Showing posts with label world war ii. Show all posts
Showing posts with label world war ii. Show all posts

Chain Lightning Review

Chain Lightning
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This is a lesser-known Bogie film that I think is overlooked and underrated. The story is good, moves fairly quickly, has some surprises and fun/thrilling parts. Ok, of course the special effects aren't up to today's standards, but hey, it was the 50's. I enjoyed it completely. Bogie is absolutely wonderful. His acting, his yumminess - 5 stars from me! There is one scene, ok TWO scenes, that I can rewind over and over and never get tired of. Bogie is a MAN! I love it. 5 stars and a big shout out for this movie to come out on DVD! Please!

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Matt Brennan knows how to open eyes to the potential of the experimental jet, the JA-3. He'll pilot it from Nome over the North Pole to Washington DC and land it on the Pentagon's lap. The distance is beyond the JA-3's tested range. Nor can the craft provide the pressurization needed for flight at 80,000 feet. But Brennan has some modifications in mind. And the courage to put them to the test. Humphrey Bogart plays Brennan in Chain Lightning's lofth mix of adventure and romance. Eleanor Parker, as a World War II flame who reenters Brennan's life, helps fuel the romance. And the adventure takes wing with a story that, like Breaking the Sound Barrier, The McConnell Story and other postawr films, taps into the era'sfascination with jet aviation. Cleared for takeoff. Year: 1950Director: Stuart Heisler Starring:Humphrey Bogart, Eleanor Parker Special Feature: Original Theatrical TrailerB&W/94 Mins.

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We'll Meet Again Review

We'll Meet Again
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Compelling war drama about a USA Air Base in England. Struggling B-17 crews find solace among British ladies. The Yank's money is appreciated but not always their ways with alcohol and women. This is a story of the small village of Market Wetherby and it's war-weary locals, and how they cope with the new arrivals, American bomber soldiers who freshly join the war, and expect to win overnight.
The British TV has always been excellent in period television series, war dramatizations, and this is no exception. War nostalgia. It is surpurb, with added interest of half a cast of Americans joining British actors. Brits have the preserved buildings to pull off a period series. They use that to advantage. Beautiful 1943 scenery, costumes, props. This show was actually filmed in the 80s but because of the historical setting, it is a timeless DVD set; classic. Perfect for those with war interest, awesome for those interested in what it was like living in a country waiting to be invaded by Hitler's army. It is something of a cousin series to the more recent homeland war drama of "Foyles War" (a must for all British Drama fans) and "Enemy at the Door" (also good).
WE'LL MEET AGAIN cleverly mixes in actual bomber air strip and bombing raid footage. But much of the action takes place in the village homes and the local pub. Dr. Helen Dereham (by Susannah York) and Maj. Jim Kiley (Michael Shannon) are only two that show the extraordinary work that war leaders had to complete, as well as the struggles romantically of working so closely in life/death living. There's is not the only romance. Plenty of hardship and lives lost. Very believable, although I'm too young to know first-hand, being a Baby Boomer.
The series ends well; but with a potential for another season, which, alas, never came. This set has no subtitles or CC. It's box warning of partial nudity refers to one breast exposed for 3 seconds.
My wife and I both enjoyed this, both sorry there were no additional episodes after the 13 provided in this set.
Episode details (each about 53 min.):
1 ALL DAY AND EVERY DAY-Market Wetherby, Suffolk, April 1943. American Air Force arrives in England ungraciously.
2 HANDS ACROSS THE SEA-Cocky American crews fail to perform well in the air & on the local ground.
3 THE MILK RUN-Letty's Uncle Sid arrives with contraband booze while she falls for a Yank on a 'milk run'-safe mission.
4 ONE STEP FORWARD,TWO STEPS BACK-Some romance buds but overall relations remain tense.
5 THE BIG ONE-Market Wetherby & the American Base find some agreeable relationships. 'The Big One' mission heads over Germany.
6 UP THE SMOKE-Some Yanks get London R&R while Dr. Dereham ponders her feelings between her injured husband & US Maj Kylie.
7 FIGHTING MEN-2 men in English woman's lives seems to become a minor epidemic, plus secrets are found out.
8 A WING AND A PRAYER-Yank marries a local just prior to a dangerous raid.
9 YOU'LL NEVER KNOW-2 Brit wives contemplate continued relations with Yanks. 3 sec. of female nudity.
10 OLD ENOUGH TO FIGHT-Maj Kiley halts his romantic relationship causing poor results at work.
11 ONE DAY AT A TIME-Maj Kiley gets more active in the air & personally as death touches others lives.
12 EXCEPTIONAL CIRCUMSTANCES-Dr. Dereham adds more bedside time to her manner dealing with Maj Kiley's injuries.
13 THE END OF THE BEGINNING-It's love & war and time to choose permanent sides on romance issues.

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Journey for Margaret (1942) Review

Journey for Margaret  (1942)
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JOURNEY FOR MARGARET is the 1940s WWII film that made you want to take to the streets and flog the isolationists. It does an especially credible job of filming the London Blitz of 1940, but has a message that, "The real damage is to England's families and children--not the buildings portrayed by rubble." I first saw this film as a teenager when it was released. We were tough, pool-hall guys and I sobbed. Loraine Day, as Robert Young's wife, stole my heart and I never forgave her for marrying Leo "The Lip" Durocher, manager of the then Brooklyn Dodgers. Young had his role of good American guy under contol; a role which could have been played for maudlin effect. Of the two children stars, little Margaret O'Brien has the upper hand in scene sense. Well cast, this little girl made Americans forget about Shirley Temple. Too bad they didn't entitle this film, "Little Miss Knickers." My wife and I saw this film again last night. I sobbed a tear or two just like in 1942. This film ought to be required viewing in every American history class from elementary, high school, and college.

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Golden Earrings (1947) Review

Golden Earrings  (1947)
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Marlene Dietrich and Ray Milland star in GOLDEN EARRINGS, a story of gypsies and theives, set against the backdrop of Germany in WW2.
Ray Milland stars as Ralph Denistoun, a British spy in Germany, who is arranging to meet a fellow spy in Stuttgart to steal Hitler's formula for poison gas.
Lost in the Black Forest, he meets a bedraggled gypsy woman, whom he dubbs Lydia (Marlene Dietrich). Lydia's knowledge of the Black Forest, and her quick-acting ways are things that will help Ralph on his mission. He decides to disguise himself as a gypsy and travel to Stuttgart with Lydia under the ruse.
Based on the novel by Yolanda Foldes, GOLDEN EARRINGS is an immensely entertaining and very romantic film.
Available seperately or in a box set with SEVEN SINNERS and PITTSBURGH.

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Hollywood Canteen (1944) Review

Hollywood Canteen  (1944)
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"Hollywood Canteen" gives a chance for pretty much every talent under contract to Warner Brothers to entertain the troops before they go off to World War II. The plot, such as it is, has two soldiers, Slim (Robert Hutton) and Sergeant (Dane Clark), on sick leave and spending three fun filled nights at the Hollywood Canteen. Slim is the one-millionth soldier to enter the canteen so he gets a date with Joan Leslie, with whom he promptly falls in love. Meanwhile, Sergeant gets to dance with Joan Crawford. Canteen President Bette Davis and Vice-President John Garfield talk up the history of the place. But the main attraction is the entertainment. The Andrews Sisters, Roy Rogers, Kitty Carlisle and even Jane Wyman provide some of the songs, Joseph Szigeri and Jack Benny play the violin, Rosario and Antonio dance to "Voodoo Moon," and stars Barbara Stanwyck, Paul Henreid, Ida Lupino, Peter Lorre and the rest entertain the boys in their own way. Not quite as entertaining as "Stage Door Canteen," made in 1943 with Katharine Hepburn and mainly Broadway talent, this 1944 film written and directed by Delmer Davis also documents how the stars of stage and screen did their best for the War Effort.

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Friendship in Vienna (1988) Review

Friendship in Vienna  (1988)
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It's odd that Disney withdrew this video since it is perhaps one of the finest made about the Holocaust, particularly the difficult decisions that both gentiles and Jews had to make about their relationships after the Nazi anschluss with Austria. Unlike Denmark, which held no inherent animosity toward Danish Jews, the situation was not the same in Austria. There was far more pressure put upon Austrians to join the Nazis' anti-semitic frenzy, and many Austrians willingly joined in. This movie takes the situation to the difficult personal and family level. It is proof of that song in "South Pacific"--"You Have to be Carefully Taught" (to hate and fear)--is right on the money. The two movies complement each other perfectly, showing two different situations and how each of them ultimately evolved.

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Holocaust (The Mini-Series) (1978) Review

Holocaust (The Mini-Series) (1978)
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I watched this on network tv when it premiered. It's even harder to watch it today. With twenty years of ethnic cleansings, and smaller holocausts under our belts, one of the major themes of the story holds even truer. If we aren't very very careful any of us can become a killer.

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Plot Summary for "Holocaust" (1978) (mini)"Holocaust" follows each member of the Jewish Family Weiss throughout Hitler's reign in Germany. One by one, the family members suffer the horrible fate of extermination under Anti-Semetic Nazi Law until only one son remains at the end of World War II. A sub-plot follows the story of Eric Dorf, a young German lawyer with a good heart who is changed into a mass murderer by membership in the SS.Summary written by Anthony Hughes

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Days of Glory (1944) Review

Days of Glory  (1944)
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Here's a film that no decent Gregory Peck fan should be without. Perhaps this is why the video is OUT OF STOCK?? Or perhaps the subject matter - The Great Patriotic War - is unpopular in these days of glory in occupied Iraq? The things that strike me about this film, apart from Peck's rawboned, wide-eyed performance (yes, his VERY FIRST) are the deep B&W photography and the treatment of children in the movie.... it's as though much of the story is seen through their eyes. Indeed, "Enemy at the Gates" owes a plotline to "Days of Glory". In fact, I am gonna go ahead and put this on my list of grand all-time war movies 'about' children, right up there with Boorman's "Hope and Glory" (similarity intentional, Bro. John?); "Come and See"; "Empire of the Sun"; "The North Star"; "Back to Bataan"; and of course "Mrs. Miniver". Perhaps YOU can add others?

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Guns of Navarone (1961) Review

Guns of Navarone  (1961)
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The second movie in Columbia's newest wave of World War II movies (along with "The Caine Mutiny") is the 1961 Academy Award-winning film for Best Special Effects, "The Guns of Navarone," which stars Gregory Peck as Keith Mallory, the leader of a group of British commandos tasked with destroying two gigantic German anti-ship guns.
The British are desperate to evacuate 2,000 soldiers from the Aegean island of Kiros, with the only sea route through a stretch of water commanded by the guns that are encased inside a massive cliffside bunker that is immune to air attack.
Based on the best selling novel by Alistair (Where Eagles Dare) MacLean, Mallory has been working on occupied Crete for two years and as an expert mountaineer is the perfect choice to ferry the team to the only part of Navarone not monitored by the Germans - a 400-foot cliff.
Joining Peck is David Niven as explosives expert John Anthony Miller and Anthony Quinn as a Greek resistance fighter.
MacLean is known for being able to weave together a great story and this movie is consistently entertaining. In fact the film was already afforded a respectable special release on DVD in 2000. Columbia though have outdone themselves with this 2-disc set by adding a second audio commentary and four new documentaries.
The original release included a rather dry, faltering, but informative commentary by director J. Lee Thompson, a smattering of archival featurettes of varying quality and an anecdotal documentary on the making of the picture featuring on-camera interviews with Gregory Peck, Anthony Quinn, James Darren and J. Lee Thompson named "Memories of Navarone" and running at 29:34. It's a nice, breezy documentary and entertaining - detailing some of the experiences the cast had working on the picture.
However this new release includes a lively commentary with historian Stephen J. Rubin who mentions that this film started the trend of Hollywood going outdoors. Up until this time most movies were filmed on the studios backlot, whereas this movie was filmed on the island of Rhodes. He also discusses the cast (including a very young Richard Harris). Rubin also discusses some of the differences between the MacLean novel and the movie - which appear to be a number of changes to characterization and details some of the criticisms of the movie when it was released - including the fact that the actors were too old to play commando's, many being as they were in their 40s and 50s. Though Rubin quickly adds that he feels it was cast perfectly.
Also included are two new documentaries, the first of these "Forging the Guns of Navarone" runs at 13:58 and includes on camera interviews with Eve Williams-Jones (the former wife of producer Carl Foreman) and Assistant Director Peter Yates (who himself went on to become a very successful director in his own right). Apparently Thompson was not the original director for the project and Yates credits Thompson for his ability to jump straight into a film that had already shot much of its second unit work as well as his ability to manage so many big name actors. Yates also reveals that despite their on-screen animosity towards each other, both Niven and Peck got along well together determined to have as much fun as possible on the picture. Yates also recounts how the crew would refer to it as "The biggest B-feature ever made."
The second new documentary "The Ironic Epic of Heroism" runs longer at 23:38 and is essentially an on-camera analysis of the movie by noted Film Historian Sir Christopher Frayling (who was mistakenly credited with providing an audio commentary in the press release for this DVD release). Frayling is quite engaging as he recounts such facts as Foreman's initial reluctance to handle the project. Foreman once said that he was incapable of making a movie that did not make statements and he initially saw the MacLean book as a simple action adventure. It was not until he re-read the novel that he realized it could serve to make statements about the futility of war and the ability of war to bring out the best in people.
Frayling also reflects on the fact that the movie was the first global production caper-style World War II movie to be played as an action adventure in a style he describes as "incredibly innovative."
Also included on this new release is the restored intermission with score that was seen in some European cities (it is listed as an extra since it is not part of the official cut of the movie) and featurettes on the Dimitri Tiomkin score which details the subtle differences throughout the movie and a fascinating look at the UCLA restoration.
The restoration featurette details the tortured path towards restoring a film that was in such terrible shape that they needed several sources of original negative, both from Columbia and a private collector. In an example of the work the UCLA team had to do, the print they were provided by Columbia had the plane crash at the beginning of the movie happen in broad daylight. This apparently is how most people have seen the scene in recent years. That was until one of the eagle-eyed team at UCLA noticed that one of the trucks had it's headlights on and wondered why. Sure enough they were able to track down a copy of the print from a private collector that showed that the crash happened at night with the screen various shades of blue - and that is how it was restored.
In another instance the print UCLA had also had the infamous dubbing of Richard Harris where the censor had the word "bloody" replaced with "ruddy" for some of the screenings in the UK (the word "bloody" is considered a swear word in the UK). The UCLA team prevailed again and were able to locate a copy of the correct audio still intact).
On a sidenote the DVD also affords fans of Tiomkin the opportinity to hear the opening sequence sans the narrative as a special feature on the second disc. This apparently is a special feature that had been requested for years.

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Schindler's List Collector's Gift Set (1993) Review

Schindler's List Collector's Gift Set (1993)
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Meet Oskar Schindler. A German living in occupied Poland during World War II. A member in good standing of the Nazi party. A womanizer, a war profiteer...and ultimately a man of conscience. A man who became one of the great unsung heroes and humanitarians of the war.
"Schindler's List" chronicles Oskar Schindler's spiritual odyssey from war profiteer to humanitarian and hero. Winner of seven Academy Awards® in 1993, including Best Picture, this harrowing and heart-rending film is Steven Spielberg's masterpiece, and perhaps one of the finest and most important movies ever made. It depicts Schindler's ultimately successful attempt to rescue 1,100 Jews from Hitler's "Final Solution" by getting them to safety outside Poland.
Dynamic performances abound in this beautiful movie, Especially noteworthy are Liam Neeson as the suave Schindler, Ralph Fiennes as the monstrously depraved Nazi colonel, Amon Goeth, and Ben Kingsley as the dignified, principled Jewish prisoner Itzhak Stern.
"Schindler's List" is definitely not light entertainment! This beautiful movie allows viewers to feel like they're actually a part of one of the darkest, most horrific periods in history. (I'm sure this is the reason the film was shot in black-and-white, with only minor "colorized" bits included.) The story of the Holocaust needs to be told over and over again, in hopes that future generations can understand the horrors perpetrated on an entire race of people and prevent future occurrences. "Schindler's List" is perhaps one of the best and most effective vehicles for telling that story I've ever experienced.

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From Here to Eternity (1953) Review

From Here to Eternity  (1953)
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Now pay attention, widescreen DVD fans (I am among them)...!
Do not go looking for widescreen format before 1954, because with a couple of exceptions (see "sir-critic" below), they don't exist. One must be a student of history to some extent as a classic movie fan: when collecting a video library, know your format history; the key year is 1954. (Interestingly, it is the same key year for stereo music recordings, at least in the Classical world.) Also remember that a post-1954 movie is not necessarily a widescreen film, either, especially in the first few years. (See my review of "Moonstruck" for more aspect ratio commentary that you'll find very interesting, if this one is interesting to you. I ranted about its full-frame release and found out that I didn't know what I was talking about, more or less.)
"From Here to Eternity" is a great classic film that was shot and originally released in 1.33:1 aspect ratio. Like many, many other pre-1954 movies, this film was probably re-released several times in theaters with a "widescreen" format, but they just lopped off the top and bottom of the picture for the release. This was a grotesque practice, butchering many fine films and ruining the painstaking framing of shots by the cinematographer. You don't want a widescreen version of "From Here to Eternity", because it's butchered, I mean, ALTERED.
The important thing for DVD collectors / film buffs is ORIGINAL Theatrical Release Format, i.e., what the director and cinematographer intended you to see. The video release companies should be heavily encouraged by us to provide this information on the DVD and VHS boxes, so that we know a film's true original aspect ratio, and whether the particular edition is or is not altered, I mean, BUTCHERED.
Why is the television screen a 1.33:1 aspect ratio? Because movies' ratios were 1.33:1. TV programs and movies were filmed with the same cameras and film. By the early '50s, TV was becoming so important that film studios needed a new hook to keep people coming to the theaters, so Cinemascope and others were born to amaze audiences. Try to imagine seeing a 2.55:1 Cinemascope picture in the theater when all you've ever seen up to then was 1.33:1 films and TV. WOW!! THAT would keep you coming back to the cinema! Later cinematic hooks would be in sound, still more or less unachievable at home -- remember Surround Sound's forerunner, "Sensurround" (used for "Midway" and "Earthquake")?
Remember film fans, you might have to do a little research on a given movie before assuming that a video release is not the true format.

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633 Squadron (1964) Review

633 Squadron (1964)
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World War II adventure film about a Royal Air Force fighter-bomber squadron assigned to destroy a Nazi nuclear weapons research facility in Norway. Cliff Robertson headlines the movie as a former Eagle Squadron pilot in command of 633 Squadron with a colorful assembly of international pilots. They embark on the hazardous assignment with the target located inside a Norwegian fjord, guarded by an immense array of anti-aircraft artillery. Worth noting is the story was probably inspired by the real-life exploits of RAF Mosquito squadrons that conducted such dangerous missions, hunting down Nazi ship convoys along Norway's rugged coastline.
The real attraction of this film is abundant footage of authentic World War II-era De Havilland Mosquito bombers used for the movie production. The scenes of these rare aircraft in flight are a delight, especially since there the are no airworthy examples left in the entire world today (the last one was lost with its crew in a tragic crash in 1996). The model airplane special effects are too obvious, especially when compared to the quality of "The Bridges of Toko Ri" starring William Holden. Nonetheless, it's still pretty exciting and viewers can't help but compare the squadron's climatic attack in the treacherous fjord with "Star War's" Jedi attack on the Empire's Death Star.
The script and several scenes could have been better, but the authentic aircraft are worth watching. Overall a decent adventure, dated, but enjoyable if you're a fan of the famous De Havilland Mosquito fighter-bomber built of wood, and flown by pilots in daring missions that helped win World War II.
For those interested, there's a nice De Havilland aircraft museum north of London, England, on the actual grounds where these impressive aircraft were built. The original prototype Mosquito airplane, and another production model used in the later movie "Mosquito," are on display.

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Based on true events, this "exciting, engrossing [and] breathtaking" (The Hollywood Reporter) action-adventure stars OscarÂ(r) winners* Cliff Robertson and George Chakiris as two WWII fliers pitted against the Nazis in a do-or-die mission. Filled with "blazing, pulse-pounding and realistic air-fighting footage" (Boxoffice), 633 Squadron will "put your heart in your throat" (Los Angeles Times)!1944. Allied forces learn that the Nazis are planning to pummel England with an all-out rocket blitz. The only way to stop the threat is to send Mosquito bombers into narrow Norwegian fjords to create an avalanche that will crush the Nazisrocket-fuel plants. Can Wing Commander Roy Grant (Robertson) and the boys of the courageous 633 Squadron pull it off? And if so, will they live to reap the glory?

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Where Eagles Dare (1969) Review

Where Eagles Dare (1969)
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Quite simply one of the greatest war movies ever made. A top notch thriller loaded with action, espionage and double crosses, "Where Eagles Dare" is the kind of movie that Hollywood just doesn't make anymore. This isn't some politically correct drama steeped in reality. No, this is good guys vs. bad guys. This is pure unabashed fantasy which keeps the audience on the edge of its seat. This is just darn good entertainment!
Richard Burton is absolutely cunning as the British agent who leads an elite group of soldiers behind enemy lines and into a seemingly unpenetrable German castle to rescue an imprisoned American General. A young Clint Eastwood is the only American on the mission. Clint is his usual cool and calm self. However he, like the audience, isn't sure who to trust. Somebody's a double agent, but exactly who is anyone's guess. Don't worry about figuring it out, just sit back and enjoy the drama. You'll love the growing tension and suspicion between Burton and Eastwood.
The journey into the castle is classic heart-stopping drama. Even better is Burton's fight with a German soldier high atop a ski lift -- truly one of the most riveting action sequences ever filmed. Bullets are flyin' and bombs are blastin' throughout. In the end, heroes emerge while evil perpetrators get their just due. Classic, absolutely classic!
And yes, as several reviewers have noted, the stunning scenery and beautiful cinematography in this film would greatly benefit from a widescreen DVD treatment. So, how 'bout it, I want my DVD!

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TENSE AND SUSPENSEFUL WORLD WAR II ADVENTURE IN WHICH TWO ALLIESMUST RESCUE A CAPTURED AMERICAN GENERAL BEING HELD IN A FORTIFIED GERMAN CASTLE BEFORE THE NAZIS GET SECRET INFO ON HIM.

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Until They Sail (1957) Review

Until They Sail  (1957)
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With a superb cast and sensitive direction by Robert Wise, "Until They Sail" follows the lives of 4 sisters, who deal with the tragedy and loneliness of war from different perspectives, and in different ways. Joan Fontaine is Anne, who is rigid and virtuous, and Jean Simmons is Barbara, who has only been a bride for a month when her husband leaves for the war. Piper Laurie is Delia, who in desperation marries an obnoxious cad, because he's the only man in town, and Sandra Dee is Evelyn, whose enthusiasm for life cannot be dampened, even by the uncertainty and sadness of the time. Dee was only 13 when this film was made, and it was her delightful screen debut.
Woven into the women's lives are the Americans, who are stationed in New Zealand, among them Jack (Paul Newman), whose principal job in the military is to investigate the potential brides of the enlisted men. After a bad marriage, Jack relies on the comfort of whiskey to get him through the night, until he meets Barbara. Based on a James Michener story, "Until They Sail" is a marvelous wartime melodrama, and though it is essentially a "woman's film," can be appreciated by anyone who likes fine acting and filmmaking. The b&w cinematography by Joseph Ruttenberg is lovely, and when the camera focuses on Jean Simmons's luminous eyes, one realizes what a great actress she was, and how she was able to convey depth and passion with just a look. "Until They Sail" is an underrated classic that depicts the emotional toll on the women left behind in a way that is unique, insightful, and memorable. Total running time is 94 minutes.


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The Odessa File (1974) Review

The Odessa File (1974)
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The year is 1963...as the world is reeling from the assassination of President Kennedy, Egypt has missiles posed to annihilate Israel. The only thing preventing this is the lack of guidance technology to properly target the missiles, which Egypt is on the verge of obtaining with assistance from a group of Germans, once officers within the SS during World War II, now members of a group called Odessa, a clandestine organization designed to assist ex-German military personal gain new identities and lives, thereby avoiding capture, after the end of the war.
The Odessa File (1974) takes the popular Frederick Forsyth novel of the same name, which is supposedly based on actual facts and events, and presents it as a truly wonderful, tense thriller that I really enjoyed. Directed by accomplished cinematographer and director Ronald Neame, the film stars Jon Voight as freelance German journalist Peter Miller and Maximilian Schell as an ex-German officer named Eduard Roschmann, a man responsible for horrible atrocities, earning him the nickname `The Butcher', during his tenure as head of a concentration camp which housed Jewish prisoners. After the passing of an elderly Jewish survivor of a WWII concentration camp, Miller comes into possession of a diary kept by the man, one which detailed, in particular, the various crimes against humanity by Roschmann, and also seemed to indicate that the war criminal may still be alive. As Miller begins delving into the story, uncovering tidbits of information, he meets resistance in the form of various individuals, many of which turn out to be members of the secret Odessa organization, and are now actively working against Miller for fears that he may uncover their secrets.
As Miller gets closer to uncovering the truths, the resistance against him grows, and takes the form of actual attempts on his life. Around this time he comes into contact with a Jewish group, working to locate the site within Germany that's developing the guidance system for the Egyptian rockets, and Miller agrees to work with them, changing his identity in order to become an ex-German officer and enable him access to the Odessa organization. In exchange for this, Miller will supply the group with information, while he himself tries to get closer to Roschmann. As Miller infiltrates the group, his cover is eventually blown, but not before he learns of the existence of the Odessa file, documents that detail many of the members within the group, including Roschmann. The goal now is survival, and given the circumstances, his chances seem pretty slim.
I have not actually read the book, but I really liked this film. Jon Voight is wonderful and believable, German accent and all, as a reporter, seemingly driven by a determination to expose a subversive hideousness, once prominent in his country, that has now gone underground, and threatens yet again a great many peoples of the world. Listed as a thriller/drama, The Odessa File certainly doesn't disappoint. The plot, while having many twists and turns, keeps focused, and rarely falters in its' progression. The development of the characters is carefully planned, but not so to bring attention to the fact, allowing for the viewer to become drawn into the film. The exposition at the beginning was a little awkward to me, but I didn't see any other way around it, so I accepted it. Schell provides an excellent performance as an ex-German officer hiding in broad daylight, one who will resort to any means necessary to protect his secrets, along with those of the Odessa group. One point I enjoyed was near the end, as a particular revelation was made. Prior to that point, I had started to question one of the main character's motivations, and, as if the film knew what I was thinking, it answered my question in a completely satisfying manner. The film runs just over two hours, and the first half may seem slow, but I felt as if this was deliberate, allowing time for the story to develop. During the second half the film picks up speed as the tension mounts, drawing on the momentum carefully constructed in the beginning, resulting in a wholly enjoyable conclusion. Given the nature of realizing novels to film, I suspect a number of plot elements were left out, but what was left seemed to be missing very little, at least anything that left a glaring hole which would pull the viewer out of the movie with its' obviousness, which indicates a skillful adaptation of original source material, done with care to preserve the elements which made the book so very popular and well received. All in all, this is a really thrilling outing, one that requires a little patience, but provides a rewarding experience overall.
Presented on this release are really good looking prints, both in wide screen and full screen formats (it's double-sided). The audio seems a bit soft, but there are English subtitles, so I missed nothing. As far as special features, there are some well put together production notes in a four page booklet within the DVD case, an original theatrical trailer, talent biographies for actors Voight, Schell, and director Neame, and trailers for Anaconda (1997) and Oliver Stone's U-Turn (1997), neither film as good as this one, but both certainly benefiting from Voight's appearance...and that's another thing...remember when Jon Voight appeared in good films? Along with this film, I also count Midnight Cowboy (1969), Catch-22 (1970), Deliverance (1972), and Runaway Train (1985) to be some real highlights of his career...and let's look at some of his more recent films...Most Wanted (1997), The Karate Dog (2004), and Baby Geniuses 2 (2004)...not exactly the caliber of films early in his career, but who knows what the future holds?
Cookieman108

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A German journalist sets out to track down a Nazi war criminal, and discovers the existence of a secret Nazi organization called Odessa.Genre: Feature Film-DramaRating: PGRelease Date: 28-AUG-2001Media Type: DVD

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The Dirty Dozen (1967) Review

The Dirty Dozen (1967)
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"The Dirty Dozen", Robert Aldrich's 1967 adventure classic, would redefine a whole genre of films, as public attitudes towards warfare and heroism changed, due to Vietnam. With 'heroes' who were certainly not noble, a mission that would require a level of cruelty film audiences had never before seen from American fighting men, and graphic language and bloodshed, the impact of the the film was both immediate (despite huge 'box office', many critics panned the film as 'disturbing' and glorifying violence), and continuing (influencing films as diverse as "Patton" and "Saving Private Ryan"). It can be viewed at many levels, as a crackling good adventure yarn, an 'anti-establishment' and anti-war statement, the ultimate 'buddy' film...few films have generated as much controversy, or stood the passage of time, better!
Based on E.M. Nathanson's novel (of rumored 'Death Row' convicts offered a pardon or reduction of sentence for volunteering for a suicide mission), with a large dash of the Pathfinders' legendary "Filthy Thirteen" of WWII tossed in, the property was purchased as a potential starring vehicle for John Wayne. The Duke passed on the project, however (choosing to make "The Green Berets", instead). Director Aldrich never envisioned Wayne in the lead, preferring WWII Marine vet Lee Marvin in the complex role of maverick Maj. John Reisman, and the actor, fresh from winning an Oscar for "Cat Ballou", was dead-on perfect in the part. Veteran stars Ernest Borgnine, Robert Ryan, Ralph Meeker, Robert Webber, George Kennedy, and Richard Jaeckel were cast as Marvin's military allies and adversaries.
For the "Front Six" of the Dozen, sullen Charles Bronson (another WWII vet), John Cassavetes (who would garner an Oscar nomination), Telly Savalas (in the most 'whacked-out' role in his career), Clint Walker (of "Cheyenne" TV fame), football legend Jim Brown (in only his second film), and popular singer Trini Lopez (in his film debut) would dominate the screen time, with a "Back Six" of character actors in much smaller roles, simply filling out the rest of the twelve parts. But a movie 'miracle' occurred; when Walker objected to a scene where, as a bogus 'General', he would idiotically review an Airborne unit (feeling it demeaned Native Americans, who his character portrayed), Aldrich passed the scene to "Back Six" actor Donald Sutherland...and the scene would spectacularly launch his career, leading to his starring role in "M.A.S.H."
Aldrich's meticulous shooting style, and the often rainy British weather (where the film was shot), more than doubled the shooting schedule, and after seven months on location, Trini Lopez (on the advice of friend Frank Sinatra), informed Aldrich and the producers that he was missing singing dates, and would need a pay hike to continue. To Lopez' surprise, Aldrich 'dropped' him, having him die in the climactic parachute drop!
The director was warned that if he didn't eliminate the film's most controversial scene (pouring gasoline and dropping grenades on the women guests, as well as the Nazi officers seeking refuge in the bomb shelters), he would lose any chance of a 'Best Director' Oscar. After soul-searching, he left the scene in ("War is Hell, and HAS to be portrayed that way"), and while he sacrificed the prize, Robert Aldrich gave the film a brutal honesty that subsequent wars would sadly verify.
With loads of Disc Two Special Features that open up the film and gives an insight into why it has become a 'classic' (including the first "Dirty Dozen" TV 'sequel', a Lee Marvin Marine 'Leadership' training film, and an astonishing documentary on the "Filthy Thirteen"), it is absolutely an essential for any 'War Film' library.
"The Dirty Dozen" survived contemporary criticism, and has proven to be one of the most enduring war films of all time, as fresh today as when it debuted in 1967.


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Item Name: The Dirty Dozen [Blu-ray]; Studio:Warner Home Video

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Where Eagles Dare (Clint Eastwood Collection) (1969) Review

Where Eagles Dare (Clint Eastwood Collection) (1969)
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Quite simply one of the greatest war movies ever made. A top notch thriller loaded with action, espionage and double crosses, "Where Eagles Dare" is the kind of movie that Hollywood just doesn't make anymore. This isn't some politically correct drama steeped in reality. No, this is good guys vs. bad guys. This is pure unabashed fantasy which keeps the audience on the edge of its seat. This is just darn good entertainment!
Richard Burton is absolutely cunning as the British agent who leads an elite group of soldiers behind enemy lines and into a seemingly unpenetrable German castle to rescue an imprisoned American General. A young Clint Eastwood is the only American on the mission. Clint is his usual cool and calm self. However he, like the audience, isn't sure who to trust. Somebody's a double agent, but exactly who is anyone's guess. Don't worry about figuring it out, just sit back and enjoy the drama. You'll love the growing tension and suspicion between Burton and Eastwood.
The journey into the castle is classic heart-stopping drama. Even better is Burton's fight with a German soldier high atop a ski lift -- truly one of the most riveting action sequences ever filmed. Bullets are flyin' and bombs are blastin' throughout. In the end, heroes emerge while evil perpetrators get their just due. Classic, absolutely classic!
And yes, as several reviewers have noted, the stunning scenery and beautiful cinematography in this film would greatly benefit from a widescreen DVD treatment. So, how 'bout it, I want my DVD!

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Commandos, posing as German soldiers, parachute into a city to rescue a supposed allied general from a Nazi hideaway fortress that can only be reached by cable car.

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