Showing posts with label french cinema. Show all posts
Showing posts with label french cinema. Show all posts

Les Miserables (1995) Review

Les Miserables  (1995)
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"After 34 films, I am dedicated to filming hope." -Claude Lelouch

This is neither a movie based on the book or the broadway musical; it is not merely a retelling of Hugo's novel in modern times- it is a beautiful masterpiece that follows a period of time filled with fear, ignorance, oppression, suffering, miserable ones, war, greed, and betrayal. We follow the story of Henri Fortin (Jean Paul Belmondo), whose father died while trying to escape from a prison that unjustly sentenced him based on appearances. Henri Sr. was the driver of a man who commited suicide, and the police assumed that Henri Sr. killed the man. His wife, much like Fantine in the book, does everything she can to raise money for a lawyer, making her son Leopold, who she now calls Henri, work to raise money. She is forced into prostitution. Henri Sr. dies on an attempt to escape, so the wife kills herself. Henri Jr. starts a boxing career, and World War I ends. However, peaceful times never come because soon comes World War II. The Jews are being betrayed by all their friends. Henri is called a Jean Valjean because many people feel that his life parallels that of Jean Valjean. He helps a family of Jews travel towards Switzerland and gets their daughter into the Academy of the Sacred Heart for safety. As they drive they read him Les Miserables since he cannot read or write. He is amazed at the story and feels that Les Miserables can be applied to any situation in life. He starts seeing parallels to Cosette and Valjean.

It is a beautiful story that will surely make you cry! It is in French and has subtitles. I don't speak French but I had no problem with it. I read quickly and I had to rewind a couple of times because the subtitles go by so quickly, but that was no problem for me! I highly recommend this video if you want to see how Les Miserables is so true in today's world and is still a masterpiece. It is a wonderful movie! There is lots of violence in it, so it's not necessarily for younger viewers. it is beautifully done. I only hope they come out with a DVD version in the future with commentary and extras! BRAVO!

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The Chorus (Les Choristes) Review

The Chorus (Les Choristes)
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Prisons are filled with people without hope; perhaps especially prisons which house young boys. Devoid of the normal pleasures of life in which boys delight, these ruffians lead desperate, bland, colorless lives of few joys, little change, and little love. Into this drab, dreary, and harsh enviornment arrives our lovable dreamer, Prefect Clement Mathieu.
A frustrated musician/composer, Mathieu has an idea: organize this rag-tag group of troublemakers into a boys choir. Like a wildflower in the field, this group springs into beautiful song and harmonies. It also upsets a few people along the way. No good deed goes unpunished, as Mark Twain said, and this one is no exception.
Mathieu is different than the other prefects and administrator/teachers, he loves the boys and in that lies the difference.
The Chorus is a sweet, gentle, moving film. Everything about it is exceptionaly well done. Remarkable acting, writing, filming, and storytelling make this a film which lingers sweetly in the mind of the viewer, long after the credits have scrolled by.

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An inspirational story in the rich tradition of MUSIC OF THE HEART and MR. HOLLAND'S OPUS, THE CHORUS has moved critics everywhere to declare it one of the year's very best films! When he takes a job teaching music at a school for troubled boys, Clément Mathieu is unprepared for its harsh discipline and depressing atmosphere. But with passion and unconventional teaching methods, he's able to spark his students' interest in music and bring them a newfound joy! It also puts him at odds with the school's overbearing headmaster, however, locking Mathieu in a battle between politics and the determination to change his pupils' lives!

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Mr. Klein Review

Mr. Klein
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For those who have seen all of Joseph Losey's significant films, MR. KLEIN is the greatest after THE SERVANT. Some even call MR. KLEIN Losey's finest achievement. It's telling of our fragmented film culture that such an accomplished work of art remains unknown, even to many serious film buffs. For years, we had to settle for an English-dubbed, panned & scanned VHS tape. But the greatness of MR. KLEIN showed through even that medium.
Now the film is available on a high-quality DVD from Home Vision (which manufactures Criterion DVDs). The transfer is very fine, with the broad color pallette ringing out. And the widescreen aspect of the film can be appreciated by many who have never seen it look so good.
MR. KLEIN is a work of which its director should have been proud. It's intelligent, intriguing, moving, funny, and beautiful. Like THE SERVANT, it has at its center an ambiguous hero by whom one is, at turns, repelled and attracted.
This may also be the greatest acting achievement of Alain Delon. The charismatic French actor's still-stunning good looks sometimes can distract from appreciating his genuine talent. Delon probably never gave a bad performance in any film. But MR. KLEIN provides him with a wide range and depth that he is more than capable of handling. It's mostly a quiet performance, with few outbursts. Delon is required to react, which he does brilliantly at several points, or to express the meaning of scene through posture and facial expression alone. One subtle example is the scene early on, where the mistress is on the bed in the background, wondering if she should get up. Delon is seated at his desk, half-listening to her trivialities. He has far more pressing issues on his mind. The actor perfectly conveys the ambivalent, trapped situation through small body gestures and tone of voice. When he finally rises to address the mistress's concerns, his forced tone is also exactly right for the moment. Later, Delon plays Klein's mixture of desperation and arrogance with so much conviction, it's easy to forget he is, after all, acting.
MR. KLEIN is a film of rich interiors, and eye-catching, but not ostentatious, location shooting. It looks tremendous on DVD and it can leave the viewer devastated, but undeniably impressed by the genius of Joseph Losey and Alain Delon.
A trailer for MR. KLEIN is also included

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Both a thriller and a Kafkaesque dissertation on identity, Joseph Losey's Mr. Klein stars Alain Delon (Le Samorai, Le Cercle rouge) as Robert Klein-a charming and unscrupulous art dealer in Nazi-occupied France. As Jews flee Paris, Klein exploits them, preying on their desperation by buying their valuables at a fraction of their worth...until he finds his name is shared by a Jewish criminal who is a member of the anti-Nazi resistance. Klein reports this to the authorities only to find he is uncontrollably sinking into the quicksand of mistaken identity. Co-starring Jeanne Moreau (La Femme Nikita), Mr. Klein is an award-winning suspense classic that studies the ever-changing relationship between victim and oppressor.

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Indochine (1992) Review

Indochine (1992)
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This deeply felt and emotionally rich portrait of a country about to change forever is one of the most beautiful films ever made. It is elegant and opulent in its visual presentation and subtle in its human tale of heartbreak. This film has the majesty of morning sunlight on water we dare not shield our eyes from for fear we will miss one moment of its glory.
Director Reigis Wargnier has created a masterpiece of epic beauty, showing us the country of Vietnam when it existed as the French colony Indochine. He shows how and why the communist uprising was so popular and the way of life it threatened. It does not make judgements but shows the human drama and the heartbreak caused by a way of life that existed and the one that was coming to change it.
Wargnier accomplishes all this in a slow and visually stunning portrait of one family in Indochine. The story is centered around the magnificent performance of Catherine Deneuve as French rubber plantation owner Eliane Deveries, and the equally terrific Linh Dan Phan as her adopted Indochine daughter Camille. The contrasts of Eliane's cool elegance and Camille's young and sensual beauty is like a mirror for the country itself as Wargner shows the difference between the French and those that serve them.
Eliane runs her rubber plantation with the help of her 'coolies' and it appears to be her entire life except for her daughter Camille. But Eliane's cool outward elegance only masks the repressed emotions she hides from others. Her affairs have been casual and she believes indifference is the secret to surviving love. But that indifference changes dramatically as she finally falls hard for young French Naval Officer Vincent Perez (Jean-Baptiste Le Guen). She throws herself at him as he draws away and discovers she is not enough for Vincent.
There is much unrest at the class distinctions of Indochine. Eliane's Indochine is one of elegance and self-indulgence. It is a world of Fitzgerald and Gatsby. The world of the Indochene people is more severe. This film takes its time showing us all that is beautiful about the country and slowly begins to show the darkness underneath that beauty when Camille falls in love with Vincent also. Eliane is stunned beyond words but not actions as she uses her clout to have him transferred to the farthest outpost so Camille can go through with an arranged marriage to Tanh (Eric Nguyen).
But Eliane has underestimated her daughter's love for Vincent and she runs away to find him. Vincent has learned about the slave trade which provides Eliane and others like her with their workers in this remote French outpost and sees firsthand its brutality. When Camille finds him it is during the picking of these workers and a tragedy forces both to flee to a place hidden and supposedly cursed, where their love will bloom and a legend will start. There are some tender and moving moments and some true heartbreak involving a baby.
As the communist revolution grows stronger and Camille is imprisoned, Vincent will meet Eliane once more. It is only when Camille is imprisoned that she is even sure she is alive. Her long time aquaintance Guy (Jean Yanne) has been searching for years as the legend of this young beauty has grown so that everyone in the country knows the story. Once released she will be the one to help change the country forever, but not before a heartbreaking meeting with her mother and a sacrifice of love.
This film may indeed be slow but it is emotionally rich and the visual beauty of the country itself is magnificently captured. Deneuve's cool elegance is perfect for the part and her Oscar nomination was well deserved. Linh Dan Phan is wonderful as Camille as she goes from the innocence of dancing with her mother to a symbol for her entire country. There are no judgements made here. This is a human film and not a political one. This film is what a Renoir painting would be if it could leave the canvas and find our hearts. It is an impression of a country and a time rather than a clear photograph.
Those who watch this film and stay with it will be richly rewarded. Few films can make the claim to be art, but this is one. Its quiet beauty and sorrow you will not soon forget. You must see, and own, this magnificent film.

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A love triangle set in the days just before the communist uprising in Indochina. A plantation owner finds that her adopted daughter has fallen in love with the owner's secret lover.Genre: Foreign Film - FrenchRating: UNRelease Date: 21-MAR-2000Media Type: DVD

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A Very Long Engagement (2004) Review

A Very Long Engagement (2004)
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My understanding is that France has declined to submit A VERY LONG ENGAGEMENT for Oscar consideration as 2004's Best Foreign Film. I can't imagine why.
War is not glorious. Especially if you're Manech (Gaspard Ulliel), a young French soldier convicted by a military court, along with four others, of committing self-mutilation with the intent of escaping service in the front lines of World War I. The punishment is grotesque. Rather than death by firing squad, the five are forced over the top of the most forward trench and into the No Man's Land between the French and German positions - there to die by whatever bullet, mortar shell, or bomb strikes them down. The subsequent deaths of all five are attested to. Letters are sent to surviving family members by the French authorities saying their boys died in battle. This was in 1917.
Mathilde (Audrey Tatou) was Manech's fiancée when he marched off to war. She's also crippled in one leg after having been afflicted with polio at a very young age. In 1920, she's contacted by a dying survivor of the war, ex-Sergeant Esperanza (Jean-Pierre Becker), who'd been in charge of the provost detail assigned to escort the five condemned men to the front trench, as well as act as carrier of the last missive each was permitted to write home. He tells Mathilde of their bizarre fate, and gives her their last letters, which he's kept since the war's end. Using these and the veteran's story to provide clues, Mathilde embarks on a lengthy search for the truth behind Manech's death with the help of a private investigator (Ticky Holgado). Interviewing friends, family members, and lovers of Marech's four condemned companions, as well as other soldiers present in the trench, Mathilde needs to answer the question, "Is Manech truly dead?" She has no doubts; he's alive. But, the evidence is elusive and inconsistent.
As crafted by director Jean-Pierre Jeunet, A VERY LONG ENGAGEMENT is a hypnotic tale of mystery, official cover-ups, lies, misperceptions, secrets, coincidence, tenuous clues, guilt, innocence, honor, and, ultimately, love. Jeunet has created a masterpiece of special FX, lighting, unusual camera angles, split screen images, breathtaking panoramas, and visual asides. And then there are the entrancing depths of Audrey Tatou's brown eyes, in which I could happily lose myself forever. There's not been the likes of this young actress since Audrey Hepburn.
Though not advertised as such, this film is a gut wrenching depiction of World War I trench warfare. It's perhaps the best I've ever seen, especially when shown in contrast to gentle Mathilde's quest through post-war Paris and the luminous French countryside.
Astute and sardonic Mathilde, perhaps because of her affliction, is a take-no-prisoners dynamo of perseverance. No obstacle is too great that it can't be overcome. In the end, she finds ... Truth. And, if you see A VERY LONG ENGAGEMENT, you'll experience amazement, delight, and tears. For me, it's 2004's Best Foreign Film no matter what the Academy votes.

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The film is set in France near the end of World War I in the deadly trenches of the Somme, in the gilded Parisien halls of power, and in the modest home of an indomitable provincial girl. It tells the story of this young woman's relentless, moving and sometimes comic search for her fiancC)e, who has disappeared. He is one of five French soldiers believed to have been court-martialed under mysterious circumstances and pushed out of an allied trench into an almost-certain death in no-man's land. What follows is an investigation into the arbitrary nature of secrecy, the absurdity of war, and the enduring passion, intuition and tenacity of the human heart.DVD Features:Audio CommentaryDeleted Scenes:With Director audio commentaryDocumentaries:Paris in the 20'sThe Zepplin ExplosionFeaturette:The Making of A Very Long EngagementTheatrical Trailer


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