The Wild Bunch - The Original Director's Cut (1969) Review

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(More customer reviews)There's not much that can be noted about Sam Peckinpah's brilliant 1969 western epic "The Wild Bunch" that has not already been written. It was an unanticipated, influential work where all things came together, but for a moment, the end product a huge, sweeping canvas of intimacy between comrades, violence between combatants, desperate anger amidst changing times. Part Kurosawa, part Siegel, part Fuller, part Ford, Peckinpah combined his inspirations with a healthy dose of 1960s rebellion producing the ultimate work of his generation, and one of the greatest westerns in history. It was Peckinpah's great fortune that the right actors were available for this film - William Holden and Robert Ryan in the twilight of their memorable careers, Ernest Borgnine with just enough youth to be a perfect and loyal presence, Edmond O'Brien chewing up the scenery with tobacco-stained teeth, and of course Peckinpah friends Strother Martin, L.Q. Jones and Warren Oates in salty supporting roles. It was also his great fortune cinematographer Lucien Ballard and composer Jerry Fielding were also on hand to participate in his steadfast vision.
Peckinpah also had something to prove at this point in his career, when he was still a hungry director with a vision, before alcoholism, disillusionment and celebrity status took hold. He hid nothing from viewers, and his contradictory heart was laid bare in "The Wild Bunch." The direction and editing during the violent moments of this film - the opening bank robbery and the concluding battle with the Mexican army - are some of the most unforgettable scenes ever put on film. But ironically, and this was usually the case in most Peckinpah films, it is the quiet moments one remembers. Pike (Holden) and Dutch's (Borgnine) melancholy conversation next to a campfire; The Bunch riding out of Angel's village as if in a funeral procession; Deke (Ryan) taking Pike's pistol from it's holster, gently holding it in his hand; and of course Pike standing in the doorway and mouthing two simple words, "Let's go."
And of course you have The Walk, in which Holden, Borgnine, Oates and Ben Johnson quietly begin loading their guns, cocking them, arming themselves, smiling at one another, standing shoulder to shoulder. There's not much left for these forgotten outlaws who have lived past their time. Just a code of honor, just their self respect. And so they Walk into the heart of the Mexican army to retrieve their comrade Angel, a prisoner and personal enemy of General Mapache. These surviving members of The Wild Bunch are free to go, but Angel, youthful, love-struck, rebellious, was one of them. They are not going to leave their comrade.
After viewing the extraordinary documentary "The Wild Bunch: An Album In Montage" and seeing the rare footage of Peckinpah literally improvising The Walk, walking alongside Holden, Borgnine, Oates and Johnson, inventing by instinct, one realizes how fiercely creative this man was as a director. This film was his moment in time, his vision, his idea, Peckinpah's nightmarish and amazing dream.
Peckinpah never really made a film quite like "The Wild Bunch" again. Of course, no director ever really has before or since. His uneven career of 14 films, some good, some not, has been celebrated and honored. Peckinpah the man, adorned in faded jeans and bandanna, certainly perpetuated his myth-like status. But in the end, you will always have "The Wild Bunch," an unforgettable film, raw, gritty, whiskey-soaked, sublime. I cry whenever I watch this film. I cry in awe. All things came together for Peckinpah on "The Wild Bunch," and the moment is everlasting.

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DIRECTOR SAM PECKINPAH'S MASTERPIECE IS A WORLD CLASS WESTERN,NOTABLE FOR ITS DARING CINEMATOGRAPHY AND LANDMARK VIOLENCE.

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Major Dundee (1965) Review

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(More customer reviews)Well, I've seen the extended version, and even if they added only 12 minutes, out of a possible forty I guess, it still makes so much more sense now it is totally worth it. Kudos to the editors behind this reconstruction. I didn't have any problem following any of it, and I'm not really bright at complicated plots. All the main outlines of the drama became extremely vivid and clear; the tension between the Confederates and the Union soldiers; the dilemma about the French army; the massacre of the family at the beginning that causes Major Dundee to go all medieval and turn over command at the prison to his skeptical sub-lieutenant. "Maybe there's a reason why you're a jailer, not a soldier, Amos." They keep saying this as though being a jailer were something terrible.
Charlton Heston's descent into a delirium of infection is painful to deal with, very real. Now we see him drawn to the Mexican woman who brings him food; he's so out of it he finds himself having sex with her for the comfort it brings, and then of all times that's when Senta Berger shows up at his door on her own mission of mercy. She sees the naked back of the Mexican woman and you can see the pain in her eyes. Heston's pretty covered up but you get the picture, and he's man enough not to lie about what happened.
Richard Harris looks great and brings a rebel energy to the movie. Warren Oates' death scene is pure poetry, shot through with genius. What a ham he is! And oh, that is ham deluxe, 100 percent pure gold!
Michael Anderson, Jr. is excellent in his role as the young bugler, so much better here than in his other parts. He's sort of playing the Claude Jarman role, or maybe the part Brandon De Wilde played in IN HARMS WAY. The scenes where he meets Begonia Palacios in the ruined town where Senta Berger works as a doctor are credible and hilarious because he's so much in lust he can't see anything else but "Linda." Equally funny is the aftermath of the skirmish in which he's been shot in the butt and then they try to fix him up by tearing out the seat of his pants and stitching up what looks like his bare ass (kind of daring nudity for 1965). Anderson's got game and you can see why Peckinpah made him so prominent in this movie.
[SPOILER]
The chronology straightens itself out and before long we come to the scene where the troops find the crucified corpse of their Indian scout, whose trustworthiness the previous version had left in doubt. Somehow it is nice, after all these forty years, to have at least one MAJOR DUNDEE mystery cleared up, and also to find that that Riago was loyal after all!
[END OF SPOILER.]
At the end a whole bunch of us (film geeks I expect) clapped at the final credits. PS, the new music is outstanding, though I'm glkad the forthcoming DVD will give you the option to hear the old sing-along theme too.

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Major Dundee (The Extended Version) (2005) Review

Average Reviews:

(More customer reviews)Well, I've seen the extended version, and even if they added only 12 minutes, out of a possible forty I guess, it still makes so much more sense now it is totally worth it. Kudos to the editors behind this reconstruction. I didn't have any problem following any of it, and I'm not really bright at complicated plots. All the main outlines of the drama became extremely vivid and clear; the tension between the Confederates and the Union soldiers; the dilemma about the French army; the massacre of the family at the beginning that causes Major Dundee to go all medieval and turn over command at the prison to his skeptical sub-lieutenant. "Maybe there's a reason why you're a jailer, not a soldier, Amos." They keep saying this as though being a jailer were something terrible.
Charlton Heston's descent into a delirium of infection is painful to deal with, very real. Now we see him drawn to the Mexican woman who brings him food; he's so out of it he finds himself having sex with her for the comfort it brings, and then of all times that's when Senta Berger shows up at his door on her own mission of mercy. She sees the naked back of the Mexican woman and you can see the pain in her eyes. Heston's pretty covered up but you get the picture, and he's man enough not to lie about what happened.
Richard Harris looks great and brings a rebel energy to the movie. Warren Oates' death scene is pure poetry, shot through with genius. What a ham he is! And oh, that is ham deluxe, 100 percent pure gold!
Michael Anderson, Jr. is excellent in his role as the young bugler, so much better here than in his other parts. He's sort of playing the Claude Jarman role, or maybe the part Brandon De Wilde played in IN HARMS WAY. The scenes where he meets Begonia Palacios in the ruined town where Senta Berger works as a doctor are credible and hilarious because he's so much in lust he can't see anything else but "Linda." Equally funny is the aftermath of the skirmish in which he's been shot in the butt and then they try to fix him up by tearing out the seat of his pants and stitching up what looks like his bare ass (kind of daring nudity for 1965). Anderson's got game and you can see why Peckinpah made him so prominent in this movie.
[SPOILER]
The chronology straightens itself out and before long we come to the scene where the troops find the crucified corpse of their Indian scout, whose trustworthiness the previous version had left in doubt. Somehow it is nice, after all these forty years, to have at least one MAJOR DUNDEE mystery cleared up, and also to find that that Riago was loyal after all!
[END OF SPOILER.]
At the end a whole bunch of us (film geeks I expect) clapped at the final credits. PS, the new music is outstanding, though I'm glkad the forthcoming DVD will give you the option to hear the old sing-along theme too.

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MAJOR DUNDEE (EXTENDED CUT) - DVD Movie

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