Showing posts with label western. Show all posts
Showing posts with label western. Show all posts

Tecumseh:the Last Warrior (1995) Review

Tecumseh:the Last Warrior  (1995)
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As an educator, I strongly recommed the film Tecumseh: The Last Warrior because it is one of its kind in bringing into action the cultural beliefs and way of life of Native American groups such as the Shawnee, who were affected by the clash of cultures and seizure of their ancestoral lands by whites. I use the film as a reward for the students who have studied federal policies toward the Native Americans including those of our past presidents and view points of Native Americans such as Tecumseh, who fought hard to drive the whites out of their lands in the Ohio, Illinois, and other present day states that were organized under the Northwest Ordinance of 1787. Organized under Tecumseh, native groups resisted to further white expansion and fought hard to preserve their way of life. This film is accurate in depicting Native American stuggles and sufferings and I truly recommend it.

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Bio-pic on Shawnee tribe leader Tecumesh, and his attempts to unite all Native American tribes.

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Santa Fe Trail Review

Santa Fe Trail
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For all those DVD owners who are Errol Flynn fans or just plain love movies of the 30's and 40's, Santa Fe Trail is a fine film. Never mind political correctness or historical accuracy (none to be found), just smile and emerse yourselves in great entertainment by great stars...Errol Flynn (JEB Stuart), Raymond Massey (an awesome John Brown), Ronald Reagan (Custer), Olivia de Havilland, Alan Hale, et al. Solid performances by all.
The Roan Group did a good job transferring the movie to DVD...the sound is good and the picture clear. One can only hope that more of Flynn's movies will be transferred to DVD. To date none of his truly great movies, The Adventure's of Robin Hood, The Sea Hawk, Gentleman Jim, The Charge of the Light Brigade, Dodge City, Captain Blood, and Objective Burma are no where to be seen on the DVD horizon. A real travesty for all fans of Hollywood's Golden Age.

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SANTA-FE TRAIL (DVD MOVIE)

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John Wayne DVD Gift Set (The Shootist/ The Sons of Katie Elder/ True Grit/ El Dorado/ The Man Who Shot Liberty Valance) (1965) Review

John Wayne DVD Gift Set (The Shootist/ The Sons of Katie Elder/ True Grit/ El Dorado/ The Man Who Shot Liberty Valance) (1965)
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While a Western 'purist' would certainly prefer seeing a 'dream' boxed set of John Ford/John Wayne's 'Cavalry' trilogy, "Stagecoach", and "The Searchers" released together, the "John Wayne DVD Gift Set" is an excellent collection of some of the Duke's finest westerns from his last two decades.
The classic of the collection is "The Man Who Shot Liberty Valance", John Ford's 1962 'deconstruction' of the genre he'd helped to create. A visually simple, yet deeply layered tale of how a western legend was born, the film echoes Ford's "The Last Hurrah", as well as taking a tongue-in-cheek 'jab' at critics of his more idealized earlier westerns. While Jimmy Stewart, at 55, is far too old to play an idealistic young lawyer, his confrontations with desperado Lee Marvin, and pragmatic (yet ultimately doomed romantic) Wayne are terrific. And don't miss Edmund O'Brien's 'takeoff' on actor Thomas Mitchell, in support...Ford's directorial 'style' was never better than in this remarkable film.
"The Sons of Katie Elder" is an important film in Wayne's career, as it marked his 'comeback' after losing a lung to cancer. While much of his dialogue had to be 'looped', and oxygen was kept nearby throughout the filming, Wayne proved that he could still play an action hero believably. Certainly, he looked all of his 58 years, and the idea of Dean Martin being one of his brothers is farfetched, but when Wayne first appeared on the screen, 1965 film audiences stood and cheered...and his dominating presence still makes the film 'work', today.
"El Dorado" is, if you are unfamiliar with the film, simply a reworking of 1959's Hawks/Wayne classic, "Rio Bravo", but it stands very well on it's own merits, beginning with the terrific chemistry between Wayne and co-star Robert Mitchum. A very young James Caan offers a funny counterpoint to the two veteran stars, and wonderful character actor, Arthur Hunnicutt (who, for trivia fans, played Davy Crockett in 1955's "The Last Command"...thus making this a unique opportunity to see TWO Davy Crocketts in one film!) plays a rustic variation of Walter Brennan from the earlier film. With plenty of Howard Hawks' signature comraderie, the film is very entertaining.
"True Grit" is, of course, John Wayne's Oscar-winning role, as pot-bellied, one-eyed Rooster Cogburn. While many believe Wayne won for his career longevity rather than his performance, the film is, in fact, very entertaining and lyrical, and Wayne's portrayal is the glue that holds it together. Certainly, Glen Campbell offers a less-than-stellar performance, but it is more than compensated for by Kim Darby and Robert Duvall, and Wayne, guns blazing, reins clenched in his teeth, provides an image that has become classic.
Finally, there is "The Shootist", Wayne's final film. Shot as the Duke's health was declining, dramatically, the production was a difficult one, with director Don Siegel struggling to work with the ailing actor (Co-star Ron Howard would say he learned more about directing from this film, than any other). Because of the Duke's fragile condition, many friends took roles at far below their usual salaries to work with him a last time (including James Stewart, Richard Boone, and Lauren Bacall). The finished film is a labor of love, from the "Classic Wayne" film clips that open the story, to the final gunbattle, with Wayne's character, the cancer-ridden John Bernard Books, going out in a blaze of glory. It may not have been among Wayne's 'best' films, but it was certainly a most fitting end to his career.
It's easy to see why this is a worthy Wayne collection to own...But don't take my word for it; buy it, and see for yourself!


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Legendary producer-director Howard Hawks teams with two equally legendary stars, John Wayne and Robert Mitchum, in this classic Western drama. Mitchum plays to perfection an alcoholic but gutsy sheriff who relentlessly battles the dark side of the wild West, ruthless cattle barons and crooked "businessmen." The Duke gives an equally adept performance as the sheriff's old friend who knows his way around a gunfight. Filled with brawling action and humor, El Dorado delivers the goods. James Caan and Ed Asner co-star.Ranking with Stagecoach as one of the greatest of its genre, The Man Who Shot Liberty Valance is the modern-day Western to beat all Westerns. John Ford, whose very name is synonymous with "Westerns," directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and Bad Man: Liberty Valance (Lee Marvin). And as if all that weren't enough, the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super-sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman but the other gets the gal.Afflicted with a terminal illness, John Bernard Brooks (John Wayne), the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler (James Stewart). Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow (Lauren Bacall) and her son (Ron Howard). However, it is not Brook's fate to die in peace, as he becomes embroiled in one last valiant battle.Katie Elder bore four sons. The day she is buried they all return home to Clearwater, Texas, to pay their last respects. John Wayne is the eldest and toughest son, the gunslinger. Tom (Dean Martin) is good with a deck of cards and good with a gun when he has to be. Matt (Earl Holliman) is the quiet one - nobody ever called him yellow...twice. Bud (Michael Anderson, Jr.) is the youngest. Any hope for respectability lies with him. Directed by Henry Hathaway (True Grit), an acknowledged master of the Western, the story has a dual theme: not only is this a he-man's story, but it is also a drama of the maternal influence of Katie Elder, movingly portrayed from beginning to conclusion.In 1970, John Wayne won an Academy Award. for his larger-than-life performance as the drunken, uncouth and totally fearless one-eyed U.S. Marshall, Rooster Cogburn. The cantankerous Rooster is hired by a headstrong young girl (Kim Darby) to find the man who murdered her father and fled with the family savings. When Cogburn's employer insists on accompanying the old gunfighter, sparks fly. And the situation goes from troubled to disastrous when an inexperienced but enthusiastic Texas Ranger (Glen Campbell) joins the party. Laughter and tears punctuate the wild action in this extraordinary Western which features performances by Robert Duvall and Strother Martin.

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Raintree County (1957) Review

Raintree County  (1957)
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Raintree County was a thousand plus novel written by Ross Lockbridge Jr. published in 1948. At its time, it was regarded as the Great American Novel second only to Margaret Mitchell's Gone With The Wind and in some ways, both Raintree County and Gone With The Wind are a bit alike, although everyone generally considers Gone With The Wind to be the superior work of historic fiction. And it is. Gone With The Wind, as we all know, became a highly successful film in 1939, even winning Best Picture. It must have dawned on Hollywood producers that the novel would make a breathtaking movie. It was the 50's, the new invention of television had just entered people's homes and the movie industry was threatened. It was the time of the "epic films" (The Ten Commandments, Ben Hur). In 1957, "Raintree County" was released in theatres. The appeal to the film was its Cival War Era drama and Elizabeth Taylor.
It's no Gone With The Wind, but Raintree County is a beautiful film to look at visually. The master shots of the scenic countryside in Raintree County are incredibly lovely, the costumes look authentic to the period, the music is enjoyable but subtle, and Elizabeth Taylor is always interesting to watch on film. Elizabeth Taylor plays Susanna Drake, a vibrant Southern belle with a troubled past (her plantation home caught on fire and she had issues with her mother). Although she seems to be almost a near replica of Scarlett O'Hara in many of the scenes, she lacks Scarlett O'Hara's strength and willful nature. While Scarlett could survive anything, Susanna Drake weakens out at the end of the film, becomes mentally disturbed (she has a strong attachment to a scary looking Chucky doll) and dies a pathetic death when she seeks out the Raintree. This is not Elizabeth's finest performance. A tragic heroine is still acceptable, but this particular heroine is not as satisfying as Vivien Leigh's performance as Scarlett. Also, her "rival" and John Shawnessy's first love and childhood friend Nelle is an easily replaceable role. I was thinking she was the equivalent of Melanie Hamilton in Gone With The Wind and a role that could have been played by Olivia De Havilland once again. The women in this film are not portrayed as strongly as the men are. And even the men are not as substantial. It's just Yankee versus Rebels. The relationship between Elizabeth Taylor and Montgomery Clift's characters is not that well developed. It's not enough that they are from opposite sides of the Civil War conflict- she's at heart a Southerner and he's a Yankee. I was even disappointed in one scene in which Elizabeth says to Montgomery after an argument "You hate me because I'm Southern!". This film could have used some polishing. I'm very certain that even author Ross Lockbridge Jr. was not entirely satisfied with what they did to his book in screenplay form.
Montgomery Clift has done other worthwhile movies but in this film, his performance as John Shawnessy is wooden and lacks some substance. Although he is supposed to be portrayed as an idealist poet and writer (much like Doctor Zhivago), we never see him write anything. All we get is his desire to seek out the elusive and magic, all-healing legendary Raintree, supposedly planted by Johny Appleseed and a quest he gives up at the end of the film. Professor Jerusalem is a funny and amusing character but a bit too shallow. Again, this film is rather interesting to look at if you want to get some insight on Civil War Era America (1850's and 1860's) and the mention of such things as abolitionism, Uncle Tom's Cabin, copperheads, Abraham Lincoln, Fort Sumter and Gettysburg to the later Republican politics of the Reconstruction are very historically accurate.
This "Roadshow" version is beautiful to look at nevertheless. Out of curiosity for Civil War history, this would make a great film to watch as a history project in high school or college courses. This film is also worth watching if you're a hardcore fan of Elizabeth Taylor and don't care what role she plays or what movie she is in, whether it's "Little Women" "National Velvet", whehter she plays the tragic Susanna Drake, Cleopatra or the other Southern heroine in Tenesee William's "Cat On A Hot Tin Roof" or the incredibly nasty character in "Who's Afraid Of Virginia Woolf ?".

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Operation Bikini (Amazon.com Exclusive) (1963) Review

Operation Bikini (Amazon.com Exclusive)  (1963)
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This is a nicely done 60's war movie with a great cast that includes Frankie Avalon,Tab Hunter and Jim Backus.Check it out!!

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A Navy demolition team must destroy a sunken submarine before the Japanese get to the top-secret equipment aboard the vessel.

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Where Eagles Dare (1969) Review

Where Eagles Dare (1969)
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Quite simply one of the greatest war movies ever made. A top notch thriller loaded with action, espionage and double crosses, "Where Eagles Dare" is the kind of movie that Hollywood just doesn't make anymore. This isn't some politically correct drama steeped in reality. No, this is good guys vs. bad guys. This is pure unabashed fantasy which keeps the audience on the edge of its seat. This is just darn good entertainment!
Richard Burton is absolutely cunning as the British agent who leads an elite group of soldiers behind enemy lines and into a seemingly unpenetrable German castle to rescue an imprisoned American General. A young Clint Eastwood is the only American on the mission. Clint is his usual cool and calm self. However he, like the audience, isn't sure who to trust. Somebody's a double agent, but exactly who is anyone's guess. Don't worry about figuring it out, just sit back and enjoy the drama. You'll love the growing tension and suspicion between Burton and Eastwood.
The journey into the castle is classic heart-stopping drama. Even better is Burton's fight with a German soldier high atop a ski lift -- truly one of the most riveting action sequences ever filmed. Bullets are flyin' and bombs are blastin' throughout. In the end, heroes emerge while evil perpetrators get their just due. Classic, absolutely classic!
And yes, as several reviewers have noted, the stunning scenery and beautiful cinematography in this film would greatly benefit from a widescreen DVD treatment. So, how 'bout it, I want my DVD!

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TENSE AND SUSPENSEFUL WORLD WAR II ADVENTURE IN WHICH TWO ALLIESMUST RESCUE A CAPTURED AMERICAN GENERAL BEING HELD IN A FORTIFIED GERMAN CASTLE BEFORE THE NAZIS GET SECRET INFO ON HIM.

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John Wayne-John Ford Film Collection (The Searchers Ultimate Edition / Stagecoach Two-Disc Special Edition / Fort Apache / She Wore a Yellow Ribbon / The Long Voyage Home / They Were Expendable / 3 Godfathers / The Wings of Eagles) (2006) Review

John Wayne-John Ford Film Collection (The Searchers Ultimate Edition / Stagecoach Two-Disc Special Edition / Fort Apache / She Wore a Yellow Ribbon / The Long Voyage Home / They Were Expendable / 3 Godfathers / The Wings of Eagles) (2006)
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First...the films
Stagecoach and The Searchers...two of the all time greatest movies ever made....Fort Apache and She Wore a Yellow Ribbon...perhaps only a notch below and the other films while not on that level...wonderfully enjoyable. The transfers are typically excellent as WB tends to do...the cover art is the original 1sheet...very fun stuff. The Searchers edition included is the ULTIMATE edition with tons of extra paper goodies!
Second..the extras!
Stagecoach...the American Masters documentary airing this month on the tube on Ford/Wayne is a nice bonus...the NEW 30 minute documentary on the actual making of Stagecoach is REALLY GREAT....and i noticed its done by SPARKHILL , who did Wizard of Oz and some of the other great WB re-issues... THeir bonus featurettes on Fort Apache (Monument Valley) and the Searchers are also wonderful....truly there are hours of extras included in this package that will let the viewer learn much about both John Wayne...who people think they know but perhaps don't and John Ford...who just might be the greatest director of all time.
CHEERS to WB for releasing these films in lovingly done transfers and packing them with new and vintage featurettes to make them truly worth owning instead of waiting to catch on TCM some day.....and the overall package and price...well..terrific!
A collection of movies from arguably the greatest film director and starring arguably the greatest film star in history....stop reading and BUY!

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John Ford was easily one of the greatest, most prolific and versatile directors Hollywood ever produced. Combined with a star of the caliber and magnetism of John Wayne, what emerges is pure cinematic magic. WHV now introduces a ten-disc set featuring eight of the team's finest collaborations: The Searchers: Ultimate Collector's Edition (1956) Stagecoach: Special Edition (1939) Fort Apache (1948) The Long Voyage Home (1940) Wings of Eagles (1957) She Wore a Yellow Ribbon (1948) They Were Expendable (1945) 3 Godfathers (1948)

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The Shadow Riders (1982) Review

The Shadow Riders (1982)
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"The Shadow Riders" has all the grit, matter-of-fact speech, incredible landscapes and action of a great Louis L'Amour book. Tom Selleck, Sam Elliot and Jeff Osterhage also starred in "The Sacketts" in 1979, and do just as fine a job in this movie as that one.
The part that will surprise you is how strong the female lead role is. Katharine Ross does an excellent job as the fiesty Kate Connery, the love interest of Dal Travern (Sam Elliot). She had as good a character and as much screen time as many of today's heriones -- a highly unusual circumstance in the early 80s and certainly unusual for the genre.
"The Shadow Riders" has a great mix of romance, action, humor and good old fashioned Western elements. This mix makes the film appealing to a much wider audience than just Western fans or Louis L'Amour fans -- although they will come away thrilled.

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When the Western slipped into theatrical oblivion in the late 1970s, many of the best examples of the genre began appearing as made-for-television films. After the success of "The Sacketts", from the Louis L'Amour novel, producers quickly reunited stars Tom Selleck and Sam Elliott in another fine adaptation of a L'Amour book, "The ShadowRiders". As brothers Mac and Dal Traven, sporting blue and gray uniforms, respectively, they wind their way home at the close of the Civil War to discover a band of confederate rebels have ravaged their town and kidnapped their sisters and brother and Dal's feisty sweetheart (Katharine Ross). With the help of their outlaw uncle (Western stalwart Ben Johnson), whom they must break out of prison, they track the guerrillas to the Gulf Coast and down into Mexico for a final, fatal showdown. Veteran director Andrew McLaglen sets this TV movie on a loping pace and a jovial tone, defined largely by Selleck's easygoing performance and the jocular comic relief of rascally Johnson. Elliott provides the intensity, at times positively ferocious under his heavy brows and burning, sunken eyes. The mood is occasionally too comic, but McLaglen delivers the goods in a series of gritty action sequences, proving that old Western directors don't die, they just drift on over to the small screen. Western icons R.G. Armstrong and Harry Carey Jr. and 1950s leading lady Jane Greer also appear in key roles. "--Sean Axmaker"

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The Outlaw Josey Wales (1976) Review

The Outlaw Josey Wales (1976)
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Although Clint Eastwood gained his greatest critical acclaim as a director for 1992's "Unforgiven" and 2003's "Mystic River" -- both of which are incredible pieces of American cinema -- his best film remains this perennially popular Western from 1976. Here's Eastwood's own take on it: "I do believe that if I'd made that picture in 1992, in place of `Unforgiven,' it might have received the same amount of attention, because I think it's equally as good a film. I think the subject matter of `Josey Wales' is timeless." Orson Welles himself named it one of his favorite movies!
Yet critics at the time completely dismissed it as just another Clint Eastwood Western-Revenge flick. On the surface, the plot might give you that illusion: Missouri farmer Josey Wales loses his family to marauding Union cutthroats during the civil war. In retaliation, he joins Qunatrill's raiders in the guerrilla warfare that flames across Missouri. When the war ends, Wales refuses to surrender. He flies west across the country, chased by his former leader Fletcher (John Vernon in a great, sympathetic performance) and Terrill, the Union captain who murdered his family (Eastwood regular Bill McKinney). It seems Wales has no future except to stay alive long enough to get his revenge.
But...that's not at all what movie ends up being about. Gradually, Wales finds himself at the center of a growing community of outcasts from many different backgrounds: an old Cherokee named Lone Watie (Chief Dan George, in the film's most unforgettable performance), a band of Northern settlers (including Sondra Locke in her first role with Clint), a girl from another Native American tribe, the residents of a dying Texas town, and a red bone hound. Gradually, "The Outlaw Josey Wales" turns into a story about forgetting revenge and a fixation on death, and instead about embracing life and rebuilding a community. "Dying is easy for men like you and me," Wales says to a Comanche chief (Will Sampson) in one scene. "It's living that's hard." It's one of the most unexpectedly uplifting and moving films ever made. And, let's make no mistake about it, it's also an action-packed, tough, and exciting film.
Strangely, the film came out of extremely difficult circumstances and rough beginnings. Eastwood purchased the rights to Forrest Carter's novel "Gone to Texas," only to discover that the author was actually Asa (Ace) Carter, who had worked as a speech writer for George Wallace supporting racial segregation and had once created a subgroup of the Ku Klux Klan. Upon meeting Carter, Eastwood and his producer Robert Daley found the man to be a borderline sociopath (he drew a knife on one of Daley's secretaries at a restaurant). Regardless, Eastwood loved the beautiful story too much and pushed on with making the film. He hired Philip Kaufman to both write and direct the movie, now re-named "The Outlaw Josey Wales." Kaufman (along with Sonia Chernus) wrote a stunning script, but after only a few days on the set, it became obvious he wasn't working out as a director; his style clashed with Eastwood's. Eastwood quietly removed him as director and took over the job himself. As Eastwood's biographer notes, "Kaufman was to a degree the victim of Clint's growing confidence in his own abilities."
Despite this confused beginning, "The Outlaw Josey Wales" turned into a magical piece of Western cinema and a huge hit with audiences. It gets better and better with each viewing: a thrilling adventure when you first see it, its many layers of beautiful subtlety emerge each time you go back to it. Bruce Surtees's photography is astonishing, Jerry Fielding's music exciting and unusual for a Western, and every performance top-notch. Few films are as all-around well done as this American classic.
The DVD offers the film in a glorious widescreen transfer with a new 5.1 sound mix, but there are no extras. Considering the history behind the making of the film, this disc really ought to sport some fascinating commentaries and documentaries, but alas, nothing. Still, I can recommend few films higher than "The Outlaw Josey Wales."

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Josey Wales is a farmer turned fugitive in the post-civil war south who is chased by the law after he avenges the murder of his family and friends.DVD Features:Introduction:Introduction by Clint Eastwood Other:"Hell Hath No Fury" - 30:25 "Eastwood in Action" - 7:45


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Wagon Train, The Complete Color Season Review

Wagon Train, The Complete Color Season
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There was a time back in the 1950s and '60s when primetime network programming relied so much on Westerns that nearly every night of the week featured at least one. While some rode off into the sunset without much ado, one of the best, and longest-running, "Wagon Train," set the bar for style and authenticity that few other Western series ever achieved.
This DVD set, all 3,900 minutes of it, presents the 1963 season -- all 32 90-minute episodes filmed in color, as well as 16 classic episodes (black and white) from the series' other seven seasons. The show, based on the legendary John Ford Western feature film "Wagon Master," starred Ward Bond (who reprised his role from the Ford film), John McIntire, Robert Horton, Robert Fuller, Frank McGrath, Terry Wilson, Denny Scott Miller and Michael Burns. Each week the show told the stories of a wagon train heading west from Missouri to California in the days following the Civil War.
What set the series apart from many of its contemporaries was the show's impeccable attention to details: Most of the actors were trained horsemen or cowboys; set dressings and wardrobe were as authentic as possible, and nearly every minute of it was filmed on location across California and surrounding states, which took the West out of the backlot and into, well, the West.
"The Western on television was so successful because it appealed to the entire family," said Fuller, who joined the cast in 1963 as the wagon train's scout Cooper Smith (he replaced Robert Horton), fresh from his starring role in another Western series, "Laramie." "At the end of a hard day of work and school, the family could all watch the show together and escape from the worries of the day. I know it sounds corny, but it was true."
It took seven days to film each 90-minute episode, Fuller said, and almost all of it was location work. "We shot a lot in Lone Pine [California] up north and Thousand Oaks, which back then actually had 1,000 oaks [trees]," he said, laughing.
"There's no way a Western series could be filmed the way we did 'Wagon Train,'" Fuller added. "No way. First of all, there are no picture horses left. Back in the day, there were two large horse ranches in Hollywood that had 1,000 picture horses apiece. These horses were trained to stand still in front of a camera, do falls, tricks, move to a mark on cue. And many of the guys who did these shows were real cowboys. They were all Western riders. They're all gone now."
That attention to detail and realism it was set "Wagon Train" apart from its contemporaries, including "Bonanza" and "Gunsmoke."
"No other series attempted a full season of 90-minute episodes in color because the budget was outrageous for the day," Fuller said. "And look at the wardrobe on 'Bonanza.' All those tailored, made-to-fit clothes. Look at those great-looking pants that Michael Landon wore (laughs) -- and they never got dirty. 'Gunsmoke' was shot entirely on a soundstage. Those shows were good, but we were worlds apart."
Fuller would go on to star in numerous television series and guest star on countless others, most notably "Emergency!" in which he starred as Dr. Kelly Brackett for seven years in the 1970s. He now makes his home on a sprawling ranch in Texas with his wife, actress Jennifer Savidge ("St. Elsewhere").
"I think this DVD set is really going to make a lot of folks very happy, folks who remember the show from their youth," Fuller said. "But I also think it's gonna make a whole new generation see what television could do very well, and what an important, exciting series 'Wagon Train' was"


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16 DVD Box Set- The Complete Color Season! One of the longest running and most popular of all the television westerns, Wagon Train topped the ratings for eight seasons in the late 1950s and 1960s.Inspired by John Ford's classic 1950 film, Wagon Master, Wagon Train debuted on Wednesday, September 18, 1957 on the NBC Television network. Ward Bond, who starred in Wagon Master, re-created his role from the film as Wagon Master Major Seth Adams. He was joined by costars Robert Horton as Head Scout Flint McCullough, Frank McGrath as the cook Charlie Wooster, and Terry Wilson as Assistant Wagon Master Bill Hawks, who all brought their skills as horsemen as well as wonderful western actors to the show, giving Wagon Train a special, western flavor.Each well-crafted episode focused on a personal story of courage and perseverance of not just the main cast, but of the westward-bound emigrants as they made the perilous journey by Conestoga wagon from the banks of the Mississippi to California's Pacific shores in the face of great odds.The cast was joined each week by Hollywood's brightest stars in guest roles. The ensemble acting, wonderful scripts and great western scenery soon made Wagon Train a fixture in American homes on Wednesday nights, as millions of Americans of all ages tuned in to NBC for classic family entertainment.When Ward Bond passed away during the 4th season, he was replaced by John McIntire as Christopher Hale, who took over as the new Wagon Master, a role he played till the series ended in 1965. There were other cast changes as well. Denny Scott Miller took on the role of assistant scout Duke Shannon in 1961, and when Robert Horton left the show in 1963, the producer Howard Christie brought in Robert Fuller (Laramie) as the new scout, Cooper Smith. Christie also brought Michael Burns onboard the wagon train as Barnaby West, a teenager looking for his lost father on the trail. One-time stunt man Frank McGrath's character Charlie Wooster, Wagon Train's irrepressible cook, was the only cast member to remain with the show for its entire run. Another big change to Wagon Train in 1963, its 7th season, was the expansion from a one-hour format in black and white, to 90 minutes in color. In its longer format, the 7th season combined both expanded story lines and remarkable color photography of the scenic western landscape, and allowed for greater character and plot line development.Guest stars continued to grace Wagon Train, including performances by Barbara Stanwyck, Ronald Reagan, Peter Falk, Suzanne Pleshette, Bruce Dern, Rhonda Fleming, Burgess Meredith, Neville Brand, Annette Funicello and many, many more!These 32 color episodes of that 7th season are fully restored and mastered from the original NBC Universal masters by TMG, which is proud to present them for the first time on DVD.Bonus DVDs: 16 Classic Episodes of Wagon Train on 4 DVD discs - These classic episodes of Wagon Train span the entire series, from Season 1 with Ward Bond and Robert Horton, to season 8, when the series returned to a one-hour, black and white format with John McIntire, Robert Fuller and Denny Scott Miller. Reproduced from NBC Universal's original masters, these 16 black and white episodes have never before been released on DVD.Many fine guest stars appear in these stories of the great westward migration of the 1800s, including Anne Bancroft, Harry Carey Jr., Dan Duryea, Harry Von Zell and Ann Sheridan.Bonus DVD: Interviews - An exclusive look behind the scenes with two of Wagon Train's most memorable actors, Robert Fuller and Denny Scott Miller, who played Scout Cooper Smith and Duke Shannon. These two stars speak freely about the family of creative people who brought you Wagon Train, from the wranglers and stunt men, to the stars and the producers of the hit series.

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Jeremiah Johnson (1972) Review

Jeremiah Johnson (1972)
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This movie is one of several fascinating historical threads that I have been following since I first saw it as a 12-year old and loved it. First, it is based on the actual life of a mountain man named John Johnston, later changed to Johnson, and known in the West from the mid-1840s as Liver-Eating Johnson (see the book "Crow Killer" published 1958, R.W. Thorp & R. Bunker). I did not know this until recently and assumed it was all fiction. He was a huge man for his time, 6'2" and 240 pounds in his early 20's, had fists the size of baked hams and was best in hand-to-hand fighting with his 16" Bowie knife. Thorp and Bunker based the book on first-person interviews with several mountain men and others who had known of him, including, surprisingly, the famous photographer of the 1870's West, W.H. Jackson (photographer for the Hayden Expedition and famous for the first photograph of Mount of the Holy Cross near Vail, Colorado), but the real detail being furnished by an old mountain man named White-Eye Anderson, who told the story to R.W.T. in 1941 when he was in his 90's. After Johnson's Flathead wife was murdered on the Musselshell in Montana by a band of young Crow braves, Johnson "took the trail" on the entire Crow nation. His calling card, for over 20 years of butchery on the Crows, was to remove the liver of every Crow he killed and eat it. The Crows called him "Dapiek Absaroka". Vardis Fischer, on whose book this movie is based, "borrowed" as well certain scenes from a book written in the 1840's called "Life in the Far West" by George Ruxton, a first-person account of life in and near the Colorado Rockies. This movie does a fine job with a subset of Johnston's life, leaving out his service in the Civil War, and his later life as a town marshal and finally, his death in an old veterans home in Los Angeles. I got the notion that Fischer's book bordered on plagiarism after reading Ruxton, and after reading Crow Killer it seems all Fischer did was change Johnson's name to Jeremiah and slap on a cover with his name on it. The movie also leaves out that Johnson spies, among the pile of bones that was his wife outside the cabin, a round object about the size of an orange - the skull of his unborn baby. He collects the bones of wife and baby and puts them in an iron pot and inters them behind carefully mortised rocks near the cabin; a shrine, his "kittle 'o bones" those closest to him called it (never in his presence) he visits over the years. Will Geer's character, near as I kin figger, is based on a friend of Johnson's named "Bear Claw" Chris Lapp, a man known to say, when presented with grizzly claws his mountain man friends collected for him to make necklaces of, "Great Jehosophat! Pocahontas and John Smith!" The Crazy Woman, one of the most sympathetic characters I have ever seen in a movie, was in real life the wife of John Morgan, a foolish homesteader on the Oregon Trail who quarreled with the wagon master and took off on his own only to be tomahawked and scalped alive by Crows, his daughter raped and scalped alive, and his two young sons killed. Mrs Morgan, having killed several of the Indians with an axe yet driven insane by the loss, lived on the Musselshell and was cared for by Johnson and his fellow mountain men for years. The movie leaves out the little detail that she and Johnson beheaded the Crow corpses and set them on stakes at each corner of the graveyard where she buried her children, the weathered skulls a powerful medicine for the Crows ever after. It was the Crow's deference to this insane white woman living in their midst that finally convinced Johnson to call off his vendetta against them, after having killed nearly 400 Crow warriors. Liver-Eating Johnson's grave (and here I borrow heavily from "Crow Killer") is in a cemetary off of Sepulveda Boulevard (interesting, that. One of Johnson's comrades was a huge black-bearded Hispanic named "Big Anton Sepulveda") in a section called San Juan Hill, row D, 2nd stone from the road reads "Jno. Johnston, Co. H, 2nd Colo. Cav.". Get the movie and enjoy it; it's a true story. Only took me 30 years to find that out.

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Robert Redford has one of his best-ever roles as a 19th century mountain man in a wilderness of harsh elements and hostile Indians. Directed by The Firm's Sydney Pollack. Year: 1972 Director: Sydney Pollack Starring: Robert Redford, Will Geer, Stefan Gierasch DVD Features:FeaturetteProduction Notes


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McLintock (1963) Review

McLintock (1963)
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I've been a McLintock fan since 1963...when it came out to the movies. My dad took me to see it on my 11th birthday. I held off buying the VHS version once I discovered the Wayne Foundation had not released an "authorized" copy. Once it did, I purchased three...just in case one got damaged! Yes...I love the movie. For DVD customers....it IS worth the wait. If, as you can see from other reviews, the transfer quality to DVD is poor, then why waste your money now, when you can (HOPEFULLY!!) purchase the legitimate product when the Wayne Foundation releases it! This is a GREAT movie for all ages. Kids love the shenanigans, teens like the romance, and us old-timers just like an easy-on-the-eyes and -ears movie with a happy ending. This is the only movie review I've ever written, but the movie was worth it.

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McLINTOCK! He Tamed the West--But Could He Tame Her? Cattle baron, banker, and model citizen George McLintock (John Wayne) has the world in his hands.The only thing missing is his wife, Katherine (Maureen O’Hara, who co-starred with the Duke in Rio Grande and The Quiet Man), who left him two years earlier, suspecting him of adultery.In an effort to get on with his life, McLintock saves a beautiful but impoverished widow from resettlement and hires her as his cook, welcoming both her and her two children into his home.Sparks begin to fly and McLintock’s simple and serene lifestyle comes to a crashing halt as an unexpected turn of events results in brawls, gunfire, an Indian attack, the engagement of his only daughter and...the return of Mrs. McLintock!This Westernized Taming of the Shrew was produced by John Wayne’s son, Michael. McLINTOCK! Starring JOHN WAYNE MAUREEN O’HARA With PATRICK WAYNE STEFANIE POWERS * JACK KRUSCHEN * CHILL WIILLS Original Screen Play by JAMES EDWARD GRANT Produced by MICHAEL WAYNE Directed by ANDREW V. McLAGLEN Music Under License from EMI This program is not authorized by the John Wayne estate or any other entity. Approximately 128 minutesColor

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Rawhide: Season Three, Vol. 1 Review

Rawhide: Season Three, Vol. 1
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The greatest western there has ever been or will ever be is Rawhide!
Outstanding western series! Keep them coming Paramount! We are loving it! It's true that Gil and Rowdy rule and Rawhide is #1!
episodes from the first half of Season 3
Season 3, Episode 1: Incident at Rojo Canyon
Season 3, Episode 2: Incident of the Challenge
Season 3, Episode 3: Incident at Dragoon Crossing
Season 3, Episode 4: Incident of the Night Visitor
Season 3, Episode 5: Incident of the Slavemaster
Season 3, Episode 6: Incident on the Road to Yesterday
Season 3, Episode 7: Incident at Superstition Prairie
Season 3, Episode 8: Incident at Poco Tiempo
Season 3, Episode 9: Incident of the Captive
Season 3, Episode 10: Incident of the Buffalo Soldier
Season 3, Episode 11: Incident of the Broken Word
Season 3, Episode 12: Incident at the Top of the World
Season 3, Episode 13: Incident Near the Promised Land
Season 3, Episode 14: Incident of the Big Blowout
Season 3, Episode 15: Incident of the Fish Out of Water
All episdoes are outstanding!
After years of waiting and the cruel betrayal of Columbia House, who had started making DVDs available in 2003, uncut and in series order but then abruptly stopped August 2004, Parmount has come to the rescue! Now in Paramount's capable hands, we are finally making real progress!
Paramount has released more episodes than anyone else to date, even more than Columbia House who had released dozens of VHS tapes(not in episode order). Eric Fleming is amazing as Gil Favor in this seris, there's no one else like him. Rowdy is also incredible in this series. The details of the old west in this series are fantastic. They don't make anything like it nowadays and we'll probably never see anything like it again.
Thank you Paramount!
Here's a great editorial review for Rawhide below
Like anyone growing up in the late fifties and early sixties I watched as much television as possible. Remember that this was the era of the eleven inch, black and white screen, the single three inch speaker and the universal remote was the youngest family member who had to get up to turn the knobs. This was also the golden years of television. The series that were around back then created the genres that are still around decades later. There was also something special about TV back then, it was the era of the western. Every single boy had a cowboy hat, boots and play six shooter. Even the girls refused to be left out and clamored for a fringe skirt cowgirl outfit and hat. The vast majority of television programming was dedicated to the American old west. Every network, all three of them, filled their schedules with one variation of the theme after another. Most of those series are now only a small footnote in the history of television. Several remain today as cult classics and the undisputed leaders in this field. After `Gunsmoke' one TV western still stands above the rest `Rawhide'. This was `THE' show to watch back then. We kids would put on our cowboy gear, make the coffee table into a covered wagon and sit there mesmerized by the action. This is more than an old television show; for many of us this is a piece of our personal history.
The folks over at Paramount Pictures have the most incredible vault of classic television series imaginable. Anybody would love to be able to sit there for a month or two watching the myriad of shows they have on tap. Since this is not a likely prospect it is very fortunate that Paramount has been in a sharing mood. Lately they have been bringing out DVD set after set of series from these golden years. Now they have the second volume of the second season and like the previous ones, it is fantastic. The thing about `Rawhide' is it may have been one of the most famous television westerns but it was not very typical of the genre. Most westerns had the required action. There were good guys with white hats and bad one wearing black and the Native Americans, `Indians' back then, where rarely more than savages. Rawhide took a different slant. It was a dramatic series that just happened to be set in the old west. The six-shooter was there but not as important as the moral and emotional dilemmas the characters faced each week. The stories were centered on the characters over mindless action. It was possible to do this back then. Now so much of television has degenerated into mindless pap that it is easy to forget just how powerful this medium is. In those days everything was new and the studios were willing to take a chance. Rawhide stands the test of time because it dared to be different. So bring in the youngsters and let them see television the way it was meant to be. If they complain just make them stand behind the TV holding a set of rabbit ear antennas like we had to.
The premise of the series is elegant in its simplicity following the lives a group of cowboys working on a cattle drive. Many westerns showed cowboys riding around, shooing cattle now and again but it always felt like the cowpokes really didn't have a whole lot to do. This series depicted the arduous struggle to move a heard of cattle from one location to another. It was a daily hardship battling the weather, rustlers, the cattle and even each other. The drama of the series came organically from the realism of the characters and stories. These were the kind of men that built the west. At the head of the chain of command is Gil Favor (Eric Fleming), the trail boss. He is the one in command of the drovers and support staff on the drive. He is a man who has been around and seen it all. Although he is grizzled and tough he is also fair. His right hand man is Rowdy Yates (Clint Eastwood), the ramrod. It is up to him to work along side the men making sure they do things right. While the men keep the cattle in line it is up to Rowdy to keep them moving in the right direction. Also in constant attendance is Wishbone (Paul Brinegar) the camp cook. He you are responsible for providing a group of hungry cowboys with chow you have to be ready for just about anything. He depends on his assistant Mushy (James Murdock). One of the senior wranglers is Hey Soos (Robert Cabal) he is not a stranger to getting into trouble. Usually there to scout out the land ahead is Pete Nolan (Sheb Wooley).
This series doesn't look or feel like a television show at all. It is more like short, 50 minute, movies. The production quality here is spectacular. There is more emphasis on the plot than action. The fight scenes are just a small part of the series and this set it apart from the large pack of westerns back then. Life on a long cattle drive was shown in a realistic fashion. On such a trek boredom was the real enemy. Cowpokes looking for some excitement on their down time would head off to the nearest town and typically get into some mess or another. There are also plenty of slice of life shots. In one the men side around the chuck wagon, the center of cattle drive society, and grab a snack, mend their clothes, get in a snooze or tend to their saddles. These quite times were usually disrupted by some form of mayhem. Either it is a group of cattle rustlers out to steal the heard or an Indiana attack that forces the cowboys into action. Each episode was titles `Incident at ...' which is extremely fitting. These stories are notable incidents on an otherwise routine cattle drive.
Every episode begins with Gil waxing philosophically about some aspect of his line of work. Whether it is how the good Lord swells a little stream so it takes days to cross or the economics of bringing in the heard on time and in sellable shape Gil gets to show off his deeper side. This was also the series that made a star out of Clint Eastwood. He is more than an actor; he is a true renaissance man who has achieved fame as an actor, director, jazz musician, composer and even a politician. This is where it all began for him. He could stare down the meanest bad guy with a single stare and if necessary back it up with his six-shooter. Also gaining a good deal of fame here was the singer of the theme song, Frankie Lane. This song has lived on long after the series was cancelled and is known throughout the world.
Paramount certainly took care of the original elements of this series. The black and white full screen video is incredibly clear. There is a little speck every so often but over all the video is excellent. This is better than I remember the show ever being. the Dolby 2.0 mono is clear and without flaw. These episodes are completely re-mastered and it shows. Typical of an older television set for Paramount there are no extras included. That really doesn't matter here; the series is a great buy on its own. This is a must have for everyone that appreciates quality television.And here's another good editorial review.
More often than not, Rawhide (1960) is remembered as the show that started the long and illustrious career of Clint Eastwood. After all, his appearance in this Western-themed show would eventually lead to his participation in the classic Sergio Leone spaghetti westerns as The Man With No Name. From there he would start directing and then eventually become the Academy Award winning talent that he is today. it's a very successful show in its own right, as illustrated by this release of Rawhide
Rawhide was always a fan favorite for those interested in the Western genre (and those old enough to have seen the show), and even today it is still a standout in the genre, with excellent direction, writing, and acting.
The series as a whole revolves around the cattle drives of the old west, but that simple premise leaves plenty of room for the writers to come up with tons of interesting stories, episode after episode. What's...Read more›

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The tale of Gil Favor, trail boss, and Rowdy Yates, his assistant, as they drive cattle across the old West. Along the way they meet up with adventure and drama.

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The Outlaw Josey Wales (2008) Review

The Outlaw Josey Wales (2008)
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Although Clint Eastwood gained his greatest critical acclaim as a director for 1992's "Unforgiven" and 2003's "Mystic River" -- both of which are incredible pieces of American cinema -- his best film remains this perennially popular Western from 1976. Here's Eastwood's own take on it: "I do believe that if I'd made that picture in 1992, in place of `Unforgiven,' it might have received the same amount of attention, because I think it's equally as good a film. I think the subject matter of `Josey Wales' is timeless." Orson Welles himself named it one of his favorite movies!
Yet critics at the time completely dismissed it as just another Clint Eastwood Western-Revenge flick. On the surface, the plot might give you that illusion: Missouri farmer Josey Wales loses his family to marauding Union cutthroats during the civil war. In retaliation, he joins Qunatrill's raiders in the guerrilla warfare that flames across Missouri. When the war ends, Wales refuses to surrender. He flies west across the country, chased by his former leader Fletcher (John Vernon in a great, sympathetic performance) and Terrill, the Union captain who murdered his family (Eastwood regular Bill McKinney). It seems Wales has no future except to stay alive long enough to get his revenge.
But...that's not at all what movie ends up being about. Gradually, Wales finds himself at the center of a growing community of outcasts from many different backgrounds: an old Cherokee named Lone Watie (Chief Dan George, in the film's most unforgettable performance), a band of Northern settlers (including Sondra Locke in her first role with Clint), a girl from another Native American tribe, the residents of a dying Texas town, and a red bone hound. Gradually, "The Outlaw Josey Wales" turns into a story about forgetting revenge and a fixation on death, and instead about embracing life and rebuilding a community. "Dying is easy for men like you and me," Wales says to a Comanche chief (Will Sampson) in one scene. "It's living that's hard." It's one of the most unexpectedly uplifting and moving films ever made. And, let's make no mistake about it, it's also an action-packed, tough, and exciting film.
Strangely, the film came out of extremely difficult circumstances and rough beginnings. Eastwood purchased the rights to Forrest Carter's novel "Gone to Texas," only to discover that the author was actually Asa (Ace) Carter, who had worked as a speech writer for George Wallace supporting racial segregation and had once created a subgroup of the Ku Klux Klan. Upon meeting Carter, Eastwood and his producer Robert Daley found the man to be a borderline sociopath (he drew a knife on one of Daley's secretaries at a restaurant). Regardless, Eastwood loved the beautiful story too much and pushed on with making the film. He hired Philip Kaufman to both write and direct the movie, now re-named "The Outlaw Josey Wales." Kaufman (along with Sonia Chernus) wrote a stunning script, but after only a few days on the set, it became obvious he wasn't working out as a director; his style clashed with Eastwood's. Eastwood quietly removed him as director and took over the job himself. As Eastwood's biographer notes, "Kaufman was to a degree the victim of Clint's growing confidence in his own abilities."
Despite this confused beginning, "The Outlaw Josey Wales" turned into a magical piece of Western cinema and a huge hit with audiences. It gets better and better with each viewing: a thrilling adventure when you first see it, its many layers of beautiful subtlety emerge each time you go back to it. Bruce Surtees's photography is astonishing, Jerry Fielding's music exciting and unusual for a Western, and every performance top-notch. Few films are as all-around well done as this American classic.
The DVD offers the film in a glorious widescreen transfer with a new 5.1 sound mix, but there are no extras. Considering the history behind the making of the film, this disc really ought to sport some fascinating commentaries and documentaries, but alas, nothing. Still, I can recommend few films higher than "The Outlaw Josey Wales."

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Studio: Warner Home VideoRelease Date: 09/02/2008Run time: 135 minutesRating: Pg

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The Sundowners Review

The Sundowners
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THE SUNDOWMERS (1950) was a Alan LeMay/Templeton production, via Eagle-Lion, which competed briefly with some of the larger releasing studios in the later 1940's early '50s. Until VCI's release I'd never seen a good print of it, either on VHS or DVD. The VCI technicolor print is very good, and purchasers will not be disappointed. The film boasts stellar performances by an underrated Robert Preston and, in a sometimes comic role, Chill Wills. Robert Sterling is fine as well, but Preston steals the show. A young John Barrymore, Jr., plays the younger brother to Sterling and Preston. Eagle-Lion followed THE SUNDOWNERS with a sequel, HIGH LONESOME, starring Barrymore....it's an okay film [VCI has it out as well, in another fine technicolor print], although Barrymore lacks the panache of a Preston. Still, at the inexpensive price asked, worthwhile investigating....
As an earlier reviewer commented, the liner notes mix up Preston and Sterling, but this should in no way deter you from purchasing THE SUNDOWNERS, an enjoyable film and very welcome. Extras include cast bio's and scene selections. Our thanks to the adventuresome folks at VCI who contine to do great work in releasing good prints of some B (and A) level Westerns, classic horror, film noir, adventure films, and serials!

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This compact little western, from the legendary westernnovelist Alan LeMay ("The Searchers"), has Robert Preston and RobertSterling portraying two brothers who find themselves on opposite sides ofthe legal fence. Sterling, toting the mustache this time, is the bad guy.Preston's son is caught in the crossfire, menaced by Sterling. The 1950version should not be confused with the 1960 Warners film of the same name,which is set on an Australian sheep ranch. Bonus Features: Digitally Re-mastered from 35mm negative| Scene Selection Menu| Bios| PhotoGallery| VCI Western Promo| Bonus Episode from "Stories of the Century" TVSeries. Specs: DVD5; Dolby Digital Mono; 83 minutes; Color; 1.33:1Aspect Ratio; MPAA - NR; Year - 1950; SRP - $9.99.

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Convicts Review

Convicts
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I bought this movie because I'm a Duvall fan. He is, in my mind, the American Olivier. I watched the movie once and turned around and watched it again, immediately. The setting, the interactions between Duvall's character (Old Soll) and those around him is an amazing window into a past era. Convicts has elements of being almost a stage playj. Convicts is a gem and another feather in the cap of our likely greastest living American actor.

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OscarÂ(r) winner* Robert Duvall "is terrific" (The New York Times) in this "vividly realized" (Variety) drama co-starring Lucas Haas (Witness) and James Earl Jones (Field of Dreams). "Gracefully adapted to the screen" (Los Angeles Times) by Horton Foote (Of Mice and Men) and ably directed by Peter Masterson (Blood Red), this riveting tale of an unlikely bond is "a tasty feast" (LA Weekly)!In rural Texas 1902, 13-year-old Horace (Haas) toils on a run-down plantation to buy a tombstone for the father he lost a year earlier. Soll (Duvall), the crusty old Confederate who owns the plantation, has yet to pay the boy a pennyof the money he owes him. But on Christmas Eve, as Soll becomes obsessed with his own mortality, hemakes a grand promise forcing Horace to confront his fear of death and the harsh truths of a decadent society.*1983: Actor, Tender Mercies

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The Wild Bunch - The Original Director's Cut (1969) Review

The Wild Bunch - The Original Director's Cut (1969)
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There's not much that can be noted about Sam Peckinpah's brilliant 1969 western epic "The Wild Bunch" that has not already been written. It was an unanticipated, influential work where all things came together, but for a moment, the end product a huge, sweeping canvas of intimacy between comrades, violence between combatants, desperate anger amidst changing times. Part Kurosawa, part Siegel, part Fuller, part Ford, Peckinpah combined his inspirations with a healthy dose of 1960s rebellion producing the ultimate work of his generation, and one of the greatest westerns in history. It was Peckinpah's great fortune that the right actors were available for this film - William Holden and Robert Ryan in the twilight of their memorable careers, Ernest Borgnine with just enough youth to be a perfect and loyal presence, Edmond O'Brien chewing up the scenery with tobacco-stained teeth, and of course Peckinpah friends Strother Martin, L.Q. Jones and Warren Oates in salty supporting roles. It was also his great fortune cinematographer Lucien Ballard and composer Jerry Fielding were also on hand to participate in his steadfast vision.
Peckinpah also had something to prove at this point in his career, when he was still a hungry director with a vision, before alcoholism, disillusionment and celebrity status took hold. He hid nothing from viewers, and his contradictory heart was laid bare in "The Wild Bunch." The direction and editing during the violent moments of this film - the opening bank robbery and the concluding battle with the Mexican army - are some of the most unforgettable scenes ever put on film. But ironically, and this was usually the case in most Peckinpah films, it is the quiet moments one remembers. Pike (Holden) and Dutch's (Borgnine) melancholy conversation next to a campfire; The Bunch riding out of Angel's village as if in a funeral procession; Deke (Ryan) taking Pike's pistol from it's holster, gently holding it in his hand; and of course Pike standing in the doorway and mouthing two simple words, "Let's go."
And of course you have The Walk, in which Holden, Borgnine, Oates and Ben Johnson quietly begin loading their guns, cocking them, arming themselves, smiling at one another, standing shoulder to shoulder. There's not much left for these forgotten outlaws who have lived past their time. Just a code of honor, just their self respect. And so they Walk into the heart of the Mexican army to retrieve their comrade Angel, a prisoner and personal enemy of General Mapache. These surviving members of The Wild Bunch are free to go, but Angel, youthful, love-struck, rebellious, was one of them. They are not going to leave their comrade.
After viewing the extraordinary documentary "The Wild Bunch: An Album In Montage" and seeing the rare footage of Peckinpah literally improvising The Walk, walking alongside Holden, Borgnine, Oates and Johnson, inventing by instinct, one realizes how fiercely creative this man was as a director. This film was his moment in time, his vision, his idea, Peckinpah's nightmarish and amazing dream.
Peckinpah never really made a film quite like "The Wild Bunch" again. Of course, no director ever really has before or since. His uneven career of 14 films, some good, some not, has been celebrated and honored. Peckinpah the man, adorned in faded jeans and bandanna, certainly perpetuated his myth-like status. But in the end, you will always have "The Wild Bunch," an unforgettable film, raw, gritty, whiskey-soaked, sublime. I cry whenever I watch this film. I cry in awe. All things came together for Peckinpah on "The Wild Bunch," and the moment is everlasting.

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DIRECTOR SAM PECKINPAH'S MASTERPIECE IS A WORLD CLASS WESTERN,NOTABLE FOR ITS DARING CINEMATOGRAPHY AND LANDMARK VIOLENCE.

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