The Joan Collins Superstar Collection (The Girl in the Red Velvet Swing / Rally 'Round the Flag, Boys / The Sea Wife / Seven Thieves / Stopover Tokyo) (1959) Review

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(More customer reviews)The Joan Collins Collection bundles together five of the better movies that Joan Collins starred in, from her early days as a contract player with Twentieth Century Fox. Each film is handsomley packed in it's own "slim case" with lobbycard reproductions and bonus collector's booklet.
THE GIRL IN THE RED VELVET SWING (1955). In a role originally meant for Marilyn Monroe, Joan Collins shines as Evelyn Nesbit, the young showgirl who became attached to the scandalous Thaw/White murder trial. Co-starring Farley Granger and Ray Milland.
RALLY 'ROUND THE FLAG BOYS! (1958). Once again, Joan fills a role that was originally intended for another resident studio bombshell, Jayne Mansfield. This briskly-paced romantic comedy stars Joanne Woodward and Paul Newman as a feuding married couple with Collins as the sexpot neighbour.
SEA WIFE (1957). In this evocative melodrama, Collins plays a nun caught up in a terrifying adventure at sea...and contemplating an illicit romance with Richard Burton. Very reminiscent of "Heaven Knows, Mr Allison" (with Deborah Kerr and Robert Mitchum).
SEVEN THIEVES (1960). Sexy and stylish heist thriller with Edward G. Robinson, Eli Wallach and Rod Steiger. Collins provides the all-important eye-candy.
STOPOVER TOKYO (1957). A tension-fueled espionage thriller with contract players Robert Wagner and Joan Collins in full flight. Some great supporting performances from Edmond O'Brien and Ken Scott.
Each DVD comes packed with informative extra features. THE GIRL IN THE RED VELVET SWING has a featurette entitled "From Ingenue to Icon" which explores Collins' career through the five movies contained in this set. STOPOVER TOKYO also has a fun clip show called "Hollywood Highlights". Scene-specific audio commentary is provided for each movie by Aubrey Solomon.
A great value box set, perfect for classic movie collectors and fans of the magical Miss Joan!

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Disc 1: **Girl in the Red Velvet Swing '55 Feature **Audio Commentary with Film Noir Historian TBD **Meet Mary Anderson **Noir Poster Art **Still Gallery **Interactive Pressbook Gallery **Theatrical Trailer**Fox Noir: *Daisy Kenyon *Black Widow *Fourteen Hours *House of StrangersDisc 2: **Rally 'Round the Flag Boys '58 Feature **Restoration Comparison **Theatrical Trailer **Still GalleryDisc 3: **Sea Wife '57 Feature **Restoration Comparison **Theatrical Trailer **Still GalleryDisc 4: **Seven Thieves Feature **Restoration Comparison **Theatrical Trailer **Still GalleryDisc 5: **Stopover Tokyo '57 Feature **Restoration Comparison **Theatrical Trailer **Still Gallery

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Star Trek - The Original Series, Episode 28: The City On the Edge Of Forever (1966) Review

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(More customer reviews)Now we come to what is clearly the most famous, most admired and most controversial Star Trek episode, "The City on the Edge of Forever." As I would think most people know by know, McCoy goes back in time through the time portal of the Guardian of Forever and changes history. Kirk and Spock follow to set things right, ending up in the U.S. during the Great Depression where they learn that the focal point in time is Edith Keeler (Joan Collins), a social worker: Because McCoy will save her life, Edith will lead a peace movement that will delay U.S. involvement in World War II, allowing Hitler time to create the atomic bomb first and win the war (which is not a good thing). Unfortunately, Kirk falls in love with Edith and does not want her to die.
Originally written by Harlan Ellison, who has published both the original script and his side of what really happened (that's an understatement), the only thing everybody can agree on is that changes were made in the script. The biggest difference in the two versions has to do with which character prevents Edith from being saved: in the episode it is Kirk, but in the original script it is Spock. Ellison's point was that Kirk was willing to sacrifice the future for love; the powers that be maintained their hero would not act that way. But then they also think that two hundred years from now no one will remember Clark Gable (or "Gone With the Wind" apparently).
Ironically, these two opinions are enshrined in the second and third Star Trek movies, where we go from the good of the many outweighs the good of the one (Spock sacrifices live to save the ship), to the good of the one outweighs the good of the many (Kirk save Spock at the expense of his career). I have to admit that I very much like both versions; it was years before I stopped crying when I watched the end of "The City on the Edge of Forever." Yet as great as that ending is, with Kirk having nothing to say about what has happened except "Let's get the hell out of here," what Ellison was attempting was even more operatic.
Ultimately, what hurts this episode the most is not the great debate over which version is superior, but that Kirk would have a different girl on a different planet for what seemed like every other episode during the rest of the series, which undermines his (supposedly) epic love for Edith Keeler. If you have not read Ellison's script, then you should do so. You can even skip the vitriolic account of the bad blood between Ellison and Gene Roddenberry, but there is a minor character named Trooper in the script who deserves to be remembered because he was deemed negligible by history.

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