Showing posts with label american history. Show all posts
Showing posts with label american history. Show all posts

Little Big Man (1970) Review

Little Big Man  (1970)
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Advertised as a comedy when originally released, LITTLE BIG MAN is much, much more than that. Director Arthur Penn's sweeping film depicting the clash of the Indian and white cultures will have you chuckling one moment, then shaking your head sadly at man's inhumanity to man the next.
Dustin Hoffman as the ever industrious Jack Crabb takes this movie on his shoulders and carries it superbly. To say that the actor shows some "range" in this role is the epitome of an understatement: from portraying an adolescent teenager to a fragile 121-year-old-man (phenomenal makeup job), from snake-oil salesman to mule skinner, Hoffman brings Jack's fascinating life to splendorous glory. And Hoffman is funny--darn funny--with a wonderful knack for physical comedy.
In addition to Hoffman, LITTLE BIG MAN offers other savory treats. Richard Mulligan is absolutely delightful as a narcissistic General George Armstrong Custer--the stunning Faye Dunaway positively wicked as naughty Mrs. Pendrake. Chief Dan George, who portrays Old Lodge Skins, Jack's adopted Cheyenne grandfather, delivers countless one-liners, yet lends a quiet, heartfelt dignity to his role. In fact, this is a movie one will wish to savor again and again--a beautifully crafted, well-made film that is timeless in its ability to entertain.
--D. Mikels

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Santa Fe Trail Review

Santa Fe Trail
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For all those DVD owners who are Errol Flynn fans or just plain love movies of the 30's and 40's, Santa Fe Trail is a fine film. Never mind political correctness or historical accuracy (none to be found), just smile and emerse yourselves in great entertainment by great stars...Errol Flynn (JEB Stuart), Raymond Massey (an awesome John Brown), Ronald Reagan (Custer), Olivia de Havilland, Alan Hale, et al. Solid performances by all.
The Roan Group did a good job transferring the movie to DVD...the sound is good and the picture clear. One can only hope that more of Flynn's movies will be transferred to DVD. To date none of his truly great movies, The Adventure's of Robin Hood, The Sea Hawk, Gentleman Jim, The Charge of the Light Brigade, Dodge City, Captain Blood, and Objective Burma are no where to be seen on the DVD horizon. A real travesty for all fans of Hollywood's Golden Age.

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SANTA-FE TRAIL (DVD MOVIE)

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Roots 6 Video Box Set (1977) Review

Roots 6 Video Box Set  (1977)
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Warner Bros. has never given us a true representation of this classic on vhs or dvd. Roots originally aired over eight nights. Four of the eight episodes were one hour in length. All opening scenes from these episodes have been cut on dvd. Also the opening and closing credits are not the same...the episodes having been combined. The opening titles originally ended on a dark blue background with the cover of the book rising up and the words "AN ABC NOVEL FOR TELEVISION-ALEX HALEY's ROOTS THE SAGA OF AN AMERICAN FAMILY" on-screen. Also, these are the exact same discs as the ones from 2002, with the exception of a bonus disc. The audio error at the start of Episode Three is still there. It hasn't even been fixed. Come on guys. This isn't just any television program...it is an American treasure. We want to enjoy the show as closely to its original intent as possible, and to pass that original down through the generations. The Kinte family excelled at preserving their history. It's a shame that Warner Bros. can't follow their example.

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The Last of the Mohicans (1992) Review

The Last of the Mohicans  (1992)
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Like many people here, I detest the recut DVD version of this film. Seeing the original theatrical version in 1992 was one of the key moviegoing experiences of my life. I don't buy DVDs to see a new spin on a movie I liked, I buy them to be able to rewatch that same movie. Alternate cuts are fine as a bonus feature, but once I saw how Michael Mann had butchered his mainstream masterpiece, giving no option of seeing how it was originally, I sold the DVD and bought a copy of the mercifully untouched widescreen VHS.
Recently, however, I discovered that while this American director's cut DVD is from Fox, Warner Bros holds the rights to Mohicans outside the USA, and they have released the original theatrical version on DVD around the globe. I have a regionless DVD player, which is easy to get in many stores for under fifty dollars, so I bought a copy of the British DVD at amazon.co.uk
Wow. It's as I remembered it, with the Clannad song, without the extra monologue over the closing scene, and with my favorite line back in -- "My father warned me about people like you. He said do not try to understand them, and do not try to make them understand you."
If you love this movie like I do, get a regionless DVD player, they're worth it for so many reasons, and then get a copy of the British DVD. You'll be glad you did.

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John Wayne-John Ford Film Collection (The Searchers Ultimate Edition / Stagecoach Two-Disc Special Edition / Fort Apache / She Wore a Yellow Ribbon / The Long Voyage Home / They Were Expendable / 3 Godfathers / The Wings of Eagles) (2006) Review

John Wayne-John Ford Film Collection (The Searchers Ultimate Edition / Stagecoach Two-Disc Special Edition / Fort Apache / She Wore a Yellow Ribbon / The Long Voyage Home / They Were Expendable / 3 Godfathers / The Wings of Eagles) (2006)
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First...the films
Stagecoach and The Searchers...two of the all time greatest movies ever made....Fort Apache and She Wore a Yellow Ribbon...perhaps only a notch below and the other films while not on that level...wonderfully enjoyable. The transfers are typically excellent as WB tends to do...the cover art is the original 1sheet...very fun stuff. The Searchers edition included is the ULTIMATE edition with tons of extra paper goodies!
Second..the extras!
Stagecoach...the American Masters documentary airing this month on the tube on Ford/Wayne is a nice bonus...the NEW 30 minute documentary on the actual making of Stagecoach is REALLY GREAT....and i noticed its done by SPARKHILL , who did Wizard of Oz and some of the other great WB re-issues... THeir bonus featurettes on Fort Apache (Monument Valley) and the Searchers are also wonderful....truly there are hours of extras included in this package that will let the viewer learn much about both John Wayne...who people think they know but perhaps don't and John Ford...who just might be the greatest director of all time.
CHEERS to WB for releasing these films in lovingly done transfers and packing them with new and vintage featurettes to make them truly worth owning instead of waiting to catch on TCM some day.....and the overall package and price...well..terrific!
A collection of movies from arguably the greatest film director and starring arguably the greatest film star in history....stop reading and BUY!

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John Ford was easily one of the greatest, most prolific and versatile directors Hollywood ever produced. Combined with a star of the caliber and magnetism of John Wayne, what emerges is pure cinematic magic. WHV now introduces a ten-disc set featuring eight of the team's finest collaborations: The Searchers: Ultimate Collector's Edition (1956) Stagecoach: Special Edition (1939) Fort Apache (1948) The Long Voyage Home (1940) Wings of Eagles (1957) She Wore a Yellow Ribbon (1948) They Were Expendable (1945) 3 Godfathers (1948)

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The Tuskegee Airmen (1995) Review

The Tuskegee Airmen (1995)
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The story of the magnificent 332nd Fighter Group is woven into a dramatic tapestry of the horror of war and the disjointed approach of many Americans to a difficult time and a situation many would have preferred to ignore. The performance of the pilots who graduated the Tuskegee Training Program (they NEVER lost an escorted bomber to enemy action!) unfolds against the backdrop of misunderstanding, racism and political machinations that nearly destroyed the entire enterprise. This film does a magnificent job of telling the tale without being melodramatic, preachy or snide, but does full justice to the accomplishments of the pilots and their eventual victory against both German pilots and their own nation's refusal to recognize their talents. For the student of World War II, this is a well-known and much-respected story. For the student of African-American History, it is a tale of pride which shines as brightly as the stars on the American Flag these men so courageously defended. Fishburn and Cuba Gooding are superior as men caught between their own humanity and the de-humanizing effects of war. If ever a film deserve a 5-Star rating, this one does.

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Featuring an all-star cast headed by Laurence Fishburne, fireballs of high speed air action explode off the screen in this exciting story of the "Fighting 99th," the first squadron of black American pilots to be allowed to fight for their country. Based on the true story.

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The Outlaw Josey Wales (1976) Review

The Outlaw Josey Wales (1976)
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Although Clint Eastwood gained his greatest critical acclaim as a director for 1992's "Unforgiven" and 2003's "Mystic River" -- both of which are incredible pieces of American cinema -- his best film remains this perennially popular Western from 1976. Here's Eastwood's own take on it: "I do believe that if I'd made that picture in 1992, in place of `Unforgiven,' it might have received the same amount of attention, because I think it's equally as good a film. I think the subject matter of `Josey Wales' is timeless." Orson Welles himself named it one of his favorite movies!
Yet critics at the time completely dismissed it as just another Clint Eastwood Western-Revenge flick. On the surface, the plot might give you that illusion: Missouri farmer Josey Wales loses his family to marauding Union cutthroats during the civil war. In retaliation, he joins Qunatrill's raiders in the guerrilla warfare that flames across Missouri. When the war ends, Wales refuses to surrender. He flies west across the country, chased by his former leader Fletcher (John Vernon in a great, sympathetic performance) and Terrill, the Union captain who murdered his family (Eastwood regular Bill McKinney). It seems Wales has no future except to stay alive long enough to get his revenge.
But...that's not at all what movie ends up being about. Gradually, Wales finds himself at the center of a growing community of outcasts from many different backgrounds: an old Cherokee named Lone Watie (Chief Dan George, in the film's most unforgettable performance), a band of Northern settlers (including Sondra Locke in her first role with Clint), a girl from another Native American tribe, the residents of a dying Texas town, and a red bone hound. Gradually, "The Outlaw Josey Wales" turns into a story about forgetting revenge and a fixation on death, and instead about embracing life and rebuilding a community. "Dying is easy for men like you and me," Wales says to a Comanche chief (Will Sampson) in one scene. "It's living that's hard." It's one of the most unexpectedly uplifting and moving films ever made. And, let's make no mistake about it, it's also an action-packed, tough, and exciting film.
Strangely, the film came out of extremely difficult circumstances and rough beginnings. Eastwood purchased the rights to Forrest Carter's novel "Gone to Texas," only to discover that the author was actually Asa (Ace) Carter, who had worked as a speech writer for George Wallace supporting racial segregation and had once created a subgroup of the Ku Klux Klan. Upon meeting Carter, Eastwood and his producer Robert Daley found the man to be a borderline sociopath (he drew a knife on one of Daley's secretaries at a restaurant). Regardless, Eastwood loved the beautiful story too much and pushed on with making the film. He hired Philip Kaufman to both write and direct the movie, now re-named "The Outlaw Josey Wales." Kaufman (along with Sonia Chernus) wrote a stunning script, but after only a few days on the set, it became obvious he wasn't working out as a director; his style clashed with Eastwood's. Eastwood quietly removed him as director and took over the job himself. As Eastwood's biographer notes, "Kaufman was to a degree the victim of Clint's growing confidence in his own abilities."
Despite this confused beginning, "The Outlaw Josey Wales" turned into a magical piece of Western cinema and a huge hit with audiences. It gets better and better with each viewing: a thrilling adventure when you first see it, its many layers of beautiful subtlety emerge each time you go back to it. Bruce Surtees's photography is astonishing, Jerry Fielding's music exciting and unusual for a Western, and every performance top-notch. Few films are as all-around well done as this American classic.
The DVD offers the film in a glorious widescreen transfer with a new 5.1 sound mix, but there are no extras. Considering the history behind the making of the film, this disc really ought to sport some fascinating commentaries and documentaries, but alas, nothing. Still, I can recommend few films higher than "The Outlaw Josey Wales."

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Josey Wales is a farmer turned fugitive in the post-civil war south who is chased by the law after he avenges the murder of his family and friends.DVD Features:Introduction:Introduction by Clint Eastwood Other:"Hell Hath No Fury" - 30:25 "Eastwood in Action" - 7:45


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Red White Black & Blue Review

Red White Black and Blue
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Red, White, Black, and Blue is a great documentary. I saw this film at a film festival in Boston and was really blown away. The true horific tale of what went on on the Island of Attu with our soldiers against Japan is important to know and learn from. The film is historically important as well as heart felt. We watch a man from that battle go back in today's time to visit the battle ground. Really touching. War sucks. I wish all documentaries were this interesting!

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As seen on the Emmy-award winning PBS series Independent LensOn June 7, 1942 Japan Invaded Alaska.It is the only invasion of American soil in nearly 200 years.4,000 People died.Now, 60 years later, one man has come to take it back.Bill Jones and Andy Petrus are the two toughest 85-year-olds you've ever met.Together, these life-long friends fought 3,000 Japanese in a secret Alaskan invasion during World War II. Now, 60 years later, these two forgotten heroes embark on an intense and emotional journey back to the remote Aleutian island of Attu, where they relive the brutal 19-day battle that the American government kept secret.As Bill and Andy retrace their steps over this desolate, untouched battlefield - a living museum littered with crashed airplanes, collapsing buildings, and unexploded bombs - the line between past and present begins to blur and long-forgotten memories resurface with moving force.Red White Black & Blue isn't just one soldier's story - it is the story of every solider who faces an enemy he does not understand and returns home with scars that are slow to heal.Walk through one of the bloodiest battles of World War II with the soldiers who lived it. Through their eyes you'll experience the complicated, and sometimes contradictory, mindset of a nation at war and what it really means to be an American hero.Red White Black & Blue is the first feature-length documentary to tell the story of the Battle of Attu, one of the bloodiest battles of World War II and the only invasion of the United States since the War of 1812. DVD includes the award-winning feature-length film plus over 35 minutes of extras including:The theatrical trailer for the filmDeleted scenesUnedited combat footage from the battle of AttuPeriod newsreelsThe 1945 animated short Private Snafu in the Aleutians directed by Chuck Jones and written by Theodor Dr. Seuss GeiselAdditional footage of the island todayAnd much more

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Joseph Campbell and the Power of Myth (1988) Review

Joseph Campbell and the Power of Myth (1988)
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This is the edited version of the hundreds of rolls of tapes that Bill Moyers shot of his long socratean dialogues with Joseph Campbell shortly before Joseph Campbell's death in 1987.
The entire collection is split up into six succinct subject-sequences where Moyers and his editor took different parts of the dialogues and organized them together thematically. The Hero's Adventure talks about the existence of the idea of the hero in lots of cultures and what role he or she plays in its mythology. The Message of the Myth talks more about the Jungian idea of the existence of archtypes of the collective unconscious and the metaphorical implications of many well-known myths from various cultures. The First Storytellers talks about the way environment and the basic necessities of everyday life affects the way the earlier hunting and gathering cultures created much of their mythologies and how they came to terms with the way they had to survive through the use of myths. Sacrifice and Bliss talks about the changes that came over different cultures when they changed from herding cultures to aggrarian cultures and how they changed their mythologies to suit their new ways of living and also the importance of the idea of the "here and now"; how heaven and nirvana and things of that sort are not physical places but a metaphorical place within your metaphorical heart and that "bliss" is only to be found in the present as you live your own life in the here and the in the now. Love and the Goddess talks about the idea of person to person love (as opposed to a more spiritual brotherly "Agape" love that for instance Jesus supposedly talked about in such aphorisms as Love thy neighbor/enemy); and how that idea altered the way European cultures thought about arranged marriages and Roman Catholic Society mores in general; and also about Love in general which is Campbell's favorite subject; and also about the idea of the Goddess and the role of woman in many of the world's mythologies and various metaphors that exist that symbolize the Woman's power to give birth and what implications these metaphors have on the here and now. Masks of Eternity talks about the idea of God both the idea of the Personal God (or the vastness of the universe and life given humanized form) and the impersonal god (or the idea that the universe and life has no containable form and that its vastness and all-inclusiveness precludes any kind of mere mortal understanding).
Moyers prepared for these dialogues by reading every one of Campbell's books and the questions he asks can be fairly simplistic at times but at the same time apt and knowledgeable (he asks questions of him and Campbell answers; as a student would quiz a guru in a dialogue from an eastern culture). Campbell is very knowledgeable about many kinds of mythology and religion and answers him back every time with intelligent amusing and interesting anecdotes, countless memorized recitations, verses and many pointed professorial questions which make Moyers pause and think and in the end helps him and the viewer/reader to understand a lot of what he's talking about much better. It's not light viewing/reading I warn you; but with several viewings/readings you will get to understand many of the things that connect you to the human race and the universe and see how tragically pitiful we mere mortals really are in our blind groping for meaning in the face of the unfathomable beauty and mystery of Life (not the milton bradley game).

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An exhilarating journey into the mind and spirit of a remarkable man, a legendary teacher, and a masterful storyteller, conducted by TV journalist Bill Moyers in the acclaimed PBS series. Includes The Hero's Adventure, The Message of the Myth, The First Storytellers, Sacrifice and Bliss, Love and the Goddess, Masks of Eternity. 360 minutes.

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Seven Days in May (1964) Review

Seven Days in May (1964)
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"Seven Days in May" was a so-so book that John Frankenheimer turned into an absolutely brilliant movie. It's an excellent cold-war drama, made at a time when tension between this country and the Soviet Union was at boiling point. At the center of the story is President Jordan Lyman, a well-meaning, somewhat naive chief executive who has pushed through a nuclear disarmament treaty with the Soviets, which most of the country, and all of the military, fear the Soviets have no intention of honoring. The stage is set for a political confrontation between the president's supporters, who feel they must back him whatever their private apprehensions, and his opponents, who fear he is selling the country out. Enter at this point a career soldier with political ambitions, General James Scott, who plans to put his enormous popularity to work in devising a scheme that he thinks will save his country, which is nothing less than a military plot to overthrow the government. However, loose lips can sink a ship, and a few chance words reach the ears of Colonel Jiggs Casey, a Marine torn between his loyalty to his general, General Scott, and his commander in chief, president Lyman. What makes a good soldier, and what makes a true patriot? That is the dilemma Casey has to come to grips with as he realizes that the clock is ticking, the plot is underway, and there are less than seven days left before something very big goes down.
The movie has minimal action and a lot of dialogue, but the tension is maintained nicely throughout, and the acting is uniformly excellent. Among the excellent cast, the standouts are Frederic March as the president, Burt Lancaster as General Scott, Kirk Douglas in one of his finest roles as Colonel Casey, and Ava Gardner, still drop-dead gorgeous, as Scott's cast-off mistress, drowning herself in booze, self-pity and resentment. The final verbal confrontation between Casey and Scott near the movie's end is one of the best I've ever witnessed on film. The movie grabs hold of you from the opening frames and keeps you riveted right to the end, all the while making you wonder, could it really happen here? Let's hope we never find out...

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SEVEN DAYS IN MAY - DVD Movie

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The Birth of a Nation (1915) Review

The Birth of a Nation (1915)
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While it seems that many reviews posted on the DVD site aren't actually for this DVD, this review is specifically a review of Kino's Griffith Masterworks edition. The DVD contains the most complete version of The Birth of a Nation known and available. The film is 187 min. long on this disk. It is a beautiful print, well restored and re-tinted. A beautiful print. The musical score is clever and very entertaining too. I think of any bad thing to say about the disk. I think most know of the story line and its hints of racism. It's there and it can't be argued away. D.W. Griffith was a son of a Civil War soldier and grew up in the South. He used the book The Clansman by Thomas Dixon Jr. as it jibed with his own viewpoints and many of the day. The hero worship of the Klan actually encouraged its resurgence in late 1910s and 1920s into the 30s. The racism brought Griffith so much grief, he spent his life trying to justify his views and created Intolerance to offset the criticism. What brings The Birth of a Nation is its reliance on story and use of the film camera never tried before in the USA before. It is a cinema powerhouse and actually a pretty moving film. Never before had Americans seen the cinema come to life before. Some French, Italian and German filmmakers created feature films that are quite good and successful, but World War I basically destroyed their film industries and the US reigned supreme. DW Griffith took American film to the next level permanently. No longer were films relegated to the poorer urban areas and Nickelodeons. It was now a popular art form and respectable to attend the cinema. The DVD also includes a making of, and introduction by DW himself made in 1930, and several early versions of his Civil War films. It seems to me that because of the closeness to the time period, the films might indicate a closer idea of how former Confederates actually thought and how they remember the war.

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Based on a play called "The Clansmen," D.W. Griffith's three-hour Civil War epic traces the development of the Civil War itself, the assassination of Abraham Lincoln and the rise of the Ku Klux Klan through the lives of two families.

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Thirteen Days (Infinifilm Edition) (2001) Review

Thirteen Days (Infinifilm Edition) (2001)
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I saw this film in the theaters and was very disappointed that it was not a major hit; although I think I know why. This is definitely a character and dialogue-driven historical drama. Not your run-of-the-mill mind-blowing blockbuster type of film! I believe this film will play very nicely in DVD or video form where it's quiet drama will play itself better.
I was VERY disappointed that Bruce Greenwood was not nominated for an academy award (there were rumors this may happen) because I believe his performance was as good if not better than the men that were nominated. His JFK was, in my humble opinion, perfect. I found this film compelling, well written, and dramatic. I especially enjoyed the scenes where Kenny O'Donnell (K. Costner) went to church and went to see his son play ball. Can you just imagine what you would feel if you thought the end of the world may happen?
As I watched this movie, I thought it was a shame that the movie-going generation of today did not take the time to watch it. To them, this is history of long ago; to many others, it is a lesson worth watching and remembering.
This is also, quite frankly, a wonderful and entertaining piece of cinema. Give it the chance it deserves.

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THIRTEEN DAYS - DVD Movie

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Crazy Horse (1996) Review

Crazy Horse  (1996)
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A wonderfull movie! Attention to detail, for example some of the statements made by Crazy Horse and Custer, period costume and battles. It is interesting to note that Custer had cut his hair before the battle of the Little Big Horn, which appears to be the only movie to portray this accurately. Custer dies somewhere during the battle and not in the 'classic' back to back end of the battle senario as is popularly portrayed in the 'hero' literature.
Red Cloud and Spotted Tail are portrayed in a rather negative light. I am not convinced that this is accurate. Sitting Bull hardly gets a mention although it is a fact that he was the major role player at the time.
I will watch this film again and again

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The John Ford Film Collection (The Informer / Mary of Scotland / The Lost Patrol / Cheyenne Autumn / Sergeant Rutledge) (1936) Review

The John Ford Film Collection (The Informer / Mary of Scotland / The Lost Patrol / Cheyenne Autumn / Sergeant Rutledge) (1936)
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The John Ford collection is a set of vintage Ford films,without John Wayne while and I would NOT have included Mary of Scotland,and would have preferred either The Plough and the Stars,or The Fugitive (Henry Fonda)or the underrated Two Rode Together,this is still a very good film set.There is a separate Ford-Wayne collection,which I will review latter.The five films,in this collection are: The Lost Patrol;The Informer;Cheyenne Autumn:Mary of Scotland:Sergeant Rutledge: The following are my reviews of each individul film.
1.THE LOST PATROL-TENSE ANTI-WAR CLASSIC!*****
A British army Patrol,during the time of WW1, in the Mesopotamian desert gets lost,after their commander is killed,and he has left no notes or orders,in regard to their mission or exact location.With
their leader dead the small group's command falls to Sergeant Victor McLaglen.After a journey of unknown length,the patrol finds an oasis,and it is here where most of the action takes place as they are pinned down by (mostly unseen) Arab fighters.It is here where we really get to meet the men and get to know their hopes and fears.The other men include J.M.Kerrigan(as Quincannn-probably the most frequently used name in a Ford film!),Reginald Denny (Brown),Wallace Ford( excellent as Moretti),Boris Karloff,(,outstanding as Sanders-a religious fanatic),and Douglas Walton,as callow youth,who when he leaves for the service he relates that that was the ONLY time he saw his mother cry.This is (to me) one of the dramtic highlight so the film,when we see 19 year old Walton(about 25,in real life) pours his heart out to McLaglen.This scene,even more so than others shows the futility of war. Great direction,a great screenplay(Dudley Nichols,Ford's favorote writer,at the time-THE INFORMER-STAGECOACH),a fine Max Steiner score,and an excellent DVD transfer. A GREAT ANTI-WAR AND(mildly) ANTI-IMPERIALIST FILM,AND A MUST SEE!
MARY OF SCOTLAND:KATHERINE HEPBURN-FREDRIC MARCH **1/2
Katherine Hepburn,in her only Ford film,is Mary, Queens of Scots.This motion picture is derived from a Maxwell Anderson Play,and a screenplay by Dudley Nichols.To me of what I've seen of Ford's thirties films,"Mary of Scotland" it is Ford's least-good films of the period.Watchable,but forgettable.Two and one half stars.
THE INFORMER:VICTOR MCLAGLEN'S FINEST HOUR *****
The story of "the troubles",in Ireland, in told in a very somber way in the John Ford classic "The Informer",with Victor McLaglen(a Ford regular)giving an AA winning performance in the title role.McLaglen plays Gypo Nolan,a down and out Dubliner,who is without money,and because of this and having been recently "dismissed" from the IRA(Irish Republican Army'freedom fighters,hoping to obtain a united and totally free Ireland,with no British ties whatsoever) and because he is also in jeopardy of losing his girlfried Margot Grahame,(outstanding)as he is in a greatly strained emotional state,and when wondering the streets comes upon a reward poster for "IRA murderer"Frankie McPhillip(Wallace Ford-no relation to the director).The reward is worth enough so that both Gypo and his girl can get passage to America.A short while latter Gypo accidentally runs into Frankie,an old friend,and they have a short conversion about Frankie being on the run,how Frankes's mother is,and the reasons why Gypo was "sacked" from the(in this coversion a "Quincannon" is mentioned) IRA,after the conversion ends the wheels start to turn in Gypo's head and he wonders over to the "Black and Tans"station(the Black and Tans,so-called becuse of their uniforms,are special British militiary(police)men assigned to Ireland when "the troubles" are at their height,""Up the Irish" or in this film,"Up the Rebels" types may look at the B&T's as THE REAL TERRORISTS,but that's for another discussion)and reluctanly tells the "Brits" that Frankie will be at his mother's.After Frankie is killed in a shoot-out,Gypo is given disdainfully(even the B&T's don"t like Informers) his money and goes.Drinking,fighting,and partying are on the night's program for Gypo,but his drining is only a mask,to hide his emotional breakdown from his wicked deed.The IRA figures out what went on,in regard to Frankie's death, and Gypo is a doomed man!
Other supporting members of the cast are very good to excellent,J.M.Kerrigan,Preston Foster,Donald Meek,Joseph (then Sauers)Sawyer,and Una'Connor as Frankie's mother who is a bite "over the top" early in the film,but comes through poignanly at the coclusion.From a LiamO'Flaherty story,an excellent Dudley Nichols screenplay,with a haunting Max Steiner musical score,and a very crisp and clear DVD transfer.The ONLY MINUS NO DVD COMMETARY-A MUST SEE!! CHEYENNE AUTUMN-DESPITE FLAWS ALMOST A CLASSIC ****
Ignoring "Fort Apache",and the anti-racism of "The Searchers",many critics (falsely) claim that John Ford set an anti-Native American(Indian) tone in films that increased racism in America.Well, whatever truth there is to either side of the argument is,in this film John Ford,in his last Western,is FIRMLY on the Indians side.But is was still (somewhat justified)critised fom casting,in VERY IMPORTANT roles none-Idians,especially The Victor Jory,Gilbert Roland,Richardo Montalban,Dolores Del Reo,and Sal Mineo(!)roles.
This motion picture tells the true story of the Cheyenne's plight at the hand of "THE GREAT FATHER" and their trek,and persuit(by U.S.troops) back to their Yellowstone homeland.
On the minus side is the appearrance of Carroll Baker(miscast) as a Quaker school marm) and Karl Malden,with an"over the top performance" as a muderous,racist American(German born) General.The screenplay by James Webb(Pork Chop Hill,The Big Country,Cape Fear) is lacklustre,and the comic interlude of Jimmy Stewart(as Wyatt Earp) with Arthur KennedyI"Doc" Holliday) and John Carradine(a dishonest gambler) and a bunch of hooligian ,led by Ken Curtis is out of place,and NOT VERY FUNNYI did lke Elizebeth Allen,was a damsel of ill-repute.This is a heart-felt film by John Ford with good performances by Richard Widmark as a "liberal" U.S. "horse soldier",and LaBaker's love interest,and in a cameo Edward G.Robinson.The musical score by Alex North is OK,but I would have preferred Elmer Bernstein.An An excellent DVD transfer.Despite my misgivings,4 stars.
SERGEANT RUTLEDGE-ANTI RACIST CLASSIC WESTERN *****

In this unheralded John Ford anti-racist Western, set in 1881,Sergeant Braxton Rutledge(Woody Stode) is accussed of rape and murder,and mostly in flashbacks the events of his accusation,his fleeing,and trial are told.The pace is perfect and acting and direction excellent.In his third Ford film Jeffery Hunter proves again that he was a very underrated actor.His performance is excellent,also good are Constance Towers,as Hunter's love interest and Braxton sympathizer,Willis Bouchey(a Ford grouchy regular),Juano Hernandez,Routledge's fellow "Buffalo Soldier",and sort of "father figure".for the rest of the black soldier's,and Charleton Young(another Ford regular) as the intentially racist prosecutor.But it is Strode(a Ford regular,in support roles) who carries the film.His pride and dignity are evident, in every scene in which he appears.There re two ways to look at this film,or more properly to look at Hollywood,either this film was way ahead of its time or Hollywood took to long to look at U.S. race relations,in any meaning manner.The anti-racists films,of Hollywood, did not really start to make an appearance until the late 1940's,with films such as "PINKY" and the 1950 film debut of Sidney Poitier in "NO WAY OUT"(see my review)My opinion is "so-called liberal Hollywood"(remember the blacklist) was and is always interested IN PROFITS,and NOT PREACHING!.
A GREAT FILM by "AMERICA'S GREATEST DIRECTOR!!
Excellent DVD transfer,but no commetary.5-stars!!


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WHV celebrates on of the true masters of American cinema with the release of The John Ford Collection. Four-time Academy Award?-Winning director John Ford is perhaps best known for his Westerns and collaborations with John Wayne, however, this Ford collection runs the gamut of genres and shows the diversity and genius of John Ford at his most impressive. Featured here will be the DVD debuts of five classic titles - all will be exclusive to the five-disc boxed set.

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Walt Disney Treasures - Elfego Baca and The Swamp Fox - Legendary Heroes Review

Walt Disney Treasures - Elfego Baca and The Swamp Fox - Legendary Heroes
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Swamp Fox was great. But why release only 3 of the 8 episodes? Why not a seperate set for each show with all of the episodes? Please, disney, gives us the whole series! My fuzzy VHS tapes off of TV are getting old!

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Inspired by true life heroes, these are two of Walt's most exciting television shows, ELFEGO BACA and THE SWAMP FOX.Elfego Baca is a gunfighter (Robert Loggia) in the old west who changes his ways to become sheriff and then a lawyer.Elfego deals with rampaging cowboys, outlaws and more in this exciting series about law and order on the frontier.The Swamp Fox stars Leslie Nielsen (who starred in the classic film "Forbidden Planet," and would later become famous for the "Airplane" and "Naked Gun" movies) as Revolutionary War hero Francis Marion.This patriot fought the British using unusual methods, and became known as "The Swamp Fox."In this superb series, Marion matches wits with the Tories in a story of adventure and action. Bonus materials will include an interview with Robert Loggia, star of "Elfego Baca;" "Tales of Courage and Adventure" a featurettethat examines the origins of these historical figures and the fascinating story of their lives, still frame galleries from these TV shows, and more. Introductions by Leonard Maltin. CONTENTS *Elfego Baca: Nine lives of Elfego Baca *Four Down and Five Lives to Go *Attorney at Law *Swamp Fox: Birth of the Swamp Fox *Brother Against Brother *Tory Vengeance

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Born on the Fourth of July (Special Edition) (1989) Review

Born on the Fourth of July (Special Edition) (1989)
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I avoided this when it came out in 1989 having seen Coming Home (1978) and not wanting to revisit the theme of paraplegic sexual dysfunction and frustration. I also didn't want to reprise the bloody horror of our involvement in the war in Vietnam that I knew Oliver Stone was going to serve up. And Tom Cruise as Ron Kovic? I just didn't think it would work.
Well, my preconceptions were wrong.
First of all, for those who think that Tom Cruise is just another pretty boy (which was basically my opinion), this movie sets that mistaken notion to rest. He is nothing short of brilliant in a role that is enormously demanding--physically, mentally, artistically, and emotionally. I don't see how anybody could play that role and still be the same person. Someday in his memoirs, Tom Cruise is going to talk about being Ron Kovic as directed by Oliver Stone.
And second, Stone's treatment of the sex life of Viet Vets in wheelchairs is absolutely without sentimentality or silver lining. There are no rose petals and no soft pedaling. There was no Jane Fonda, as in Coming Home, to play an angel of love. Instead the high school girl friend understandably went her own way, and love became something you bought if you could afford it.
And third, Stone's depiction of America--and this movie really is about America, from the 1950s to the 1970s--from the pseudo-innocence of childhood war games and 4th of July parades down Main street USA to having your guts spilled in a foreign land and your brothers-in-arms being sent home in body bags--was as indelible as black ink on white parchment. He takes us from proud moms and patriotic homilies to the shameful neglect in our Veteran's hospitals to the bloody clashes between anti-war demonstrators and the police outside convention halls where reveling conventioneers wave flags and mouth phony slogans.
I have seen most of Stone's work and as far as fidelity to authentic detail and sustained concentration, this is his best. There are a thousand details that Stone got exactly right, from Dalton Trumbo's paperback novel of a paraplegic from WW I, Johnny Got His Gun, that sat on a tray near Kovic's hospital bed, to the black medic telling him that there was a more important war going on at the same time as the Vietnam war, namely the civil rights movement, to a mother throwing her son out of the house when he no longer fulfilled her trophy case vision of what her son ought to be, to Willem DaFoe's remark about what you have to do sexually when nothing in the middle moves.
Also striking were some of the scenes. In particular, the confession scene at the home of the boy Kovic accidentally shot; the Mexican brothel scene of sex/love desperation, the drunken scene at the pool hall bar and the pretty girl's face he touches, and then the drunken, hate-filled rage against his mother, and of course the savage hospital scenes--these and some others were deeply moving and likely to haunt me for many years to come.
Of course, as usual, Oliver Stone's political message weighed heavily upon his artistic purpose. Straight-laced conservatives will find his portrait of America one-sided and offensive and something they'd rather forget. But I imagine that the guys who fought in Vietnam and managed to get back somehow and see this movie, will find it redemptive. Certainly to watch Ron Kovic, just an ordinary Joe who believed in his country and the sentiments of John Wayne movies and comic book heroics, go from a depressed, enraged, drug-addled waste of a human being to an enlightened, focused, articulate, and ultimately triumphant spokesman for the anti-war movement, for veterans, and the disabled was wonderful to see. As Stone reminds us, Kovic really did become the hero that his misguided mother dreamed he would be.
No other Vietnam war movie haunts me like this one. There is something about coming back less than whole that is worse than not coming back at all that eats away at our consciousness. And yet in the end there is here displayed the triumph of the human will and a story about how a man might find redemption in the most deplorable of circumstances.

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THE BIOGRAPHY OF RON KOVIC. PARALYZED IN THE VIETNAM WAR, HEBECOMES AN ANTI-WAR AND PRO-HUMAN RIGHTS POLITICAL ACTIVIST AFTER FEELING BETRAYED BY THE COUNTRY HE FOUGHT FOR.

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The Aviator (2004) Review

The Aviator  (2004)
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Martin Scorsese's stylish take on Howard Hughes' early life, is a stunningly visual treat in art direction made even more compelling by Scorsese's sure handed directorial flourishes. Scorsese is, by now, a master of the medium, always finding the interesting shot, the fitting camera angle, the flowing tracking shot, the camera movement that breathes energy into his story. It is beautifully filmed and acted, most especially by Leonardo DiCaprio as Howard Hughes.
It is a long movie, and it will be interesting to see whether a modern audience, many doubtless unfamiliar with the Hughes legend, will find it as intriguing as we who remember the Hughes of Las Vegas etc. Take the clue from the title, this is a film about the young Hughes who was a genius and a creative dynamo, and an almost overlooked pioneer of aviation. This was a young man full of ambition, dreams, energy and contradictions. The film not only presages the pitiable creature Hughes will become, a slave to his obsessive compulsive illness, but it does so with sympathy and sensitivity.
A first rate biopic done with flair and style. Another worthwhile look at an American life.

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An epic biopic depicting the early years of legendary director and aviator Howard Hughes' career, from the late 1920's to the mid-1940's.

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