Showing posts with label classic mythology and literature. Show all posts
Showing posts with label classic mythology and literature. Show all posts

The Odyssey (1997) Review

The Odyssey (1997)
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As a part of teaching 7th graders ancient Greek history every spring, I have the privilege of introducing to them Homer's "Iliad" and "Odyssey". They think they know what real adventure is till they learn about Odysseus' grand voyage home from the Trojan War. And then--when we watch this movie, the students have a much greater appreciation not only for real adventure, but real literature!
Filmed on location around the Mediterranean, the film captures the perilous journey of Odysseus back to Ithica and his beloved Penelope. The glaring weakness of the script is attempting to condense the Trojan War into a half-hour. Nevertheless, Achilles' slaughter of Hector is awesome, and after all--the film isn't titled 'The Iliad'.
While the 7th graders enjoy the mysterious Aeolus (and his bag of winds), and less so Vanessa Williams' seductive Calypso (which gets a bit 'steamy'), there is simply nothing to compare to two scenes. First, the Scylla and Charybdis, which evoke all the surprise, blood, and special effects which today's teenager expects (without overdoing any of the three), and second, the concluding sequence where Odysseus is revealed to the wicked suitors who have "...stolen (his) world", and violated the most sacred of ancient Greek customs--hospitality. The bloodletting here is intense, but Homer would certainly have applauded the interpretation presented.
Not all of Odysseus' ten adventures are included in the film. For example, we do not see the lotus-eaters, the slaughter of the cattle of Helius, the rescue by the sea nymph Ino, etc. But what we do see is wonderful! One will never forget the belching and monstrous cyclops who (again) pictures for us the unavoidable punishment Greeks felt was certain to befall the inhospitable! Also missing is the death of Odysseus' faithful dog Argos upon beholding his master's return.
Finally, also missing is what would have been a great visual scene--Odysseus bound to the mast of his ship as he experienced the wonder of the deadly sirens' call--and lived to tell about it! I also found it just a bit disconcerting that although we see King Menelaus of Sparta, we see nothing of his wife Helen whose beautiful 'face launched a thousand ships' and started the whole darn Trojan War in the first place. And where is Paris...? (Oh yes, I forgot again--this is "The Odyssey"!)
For me, the highlight is Odysseus' trip to the underworld to seek the blind prophet's direction on how to get back home. Though combining two of four rivers of the underworld into one (the Styx, and the Phlegethon--river of fire), the sequence loses none of the magical mystery of the Greek conception of the afterlife. Even included is the haunting meeting of Odysseus and his mother who committed suicide, in believing her son would never come home.
Bernadette Peters' Circe sequence is as humerous as it is clever, and watching Odysseus' men turn back into men from animals is memorable. Nevertheless, character development is often sacrificed at the expense of trying to cover the many adventures, but I guess one can't have it both ways!
The special effects are great--especially the face of Poseidon in the waves as he strives to punish Odysseus for blinding his son (the cyclops), and (as one of my students pointed out)in reality, ends up making our hero a better man, by crushing his hubris, and teaching him the ultimate Greek lesson: "...man is nothing without the gods!"
Great movie! Whether they know the classic tale or not, the film will entertain teenagers (and most everyone else). But as a supplement to teaching the great literature pieces of Homer...ah, it doesn't get any better than this! Now, if the same director would only make "The Iliad"....

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The Trojan Women Review

The Trojan Women
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Ancient Greek plays with all their dramatic devices and often an emphasis on static speeches by the actors and the chorus often do not translate well to the screen. Euripides' "The Trojan Women," however, is an exception to the rule. What makes this production work is the fine acting by most of the performers as well as the beautiful language, though in translation, of Euripides.
The plot is simple and straight forward. Queen Hecuba (Katharine Hepburn), her now crazed daughter Cassandra (Genevieve Bujold), her daughter-in-law Andromache (Vanessa Redgrave) and a host of other Trojan women are now at the mercy of the Greek victors. The play builds as one catastrophe after another befalls these women. Cassanda will be the wife of Agammemnon, Andromache will go with the son of Achilles, and Hecuba will become the slave of Odysseus-- or as Hecuba so aptly puts it, "Anguish heaped upon anguish."
The Greek chorus-- or in this instance I suppose we must call them the "Trojan Chorus" works well. Irene Papas plays a different sort of Helen than we see through other writers' eyes. Here she is unbowed, even as she awaits her fate from the hands of her wronged husband Menelaus. In a quite wonderful scene, after Helen has made her pitch to him to spare her life, Hecuba delivers the great lines: "Kill her, Menelaus." Ms. Hepburn has a lot of such passages. I remember from having seen the movie when it was released in 1971 her lines: "Kindness unwanted is unkindness."
The theme is obvious. Wars always hurt the women and children most-- Andromache's son almost steals the movie, by the way-- and while the weaponry and locales may change, war in 2005 is not that much different than it ever was, a sad, sobering thought.

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