Showing posts with label janet leigh. Show all posts
Showing posts with label janet leigh. Show all posts

The Manchurian Candidate (1962) Review

The Manchurian Candidate (1962)
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This is a great DVD with many excellent bonus features, including the Director's commentary that adds so much to the understanding of how the film was made. The film was shot primarily with wide angle lenses which heightens the effect of some very frightening screens. For example is there anything more incredible than the scene where the captured, brainwashed prisoners believe they are attending a ladies' garden party, while actually on stage as human guinea pigs in a meeting of communist cadres. Just an amazing juxtaposition of images! The storyline is well developed and never loses the taut feeling of suspense from start to finish. Laurence Harvey, Frank Sinatra, and Angela Lansbury are particularly fine in their roles. If there is only one criticism, it is that Harvey lapses at times into his original British accent, which is disconcerting. But given the power of his performance in this role, this is a minor detail that can easily be overlooked. The film is shot in black and white, which is far better suited to its cold war images. Just puzzled why MGM issued the cover for this DVD in color? Anyway, highly recommend this DVD!

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Harper (1966) Review

Harper (1966)
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Based on Ross McDonald's The Moving Target--one in a long series of crime novels featuring southern California PI Lew Archer--1966's Harper is a perfect complement to Point Blank, released the next year, in which Lee Marvin is tough first, cool second. Paul Newman as Harper is cool first, tough second. Neat trick.
While this is admittedly a little dated, it does bring back the 60s and in fact does a good job of it, too--even to the point of including a hippie pseudo-guru who's a front for smuggling in Mexicans from across the border, but who's got all the trademark paraphernalia--isolated wacky domicile, pet peregrine falcon with a fancy hood over its eyes, and, you know, flowing robes. Strother Martin does this role proud. It also has a "groovy chick" played by Pamela Tiffin who is, uh, a groovy chick--great bod, sexy face, and about as shallow as a frog pond in a drought.
All the middle aged women are great, really great: Julie Harris, Shelley Winters, Janet Leigh, and the great Lauren Bacall. Each one of the ladies is perfectly cast and does a terrific job, especially Shelly Winters as a liquored up former starlet who's now washed up and who sleeps it off, a lot.
Most of the cast is just plain fun to watch and it's also fun to see Newman as Harper put on various accents and personas to weasel and wheedle and wrangle information out of various folks. Harper gets beat up, but recovers fairly quickly (hey, he's the good guy; he has to), and this is OK because it's pretty easy to tell the film itself loves film noir but is subtly funning it at the same time it honors it. Sixties southern California noir--a great mix that Ross McDonald nailed in his novels and director Jack Smight follows pretty closely in the film.
It's about Harper trying to find the missing husband of wealthy wife Elaine Sampson (Bacall) and tracking the trail(s) that various people leave (or that Harper himself sniffs out) to do so. This is a standard noir/PI plot, but it's handled well here and, as noted, is really entertaining, mostly due to the terrific cast.
It would be nice if this was issued on DVD. Since there is no DVD of it, I managed to find a VCD (video compact disk) of it on another website. Worth owning, for sure.
Nice job.

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: Im Auftrag der reichen Mrs. Sampson sucht Privatdetektiv Harper ihren spurlos verschwundenen Ehemann. Scheinbar wurde der Millionär entführt â€" und Harper trifft gleich auf mehrere Verdächtige, denen er allesamt mehr als lästig ist, darunter seine Auftraggeberin (Lauren Bacall), ein Anwalt mit nervösem Finger am Abzug (Arthur Hill), ein Swimmingpool-Gigolo (Robert Wagner), ein versoffenes Ex-Starlet (Shelley Winters), ein Jazz-Junkie (Julie Harris) und Harpers Ex-Frau (Janet Leigh). Paul Newman zeigt eine unvergessliche Leistung als Titelheld dieses Kassenknüllers nach Ross MacDonalds Reiche sterben auch nicht anders. Newman hatte damals bereits 23 Filme gedreht, aber noch nie einen Detektiv gespielt â€" mit Ein Fall für Harper gab er dem Genre neue Impulse. In seinem cleveren Skript erweist sich William Goldman als Meister scharfzüngiger Dialoge.

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The Manchurian Candidate (Special Edition) (1962) Review

The Manchurian Candidate (Special Edition) (1962)
Average Reviews:

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This is a great DVD with many excellent bonus features, including the Director's commentary that adds so much to the understanding of how the film was made. The film was shot primarily with wide angle lenses which heightens the effect of some very frightening screens. For example is there anything more incredible than the scene where the captured, brainwashed prisoners believe they are attending a ladies' garden party, while actually on stage as human guinea pigs in a meeting of communist cadres. Just an amazing juxtaposition of images! The storyline is well developed and never loses the taut feeling of suspense from start to finish. Laurence Harvey, Frank Sinatra, and Angela Lansbury are particularly fine in their roles. If there is only one criticism, it is that Harvey lapses at times into his original British accent, which is disconcerting. But given the power of his performance in this role, this is a minor detail that can easily be overlooked. The film is shot in black and white, which is far better suited to its cold war images. Just puzzled why MGM issued the cover for this DVD in color? Anyway, highly recommend this DVD!

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Eerie, shocking, daring, thrilling and mesmerizing, The Manchurian Candidatewill leave youbreathless(People)! Featuring an all-star cast, including Angela Lansbury in an OscarÂ(r)-nominated performance, thischilling and controversial(Leonard Maltin) filmmay be the most sophisticated political satire ever made(Pauline Kael).When a platoon of Korean War G.I.s iscaptured, they somehow end up at a ladiesgarden club party. Or do they? Major Bennett Marco (Frank Sinatra) can't remember. As he searches for the answer, he discovers threads of a diabolical plot orchestrated by the utterly ruthless Mrs. Iselin (Lansbury) and involving her war hero son (LaurenceHarvey), her senator husband (James Gregory) and a secret cabal of enemy leaders.

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The Vikings (1958) Review

The Vikings (1958)
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Historically, 'The Vikings' is largely nonsensical, from its title sequence misapprhension of the centuries-later Bayeux Tapestry to its hash of the succession to the throne of Northumberland. But this film is great good fun! - a superior swashbuckler with a sound plot, breathtaking art direction, costuming, sets, & cinemaphotography, & solid acting & direction.
Kirk Douglas gives a menacing yet humane portrayal of the Viking prince Einar whose falcon-disfigured milky eye inspires fear & loathing. Tony Curtis is, as far as looks go, perhaps a bit miscast but his energetic, seething performance amply redeems his presence. Ernest Borginine's Ragnar is fabulous - and one should keep in mind that Borgnine gave Ragnar life long before this sort of Borgnine role later turned him into a caricature of himself; Ragnar gives the film terrific heart & vitality. Janet Leigh is just...beautiful, despite the script's relegation of her female lead role into what is chiefly a plot device to motivate the action scenes. James Donald succeeds at fleshing out his character, but some of his lines are the only clichés in the script & yet he manages to rise above them with his careful elocution. And the ever-malevolent, narrow-eyed Frank Thring (Pontius Pilate in 'Ben-Hur', & a creep in 'Mad Max: Beyond Thunderdome') does yeoman service as the conniving, spineless pretender to the throne. Alexander Knox's small role as the priest isn't much dramatically, but it's pivotal in the plot development, & his diction is at its customary excellence. Also memorable is the rune-reading Viking woman saga-teller whose moonlit face & sepulchral voice in the tidal crab-nibbling scene give the plot & its Norsemen their spiritual anchor.
The DVD's special features are interesting, informative, & enjoyable.
The supporting cast of Norwegian unknowns, all of them hulking & sweaty & masculine & lusty, lends a muscular depth to the action sequences & even, suprisingly, to the dramatic ones. Norwegian fjords & their sparkling waters & towering precipices provide a majestic setting for the action. And the dénouement at the English castle is one of the finest mediaeval assault & swordplay sequences on film, rarely rivalled, as for example, by those in the Charlton Heston film 'The Warlord'.
Most of all, who can forget the long ships? Painstakingly recreated from the best archaelogical evidence available at the time of filming, these rakish craft are in themselves stars of 'The Vikings' & they give ample evidence to why the Norsemen dominated the seas. The 'walking of the oars' sequence is not only unique, but it's one of the most enjoyable bits of all of cinema's swashbucklers.
'The Vikings' isn't history, but it sure is top-shelf entertainment chock full of style & panache. Kids & grown-ups will all enjoy its scenic majesty & full-blooded characerizations.

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Hollywood legends Kirk Douglas, Tony Curtis, Ernest Borgnine and Janet Leigh dazzle in this epic chronicle of brutal rivalry and bloodthirsty ambition. Roaring through the 9th century with powerful performances and "brilliant visual drama" (Cue), The Vikings is a riveting "spectacle of have-at-'em action" (Los Angeles Examiner)!Bitter hatred divides two brothers. Prince Einar (Douglas) is the son and heir of a savage Viking chieftain. Prince Eric (Curtis) is his unknowing half-brother, the bastard offspring of Einar's father and an English queen. When the Vikings kidnap a princess (Leigh), her beauty inflames the desires of both men, forcing a bloody duel thatdecides their fate and the future of the English throne.

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