Showing posts with label star trek the original series. Show all posts
Showing posts with label star trek the original series. Show all posts

Star Trek - The Original Series, Episode 23: A Taste of Armageddon (1966) Review

Star Trek - The Original Series, Episode 23: A Taste of Armageddon  (1966)
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What if war were fought with computers and the casualties reported to disintegration chambers? This episode covers this question and does a pretty good job.
There is a fair amount of action and the suspense is well done. The conflict between Scotty and the none-too-bright diplomat is especially well handled. This is one of Scotty's best command assignments. He runs the Enterprise with intelligence and restraint.
Kirk's solution to the episode's problem is very suspect in light of the prime directive that he's supposed to be following, but over-all, this is a very good episode.

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Star Trek - The Original Series, Episode 28: The City On the Edge Of Forever (1966) Review

Star Trek - The Original Series, Episode 28: The City On the Edge Of Forever  (1966)
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Now we come to what is clearly the most famous, most admired and most controversial Star Trek episode, "The City on the Edge of Forever." As I would think most people know by know, McCoy goes back in time through the time portal of the Guardian of Forever and changes history. Kirk and Spock follow to set things right, ending up in the U.S. during the Great Depression where they learn that the focal point in time is Edith Keeler (Joan Collins), a social worker: Because McCoy will save her life, Edith will lead a peace movement that will delay U.S. involvement in World War II, allowing Hitler time to create the atomic bomb first and win the war (which is not a good thing). Unfortunately, Kirk falls in love with Edith and does not want her to die.
Originally written by Harlan Ellison, who has published both the original script and his side of what really happened (that's an understatement), the only thing everybody can agree on is that changes were made in the script. The biggest difference in the two versions has to do with which character prevents Edith from being saved: in the episode it is Kirk, but in the original script it is Spock. Ellison's point was that Kirk was willing to sacrifice the future for love; the powers that be maintained their hero would not act that way. But then they also think that two hundred years from now no one will remember Clark Gable (or "Gone With the Wind" apparently).
Ironically, these two opinions are enshrined in the second and third Star Trek movies, where we go from the good of the many outweighs the good of the one (Spock sacrifices live to save the ship), to the good of the one outweighs the good of the many (Kirk save Spock at the expense of his career). I have to admit that I very much like both versions; it was years before I stopped crying when I watched the end of "The City on the Edge of Forever." Yet as great as that ending is, with Kirk having nothing to say about what has happened except "Let's get the hell out of here," what Ellison was attempting was even more operatic.
Ultimately, what hurts this episode the most is not the great debate over which version is superior, but that Kirk would have a different girl on a different planet for what seemed like every other episode during the rest of the series, which undermines his (supposedly) epic love for Edith Keeler. If you have not read Ellison's script, then you should do so. You can even skip the vitriolic account of the bad blood between Ellison and Gene Roddenberry, but there is a minor character named Trooper in the script who deserves to be remembered because he was deemed negligible by history.

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Star Trek - The Original Series, Vol. 23, Episodes 45 & 46: A Private Little War/ The Gamesters of Triskelion (1966) Review

Star Trek - The Original Series, Vol. 23, Episodes 45 and 46: A Private Little War/ The Gamesters of Triskelion (1966)
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These are two of the best episodes as far a Star trek is concerned. A private Little War is great because it mirrored the Cold War. With the Klingons(Soviets)and the Federation(United States)having to arm a smaller race/nation. Watching this episode gives you a idea of the political situation at that time. The Gamesters of Triskelion on the other hand is pure sci-fi. Alien women in gladiator schools falling for Kirk. Kirk having to save the day and out smart the colored brains. It just doesn't get any better. For those who like Trek to be serious then P.L.W is a episode for you. If you like the lighter more adventurous side then T.G.O.T is for you.

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"A Private Little War," Ep. 45 - Kirk and company beam down to a primitive planet visited by Kirk 13 years ago. But some of the once-peaceful natives now have sophisticated weapons, courtesy of the Klingons. "The Gamesters of Triskelion," Ep. 46 - Kirk, Uhura and Chekov are enslaved on the planet Triskelion. There they are trained in the art of combat so that their unseen masters, the "Providers," can make wagers on the outcome.

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Star Trek: The Original Series - Season 1 Review

Star Trek: The Original Series - Season 1
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The Program:
If I could find something new to say about Star Trek, that would be a feat in itself. Let it suffice to say that it's the most successful TV sci-fi franchise of all time, was a pioneering show in many respects, and is just darned entertaining to watch, whether you're a "true believer" or not.
Season One of the Original Series is a great place to start for newbies and fanatics alike. We are introduced to the Romulans, Klingons, Khan, Starfleet, the Federation of Planets, and the whole crew short of Chekov, who appears in Season Two. We are presented with 29 episodes, at least 6 of which are absolute masterpieces, and another 10 of which are really, really good. In this package, you'll get classics such as "The City on The Edge of Forever," "Where No Man Has Gone Before," "Balance of Terror," "The Menagerie," "The Devil In The Dark," and "Space Seed." Overall, it's the Original Series' strongest season, and it only has two real clunkers in the group ("Shore Leave" and "The Galileo Seven").
There's really not a whole lot to be faulted in this season. It's an absolutely rock solid item for any Trekkie, and indeed any sci-fi fan, to own.
The Blu-Ray:
So the question becomes, how is the presentation?
Well, it should be said right off the bat that the HD transfers of these shows are absolutely sparkling. Detail is through the roof, making every smile line, button and dial, star, and ship detail just pop right off the screen. Black levels are rock solid, especially in space scenes. Color saturation is deeper than deep, and bright colors are radiant in a way that the previous DVDs just can't replicate. The show is presented in its original 4:3 aspect ratio - thank goodness CBS/Paramount didn't try to stretch these shows in a manner similar to many "HD" rebroadcasts of older shows on cable.
The Original Series was shot on 35 mm film stock, which has more detail than any 480i TV broadcast can resolve (or 480p DVD for that matter). Thus, it is truly benefited by a high definition transfer. This isn't a release where you look at it and say "well, it looks pretty good for what it is." In fact, it has just as much fine detail and the same superior color as the newest shows currently broadcast on TV in HD. And it really does blow away the previous DVDs, too. There are, of course, a few shots here and there that betray their age. This is just the nature of the beast when dealing with 40 year old celluloid elements. But all told, a good 90% of the shots are competitive with modern HD. So as far as a video rating goes, this is 5 star material all the way.
Audio is a tad problematic. Some of the sound balancing seems to be a bit off - dialogue can have a tough time keeping up with music and sound effects. It's perfectly clear, don't get me wrong. But I found myself fiddling with the volume controls more than I'd like throughout an episode. On the other hand, the audio in general is great. The re-recorded theme song is breathtaking - especially when the Enterprise "wooosh-es" by from the front speakers to the rear surrounds. Red Alert klaxons and atmospheric sounds generally are mixed towards the surround channels. It's very cool.
Special effects sequences have been redone with modern CGI and in high definition. For the most part they look great, and it is quite refreshing in the era of the "Lucas-ing" (or is it Abrams-ifying?) of old material that the producers of the new effects went to such great lengths to respect the original design aesthetic of the 1960's material. I will say I kind of wish they had done new model work, as CG still just isn't to the point where it looks "real" (setting aside the fact that this is inherently unreal stuff being filmed...). But I understand that it would never have been done in that case, since it costs so much more these days to do model work as opposed to CGI. On balance, having new effects is much more good than bad.
But the kicker, and the reason it would be no big deal even if one hated the new effects, is the fact that the original effects are on the same disc. You can watch an entire show with the old or new effects, or, if you'd prefer to irritate your friends and significant others, switch between them in real time with the "angle" button on your remote. Are you paying attention, George Lucas? This is what we want in a Star Wars Blu-Ray! The beautiful new with the respected old, side-by-side. Big kudos go to CBS/Paramount and the Trek team for the job they've done here.
Also included are several extra features. Mini-documentaries, mostly reprised from the previous DVD set, are included one on each disc. The "pop-up" text commentary from the DVD has been retained as "Starfleet Access," a combination video-text commentary. The videos are nice, but they talk over the audio from the episode, whereas the older text commentary did not interfere with the audio. I wish both could have been included. New features include a mini-doc on the HD restoration and effects, and a set of "home movies" from an extra on the Trek set. Especially cool is an interactive "tour" of the original series Enterprise, showing many nooks and crannies not often seen or discussed, on the same gorgeous HD CGI model that the new shots use. All in all, a healthy set of extras.
The packaging is nowhere near as bad as some previous DVD Trek seasons, but it still has its issues. Why can we not be presented with episode titles on each disc? The discs are just blank silver paint, with loads of empty space that helpful titles could have occupied. Instead, the episodes are listed on the INSIDE of the Blu-Ray insert, and are covered by both the filler material in the front, and by a disc in back. Being required to pop out a disc to see the contents of three more is really not convenient.
*****
The audio niggles and the packaging stupidity might be enough to make some downgrade this to a four star rating. I am swayed however, by the astounding HD clarity of the video, and the wonderful options for old and new special effects. The other things are minor issues in the scheme of things. This is a tremendously good presentation of an absolutely seminal television show and science fiction saga. The respect with which the "restoration" was handled is truly commendable.
Any Trekkie/Trekker who has a Blu-Ray player should own this set. It's just that simple. If you are just a general sci-fi fan, you also should give this serious consideration.

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Space. The Final Frontier. The U.S.S. Enterprise embarks on a five year mission to explore the galaxy. The Enterprise is under the command of Captain James T. Kirk. The First Officer is Mr. Spock, from the planet Vulcan. The Chief Medical Officer is Dr. Leonard 'Bones' McCoy. With a determined crew, the Enterprise encounters Klingons, Romulans, time paradoxes, tribbles and genetic supermen lead by Khan Noonian Singh. Their mission is to explore strange new worlds, to seek new life and new civilizations, to boldly go where no man has gone before.

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