The Ultimate Matrix Collection (2003) Review

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(More customer reviews)"The Matrix" in high-definition video fulfils the prophecy of the A/V geek elders: this is audio and video of a higher order, a plunge into the future of home theater.
The video has little in common with some of the jacked-up, overly hot presentations of older films we've seen in high-def formats. The colors, though muted by design, feel lush and true to the theatrical vision. The experience is that of watching moving images on film, not television or DVD. (The series was produced "with future technology execution in mind," Warner points out.)
High-def has rarely delivered the stunning audio we heard about when the formats first hit the market, but here it is. The rear soundstage doesn't sound subordinated: when the audio engineers send a jolt to a specific, discrete speaker, the result is powerful and distinct. The percussive sounds of gunfire are unlike anything I've heard on disc or in theaters. Some soft-spoken dialogue sounded indistinct or muffled from the center channel, but given the overall quality this is likely in the original elements.
Flesh tones are true, but only on close-ups do you get that film-like definition. All that computer-land metal looks astounding; sharp with three-dimensional pop. When primary colors break through the algae-green atmospherics, they radiate but without the annoying signs of artificial boost.
"The Matrix" was the first DVD title to sell more than a million copies back in the launch era. This set probably won't be a breakthrough for high-def, but it most certainly is a milestone in quality. The set is available only in HD DVD. Blu-ray Disc versions of both collections will be released later this year.

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The Ultimate Matrix Collection, for the hardcore Matrix fan, presents the complete adventures of machine battling truth-seekers Neo (Keanu Reeves), Trinity (Carrie-Anne Moss) and Morpheus (Laurence Fishburne) in all three of the Wachowski brothers' post-modern epic films. This collection will contain, for the first time, all three HD DVD versions of The Matrix series with more than 35 hours of bonus material in five double-sided discs.

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Spartacus (1960) Review

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(More customer reviews)
If you're a fan of the movie "Spartacus", this is the version to get; the Universal DVD is as bare bones as they get with just the movie. The Criterion version looks great. The facelift the film received help return much of its luster. Kubrick later disowned his version of the epic Hollywood Sword & Sandal genre, but Kubrick brings much of his sensibility to bear; the fight sequences and epic vistas bring to mind Kubrick's work on Paths of Glory and 2001. True, this isn't a complete Kubrick picture; Kubrick had nothing to do with the screenplay and Douglas had all but cast the picture in collaboration with director Anthony Mann (dismissed after butting heads with Douglas one too many times).
Is it Kubrick's finest film? Well, frankly no it isn't. It's an interesting mishmash between Kubrick's detached, ironic style and Hollywood glitz. Spartacus is Kubrick for people who don't care for Kubrick's detached style. It doesn't measure up to Lolita, Dr. Strangelove, 2001 or A Clockwork Orange although it does compare favorable to the much darker Paths of Glory.
Kubrick stated that his intent at the time was to subvert the cliches of the genre. As a result, Kubrick manages to reinvent a genre that was in danger of becoming a parody of itself. As a collaborative effort, Spartacus is a great piece of entertainment and far more sophisticated than almost everything else that came out of Hollywood at the time.
The transfer is beautiful with much of Kubrick's bold use of color restored. The strong acting of most of the cast has always been a virtue of Sparatcus. The soundtrack has been meticulously transferred to 5.1 and Alex North's beatiful score has never sounded so sweet, tragic and powerful before. The audio commentary is the same one that was on the laserdisc version. It provides additional understanding about the complexity of making an independently produced project like Spartacus. Kirk Douglas' bold decision to produce the film himself (with Universal-International distributing)was a leap of faith in both the material and the talented director.
The second disc is stuffed with supplements that are found nowhere else.There's two older interviews with Peter Ustinov, Jean Simmons plus one that Ustinov did in 1992 for the laserdisc edition. It's delightful and he shares a number of funny stories about the picture. There's also a text overview of Kubrick's career and his involvement with the picture. Included also are sketches Kubrick made for the motion picture (artistically they're nothing special but they do provide insight into Kubrick's role in the visualization of the film). Included are some vintage newsreels and a promotional film originally made but unfinished for Spartacus that gives us a glimpse behind the scenes. The promotional film is missing it's soundtrack (in fact, it might have been lost if not for the forsight of a private collector) and has much from North's score. We also get to glimpse at Saul Bass' wonderful title design sequence.
Criterion has been both praised and criticized for their DVDs and laserdiscs before. While they tend to be expensive, this is the complete package. Occasionally Criterion will release a package that isn't up to their usual standards. Spartacus isn't one of them. Robert Harris (Harris restored the film along with Vertigo)evidently was also involved in the transfer to DVD. If you want a spectacular transfer of the film, loads of extras about the making and background of the project from those involved, this is the set to pick up.

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Universal Spartacus - HD-DVDThis presentation of the powerful film classic features an additional five minutes of footage cut from the film's original release, plus the original overture and extended soundtrack. Director Stanley Kubrick tells the tale of Spartacus (Kirk Douglas), the bold gladiator slave,and Varinia (Jean Simmons), the woman who believed in his cause. Challenged by the power-hungry General Crassus (Laurence Olivier), Spartacus is forced to face his convictions and the power of the Roman Empire at its glorious height. The inspirational true account of man's eternal struggle for freedom, Spartacus combines history with spectacle to create a moving drama of love and commitment.

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The Aviator (2004) Review

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(More customer reviews)Martin Scorsese's stylish take on Howard Hughes' early life, is a stunningly visual treat in art direction made even more compelling by Scorsese's sure handed directorial flourishes. Scorsese is, by now, a master of the medium, always finding the interesting shot, the fitting camera angle, the flowing tracking shot, the camera movement that breathes energy into his story. It is beautifully filmed and acted, most especially by Leonardo DiCaprio as Howard Hughes.
It is a long movie, and it will be interesting to see whether a modern audience, many doubtless unfamiliar with the Hughes legend, will find it as intriguing as we who remember the Hughes of Las Vegas etc. Take the clue from the title, this is a film about the young Hughes who was a genius and a creative dynamo, and an almost overlooked pioneer of aviation. This was a young man full of ambition, dreams, energy and contradictions. The film not only presages the pitiable creature Hughes will become, a slave to his obsessive compulsive illness, but it does so with sympathy and sensitivity.
A first rate biopic done with flair and style. Another worthwhile look at an American life.

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An epic biopic depicting the early years of legendary director and aviator Howard Hughes' career, from the late 1920's to the mid-1940's.

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Training Day (2001) Review

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(More customer reviews)I must say, my preconceptions about Training Day were all wrong. The trailer I saw in the theatres made it look like a belated ripoff of The Corruptor, while director Antoine Fuqua's disastrous fumble with The Replacement Killers several years ago did nothing to boost my confidence.
My doubts were dispelled the minute Denzel Washington looked up from his newspaper. It is indeed good to see Washington, one of the most gifted actors of our time, abandon the saintly martyrs he's been prone to playing for 10 years and sink his teeth into a role which allows him to show a mix of deep charisma and dangerous viciousness. That same alchemy had made his breakthrough performance in 1989's Glory amazingly compelling, and in Training Day, there isn't a single moment where Washington is less than completely absorbing. Ethan Hawke also gives the performance of his career as Jake Hoyt, an idealistic but easily swayed young cop who finds himself drawn into a web of corruption, violence, and twisted morals.
Fuqua's directing is still overly stylish at times, but after a hyperactive first act, the film begins to roar. David Ayer's script is dazzling, a combination of rat-a-tat street vernacular and relentless forward momentum, and after the midpoint of the movie, the intensity of the scenes would reach incredible levels. And that's when Fuqua's show-offy camerawork finds a raison d'etre. In this film, Fuqua even finds room for some comparatively simple scenes which are really like a breath of fresh air to his filmmaking -- for example, the "you're a leader" car scene, and that beautifully understated ending shot. I hope he makes this part of his regular style, because there's only so much virtuoso camera one can take before it gets tiring, as is the case in the opening of the film.
A white-knuckle thriller, well worthy of the accolades it received. I stand humbly corrected on my original predictions.

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DVD Features: Alternate endingsAudio CommentaryDVD ROM FeaturesDeleted ScenesDocumentaryFilmographiesMusic VideoTheatrical Trailer

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Space Cowboys (2000) Review

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(More customer reviews)A Russian satellite is having problems with its' guidance system. The technology is dated, and the only one that has a solution to the problem is the person that designed it. That person is Clint Eastwood, and he has a hard time comprehending how they got a hold of classified information, but agrees to do what he can to help as long as they include his other buddies that were never given the chance to be in space. Tommy Lee Jones, James Garner, and Donald Sutherland are his partners in crime, and the situations and antics they get into are hilarious. What a stellar cast, and the supporting cast is just as impressive with James Cromwell, Marcia Gay Harden, and William Devane. This film is very entertaining, well acted, and has many memorable moments. It is one you will enjoy time after time.


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In 1958, the members of Team Daedalus, a group of top Air Force test pilots, were ready to serve their country as the first Americans in space but were pushed aside. Now, as a Russian satellite fails and is about to crash into earth, Team Daedalus is back in action in a rescue mission.

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August Rush (2007) Review

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(More customer reviews)"August Rush" is a fairy tale. It doesn't have princes, princesses, evil stepmothers, witches, or big bad wolves, but it's a fairy tale nonetheless. And as such, it tells a story that resonates so strongly with its audience that it casts a magic spell. This movie is told in the language of music, and it exemplifies the harmonic connections between people, the rhythmic bonds that can never be broken in spite of distance and time. It's also told in the language of faith, of the belief that love will indeed conquer all. No, this is not a realistic idea, but that's not the point. Isn't it nice that we have films like this to escape to when realism is bringing us down? Isn't it wonderful when we find that one film that can raise our spirits? "August Rush" was that film for me, and I recommend it to anyone in need of a rejuvenating emotional boost.
The film stars Freddie Highmore as an orphan named Evan Taylor, a quiet yet determined musical prodigy. He was born as the result of a chance encounter between two musicians: an Irish rock guitarist named Louis Connelly (Jonathan Rhys Meyers) and a classically trained American cellist named Lyla Novacek (Keri Russell). While living in New York City, they met and separated through twists of fate--Lyla's controlling father (William Sadler) doesn't take the news of her unplanned pregnancy very well, and when she's hit by a car and injured, he uses that opportunity to make her believe that her baby did not survive. In reality, the baby was delivered and put into the legal system as a parentless orphan. Lyla and Louis go their separate ways, believing that they would never see each other again.
In the present day, their eleven-year-old son Evan lives in an orphanage with a number of broken-spirited boys. They're so disillusioned that they bully him into believing as they do. They constantly tell him that no one is coming for him, that his ability to hear music in everything makes him nothing more than a freak. And they will not stand for his belief that he actually hears the music of his parents calling out to him. But Evan refuses to sink to their level of hopelessness; he runs away to New York City, where the music seems to be beckoning him towards his destiny. It's there he meets Wizard (Robin Williams), a shady musician who houses a number of musically inclined children in an abandoned theater. He, too, is beaten down by life, so much so that he uses these children for his own financial gain. When he discovers Evan's natural ability to play the guitar, he gives him the pseudonym August Rush and forces him to perform in parks and on street corners.
Lyla, meanwhile, is living in Chicago as a music teacher. Single and without any children, she seems complacent yet stable in her new life. But all that changes when (1) she's offered a change to once again play with the New York Philharmonic Orchestra, and (2) she learns that her baby did not die eleven years ago. With a powerful yet unexplainable determination, she travels back to New York on a quest to find her long lost son, a quest that will hopefully be added by her playing of the cello. Hoping to help find Evan is Richard Jeffries (Terrence Howard), a social worker who met the boy when he was still living at the orphanage.
And then, of course, there's Louis, who has since gone on to be a businessman in San Francisco. His band members haven't forgiven him for leaving, least of all his brother, Marshall (Alex O'Loughlin). But worst of all, Louis hasn't been able to forgive himself, and upon seeing footage of himself performing on stage, he remembers the love he felt for Lyla. The memory is so strong that's he vows to reunite with her. This journey of finding lost love leads him from Chicago back to New York City, where he's inspired to rejoin with his band and restart his singing career. Much like his son--whom he doesn't know exists--Louis is a gifted guitar player; one can hear his passion and energy with every chord, and his music operates at the same frequency as Lyla's cello playing.
As you can probably tell, most of the film thrives on serendipity, and it gets more and more prominent with every passing scene. A kind-hearted pastor eventually takes Evan in, and when made aware of his musical genius, they send him to the Julliard School of Music. He composes a piece within the first six months of his stay, one that the faculty believes is good enough to be performed. Thus sets into motion the events leading to one of the most satisfying endings of any movie I've seen this year, a scene so touching that I was in awe. As I listened to Evan's "August's Rhapsody," I felt as if I had been enveloped in the folds of hope, love, and happiness; the earthiness of the chimes blended perfectly with the smoothness of the violins and the energy of the guitars, all of which made his unwavering faith in the power of connection perfectly clear.
This is the magic of "August Rush," a film so wonderful that I cannot recommend it enough. It's a modern day fable with a timeless message, and it comes across so well that I never once stopped to consider how implausible it is. Plausibility doesn't even come into play, here. What does come into play is the emotional impact, the sense that we can get something out of it if we surrender to pure fantasy. Evan opens the film by saying, "Music is all around us--all we have to do is listen." This is one of the year's best films, and if you keep that quote in mind when seeing it, you'll be more inclined to agree.

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There’s music in the wind and sky. Can you hear it? And there’s hope. Can you feel it? The boy called August Rush can. The music mysteriously draws him, penniless and alone, to New York City in a quest to find – somehow, someway – the parents separated from him years earlier. And along the way he may also find the musical genius hidden within him. Experience the magic of this rhapsodic epic of the heart starring Freddie Highmore (as August), Keri Russell, Jonathan Rhys Meyers, Terrence Howard and Robin Williams. "I believe in music the way some people believe in fairy tales," August says. Open your heart and listen. You’ll believe, too.

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Kung Fu Hustle (2004) Review

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(More customer reviews)Kung Fu Hustle is among my favorite films, not because I am a die-hard fan of Stephen Chow, but because I really liked the wild mix of comedy, adventure, crime caper and martial arts action. Most notably the excellent fight choreography by legendary Yuen Woo-Ping(who is also responsible for the fight scenes of Kill Bill vol. 1, Fearless, The Matrix, Hero). As I said, I love KUNG FU HUSTLE and am very much looking forward for its sequel in 2008, so forgive me if I am a bit biased. (I will try my best not to lose my objectivity)
The New "AXE KICKING EDITION" soon to be released by Sony is actually the REGION-3 Hong Kong release which I have. (I am certain)The Hong Kong release is still the one to go for if you have a multi-region dvd player. Since I almost know for certain that only fans of the film will be interested in this new edition, I will skip the plot summary. ( for those of you who haven't seen it, you may look up my review under the original U.S. DVD.)
I will go straight to the differences between the previous dvd release and this new "Axe-kicking edition"(original Hong Kong release):
Mild spoilers ahead---
Scene 1; The landlady throws her husband out of a window and drops a flower pot that ended up on the back of his head. The original cut showed a small pool of blood coming from his face, but the U.S. version digitally omitted it. The blood now appears as part of the film.
Scene 2; Sing heckles/insults the residents of Pig Sty Alley and gets hit in the tummy by a woman. The original cut showed Sing spitting up blood which landed on the woman's face, but the earlier U.S. version digitally removed the blood (though some still appeared around Sing's mouth). The blood now appears in this release.
Scene 3; This may be more offensive to others; it takes place on the eve of the big attack on Pig Sty Alley. The Hong Kong cut showed a man taking a d--p onto a piece of paper as the camera panned by, but the American version digitally removed the offensive feces. Now the paper is no longer blank. "Mr. Poo" makes an appearance!
Scene 4; Sing confronts "The Beast" in the casino, he gets hit hard on the chest twice. After the 2nd hit, blood sprays on The Beast's face and Sing is shown reeling backwards from the force of the punch with blood spurting from his mouth. The U.S. version PREVIOUSLY removed both of these sequential shots.
Scene 5; Also in the casino, Sing's head is hit on his face, hammered into the ground by The Beast. After the first hit, The Beast's bloody fist is shown emerging from the floor in slow motion...but the U.S. version removed this shot entirely.
Now for the DVD Picture and Sound quality--
2.35 Anamorphic Widescreen. The Picture is extremely sharp with solid Black levels. Colors are natural and enhancements are not noticeable. CGI effects suffer a bit of softness. But the transfer is clean and nice. It is the Hong Kong transfer from what I can tell.
Sound is in 5.1 Dolby/2.0 surround in English, French & Cantonese. I am a bit disappointed why Sony still didn't include the Cantonese 5.1 DTS track as in the original Hong Kong release. Why?!
EXTRAS: Stephen Chow interview--Bloopers/outtakes--Featurettes: w/ Yuen Woo-Ping, Oliver Wong(Production designer), Shirley Wong(Costumes)
Storyboard comparison--trailers--audio commentary
CLOSING: Kung Fu Hustle is one of the more entertaining (if not the most fun in 2004) imports. It mixes pop culture blends, over-the-top comedy, hard-hitting action while maintaining a profound respect for the spirit of Kung Fu. This new region 1 release is a bit confusing, while it contains the original cut of the film, it misses the original special features and the powerful DTS Cantonese Language track. I wouldn't advise a "double dip" for fans who own the first REGION 1 dvd, but for fans who doesn't own the movie, pick this new version up. However, the lack of DTS sound is a huge minus for this version. I STILL prefer the ORIGINAL Hong Kong region-3 release!
RECOMMENDED!! (Timidly)


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Stephen Chow (director and star of Shaolin Soccer) is at it again with his newest action-packed and comedic martial-arts adventure, Kung Fu Hustle. From wildly imaginative kung fu showdowns to dance sequences featuring tuxedoed mobsters, you've never seen action this outrageous and characters this zany! With jaw-dropping fight sequences by Yuen Wo Ping (famed action choreographer of Crouching Tiger, Hidden Dragon and The Matrix), Kung Fu Hustle will blow you away! In a town ruled by the Axe Gang, Sing (Stephen Chow) desperately wants to become a member. He stumbles into a slum ruled by eccentric landlords who turn out to be kung fu masters in disguise. Sing's actions eventually cause the Axe Gang and the slumlords to engage in an explosive kung fu battle. Only one side will win and only one hero will emerge as the greatest kung fu master of all.

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The Searchers (1956) Review

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(More customer reviews)Even if you've never seen John Ford's THE SEARCHERS, you will have, undoubtedly, seen a film that owes it's 'style' to the film. DANCES WITH WOLVES, THE OUTLAW JOSIE WALES, UNFORGIVEN, JEREMIAH JOHNSON, and OPEN RANGE are just a few westerns that have 'borrowed' from it, but THE SEARCHERS' impact transcends the genre, itself; STAR WARS, THE ENGLISH PATIENT, THE LAST SAMURAI, even THE LORD OF THE RINGS have elements that can be traced back to Ford's 1956 'intimate' epic. When you add the fact that THE SEARCHERS also contains John Wayne's greatest performance to the film's merits, it becomes easy to see why it is on the short list of the greatest motion pictures ever made.
The plot is deceptively simple; after a Comanche raiding party massacres a family, taking the youngest daughter prisoner, her uncle, Ethan Edwards (Wayne), and adopted brother, Martin Pawley (Jeffrey Hunter), begin a long quest to try and rescue her. Over the course of years, a rich tapestry of characters and events unfold, as the nature of the pair's motives are revealed, and bigoted, bitter Edwards emerges as a twisted man bent on killing the 'tainted' white girl. Only Pawley's love of his 'sister' and determination to protect her stands in his way, making the film's climax, and Wayne's portrayal of Edwards, an unforgettable experience.
With all of Ford's unique 'touches' clearly in evidence (the doorways 'framing' the film's opening and conclusion, with a cave opening serving the same function at the film's climax; the extensive use of Monument Valley; and the nearly lurid palette of color highlighting key moments) and his reliance on his 'stock' company of players (Wayne, Ward Bond, John Qualen, Olive Carey, Harry Carey, Jr, Hank Worden, and Ken Curtis), the film marks the emergence of the 'mature' Ford, no longer deifying the innocence of the era, but dealing with it in human terms, where 'white men' were as capable of savagery as Indians, frequently with less justification.
Featuring 18-year old Natalie Wood in one of her first 'adult' roles, the sparkling Vera Miles as Pawley's love interest, Wayne's son Patrick in comic relief, and the harmonies of the Sons of the Pioneers accenting Max Steiner's rich score, THE SEARCHERS is a timeless movie experience that becomes richer with each viewing.
It is truly a masterpiece!

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Working together for the 12th time, John Wayne and director John Ford forged The Searchers into an indelible image of the frontier and the men and women who challenged it. Wayne plays ex-Confederate soldier Ethan Edwards, a believer more in bullets than in words. He's seeking his niece, captured by Comanches who massacred his family. He won't surrender to hunger, thirst, the elements or loneliness. And in his obsessive, five-year quest, Ethan encounters something he didn't expect to find: his own humanity.

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Purple Rain (1984) Review

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(More customer reviews)Leonard Maltin's review missed the main point of this movie. The movie is not primarily about a young musician who"struggles to gain acceptance for his own brand of ... rock music". Instead, the movie is about a man who has acquired his not only some of his father's musical interest and talent, but also his father's emotional instability and occasional abusiveness towards others, especially women. Maltin is correct that Prince's character is sexist and unappealing, but that's crucial to the movie. By playing his character as emotionally unstable, insensitive, and occasionally cruel, Prince de-glamourizes the cool, rebellious rock star image, showing that fame and talent are neither a guaranteed road to happiness nor a good excuse for being cruel to your girlfriend.This movie, rather than being a "soppy story" wrapped around concert footage, is instead genuinely literary. The concert footage is not an excuse for a movie; some of the concert footage is integral to the story. The title song, "Purple Rain", is used very effectively in the movie as a point of conflict between Prince and two of his female bandmates.
This movie, like Quadrophenia, would make a good subject for an English literature class targeted towards aimlessly rebellious under-achievers (rather than the 4.0 GPA high school students that most English literature classes are designed for).
[This review is based on the VHS version of the movie.]

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Rock star Prince plays a headstrong, vulnerable young musician known as "the kid." He struggles with his own psyche and family pressures ofan alcoholic father who beats his mother. He sees his father's madness infecting both his music and his own personal life.

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Unforgiven (1992) Review

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(More customer reviews)There are a plethora of reviews of the movie, but my review is mostly a comparison of the BD vs DVD version. I won't discuss its merits as a western, which is a classic and worthy of 5 stars. This BD disk is 3 stars for its technical quality.
The BD version is worth buying if you don't own the 2 disk special edition, which has the better DVD transfer, and cost more, even after discounts! But if you own the better DVD version and are looking to own the best version for home viewing, hold on.
While the audio is crisp and clear, there is no magic in its mastering or imaging, its just clearer sound than the DVD.
The BD transfer is generally sharp, but there are moments so dull, I thought I was running the DVD version. The high resolution of BD removes jaggies seen in diagonal lines and pixelation revealed by DVD resolution projected into a large HDTV, but this BD's colors are often washed out, and edges of objects blurred. This lack of resolution is much worse in the night scenes including the finale scene, and is 80% less during daylight shots. Some of the daylight shots do appear as blurry as the night shots. Unlike better BD out there, overall the background elements do not have more striking detail over the DVD. By comparison, a stellar transfer exists even in old movies. If you are a fan of WWII airplanes, see the 1969 'Battle of Britain' or the classic 2001: Space Odyssey.
However, if you don't own the 2 disk set, this BD disk incorporates all the extras of the 2 disk set into one disk, and a better buy than the original DVD release.

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Clint Eastwood and Morgan Freeman play retired, down-on-their-luck outlaws who pick up their guns one last time to collect a bounty offered by the vengeful prostitutes of the remote Wyoming town of Big Whiskey. Richard Harris is an ill-fated interloper, a colorful killer-for-hire called English Bob. And Best Supporting Actor Oscar winner Gene Hackman is the sly and brutal local sheriff whose brand of law enforcement ranges from unconventional to ruthless.

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Kingdom of Heaven (Director's Cut) Review

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(More customer reviews)(Please note: This is for the 4 disc director's cut--for some reason this is combined with ALL versions of the movie including the Blu-ray. The Blu-ray features ONLY the first two discs of this set on one Blu-ray disc. None of the discs with extras are included as part of the package).
Sometimes longer is better particularly when you have a complex story. The theatrical version of "Kingdom of Heaven" was flawed from the beginning with significant narrative gaps that undermine the character development and the smooth momentum of the story. That's because Fox had Scott cut the film by nearly an hour deleted significant and important character development at the expense of trying to fit in more showings per theater. The result was a sprawling ambitious project that had the epic scope of "Lawrence of Arabia" without the narrative strength. Thank God for DVD. "Kingdom of Heaven: The Director's Cut" restores the material demonstrating that the original 3 hour cut was a brilliant film that played theatrical late last year after the film had bombed at the box office. The reason the film bombed was the idiotic decision to cut the film and make it shorter reducing the film's impact. While it might not have made a huge amount of money it would have done well at the box office as a prestige film AND would have deservedly been nominated for Oscars. Much of the background story is fleshed out and the relationships between the various characters are more clearly defined. "Kingdom of Heaven" is a magnificent epic film that recalls the power of David Lean's epics and allows Scott's historical drama to breath. If you've seen the theatrical cut you owe it to yourself to see this major film from a major talent.
The film is presented like the "Lord of the Rings" deluxe sets with the film spread over two discs. Featuring a beautiful anamorphic transfer this version of the film actually looks superior with less issues with digital artifacts when compared to the previous edition of the film. The 5.1 audio presentation sounds wonderful with both a 5.1 and 5.1DTS track that makes exceptional use of the format. You'll feel like you've put plopped down into the middle of the battle sequences in the action sequences and there's wonderful ambient sound effects sprinkled throughout the film even during sequences that are dialogue driven.
Special features are terrific in this set. We start off with an introduction by Scott discussing the "Director's Cut" compared to the theatrical version of the film. Featuring Scott, writer William Monahan and actor Orlando Bloom the first commentary track (it was recorded separately and pieced together) becomes a rich resource of trivia beginning with the origin of the project and how Scott and Monahan ended up working together. The second commentary track has visual effects director Wes Sewell, assistant director Adam Somner and producer Lisa Elizey discussing the technical aspects of the shoot and the challenges they faced covering everything from the use of digital and on set effects to second unit photography. The last commentary has editor Dody Dorn discussing the two different versions of the film. We also have production notes and information about the shooting of the film provided as text commentary.
The third and fourth discs have most of the supplements. Unfortunately neither has the excellent A&E documentary that was part of the two disc set so you may want to hold on to your other set if you haven't sold it already. We have "The Path to Redemption" presented in six separate parts with each running anywhere from a half hour to twenty minutes a piece covering the making of the film. The first of the three parts include text, images, early screenplay drafts and notes on the shooting of the movie. The second part has cast rehearsals covering everything from the training with the weapons to costume tests. The third of the three parts has storyboards as well as a short documentary featuring scholars discussing the accuracy of the film.
The fourth disc features the last three parts on the film and includes video shot on location, storyboard galleries and photo galleries as well as deleted/extended/alternate scenes with optional commentary by Scott and editor Dorn. There's also a section on the visual effects of the film as well as various sound elements to create the unique sound mix of the film presented in various stages. The last section features trailers, TV spots, the Showest presentation. There's also footage from various premieres around the world, poster galleries, footage of the press junket shot on video, image and poster galleries as well as a brief featurette similar to the one done for "Gladiator: The Extended Version" that discussed the creation of this special edition.
An exceptional film that was badly butchered by Fox prior to its premiere due to skittish leadership at Fox, the film has finally been presented the way it should have been in the first place. Fox DVD has done an exceptional job in putting together this package and has made amends for the way it handled the film when it was released theatrical last year. Highly recommended.


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Among the best directors of our time, Ridley Scott (Gladiator), contributes generously to this extraordinary Collector's Edition of Kingdom of Heaven. Featuring his Director's Cut of the film and hours of fascinating extras ? including a six-part tour from conception to completion of filmmaking ? this definitive set makes what Variety called a "genuinely spectacular" film even more so!
An epic marvel that's as beautifully acted as it is visually awesome, Kingdom of Heaven stars Orlando Bloom as Balian, a Jerusalem blacksmith who has lost his family ? and his faith. But when his father (Liam Neeson) shows him his destiny, Balian vows to defend his country, and in the process, falls in love, becomes a formidable leader, and steps forever into history

Audio: English: 5.1 DTS HD Master Audio (Lossless)
Language: Subtitled: English, Spanish, & French
Theatrical Aspect Ratio: Widescreen: 2.35:1

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Braveheart (Sapphire Series) (1995) Review

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(More customer reviews)"Braveheart" is quite simply, one of the best and most successful movies ever created and a huge part of that success comes from the efforts extended by Mel Gibson, as he wore three different hats for this masterpiece, those being producer, director and star. The one oddity about this movie for me was that I pretty much wore out my VHS copy of it and had, a couple years ago, purchased the DVD but only just recently took the opportunity to watch it again and no matter how many times you watch this movie, it is still a stunning, compelling and extraordinarily intriguing film that draws you in to the life of William Wallace despite already knowing how it's going to end.
The one thing that drives this movie is the spirit that Mel Gibson puts into his character of William Wallace and it is of no surprise that "Braveheart" won five Academy Awards, including Best Picture of 1995 and Best Director for Mel Gibson. The only true surprise was that he wasn't among the top five nominated for or won the Best Actor award.
High praise also goes to the long list of supporting actors and actresses that starred in this superb film! Most notable was the performance by Sophie Marceau, one of the most beautiful women on the planet. Patrick McGoohan was absolutely incredible in the role of the villain Longshanks, King Edward I, delivering a memorable performance.
One of the most notable performances in this film, among the many, was the work done by James Horner who was responsible for the score. As is normally the case when his name appears in the credits, everything about the score, from the first reel to the last, is incredibly well blended into the movie and serves extremely well in enhancing the experience of the movie.
The Premise:
As the old saying goes, is it Hollywood or History? The truth is, of course it's a bit of history, put together Hollywood style to make one of the best films ever presented to an audience. The truth behind it is that we'll never know as recorded history from this era is circumspect as best. Where a huge portion of the credit for this film lays is in the hands of Randall Wallace, a descendant of William Wallace's.
As this historic film opens, we see a young William Wallace in Scotland as he's learning the harsh lessons of life in his era. After his family is killed in battle he's fortunate enough to have his Uncle Argyle (played brilliantly by Brian Cox) take him under his wing! Several years later he returns home to find that his countrymen are still suffering under the yoke of English oppression but he didn't come home for that, he came home for Murron MacClannough (Catherine McCormack), seeking her hand in marriage. Unfortunate events unfold from there and William loses the love of his life and goes on a rampage not only to avenge his love but to free his country...
What follows from there is not only one of the best films of the nineties but one of the best films of all times. I highly recommend "Braveheart" to any and all who are interested in seeing what true movie making is about! {ssintrepid}
Special Features:
-2 Theatrical Trailers
-Commentary by Director Mel Gibson
-A Filmmaker's Passion: The Making of Braveheart

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Winner of five Academy Awards® including Best Picture, the exhilarating epic Braveheart is one of the most anticipated films on Blu-ray and continues to be beloved by fans and critics alike. The film will be presented in 1080p High Definition with English 5.1 Dolby TrueHD, French 5.1 Dolby Digital and Spanish 5.1 Dolby Digital and English, English SDH, French and Spanish subtitles. Among the more than two hours of new special features to be included on Braveheart are:

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Black Hawk Down (2001) Review

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(More customer reviews)I have to say that they nailed this movie pretty good.
Basically all it does is tell the story of what happened in Mogadishu on October 3, 1993. They didn't focus on character detail that much which to me is a good thing. There are just too many people involved to go into detail with them all. Going into too much detail on certain characters and not others would take away what some did and would lessen their sacrifice. So, they stuck to just the story. Good move.
They compressed the story some, changed a few names, and merged some characters into one character This was done to get the story down to a movie time frame and to protect certain characters identities as they are still serving.
No movie based on a book is as detailed as the book. Don't expect it to be. You should read the book as well.
Some critics have said that it is way too violent of a film. Did they know they were going to see a movie about combat? Hello!!?!! It's about time that film makers have started making movies to show the American public what really happens in combat. Combat is not one guy running around killing people by the hundreds with a head band on. They made it a real as you could get it on the screen. Saving Private Ryan started it off and now Black Hawk Down. To Jerry Bruckheimer and Ridley Scott, Bravo! Well Done!
It's very accurate as far as weapons, equipment, uniforms, etc. They used the exact helicopters that were used in the original mission in 1993 with the 160th SOAR.
The whole movie I was searching for inaccuracies. Want to know what I came up with? They had their names written in marker on their Kevlar helmets (this was done so the audience could quickly tell who's who) we wrote our names on the helmet band. The chin straps on the Kevlar helmets were not taped up (As soon as I got to Ranger Battalion we had to taped up and tie down certain pieces of equipment and this was one of them), they wore dog tag silencers (in Ranger Battalion I was told to get them off and tape em up with 100 MPH tape as soon as I got there), and sometimes they said each others names on the radios instead of call signs (once again this was done for the audience). So as you can see I was really reaching there.
Certain shots were just incredible for me. For example, there was a point of view shot from the side of a MH-6 Little Bird (we used to ride out on the sides of those things all the time). The camera was positioned as to be a person sitting on the left side of the chopper looking to the front. In front of the chopper is another Little Bird fully loaded with guys. The sequence is them going in for a landing on the street. Just watching it reminded me of all those times I rode on those [...things].
Maybe someday people will start to understanding what people in combat arms go through.
A Co, 2nd Ranger Battalion
U.S. Army (1991-1995)

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From acclaimed director Ridley Scott (Gladiator, Hannibal) and renowned producer Jerry Bruckheimer (Pearl Harbor, Armageddon) comes a gripping true story about bravery, camaradarie and the complex reality of war. Black Hawk Down stars an exceptional cast including Josh Hartnett (Pearl Harbor), Ewan McGregor (Moulin Rouge!), Tom Sizemore (Saving Private Ryan), Eric Bana (Chopper), William Fichtner (The Perfect Storm), Ewen Bremner (Snatch) and Sam Shepard (All The Pretty Horses). In 1993, an elite group of American Rangers and Delta Force soldiers are sent to Somalia on a critical mission to capture a violent warlord whose corrupt regime has lead to the starvation of hundreds of thousands of Somalis. When the mission goes terribly wrong, the men find themselves outnumbered and literally fighting for their lives.

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Jarhead (2005) Review

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(More customer reviews)I'm a little confused that there's so many user reviews complaining that Jarhead is 'a war movie without any war.' Well.. based on my own experiences as a Marine in our most recent trip to the sandbox, I'd say war without war sounds true to life. Jarhead isn't showing you what you'd like for Marines and servicemen to be; it's showing you what we ARE like. Yes, we're crude, vulgar, irreverent, and largely morally ambivelant. Mostly though, we're bored. 99.9% of war is waiting. Waiting for to go on patrol, waiting for patrol to be over, waiting to go on or off of guard duty, waiting to sleep, to wake up, to eat, to piss, to finally go home. That's how it was for my dad in Vietnam, for my cousins in the Gulf War, and for myself in Iraq last year. To some degree, that's how it's been for everyone, in every war. To quote this film, "Every war is different, every war is the same."
If you've been in the military, and especially if you've been deployed, this should all be sounding pretty familiar. If not, fine. I'd just ask that you consider what it is that would make you dislike this movie. Is it that you don't like the characters as they are portrayed? Or is it that you don't like the conflict between your preconceived notion of what a Marine 'should' be and what you're being shown?

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Universal Jarhead - HD-DVDJake Gyllenhaal ("The Day After Tomorrow," "Moonlight Mile"), Jamie Foxx ("Ray,""Collateral") and Peter Sarsgaard ("Kinsey," "Boys Don't Cry") star in Universal Pictures' "Jarhead," the adaptation of Marine Anthony Swofford's bracing memoir that took readers into his disorienting firsthand experience in the Gulf War. "Jarhead" (the self-imposed moniker of the Marines) follows "Swoff" (Gyllenhaal), a third-generation enlistee,from a sobering stint in boot camp to active duty, sporting a sniper's rifle and a hundred-pound truck on his back through Middle East deserts with no cover from intolerable heat or from Iraqi soldiers, always potentially just over the next horizon.Swoff and his fellow Marines sustain themselves with sardonic humanity and wicked comedy on blazingdesert fields in a country they don't understand against an enemy they can't see for a cause they don't fully fathom. Foxx portrays Sergeant Sykes, aMarine lifer who heads up SW's scout/sniper platoon, while Sarsgaard is Swoff's friend and mentor, Troy, a die-hard member of STA-their elite Marine Unit. An irreverent and true account of a war thatwas antiseptically packaged a decade ago, "Jarhead" is lace with dark wit, honest inquisition and episodes that are at once surreal and poignant, tragic and absurd.

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G.I. Jane (1997) Review

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(More customer reviews)With a [beautiful] and gung-ho performance by Demi Moore, G.I. Jane is definitely fun to watch. But it has no basis in real Navy Seals training, which one can learn more about reading Dick Couch's "The Warrior Elite". In reality there is no mock P.O.W. camp where recruits are beaten and tortured, but there are endless sleepless nights of sitting in the 57 degree ocean water of San Diego. Real Navy Seals instructors are consumate professionals, who constantly put the welfare of their men before anything else. Evolutions (exercises) are mentally and physically challenging, but never grossly abusive as in G.I. Jane. Exercises are of the "run till you drop" variety than "we'll break your leg" variety. The point of real BUD/S training is to learn that teamwork can overcome any bad situation, not just how to take a beating. Also, unlike this movie, Seal recruits undergo BUD/S followed by years of intense training, qualifications, and testing before even being considered for active deployment. They are not sent into combat because they happen to be on a submarine near a hostile country.

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Demi Moore gives "the performance of her career" (NBC-TV, New York) in director/producer Ridley Scott's (GLADIATOR) riveting saga of uncompromising courage. Presented for the first time on Blu-ray Disc®, this tale of grit and determination is more triumphant than ever in this astonishing format. Moore stars as trailblazer Lieutenant O'Neil, the first woman to earn a place in the elite Navy SEALs. Experience the brutal rigors of training camp – and O'Neil's endless battles with top military brass and her male Navy SEAL teammates – in hard-hitting, in-your-face 1080p. Feel the explosive action of combat with 5.1 48 kHz, 24-bit uncompressed audio. You'll stand up and cheer for G.I. JANE, thanks to Blu-ray™ High Definition!

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Across the Universe (2007) Review

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(More customer reviews)Julie Taymor once again uses her considerable innovative magic to create a film that not only is mesmerizingly beautiful to watch, but also a 'semi-documentary' about the world changes that occurred in the late 1960s and early 1970s as young people for the first time spoke out against the war in Vietnam, the death of Martin Luther King, and the senseless mayhem that extended from the battlefields of Vietnam to the streets of America, all set to the significant, timely music of the Beatles. It sounds like an impossible juxtaposition of themes and ideas, but in Taymor's hands it succeeds.
Opening in Liverpool, England (where the Beatles began their impact on music and thought) we met Jude (Jim Sturgess), a working class boy with the gifts of an artist who decides to set off on a sea journey to meet the father he has never known. Once in New York he meets Max (Joe Anderson) and Lucy (Evan Rachel Wood) who represent the wealthy class, but who both show roots of rebellion against the comfortable norm and an objection to the war that is festering like an abscess in the rice paddies of Vietnam. Jude meets his janitor father in a union that is anticlimactic, and in disappointment he falls in with Max, living the artists' life in the Village with free-wheeling singer Sadie (Dana Fuchs), her beau/guitarist JoJo (Martin Luther) and their newest tenant Prudence (T.V. Carpio), an Asian girl trying to find her place in a confusing world. The group eventually bond with music and rebellion mixed with free love and the passion that they can make a difference, while around them racial crises are at a peak and the draft tags many of the young men (including Max) for the war they cannot condone. From all of this turmoil the story builds to a climax leading to some very touching scenes that convey the spirit of the times and the overriding importance of love and understanding in a world torn apart by political and racial crises.
The cast is strong with each of the actors singing their own versions of various Beatle songs very well (the division between singing and spoken dialect favors the former). But the real magic comes from Julie Taymor's mixture of hallucinogenic visuals, wonderfully choreographed crowd scenes, and ingenious movement from reality scenes displayed on the television to the reactive scenes of the world as viewed through the eyes of the youths and the lyrics of the songs. It is at once touching in its ability to recreate a particular period of history and wholly entertaining in the inventive use of music/dance/visual effects/drama. This film is important now and will only increase in stature as a document of that troubled but exciting time in the history of the world. We can only wonder why the youth of today are not responding to the Iraq War in a like manner, or, more uncomfortable to consider, why we, now as adults, can't muster the same degree of distress about the myriad traumas that are still happening 'Across the Universe'. Grady Harp, April 08

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Across the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert, Chicago Sun-Times)

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Avatar (Three-Disc Extended Collector's Edition + BD-Live) (2009) Review

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(More customer reviews)I'm primarily interested in the storyline differences between special sets and their theatrical counterparts, so here are the differences between the two (NOTE: SPOILERS FOLLOW).
The extended collector's edition runs 16 minutes 28 seconds longer than the theatrical cut, and listed below are the major differences.
1) The opening scene is different, and starts with Jake in a wheelchair on Earth, in a Blade Runner-esque Earth city. The scene moves to scenes of Jake in his apartment, then taking liquid shots in a bar. Jake's narration of "I told myself I can pass any test a man can pass" and "They can fix the spinal if you got the money. But not on vet benefits, not in this economy" are inserted during this new opening scene.
Jake beats up a bar patron who is mistreating a woman, and then Jake and wheelchair are unceremoniously thrown outside by bouncers into an alley. While in the alley, Jake meets the two RDA representatives who bring him news of his brother's untimely death. Then the movie cuts back to the original theatrical cut where Jake sees his brother's body cremated, then awakes in space.
2) During Jake's initial flyover of Pandora in his avatar, they witness a herd of Sturmbeasts, buffalo-like creatures.
3) After seeing the Sturmbeasts, Grace, Jake, and Norm stop by Grace's old English school for the Na'vi. The school is now closed, abandoned, and some walls are riddled with bullet-holes. Norm finds a Dr. Seuss book, "The Lorax", on the ground. This scene explains how Neytiri knew English so well, and certainly gives some further backstory into Grace Augustine's character.
Interestingly, The Lorax can be seen as a metaphor for the Pandoran story. Recall that the seemingly simple Seussian book is actually a lesson on the plight of the environment and industrialization.
4) We see some other different Pandoran flora and fauna, particularly with scenes of the luminescent forest floor.
5) Jake's first dinner with Neytiri is longer and extended, and it's here that she tells him her full name.
6) When Jake, Grace, and Norm first visit the Hallelujah Mountains on the way to the remote uplink station, Grace explains (in a Jake voiceover) that the mountains are levitated [via the Meissner Effect], because Unobtanium is a superconductor. There's a pretty spectacular CGI shot as the characters look around in awe at the suspended mountains.
7) Pictures of Grace and Na'vi children at her previously functioning school. Dr. Augustine tells Jake that she previously taught Neytiri and her sister, Sylwanin. However, one day, Sylwanin and some hunters destroyed an RDA bulldozer, and RDA SecOps troopers killed them at the school, which explains why the school walls were previously seen pockmarked with bullet holes.
8) Sturmbeast hunting scene after Jake tames a Banshee. After Jake successfully kills a Sturmbeast with an arrow, he and Neytiri chortle a "Heck yeah!" and whoop.
9) Jake and Neytiri's love scene comprises them linking braids together. Some kissing, nothing explicit.
10) Tsu'tey leads a war party that destroys the RDA's autonomous bulldozers, as well as the RDA SecOps squad that was guarding them. Corporal Wainfleet leads the search party that uncovers the evidence, via real-time helmet cam footage. Not sure why they cut this scene from the theatrical cut, as it persuades Selfridge to attack the Home Tree.
11) Attack of Hammerhead Titanotheres on RDA forces has been extended slightly; additional scenes of AMP-Suits getting destroyed.
12) Fight between Colonel Quaritch in AMP Suit and Neytiri on Thanator slightly longer.
13) Tsu'tey's death scene; in the theatrical cut, he falls off the RDA shuttle's aft ramp to his death. In the Collector's Edition, he falls to the forest floor, mortally wounded. He passes on leadership to Jake, and asks Jake to ceremonially kill him e.g. hara-kiri, so that Jake will be the last shadow that Tsu-Tey sees. Jake does so.
I preferred the original Tsu'tey death scene, which was more dramatic. Jake, had afterall, already become the de facto clan leader by that point in the movie, so further formal transfer by Tsu'tey (a minor character) seemed unnecessary.


Click Here to see more reviews about: Avatar (Three-Disc Extended Collector's Edition + BD-Live) (2009)

Experience the spectacular world of James Cameron's Avatar as never before with this all-new three-disc extended collector\'s edition. The journey begins with three movie versions: the original theatrical release, the special edition re-release, and the exclusive extended cut not shown in theaters. And that's just what's on the first Blu-ray disc. The set's bonus feature run more than eight hours and include over 45 minutes of deleted scenes; actor's screen tests; on-location footage; feature-length documentaries on the film's groundbreaking production; an interactive scene-deconstruction feature that lets you explore different levels of production for 17 scenes; a comprehensive guide to the world of Pandora; and more. The greatest adventure of all time just got bigger and better.Versions of Avatar on Blu-ray and DVD
Contents of the Blu-ray Extended Collector's EditionWhat follows is the back-of-the box summary of the Blu-ray set's contents and then a complete listing of everything that's included.Disc 1: Three Movie Versions
Original Theatrical Edition (includes family audio track with objectionable language removed)
Special Edition Re-Release (includes family audio track with objectionable language removed)
Collector\'s Extended Cut with 16 additional minutes, including alternate opening on earthDisc 2: Filmmaker's Journey
Over 45 minutes of never-before-seen deleted scenes
Capturing Avatar: Feature-length documentary covering the 16-year filmmakers\' journey, including interviews with James Cameron, Jon Landau, cast and crew
A Message from Pandora: James Cameron\'s visit to the Amazon rainforest
The 2006 art reel: Original pitch of the Avatar vision
Brother termite test: Original motion capture test
The ILM prototype: Visual effects reel
Screen tests: Sam Worthington, Zoë Saldana
Zoë\'s life cast: Makeup session footage
On-set footage as live-action filming begins
VFX progressions
Crew film: The VolumeDisc 3: Pandora's Box
Interactive scene deconstruction: Explore the stages of production of 17 different scenes through three viewing modes: capture level, template level, and final level with picture-in-picture reference
Production featurettes: Sculpting Avatar, Creating the Banshee, Creating the Thanator, The AMP Suit, Flying Vehicles, Na\'vi Costumes, Speaking Na\'vi, Pandora Flora, Stunts, Performance Capture, Virtual Camera, The 3D Fusion Camera, The Simul-Cam, Editing Avatar, Scoring Avatar, Sound Design, The Haka: The Spirit of New Zealand
Avatar original script
Avatar screenplay by James Cameron
Pandorapedia: Comprehensive guide to Pandora
Lyrics from five songs by James Cameron
The art of Avatar: Over 1,850 images in 16 themed galleries (The World of Pandora, The Creatures, Pandora Flora, Pandora Bioluminescence, The Na\'vi, The Avatars, Maquettes, Na\'vi Weapons, Na\'vi Props, Na\'vi Musical Instruments, RDA Designs, Flying Vehicles, AMP Suit, Human Weapons, Land Vehicles, One-Sheet Concepts)BD-Live Extras
BD-Live extras require a BD-Live-enabled player and an Internet connection. The following extras may be available a limited-time only and are subject to change over time:Crew Short: The Night Before Avatar; additional screen tests, including Stephen Lang, Giovanni Ribisi, Joel David Moore, CCH Pounder, and Laz Alonso; speaking Na\'vi rehearsal footage; Weta Workshop: walk-and-talk presentationReview of the Original Theatrical Edition

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