't seen this movie in around 20 years. And I had forgotten how cheesy the non-concert footage truly is, with the fantasy sequences serving as little more than period vanity pieces that rarely rise above the amateurish. But who cares, because the concert sequences are stupendous, and in this DVD set they have been presented for maximum aural and visual impact (yes these two shows weren't the band's best, but they were still light years beyond most other rock acts). As for the DVD extras, the interviews and news segments have some curiosity value, but the true goodies are the extra concert sequences. We finally have official video for the blistering performance of "Celebration Day," which was always my favorite from the old original soundtrack album. Other bonuses include "Misty Mountain Hop," though the uncoordinated performance of this song deserved to be left out of the original film; plus a surprisingly heavy take on "Over the Hills and Far Away."
For many years the original movie and soundtrack were the only (official) live Zep documents available. For the real live goods, we now have the 2003 CD package "How the West Was Won" and the 2003 self-titled DVD set, which are considerably more hard-hitting and far-reaching than "The Song Remains the Same." But even though it's no longer the definitive live document, fans have long deserved an improved version of the film. For all but the most obsessive collectors, the 2-DVD set is the way to go. [~doomsdayer520~]

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The line forms here for the world’s greatest and possibly most influential band – Led Zeppelin! With Dazed and Confused, Stairway to Heaven, Whole Lotta Love and more signature performances, this mesmerizing movie built around Zep’s famed ’73 NYC concerts is convincing proof why. Band members supervised the Re-mastering and Dolby 5.1 Re-mixing of the film’s image and sound. In addition to their performances, fantasy sequences and at-home glimpses of Jimmy Page, Robert Plant, John Paul Jones and the late John Bonham, this 2-disc Special Edition has over 40 minutes of newly-added extra features including: Two (2) never-before-released songs in rare performance footage: Celebration and Over the Hills and Far Away; Vintage TV Footage: Drake Hotel Robbery during the New York Concert Stand; Robert Plant BBC Interview and Tampa Concert Band Arrival. Also available in Hi-Def and Blu Ray!

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CSNY / Deja Vu Review

CSNY / Deja Vu
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This is a documentary film,not a concert or musical. There are parts of songs but no full song is shown apart from the "Find The Cost of Freedom" video and the "Living with War" videos that are "extras".
A powerfull and thought provoking document, this film is set against the Iraq War and shows both sides of the political argument, whilst enforcing the band's belief that the war should end now. Filmed during CSN & Y's "Freedom of Speech" tour the film shows reactions from the audience both for and against the band's songs. From veterans themselves and, something I found truly heartrending, from the families of those killed in war. It also shows members of the community, media and politicians campaigning.
The film is an honest account of the tour, even showing a fall by Steve Stills on stage and the rough edges still evident during the early part of the tour.It shows some audience members booing and walking out of concerts. However, one must ask what these people were doing at a CSN&Y concert in the first place given their long history and repetoir of anti war material together with Young's well publicised Living With War album.
There are three moments from the film that are still imbeded in my mind. The first, a veteran who has lost both her legs in battle now fighting in the political arena. The second, a mother who has lost a son in Iraq. Seeing her son's photo with thousands of others, on the screen behind the stage, she reflects that this has been the first time she has seen any public recognition of her sons sacrifice. Finally an audience member advises us that the Government is smarter than us so we should not question it!! Now that is scary.

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Item Name: CSNY / Deja Vu; Studio:Lions Gate

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Lego Star Wars: The Video Game Review

Lego Star Wars: The Video Game
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This game is a blast despite some lackluster reviews received from official game reviewing sites. Lego Star Wars lets you act out all the major action scenes in Star Wars episodes 1, 2, and 3.
The game has a unique look which is welcome amid the myriad of games that seek to portray realism in graphics. The controls are quite simplistic (each character can only attack, jump, or do a special move) but can be somewhat cumbersome while playing with the keyboard. A gamepad is definitely recommended.
The game is on the short side but has replay value if you are the kind of gamer that likes to go back and discover new areas and unlock all the characters (50 in all). The simplicity of control and shortness of the game led me to believe that the game was intended for children but I found it to be extremely fun.
Those that are trying to remain spoiler free should refrain from playing the levels associated with episode 3 as they reveal the major plot points of the upcoming movie.
Note that this game requires a graphics card that supports pixel shader 1.1. It will not run without it. I was a bit surprised by that because I was expecting the graphics component of this game to be less that what it ended up being. Many economy graphics cards that are over a year old do not support pixel shader 1.1. Check before you buy. If you are still uncertain download the free demo. If the demo runs then you will not have any problems.

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LEGO Star Wars blends the unique world of LEGO with the adventure of Star Wars, for unforgettable action and fun. Live the most popular moments from The Phantom Menace, Attack of the Clones and Revenge of the Sith. Episodes I to III come to life -- and you can become a part of the story! Will you succumb to the dark side of the force or will you become a strong Jedi knight? Find your destiny.

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