Showing posts with label mystery. Show all posts
Showing posts with label mystery. Show all posts

The Odessa File (1974) Review

The Odessa File (1974)
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The year is 1963...as the world is reeling from the assassination of President Kennedy, Egypt has missiles posed to annihilate Israel. The only thing preventing this is the lack of guidance technology to properly target the missiles, which Egypt is on the verge of obtaining with assistance from a group of Germans, once officers within the SS during World War II, now members of a group called Odessa, a clandestine organization designed to assist ex-German military personal gain new identities and lives, thereby avoiding capture, after the end of the war.
The Odessa File (1974) takes the popular Frederick Forsyth novel of the same name, which is supposedly based on actual facts and events, and presents it as a truly wonderful, tense thriller that I really enjoyed. Directed by accomplished cinematographer and director Ronald Neame, the film stars Jon Voight as freelance German journalist Peter Miller and Maximilian Schell as an ex-German officer named Eduard Roschmann, a man responsible for horrible atrocities, earning him the nickname `The Butcher', during his tenure as head of a concentration camp which housed Jewish prisoners. After the passing of an elderly Jewish survivor of a WWII concentration camp, Miller comes into possession of a diary kept by the man, one which detailed, in particular, the various crimes against humanity by Roschmann, and also seemed to indicate that the war criminal may still be alive. As Miller begins delving into the story, uncovering tidbits of information, he meets resistance in the form of various individuals, many of which turn out to be members of the secret Odessa organization, and are now actively working against Miller for fears that he may uncover their secrets.
As Miller gets closer to uncovering the truths, the resistance against him grows, and takes the form of actual attempts on his life. Around this time he comes into contact with a Jewish group, working to locate the site within Germany that's developing the guidance system for the Egyptian rockets, and Miller agrees to work with them, changing his identity in order to become an ex-German officer and enable him access to the Odessa organization. In exchange for this, Miller will supply the group with information, while he himself tries to get closer to Roschmann. As Miller infiltrates the group, his cover is eventually blown, but not before he learns of the existence of the Odessa file, documents that detail many of the members within the group, including Roschmann. The goal now is survival, and given the circumstances, his chances seem pretty slim.
I have not actually read the book, but I really liked this film. Jon Voight is wonderful and believable, German accent and all, as a reporter, seemingly driven by a determination to expose a subversive hideousness, once prominent in his country, that has now gone underground, and threatens yet again a great many peoples of the world. Listed as a thriller/drama, The Odessa File certainly doesn't disappoint. The plot, while having many twists and turns, keeps focused, and rarely falters in its' progression. The development of the characters is carefully planned, but not so to bring attention to the fact, allowing for the viewer to become drawn into the film. The exposition at the beginning was a little awkward to me, but I didn't see any other way around it, so I accepted it. Schell provides an excellent performance as an ex-German officer hiding in broad daylight, one who will resort to any means necessary to protect his secrets, along with those of the Odessa group. One point I enjoyed was near the end, as a particular revelation was made. Prior to that point, I had started to question one of the main character's motivations, and, as if the film knew what I was thinking, it answered my question in a completely satisfying manner. The film runs just over two hours, and the first half may seem slow, but I felt as if this was deliberate, allowing time for the story to develop. During the second half the film picks up speed as the tension mounts, drawing on the momentum carefully constructed in the beginning, resulting in a wholly enjoyable conclusion. Given the nature of realizing novels to film, I suspect a number of plot elements were left out, but what was left seemed to be missing very little, at least anything that left a glaring hole which would pull the viewer out of the movie with its' obviousness, which indicates a skillful adaptation of original source material, done with care to preserve the elements which made the book so very popular and well received. All in all, this is a really thrilling outing, one that requires a little patience, but provides a rewarding experience overall.
Presented on this release are really good looking prints, both in wide screen and full screen formats (it's double-sided). The audio seems a bit soft, but there are English subtitles, so I missed nothing. As far as special features, there are some well put together production notes in a four page booklet within the DVD case, an original theatrical trailer, talent biographies for actors Voight, Schell, and director Neame, and trailers for Anaconda (1997) and Oliver Stone's U-Turn (1997), neither film as good as this one, but both certainly benefiting from Voight's appearance...and that's another thing...remember when Jon Voight appeared in good films? Along with this film, I also count Midnight Cowboy (1969), Catch-22 (1970), Deliverance (1972), and Runaway Train (1985) to be some real highlights of his career...and let's look at some of his more recent films...Most Wanted (1997), The Karate Dog (2004), and Baby Geniuses 2 (2004)...not exactly the caliber of films early in his career, but who knows what the future holds?
Cookieman108

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A German journalist sets out to track down a Nazi war criminal, and discovers the existence of a secret Nazi organization called Odessa.Genre: Feature Film-DramaRating: PGRelease Date: 28-AUG-2001Media Type: DVD

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No Way Out (1987) Review

No Way Out (1987)
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If only the ending could be just a tad different, this would be twice as popular as it ever got. The topnotch, passionately made film largely goes unsung, a bit like "The Siege," only because it threw away all the riveting plot twists when it reached its ho-hum finale (some may call it a great final twist).
Quibbles aside, this fast paced nail-biter may be one of the quickest 2 hours of cinema ever filmed. Costner plays a Navy commander assigned to a high level post in the DOD, where he, and the Secretary of Defense become embroiled in a murder/scandal. The bulk of the film chronicles the Departments Under Secretary's attempts to quash the problem. A high level Russian mole in the U.S. government is being pursued throughout the film. The chase keeps narrowing down more and more drawing the government officials closer and closer to the culprit. The tension became almost unbearable as the mole was about to be trapped.
Costner, for a change, is really convincing in his role, the tight dialog helping him immeasurably. Sean Young actually smiles in this movie and looks twice as good as all her other newer movies put together. Gene Hackman has the usual commanding screen presence.
All in all, a fabulous politically charged thriller you ought not to miss!

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Imagine being a hunter leading highly trained bloodhounds in pursuit of a killer...and the trail leads directly to you! Starring Academy-AwardÂ(r) winners Kevin Costner* and Gene Hackman,** No Way Out is "a mesmerizing look at Washington power" (The Hollywood Reporter).Capturing a well-deserved four stars from critic Roger Ebert, this "taut [and] stylish" (Newsweek) thriller is fast-paced and powerful"a perfect nailbiter" (Variety)!In a fit of rage, Secretary of Defense David Brice (Hackman) murders his mistress. To keep a lid on the scandal, Brice's loyal aide (Will Patton) creates the perfect cover-up: he "invents" a more enticing killera Russian spyand then enlists naval commander Tom Farrell (Costner) to find him. But as achilling twist of fate would have it, Farrell also has a strong connection to the victim and now all the clues he's been hired to uncover are leading straight to him! In a desperate race against time, Farrell's search for the killer is not only a matter of national security, but also a matter of saving his own hide. *1990: Director and Picture, Dances with Wolves**1971:Actor, The French Connection; 1992: Supporting Actor, Unforgiven

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Murder by Numbers (Widescreen Edition) (2002) Review

Murder by Numbers (Widescreen Edition) (2002)
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Finally, Sandra Bullock has acted in a good film! Ever since I saw her in 'Speed', I always thought that she was a talented actress. But then 'While you were sleeping' and 'Hope floats' were thoroughly cliched and made me wonder if she was just a one-film wonder. Well, she did prove me otherwise in 'Murder by numbers'.
If you thought from the title or the trailer that this film is about a serial killer, you are wrong (I did that same mistake too!). This film is about the perfect crime or what the killer(s) think will be a perfect crime. As is the case with all killers, they do one simple mistake and that is enough for Casey (the cop played by Sandra Bullock) and her partner Sam to solve the case.
Even though there is no actual suspense in the film, I will not spoil the plot by telling who the killers are. The director does not attempt to hide the identity of the killers, it is fairly clear who the killers are right from the first or second scene. In spite of this, the film continues to gather momentum, with Sandra Bullock and her partner doing their detective work meticulously. Where the film lacks in suspense, it more than makes up for it in the tight story-line and the excellent acting by all the actors.
Sandra Bullock is very convincing as the troubled cop who has a checkered history of her own and that comes to light as the film progresses. Ben Chaplin, who plays Bullock's partner Sam is good too, but the best acting in the film comes from the two young men played by Ryan Gosling (who plays Richard) and Michael Pitt (who plays Justin). Gosling is nothing less than brilliant in his portrayal and his future as an actor sure looks bright.
The film drags a bit towards the end, with the climax being a bit cliched. But this is surely a film that is worth seeing!

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The body of a young woman is found in a ditch in the woods of the small California coastal town of San Benito. SANDRA BULLOCK ("Divine Secrets of the Ya Ya Sisterhood," "Miss Congeniality"), stars as Cassie Mayweather, the seasoned homicide detective and crime scene specialist assigned to the case along with her new partner San Kennedy (BEN CHAPLIN - "Lost Souls," "The Thin Red Line"). The two dectectives make their way through microscopic hints of evidence, which seem to indicate a random act of violence, but Cassie has a gut feeling that there is more to this murder than meets the eye. Something about this case reminds her of her past exactly at a time when she is asked to appear at a parole hearing on an old police matter. These events force Cassie to revisit the past.

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Mulholland Falls (1996) Review

Mulholland Falls (1996)
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I must first confess my undying admiration of the gorgeous Jennifer Connelly. Now, with my bias out of the way, married plainclothes detective Nick Nolte and doomed party girl Connelly have a torrid affair such that it hurts both to break it off. Hard-guy Nolte and his 3 partners are members of the thuggish but sharply-dressed "Hat Squad," who take it upon themselves to rid the city of organized crime figures transplanted from Back East. With the gracious assistance of the "Hat Squad," these organized crime figures have a way of rolling down the side of the canyon off Mulholland Drive, which is their "hint" that they have overstayed their welcome in L.A., and that it is time to leave town. Hence the title. This was obviously before the days of Internal Affairs divisions and Citizen Review boards.
In what looks to be a routine murder investigation, Nolte and his posse are surprised to discover Connelly's body. Probing deeper, Nolte and his partners determine that Connelly may have been killed for what or whom she knew. Nolte takes it personally. He and his men place themselves in harm's way with the FBI and other well-armed federal agencies. The plainclothes L.A. cops do battle the Feds and, of course, get way in over their heads. Ultimately, no one wins. When you dig deeply enough, no one ever wins.
The upside: this film stars a great ensemble cast--Nolte; Melanie Griffith, his wife; Chazz Palmintieri, Chris Penn, and Michael Madsen, his partners; Connelly; Andrew McCarthy, an effeminate witness; Daniel Baldwin, a smug FBI agent; John Malkovich and Treat Williams. The film looks super, and it recreates 50's L.A. in clear detail, and the dialogue is convincing. Philosophy and psychology are also briefly discussed, which earns it a half-star with me.
The downside: although most scripts made into movies are implausible, the film has difficulty making a believable transition from everyday murder investigation to the scale of atrocity uncovered by the "Hat Squad." This lack of a smooth transition detracts from the credibility of the plotline and the cohesiveness of the film.
The director was obviously influenced by "Chinatown," which is superior viewing, as is "L.A. Confidential," which was released soon afterwards. "Mullholland Falls" is a "Chinatown-lite," although set 15 years or so later.
If you can avoid overly critical comparisons with the best films of this type, you should enjoy it, too.

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In the brutal war against murder and corruption, there's one place where the battles are won. Nick Nolte, Melanie Griffith, Chazz Palminteri, Michael Madsen, Chris Penn, Treat Williams, Jennifer Connelly, Andrew McCarthy and John Malkovich star in Mulholland Falls, a brilliant, high-powered crime thriller electrified by hard-hitting action, forbidden passion and shocking intrigue.In 1950s Los Angeles, Max Hoover (Nolte) leads an elite squad of four detectives who play by their own rules, dealing with criminals the only way they know howwith deadly force. But when they investigate the murder of a beautiful young woman (Connelly), the detectives find themselves embroiled in a high-level conspiracy and faced with a terrifying secret that the US government is determined to keep hiddenat any price.

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Jacob's Ladder (1990) Review

Jacob's Ladder (1990)
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I wonder if this movie could be made today - after all, it doesn't have any computer-generated special effects, it demands the viewer's complete attention, and really needs to be seen more than once to appreciate fully the meaning of all of the scenes. Incredible too is that the writer (Bruce Joel Rubin) was working on the filming of this and his more popular movie "Ghost" at the same time. Director Adrian Lynne wisely avoided some of the more sacharrine touches that Rubin had in the original script (such as the view of "Heaven") and added many subtle disturbing elements of his own. The final result is a film that you will think about long after you see it, a man's journey through the bardo state to his final enlightenment. In a way, this is the cinematic equivalent of a Pettersson symphony - an emotional catharsis after the long, dark night of the soul. I'm not ashamed to say that I cry like a baby every time I watch it.
Comparisons with Bierce's "Occurrance at Owl Creek Bridge" and "Carnival of Souls" are inevitable and not out of place, but "Jacob's Ladder" has more layers than either of those and ambitiously takes on the psychological layers of one man's life, the tension between the comforts of home, wife and family and the unfufilled desires he harbors.
There are some violent scenes and very disturbing imagery throughout the movie; after all, it *is* about war, fear, and death. However, none of it is gratuitous, and the use of strobe lighting, quick cuts, and odd camera angles keep the viewer from being able to see anything definite. But don't say you weren't warned....
The DVD's documentary and deleted scenes, along with the director's commentary, will enable the first-time viewer to get a more complete idea of what is happening. I've watched this film at least a dozen times, and never fail to see something new in it each time. Sound and image quality are excellent.
This one isn't for casual viewing; it is *certainly* not a Saturday-night time killer, nor is it a "horror" movie in the standard sense of the term. Still, absolutley my highest recommendation.

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A Vietnam vet, back at home in New York City, finds himself losing his grip on reality, in a horrifying way; only his friend can help him.Genre: Feature Film-DramaRating: RRelease Date: 22-AUG-2006Media Type: DVD

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The Pelican Brief (Snap Case) (1993) Review

The Pelican Brief (Snap Case) (1993)
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This is a movie full of intrigue and suspense. Denzel Washington turns in one of his best performances as Gray Grantham. Julia Roberts is equally as exciting as Darby Shaw a Tulane law student. Together they work to expose a criminal conspiracy that involves many high officials that include the White House. When attempts are made on their lives, it becomes a race to see if they can solve the case before they forfeit their lives in pursuit of justice.


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A New Orleans law student finds herself embroiled in a terrifying web of intrigue extending to the highest levels of government after she writes a speculative legal brief exposing the activities of a powerful oil magnate.

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The Negotiator (1998) Review

The Negotiator (1998)
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Someone is embezzling money from the police department, and when Danny Roman is accused of the deed, he ends up taking several hostages within the department when things escalate and get out of hand. Danny has lost confidence in everyone in his own department, so he requests hostage negotiator Chris Sabian to help negotiate, and help prove his innocence. As the situation gets to a critical level, pieces of the puzzle start to fall into place. This is a very intense emotional suspense movie. Samuel Jackson and Kevin Spacey turn in phenomenal performances. This thrill a minute film is a definite must see.


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This film centers on a former FBI hostage negotiator who, after being framed for murder, tries to clear his name by taking several people hostage in order to uncover the guilty party.

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Traffic (2001) Review

Traffic (2001)
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To say that this is a film with a message would be an understatement, because it comes across so emphatically clear and succinct, and it is this: To wage a war against drugs, you must first come to terms with the sobering fact that the enemy is often a member of your own family; and how do you wage a war against your own family? A sobering message? Insightful? Indeed. And, when you consider the implications of it all, devastating. Ponder that awhile and you'll begin to get a sense of the futility visited upon those who would attempt to rectify a situation that affects practically everyone everywhere sooner or later, either directly or indirectly; and it is just that situation that is addressed and presented with no-holds-barred by director Steven Soderbergh in his brilliant, hard hitting film, "Traffic," starring Michael Douglas and Benicio Del Toro. The film examines the trafficking of drugs between Mexico and the United States, and the long-ranging effects thereof; and Soderbergh tells the story through a number of perspectives, which effectively presents the "big picture" of the drug trade and the subsequent impact it all has on the lives of so many people.
Probably the most telling perspective in terms of futility is that which is shown through the eyes of Robert Wakefield (Michael Douglas), a judge who is appointed the country's "Drug Czar," and given the task of "making a difference." It's a pivotal character inasmuch as it is through his involvement that so much information is presented, not all of which is anything new, but when taken within the context of the story has a tremendous emotional impact. Through Wakefield, not only is the unbelievably far-reaching problem of illegal drugs illuminated, but the attitudes of all of those it touches on all levels, from the heads of the Mexican cartels to the kids who use and abuse the product made so readily available to them by the drug lords.
A man of principle and high ideals, Wakefield begins by educating and familiarizing himself with all facets of the drug trade. He quickly learns that although he is far from naive in terms of the reality of what he is dealing with, he actually has no concept of the depth and scope of it, like how much better equipped and financed the cartels are than the U.S. Government, for instance. Another troubling aspect of the story involving Wakefield is the lack of respect accorded him by the young people with whom he comes into contact, not only in his official position, but simply as a human being-- especially by his own sixteen-year-old daughter and her "friends." Unfortunately, it realistically reflects an attitude prevalent within a wide faction of our society today; and it's one of the strengths of the film that it can so succinctly capture something so distressing, something that should be of monumental concern to everyone, for it's an integral part of a larger something that touches us all. Also realistically portrayed is Wakefield's reaction to all of this; the helplessness born of the limited ways of combating what he encounters is extremely well realized and conveyed by the film, and it enhances even more that already overpowering sense of futility.
From the Mexican side of the border, the story unfolds through the perspective of Javier Rodriguez Rodriguez (Benicio Del Toro), a veteran of the Mexican Highway Patrol; and it's from his side of the fence that we begin to understand the ramifications of the politics, money and power, and ruthlessness that so empowers the cartels. In these segments, the dialogue is in Spanish (with English subtitles), and Soderbergh uses a tint to the film that lends a visual sense of detachment to the action; it's almost like watching an old newsreel, which gives it an air of authenticity that works because it's incorporated with the emotional substance that ultimately provides the real impact.
The superlative cast Soderbergh assembled for this film includes Don Cheadle, Luis Guzman, Dennis Quaid, Catherine Zeta-Jones, Steven Bauer, Jacob Vargas, Erika Christensen, Miguel Ferrer, Amy Irving, Tomas Milian and James Brolin. An important film of gut-wrenching implications and staggering emotional proportions, "Traffic" evokes a sense of futility and loss (especially in the final scenes) that is, at times, overwhelming. It makes you realize just how huge the drug trafficking trade is, and how any efforts to eliminate or even contain it simply pale in the light of it's enormity. It's like a terminal cancer, spreading and eating away at the fabric of our society; a disease that reduces the value of human life to the barest minimum. It's a movie that will affect everyone on a different level emotionally, depending somewhat upon personal experience and frame of reference, but there is no doubt that this is a film that will create a lasting impression on anyone who sees it; but be prepared, for this is powerful drama that elicits a sense of hopelessness which-- I'm sure for many-- may hit just a bit too close to home for comfort.

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A twisting tale that attempts to chronicle the complex and diverse war on drugs. An Ohio Supreme Court Judge is appointed Drug Czar, but his loyalties are divided as he finds out his daughter is addicted to heroin. A jailed kingpin's wife attempts to take over his successful drug business. A local constable from Mexico struggles with his own ethics and how they play into the drug war.

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Without a Trace: The Complete First Season (2002) Review

Without a Trace: The Complete First Season (2002)
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Without a Trace focuses on the Missing Persons Unit of the FBI in New York City. This group of five headed by Jack Malone (Anthony Lapaglia) must find out who the missing person was to find out where they might be. They work backwards in time and forward in a race to find the missing person before 48 hours are up. Because after 48 hours chances of finding them alive are very slim.
This show is without a doubt one of the best on TV. I happened to stumble upon the reruns and was watching because I thought Anthony Lapaglia looked familiar. Of course I was thinking of Simon Moon from Frasier. By the time I could get my husband to confirm my suspicions I was hooked on this show. It is so well written and filmed that you can't watch and not become addicted.
The cast of this show is great. These five actors will make you forget your watching TV and make you believe your part of the team trying to solve the case. The writing is wonderful. In addition the way the show is filmed will leave you wanting more. I just can't say enough about this show. It has been awhile since I've been so excited about a TV show.
This DVD package is so great. The quality is excellent. And the extras are very entertaining. You go behind the scenes to learn how the show was developed and how the cast was picked. Then you can learn how the sets were made and discover that they actually have an ex-FBI man as an advisor to make the show look and feel real. This is just great. This shows the interest and pride the producers take in the show to go to the length of having an advisor help in making it real. I think this has a great deal to do with why the show is such a success and seems real.
This DVD is a must have for any fan of Without a Trace. It will provide some of the most entertaining hours on TV.

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WITHOUT A TRACE is a fast-paced procedural drama about the Missing Persons Squad of the Federal Bureau of Investigation. The sole responsibility of the special task force is to find missing persons by applying advanced psychological profiling techniques. The team reconstructs a "Day of Disappearance" timeline that details every minute of the 24 hours prior to the disappearance, following one simple rule: learn who the victim is in order to learn where the victim is. Senior agent Jack Malone (Anthony LaPaglia) heads the dedicated team. His squad includes Samantha Spade (Poppy Montgomery), Vivian Johnson (Marianne Jean-Baptiste), Danny Taylor (Enrique Murciano), and Martin Fitzgerald (Eric Close)DVD Features:Additional Scenes:Director's Cut of the Finale episode - Fallout - includes additional scenes not shown during the broadcast.Audio Commentary:Commentary on the pilot episodeDeleted Scenes:Approximately 26 minutes of deleted scenes shown after each relevant episode.Featurette:The Motive featurette, Jerry Bruckheimer's inspiration for the show; Fingerprints featurette, focuses on the look and feel of the show.


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Whiteout (2009) Review

Whiteout (2009)
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I didn't quite know what to expect when I sat down in the theater today to watch Whiteout. The trailers led me to believe it would be some sort of supernatural type film set in Antarctica, but I wasn't really sure if it was just the weather that would be the evil force or some sort of creature. It was none of the above. Whiteout is really just a typical thriller/mystery that happens to occur on the coldest land mass in the world. It involves some murders back in 1957 and few more in present day that Kate's character investigates. Within the first ten minutes you get the gorgeous Kate Beckinsale stripping down to her undies (always a good thing), but I didn't expect that to be the films only true highlight. Other than her obvious use in that particular scene, I can't believe they casted a good looking woman only to cover her up from head to toe and in multiple layers for the last 90 minutes. Not to mention a giant snow hat on her head. Anyways, most of the acting was okay I guess. Kind of bland, but nothing noticeably bad.
Whiteout is actually pretty darn entertaining if you take it for what it is and don't expect anything special. It deserves better than all the negative reviews it is receiving from the critics, but I have to admit that without the early gratuitous scene or the atmospheric location, I probably wouldn't give this thing more that two stars. You might get a couple of shivers from this one, but those looking for some true frostbite should stick with John Carpenter's The Thing.

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LONE U.S. MARSHAL THE ONLY ONE ASSIGNED TO ANTARCTICA, MUST INVESTIGATE A MURDER AND TRACK DOWN A SERIAL KILLER ON THE FROZEN CONTINENT WITHIN THREE DAYS BEFORE THE DARK WINTER BEGINS.

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Without a Trace: The Complete Second Season (2002) Review

Without a Trace: The Complete Second Season (2002)
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... if we would ever get another Without a Trace season in region 1. And this season contains some fascinating cases: a bus of kids abudcted, a satire-laden fake kidnapping, a murderous twin (but who knows which one?), and many more. We're also treated to some great character moments. Martin loses control and ends up shooting a suspect; Vivian makes an irreversible choice to lie to protect both their careers, and both have to deal with the consequences in later episodes. Samantha is forced into counseling after being shot in the Season One finale; she says she's fine, but we know she isn't. Danny has to choose whether to testify on his brother's behalf, or abandon him the way he once abandoned Danny. An Alzheimer's diagnosis forces Jack to re-evaluate the strained relationship with his father (wonderfully played by Martin Landau), and a certain case causes him to relive his painful adolescence with an emotionally unstable mother.
Overall, this season continues the watchability and excellent writing begun by Season One.
For the curious, here is the episode list, first aired 09/25/03-05/20/04.
The Bus
Revelations
Confidence
Prodigy
Copycat
Our Sons And Daughters
A Tree Falls
Trip Box
Moving On
Coming Home
Exposure
Hawks And Handsaws
Life Rules
The Line
Wannabe
Risen
Gung Ho
Legacy
Doppelganger
Shadows
Two Families
The Season
Lost And Found
Bait

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WITHOUT A TRACE is a fast-paced procedural drama about the Missing Persons Squad of the Federal Bureau of Investigation. The sole responsibility of the special task force is to find missing persons by applying advanced psychological profiling techniques. The team reconstructs a "Day of Disappearance" timeline that details every minute of the 24 hours prior to the disappearance, following one simple rule: learn who the victim is in order to learn where the victim is.

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The Manchurian Candidate (Widescreen Edition) (2004) Review

The Manchurian Candidate (Widescreen Edition) (2004)
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I'd held off for a bit on seeing this; the original Manchurian Candidate is an all-time favorite movie, and, well, you know...
At the end of this film I scooted over to my bookshelf and grabbed the DVD case of the original. My guess was the remake was no more than 90 minutes and the original must have been at least two and 1/2 hours in duration. Good Lord! They were both exactly 129 minutes long!
There's a profound lesson here. The first film, in that wonderful 129 managed to tell a great story, travel a lot, freak me out repeatedly, stun me with novelty (the playing cards, the whole Republican/McCarthy/Lincoln shtick, the "flower show' interrogation, the "jump in a lake", getting drunk with Shaw, and on and on) work in a great love story, work in a tragic love story, work in a pathological love story, and develop a host of intriguing characters, and thrill me with what seemed to be an unending sequence of marvelous performances. The equally lengthy remake stirred little sympathies and seldom got off the ground. As storytelling, the film spun its wheels. You'd think if you remake a movie, ignore character development, ignore any relationship development, ignore any complex and intelligent commentary on modern goings-on (it was just terrorism and corporate involvement in war handled in the most superficial way)--ignore a whale of a lot--you could bring the thing in at about 48 minutes, maybe 60 with commercials. If I watch it again (not likely) I'll have a stop-watch handy and I'll take notes. It was like some magic trick.
So what happened in that 129 minutes anyway? I'm honestly not sure--Denzel Washington sweats a lot and communicated none of the subtlety and complexity that Sinatra managed, Meryl Streep brought on the heretical thought that maybe she's overrated and maybe Angela Lansbury was underrated, I missed Janet Leigh who delivered the same lines splendidly, I missed the black humor and irony and ambiguity, and who the heck was that bad Lawrence Harvey impressionist? Motivations were lost, the WHOLE POINT that everyone hated this guy but parroted their adoration for him wasn't presented clearly, and the motivation for the entire brainwashing venture was muddled up by the script after first stating that it was all about control. What a mess. Every time the film tried to echo the original, it'd already gone so far off track that it just confused matters even worse.
My serious suggestion is that some professor (and not necessarily a film professor) have a class watch both versions, note what went right in 129 minutes in the original, and what went horribly wrong in the 129 minutes of the remake and then have the students try to explain why. My guess is the answers will be fascinating.
It's a one-star movie but I give it two because it was up against impossible-to-beat competition.

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Serving together in the Persian Gulf War, Captain Bennett Marco and Sgt. Raymond Shaw were part of a platoon of soldiers kidnapped and brainwashed. Ten years later, Shaw gears up for his vice presidential campaign while Marco eventually remembers being kidnapped and discovers Shaw's powerful mother played a big part in that scheme. Determined to reveal the truth behind everything, Marco must first convince Shaw that the brainwashing really happened.

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Nancy Drew (2007) Review

Nancy Drew (2007)
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I turn 40 on June 23rd, so I am old enough to remember the Nancy Drew books that my sister had. The movie is faithful to her character. Nancy is a precocious, mature young teenager with an aptitude for cracking complex cases. The storyline follows a similar pattern to the books: Nancy gets engrossed in a mysterious case, she makes progress, people threaten her, she gets in trouble, etc.
In this particular movie, Nancy and her dad are on business in Los Angeles. They are staying at the former mansion of the late actress Dehlia Draycott, who died under notably mysterious circumstances. Nancy is fascinated by the case and works to resolve it, getting herself and her friends in hot water in the process.
If you've never read a Nancy Drew novel, then watching this movie will remind you of a Murder She Wrote episode geared toward the kids. That's what this movie is in essence (except of course that Nancy is not a writer per se).
The film makers choose to portray Nancy as a girl who likes old fashioned clothes and old fashioned ways, yet she is also contemporary (she owns an ipod and has an Apple notebook).
Some of her peers chide her for being out of touch with the times (think Brady Bunch Movie), but Nancy is secure with herself.
I took some kids from church to the movie today, and they all enjoyed it. My wife liked it, too.


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With her magnifying glass and fingerprint powder in hand, Nancy Drew leaves River Heights for La-La-Land...but not to meet that guy on Smallville, as her boyfriend Ned fears. No, she's out to solve one of the greatest mysteries ever: the death of movie star Dehlia Draycott. But the bigger mystery is how our perky, plaid-clad sleuth will fit in with the text-messaging teen queens of mean she meets at Hollywood High.DVD Features:FeaturetteGag ReelMusic Video


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Harper (1966) Review

Harper (1966)
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Based on Ross McDonald's The Moving Target--one in a long series of crime novels featuring southern California PI Lew Archer--1966's Harper is a perfect complement to Point Blank, released the next year, in which Lee Marvin is tough first, cool second. Paul Newman as Harper is cool first, tough second. Neat trick.
While this is admittedly a little dated, it does bring back the 60s and in fact does a good job of it, too--even to the point of including a hippie pseudo-guru who's a front for smuggling in Mexicans from across the border, but who's got all the trademark paraphernalia--isolated wacky domicile, pet peregrine falcon with a fancy hood over its eyes, and, you know, flowing robes. Strother Martin does this role proud. It also has a "groovy chick" played by Pamela Tiffin who is, uh, a groovy chick--great bod, sexy face, and about as shallow as a frog pond in a drought.
All the middle aged women are great, really great: Julie Harris, Shelley Winters, Janet Leigh, and the great Lauren Bacall. Each one of the ladies is perfectly cast and does a terrific job, especially Shelly Winters as a liquored up former starlet who's now washed up and who sleeps it off, a lot.
Most of the cast is just plain fun to watch and it's also fun to see Newman as Harper put on various accents and personas to weasel and wheedle and wrangle information out of various folks. Harper gets beat up, but recovers fairly quickly (hey, he's the good guy; he has to), and this is OK because it's pretty easy to tell the film itself loves film noir but is subtly funning it at the same time it honors it. Sixties southern California noir--a great mix that Ross McDonald nailed in his novels and director Jack Smight follows pretty closely in the film.
It's about Harper trying to find the missing husband of wealthy wife Elaine Sampson (Bacall) and tracking the trail(s) that various people leave (or that Harper himself sniffs out) to do so. This is a standard noir/PI plot, but it's handled well here and, as noted, is really entertaining, mostly due to the terrific cast.
It would be nice if this was issued on DVD. Since there is no DVD of it, I managed to find a VCD (video compact disk) of it on another website. Worth owning, for sure.
Nice job.

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: Im Auftrag der reichen Mrs. Sampson sucht Privatdetektiv Harper ihren spurlos verschwundenen Ehemann. Scheinbar wurde der Millionär entführt â€" und Harper trifft gleich auf mehrere Verdächtige, denen er allesamt mehr als lästig ist, darunter seine Auftraggeberin (Lauren Bacall), ein Anwalt mit nervösem Finger am Abzug (Arthur Hill), ein Swimmingpool-Gigolo (Robert Wagner), ein versoffenes Ex-Starlet (Shelley Winters), ein Jazz-Junkie (Julie Harris) und Harpers Ex-Frau (Janet Leigh). Paul Newman zeigt eine unvergessliche Leistung als Titelheld dieses Kassenknüllers nach Ross MacDonalds Reiche sterben auch nicht anders. Newman hatte damals bereits 23 Filme gedreht, aber noch nie einen Detektiv gespielt â€" mit Ein Fall für Harper gab er dem Genre neue Impulse. In seinem cleveren Skript erweist sich William Goldman als Meister scharfzüngiger Dialoge.

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Dial M for Murder (1954) Review

Dial M for Murder (1954)
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This review refers to "Dial M For Murder",DVD,Warner Bros...

Aren't we lucky that cell phones weren't around in the 50's. Then Grace Kelly would never have had to leave her bed, to answer that potentialy fatal phone call in the living room.No matter how often you view this very suspense filled, thriller from Hitch, you still want to shout out to Grace Kelly."Look Out Grace...there's a murderer behind you!" That's one of the things I love about Hitch films. The connection to the characters, the need to help them. You practically want to get up and put those scissors in her hand, so she can protect herself from evil. Dial M has many of those moments, and is a superb classic that stands up to many repeat viewings.

Ray Milland has discovered his wife (Kelly) is having a love affair with Robert Cummings. Also she is the rich one in the family and he decides her time is up. He ropes in and hires a guy whose lifestyle makes for an easy blackmail mark. He's going to pay him 1000 pounds(well, after all it's only a few minutes work), and has it all worked out. Right down to the smallest detail. But uh-oh, the perfect plan starts unraveling almost the minute the plan is set in motion.The details start to go amiss, and don't stop until the end. Small things at first, a slow watch, phone troubles, the wrong person gets killed, you know little stuff like that! It is a joy to watch Ray Milland in action as he must explain away all of it to his wife and the police.
The film is a thing of beauty. Hitchcock made this film from a hit play, and filmed it in the same fashion. Most of the scenes are set in the confines of a small apartment. Hitch moves his actors around like the master he was. As mentioned Milland is a genius, Grace Kelly is wonderful as the good girl except for the little matter of the extra-marital affair. And of course we forgive her for this, because we too, like the Robert Cummings character better then the husband. Cummings also makes the most of his part. As a mystery writer, who knows the perfect murder can only happen in a book, he tries his hand at solving this mystery as well. John Williams, another favorite of Hitch's, is the Detective heading up the murder investigation. He's perfect as that Columbo type, who you know, that he knows what might have taken place, but needs to prove it. And it is fabulous to watch him put the pieces together.
Where's Hitch?....Where could he be in this film mostly made in one room. Ahhh..about 12 minutes in..the 'Picture' of innocence as he mugs for the camera at a class reunion.
The DVD is a good buy. Nice clear picture, and good colors. The colors are sometimes muted and sometimes striking. When Grace is being bad with her lover, she is in a red dress. I thought the sound was recorded a little low, I had to turn up the volume a little more then usual. It is presented in a Standard version format which preserves the original theatrical aspect ratio. Some really good features on this disc. A 20 minute documentary on how Hitch made this film, with other filmmakers admiring his work. A Brief History of 3D films, focusing on Dial M, mostly and showing the parts that were originally in 3D. Also a great trailer for the film.
also available on VHS:Dial M for Murder
A great addition to your Hitch collection...and always look behind you when answering the phone!..Enjoy...Laurie
more Hitch stuff:
The Trouble With Harry
Alfred Hitchcock Presents volume 2
Hitchcock's Notebooks: An Authorized and Illustrated Look Inside the C

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DIAL M FOR MURDER - DVD Movie

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Scooby-Doo: The Mystery Begins (2009) Review

Scooby-Doo: The Mystery Begins (2009)
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First, I want everyone to know that I love the first two Scooby-Doo live action films. I thought the casting was done well, the stories were fine, and they looked good. I thought the second one was a little cooler because it had a lot of the "monsters" from the original Scooby-Doo, Where Are You? series coming to life.
With that being said, I was a little concerned with this third entry in the series. Usually a movie with this many red flags spells absolute disaster and almost guarantees a turd of a film. Let's spell out the red flags: its direct-to-DVD, it's a prequel, it's totally recast, and it's got a new director. Wow. That's a lot to have going against a movie. Interestingly enough, it didn't prove to be true for this flick.
Scooby-Doo: The Mystery Begins somehow rises up above the crowded direct-to-DVD sequel / prequel cesspool and actually is successful at being entertaining and not completely cheap-looking. You can tell that director Brian Levant really wanted to escape the stereotype that these types of movies get and show that he was serious about the subject matter and franchise. Warner definitely played it smart with Levant, being that he is responsible for bringing to the big screen some very successful family movies and iconic animated TV shows like Beethoven, The Flintstones feature films, Jingle All The Way, and Are We There Yet?
The casting was done pretty well. All the actors fit the parts, although not without a few minor problems. Robbie Arnell would have completely been convincing in the part of Fred, except that for some reason he wasn't made to bleach his hair blond for the film. What was the reasoning behind that? I mean, he did take the part of an iconic blond character. The least he could have done is bleach his hair out to put the finishing touches on the role. My only other problem was with Nick Palatas' performance as Shaggy. He was really good and definitely looked the part. It just seemed like he was going a little overboard with the cracking squeaky voice sometimes. It seemed a little forced at times. I thought it was cool that they kept Frank Welker as the voice of Scooby-Doo, as he has been doing the character for the past seven years in different series and movies.
Even the special effects were done well. The ghosts all looked just as good as any of the ones in the two movies they released in the theaters. I have to say, though, that there were scenes of the Scooby gang that were missing Scooby-Doo that felt kind of awkward. It almost seemed like they cut him out of the scenes to save money on their CGI budget. There were some parts with Scooby that looked a little less than stellar and where it looked like the actor in the shot with him was having trouble interacting with an invisible dog. They were all minor problems, though. It shouldn't take away from your viewing pleasure.
Overall, I have to say that I was pretty impressed with this movie. It was kind of fun to see the gang paint The Mystery Machine, meet each other, and solve their first crime together. If you're a Scooby-Doo fan, I'm pretty sure this movie will live up to your standards.

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What brings best friends together? For Daphne, Velma, Fred, Shaggy and Shaggy's spunky pup Scooby-Doo, it's a mystery! The feature-length live-action Scooby-Doo! The Mystery Begins original movie takes you back to when four teenage sleuths (plus one dog detective) first met. Unjustly accused of staging a spooky practical joke complete with ghosts, the kids are suspended from Coolsville High. To clear their names, they team to solve the supernatural mystery... and head straight into nonstop laughs and adventure. Special fun, special friends and extra-special effects make this "how-it-all-began" story--from boy-meets-dog to the first trip in the Mystery Machine and more--a doggone great time!

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Clue: The Movie (1985) Review

Clue: The Movie (1985)
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Clue is Paramount Pictures' comedic film rendering of the classic Parker Brothers board game of the same name. But don't let that dissuade you from seeing this one. Although you'll recognize the chromatic character names, unlikely murder weapons, and Victorian mansion settings, tracking down the murderer in the movie version of Clue requires a good deal more than a deck of cards and a notepad. (It's a lot more fun this way, too.)
Involving the talents of seven of Hollywood's funniest funny people, including Madeline Kahn as Mrs. White, Christopher Lloyd as Professor Plum, and Tim Curry as Wadsworth, the requisite butler, the film is guaranteed to keep you laughing. The script is packed with sparklingly witty exchanges, such as this one between Wadsworth and an angry Colonel Mustard (Martin Mull):
Mustard: Are you trying to make me look stupid in front of the other guests?
Wadsworth: You don't need any help from me.
Mustard: That's right!
Later in the picture, as the by-now-blasé guests glance down at the most recent victim, Mr. Green (Michael McKean) updates the count to "Six murders." Wadsworth's grave response? "This is getting serious." And Wadsworth's explanation of "who killed whom where and with what" at the end of the picture is packed with the impersonations, facial expressions, and things not-quite-British that rank Tim Curry among the funniest Britons ever to defect to Hollywood.
Madeline Kahn, too, liberally sprinkles commentaries, both vocal and facial, into any and all situations, the sheer spontaneity of which make one wonder whether or not they're actually in the script. The line in the show which had me laughing the hardest, anyway, was not really a line at all, but rather a high-pitched, yodeling scream from Mrs. White. (You'll know it when you hear it.) And her operatic descant over the guests' chorus of "For She's a Jolly Good Fellow" had me rolling in the aisle.
Another facet of the movie, disguised by the humor, but every bit as important to one's enjoyment of the film, is the maze of leads, lies, and leaps of logic which ultimately culminates in not one, but three possible answers as to "Whodunnit." And here's the amazing part: each of the three endings (I checked) stands up to close scrutiny of the clues provided earlier in the film. From the time Wadsworth verifies Yvette's mysterious "instructions" until the last pull of the trigger, each minute detail is essential to the plot. A word of warning to the dedicated popcorn-munching detective: the guests at this dinner party are all experts at using comedy to distract. While you're busy laughing at Miss Scarlet in the ballroom, a desperate dinner guest wielding a monkey wrench is hurrying through the secret passage to the study, trying to silence that unfortunate motorist before he says too much....
The film isn't perfect-the physical humor becomes strained at times, and there are a very few lines whose comedic and textual value I question. Still, the film bears enough good comedy and old-fashioned mystery, garnished with a sound track that adds just the right spice to the flavor of both humor and suspense, to earn a "five-star comedy" rating from me.

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CLUE - DVD Movie

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