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Braveheart (1995) Review

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(More customer reviews)"Braveheart" is quite simply, one of the best and most successful movies ever created and a huge part of that success comes from the efforts extended by Mel Gibson, as he wore three different hats for this masterpiece, those being producer, director and star. The one oddity about this movie for me was that I pretty much wore out my VHS copy of it and had, a couple years ago, purchased the DVD but only just recently took the opportunity to watch it again and no matter how many times you watch this movie, it is still a stunning, compelling and extraordinarily intriguing film that draws you in to the life of William Wallace despite already knowing how it's going to end.
The one thing that drives this movie is the spirit that Mel Gibson puts into his character of William Wallace and it is of no surprise that "Braveheart" won five Academy Awards, including Best Picture of 1995 and Best Director for Mel Gibson. The only true surprise was that he wasn't among the top five nominated for or won the Best Actor award.
High praise also goes to the long list of supporting actors and actresses that starred in this superb film! Most notable was the performance by Sophie Marceau, one of the most beautiful women on the planet. Patrick McGoohan was absolutely incredible in the role of the villain Longshanks, King Edward I, delivering a memorable performance.
One of the most notable performances in this film, among the many, was the work done by James Horner who was responsible for the score. As is normally the case when his name appears in the credits, everything about the score, from the first reel to the last, is incredibly well blended into the movie and serves extremely well in enhancing the experience of the movie.
The Premise:
As the old saying goes, is it Hollywood or History? The truth is, of course it's a bit of history, put together Hollywood style to make one of the best films ever presented to an audience. The truth behind it is that we'll never know as recorded history from this era is circumspect as best. Where a huge portion of the credit for this film lays is in the hands of Randall Wallace, a descendant of William Wallace's.
As this historic film opens, we see a young William Wallace in Scotland as he's learning the harsh lessons of life in his era. After his family is killed in battle he's fortunate enough to have his Uncle Argyle (played brilliantly by Brian Cox) take him under his wing! Several years later he returns home to find that his countrymen are still suffering under the yoke of English oppression but he didn't come home for that, he came home for Murron MacClannough (Catherine McCormack), seeking her hand in marriage. Unfortunate events unfold from there and William loses the love of his life and goes on a rampage not only to avenge his love but to free his country...
What follows from there is not only one of the best films of the nineties but one of the best films of all times. I highly recommend "Braveheart" to any and all who are interested in seeing what true movie making is about! {ssintrepid}
Special Features:
-2 Theatrical Trailers
-Commentary by Director Mel Gibson
-A Filmmaker's Passion: The Making of Braveheart

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Braveheart [VHS] (1995)Mel Gibson (Actor), Sophie Marceau (Actor), Mel Gibson

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Forever Young (Snap Case) (1992) Review

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(More customer reviews)One has to give superstar Mel Gibson a lot of credit. Over his prolific career, Gibson has taken many risks in the roles he's chosen, and this romantic fantasy is just one of them. FOREVER YOUNG opens in 1939, where daredevil test pilot Gibson finds himself involved with a scientist who is perfecting a cryogenics chamber. He's also madly in love with the lovely Helen (Isabel Glasser), and wants to marry her. Alas and alack, before he can pop the question, Helen is struck down by a truck and goes into a coma. As the months go by, Gibson clings to hopes she'll recover but as his scientist friend (George Wendt) states, doctors give her little hope. When Mel feels he can't watch Helen die, he volunteers to be the first human volunteer for the cryogenics project, asking Wendt to freeze him for a year so he can avoid the inevitable. Next thing you know, it's 1992, and we meet single mom Jamie Lee Curtis (quite good as always) and her 10 year old son (Elijah Wood, simply charming, showing us what his future would be years later). While playing in an abandoned military warehouse, Wood and his buddy stumble upon the cyrogenics chamber and accidentally release Gibson. How he got caught in this chamber for 53 years forms the core of the story and Gibson desperately searches for some knowledge of Wendt's whereabouts.
The movie is unabashedly romantic but Gibson is so good and the story takes hold of you and you watch with amusement as Gibson discovers the technologies of a new world and his scenes with young Wood are marvelous. A rather contrived ending spoils the overall effect but FOREVER YOUNG is nonetheless a very engaging film.

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Just prior to World War II, a man believes his sweethear to have died in a car accident and so consents to be a human subject in a cryogenics experiment. He wakes up in the 90s baffled by the world as it has become, but finds that true love waits forever. Includes the original theatrical trailer.Genre: Feature Film-DramaRating: PGRelease Date: 14-SEP-2004Media Type: DVD

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Gallipoli (1981) Review

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(More customer reviews)It's unfortunate in the extreme that the First World War has largely fallen by the wayside. If we hear anything about the conflict at all, it's usually on the History Channel or another network airing a documentary full of grainy, black and white clips of men stumbling over the top of trenches. Interest in historical events tends to drop off significantly when those involved pass away, and in the case of the generation that fought this horrific war not only have they exited the stage, they have left the building as well. I developed a life long interest in "the war to end all wars" after seeing Peter Weir's 1981 film "Gallipoli" in a small, run down art house theater at the age of ten. I didn't understand the historical context at the time, but this dramatic interpretation of events that unfolded in the Dardanelles during 1915 left a lasting impression on my impressionable mind. I recently rewatched the film and can say that it still works as an intense drama and as a serious antiwar statement. Weir's overt hostility toward the British commanders at Gallipoli, however, doesn't stand up as well. By the way, this is one of the films that propelled Mel Gibson to international stardom.
Weir decided to focus his film not on the massive armies battling away in Europe, but on two individuals living in Australia. Archy Hamilton (Mark Lee) and Frank Dunne (Mel Gibson) are two of the fastest runners in the country. Hamilton trains with his demanding grandfather, who promises the young lad that if he works hard he may yet go down as the next national sports hero. Frank, on the other hand, wanders around the country with a few buddies taking any job he can get and generally just having a lot of fun. News of the escalating war in Europe is vague and distant, referenced only when someone brings up a news story they saw in the paper. Archy wants to go and fight, attracted by the lure of glory that has suckered millions of young people since the dawn of time into disaster. Frank doesn't think of war as glory, and when his pals bring up the idea of enlisting he quietly makes his position known. Both of these young men's lives are forever changed after the end up competing against each other in a foot race at a regional fair. Archy barely wins, but a friendship develops between the two that soon finds Frank tagging along when Archy decides to enlist in the illustrious cavalry. Frank agrees to join with Archy, once he discovers that the ladies love a soldier, but goes into the infantry after failing to qualify for the light horse unit.
It really doesn't matter anyway since horses won't make a bit of difference when the ANZAC (Australian and New Zealand Army Corps) soldiers head first to Egypt and then the Dardanelles for combat against the Ottoman Turks. What the war effort needs are bodies capable of running headlong into a withering wall of machine gun fire, and cavalry troops minus their steeds will work in this capacity just as well as infantrymen. Before they reach the killing fields, Archy and Frank reunite during a training exercise in Egypt. Hamilton convinces his commander to enlist Dunne in the cavalry, claiming that his skills as a runner rival his own and that both men will make a major contribution to the regiment. Weir shows us plenty of carefully crafted scenes of the men having a good time in Cairo, of the deepening camaraderie taking place even as the war looms larger and larger in the background. The movie takes a doom and gloom turn as the ANZAC forces land at Gallipoli to take part in the fighting. Casualties mount as attacks designed to expand the beachhead fail under Turkish machine guns. Soon, Archy and Frank know they will have to go over the top too, and realize they will certainly perish in the process. The conclusion to "Gallipoli" is one of the most emotionally grinding, soul shattering denouements in motion picture history.
The only thing I found extremely irritating about "Gallipoli" is the cheesy synth musical score, which now sounds so early 1980s that it dates the picture terribly. I think the message about how people join up to go to war for all the wrong reasons, however, is still highly relevant. And if there was any war that everyone should have avoided, it was World War I. Generals and leaders still subscribed to antiquated notions of warfare, never taking into account machine guns, poison gas, and airplanes would decimate the troops. The fatalities were truly appalling, with millions perishing in muddy trenches during the four year conflict. Weir expertly depicts the squalid conditions of the trenches, but he goes too far blaming the film's fatal charge on the British commanders. First of all, far more British soldiers died during the campaign in the Dardanelles than did members of ANZAC. Second, why place the onus for the war on the British? Plenty of commanders on all sides made mistake after mistake in this conflagration, mistakes that resulted in so many fatalities that it's a wonder humanity didn't rise up and cast their leaders into the fire.
"Gallipoli" wins the day in the end thanks to the charm of Mark Lee and Mel Gibson. Weir's cinematography sinks its claws in as well. Check out the shots of the Australian outback, the Red Cross party, and the landing at Gallipoli to learn why. The transfer looks good, but the only extra on the disc is a short interview with Weir about the making of the film. I wanted a commentary track for this film desperately, and still hope a special edition will arrive on the market in the near future. If you haven't seen "Gallipoli," check it out soon.

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Lethal Weapon: 4 Film Favorites Review

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(More customer reviews)The Lethal Weapon movies are some of the best buddy/action/comedy movies ever. This two disc set includes all four movies in the Lethal Weapon series for the price of one movie. Each of the movies is shown in the Director's Cut edition. There are trailers for the first three movies, but not for LETHAL WEAPON 4. However, LETHAL WEAPON 4 does include a commentary with director Richard Donner. If you're unfamiliar with the Lethal Weapon franchise, a brief synopsis of the films follows.
LETHAL WEAPON is the first movie in the series and introduces the unlikely cop team of Roger Murtaugh (Danny Glover) and Martin Riggs (Mel Gibson). Murtaugh is fifty-years old and a veteran officer. Riggs is an up-and-coming star of the police force, known for his atypical style. They are partnered together and become close friends while working to bring down a major drug cartel. Besides being just a good movie, LETHAL WEAPON is also notable for being the movie that made Mel Gibson a box officer superstar in the United States. Mel became famous because of Mad Max, but it was LETHAL WEAPON that made him a household name in the U.S.
LETHAL WEAPON 2 continues a few years after LETHAL WEAPON. Murtaugh and Riggs are still partners. Once again they are on a drug case, but this time it's an international drug ring of diplomats from South Africa with diplomatic immunity. They are also put in charge of protecting a key witness and informant, Leo Getz (Joe Pesci) who becomes a great secondary character in the series. Also, Riggs falls in love and pulls a house off a cliff. As a bit of trivia, Riggs was supposed to die in this one, but the studio called for a rewrite knowing how successful the franchise would be.
The Lethal Weapon series was going to be a trilogy wrapped up with the retirement of Murtaugh at the end of LETHAL WEAPON 3. After thirty-years on the force, Murtaugh is finally going to retire. However, eight days before the big event he and Riggs become involved in a case of gun running and cops gone bad. Riggs finds lasting love with an internal affairs officer, Lorna Cole (Rene Russo). Leo Getz also returns. This film is the weakest of the Lethal Weapon movies and the studio wisely decided to bring everyone back for one last film.
LETHAL WEAPON 4 brings back the entire cast of the Lethal Weapon films for one last go-around. Lorna Cole is pregnant with Riggs' child. Murtaugh's eldest daughter, Rianne (Traci Wolfe) is secretly engaged to Detective Lee Butters Chris Rock) and has a baby on the way, too. Meanwhile, Murtaugh and Riggs get entangled in bringing down a Chinese king pin, Wah Sing Ku (Jet Li) determined to move his operations from the Orient to Southern California.
If you don't already own the Lethal Weapon movies, this is THE DVD you want to own.

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Lethal Weapon Director's Cut Lethal Weapon 2 Director's Cut Lethal Weapon 3 Director's Cut Lethal Weapon 4

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Conspiracy Theory (1997) Review

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(More customer reviews)I was shocked at how much I enjoyed this movie. When it hit theaters I wasn't interested in seeing it and only saw it recently. Being a huge Star Trek: The Next Generation fan, it was a cheap thrill to know that Patrick Stewart would be in this film... and he proves what an incredible actor he is. His character (Jonas) is so evil, you want him to just die, already!
Jerry Fletcher (Mel Gibson) is a cab driver in New York City. He is a nutty but harmless (or is he?) conspiracy theory junkie. He has all sorts of theories about crop circles, crime, government control, you name it.
He is sure that people are out to kill him, so he always sets up an elaborate escape plan and sets booby traps everywhere in his slum apartment. Jerry is unexplicably obsessed with Alice Sutton (Julia Roberts), who is an attorney with the Department of Justice. He continues to stalk her and tries continuously to contact her to espouse his latest theories. Alice feels sorry for Jerry and thinks of him as a sometimes annoying, but caring, sweet, lonely man who is a little touched in the head.
Jerry has a self-published newsletter he sends out to a whopping 5 subscribers. As a number of them start mysteriously dying one by one, Alice suddenly starts to believe there is more to Jerry than just being a nutty cab driver.
Those who couldn't stomach "The Marathon Man" may have trouble seeing similar torture scenes at the hands of Jonas, but they are brief in comparison. The film is a total thriller that had me on the edge of my seat. The plot was so well thought-out, that while you're watching in suspense, you don't find yourself saying, "that's ridiculous!"

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A CONSPIRACY OBSESSED CABDRIVER NAMED JERRY FLETCHER BELIEVES HEHAS AN INEXPLICABLE CONNECTION TO A JUSTICE DEPARTMENT ATTORNEY,ALICE SUTTON. HE KEEPS TRYING TO WARN HER ABOUT IMPENDING CONSPIRACIES EVEN THOUGH SHE GENTLY BUT FIRMLY DISMISSES HISCONCERNS.

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Lethal Weapon 4 (1998) Review

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(More customer reviews)An explosive beginning once again kicks off the action for our favorite team of Los Angeles Detectives, Martin Riggs and Roger Murtaugh, in Richard Donner's "Lethal Weapon 4," starring Mel Gibson and Danny Glover. In this fourth installment of the popular action/drama series, the pair are confronted with a murderous Chinese Triad with links to Hong Kong, that deals in counterfeiting and the smuggling of illegals into the country, where their new lives become nothing more than virtual slavery. It's a subject that touches a nerve with Murtaugh (Glover), which brings about an irrational decision when he thinks he can help. But not to worry; Riggs (Gibson) is there to back him up, and together they take on one of their most formidable opponents yet, Wah Sing Ku (Jet Li), head of the Triad, who happens to be in the process of discharging a personal agenda from which he will not be deterred. And making matters all the more complicated, Riggs and Murtaugh each have personal issues of their own to deal with: Murtaugh with his daughter, Rianne (Traci Wolfe), and Riggs with Lorna Cole (Rene Russo), the first woman with whom he's had a long standing relationship since the death of his wife. With three highly successful "Lethal" outings under their belts, it would have been easy for director Donner and his stars to phone this one in, make a few bucks and move on. But not these guys; Refusing to rest on their laurels, they deliver yet another exceptional, action-packed movie that maintains the quality and consistency of the first three. Gibson and Glover manage to take their characters to yet another level, keeping it all fresh and refusing to cruise through the comfort zone on auto pilot. Russo, as well, turns in another winning performance; she and Gibson really click together, rivaling the kind of chemistry Bogie and Bacall brought to the screen. Their relationship is extremely well developed and handled with skill by Donner, as is the entire story; it all moves ahead quickly and is never allowed to slow down or meander, which keeps the emotional level and tension high throughout the film. The action is possibly the best of any of the series, with some sequences so good they deserve comparison to John Woo's best. Jet Li is absolutely dynamic, and brings a real sense of menace to his character of Ku. For the first time, you get the feeling that Riggs and Murtaugh may be up against more than they can handle by themselves. And even with all this series has going for it already, in this one they manage to introduce yet another character that adds even more to their formula for success: Chris Rock joins the team as Lee Butters, the next generation of law enforcement, an officer with a degree in psychology. He adds some humor to the proceedings, but more than that, he makes Butters likable and seems to have an immediate grasp of who he is and where he fits in. And fit in well he does, essentially becoming the third member of the team. Leo Getz (Joe Pesci) is back as well, this time as a private investigator still trying his best to ingratiate himself with his friends, Riggs and Murtaugh. Interestingly enough, one of the more touching scenes in the film (near the end) develops during a conversation between Getz and Riggs, one that offers the audience (as well as Riggs) some insight into what makes Getz tick. The supporting cast includes Steve Kahan (Capt. Murphy), Darlene Love (Trish), Eddy Ko (Hong) and Mary Ellen Trainor, reprising her role of Police Psychiatrist Dr. Stephanie Woods for the fourth time. Working from another exceptionally well written script (this time by Channing Gibson), Donner and Company have scored yet another triumph with "Lethal Weapon 4," which can stand on it's own, or as a part of one of the best action/drama series ever made. Which one of the four is the best? Toss a coin; these are movies the way they ought to be made.

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This sequel involves an action packed battle with a Chinese ganglord.

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The Road Warrior (1982) Review

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(More customer reviews)I'm saying "finally" because we've finally received a version of the Road Warrior that looks outstanding! The picture looks the best I've ever seen and while the sound isn't as great in terms of bass reproduction, it still sounds very clear, just a tiny bit lackluster. Several of the scenes have a bit of softness to them probably due to age but I'd say about 95% of the film looks crystal clear. There aren't many extras other than an introduction by film critic Leonard Maltin and a filmmaker commentary. A bit lacking in the extras department but the commentary is informative enough for film enthusiasts and fans of the film. It'd be nice to get a retrospective documentary one day on this classic.
At the end of the day, the movie is delivered in an above average presentation and definitely worth a peek in HD.

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In a post-nuclear war world, Gibson plays Max, a lone adventurer who drives the roads of outback Australia in an endless search for gasoline. His opponents include Lord Humungus, and they battle over a tiny band of civilized survivors and their horde of fuel.Genre: Feature Film-Action/AdventureRating: RRelease Date: 3-FEB-2004Media Type: DVD

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Maverick (Snap Case) (1994) Review

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(More customer reviews)Maverick is a hilarious, enjoyable and fun film to watch and bears well over several viewings. Of course, how could this film have missed given its cast; Mel Gibson, James Garner, Jodie Foster, James Coburn and a whole slew of other stars to include an outrageously funny cameo by Danny Glover. The more interesting thing here is that James Garner played Brett Maverick when it was a television series many moons ago and he had turned down many film scripts for this one where he didn't even play the lead. Maverick is a big hit and all involved in making this fine western/comedy deserve all of the accolades they received for it!
The premise:
Bert, oops I mean Brett Maverick (Mel Gibson) is a card playing and fast drawing hustler who is on his way to good old St. Louis for a huge poker tournament. His main problem is that he's three thousand dollars short of the entry fee so he decides to stop in another town and play another round of poker in the hopes of picking up some of the three thousand he needs. This is where he meets Annabelle Branford played by the ever beautiful Jodie Foster. Mrs. Branford's beauty is matched only by her desire to pick up the money to enter the big poker game as well. Not too long afterwards we meet Zane Cooper (James Garner) who is a lawman of some fame and he just happens to be going the same way as Maverick and Mrs. Branford. What follows is most definitely one of the most hilarious westerns ever made. I would highly recommend this film to any and all fans of the stars and this genre.
Special Features:
Production notes: This particular DVD is "all" about the film itself as there is very little in the way of special features. The production notes are of course in text and somewhat interesting. {ssintrepid}

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THIS FUN-FILLED WESTERN ROMP ABOUT A CHARMING CON-MAN IS BASEDON THE CLASSIC TV SERIES. FEATURES SCENE ACCESS AND PRODUCTIONNOTES.

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The Patriot (2000) Review

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(More customer reviews)My review for the original version of "The Patriot" can be found under its respective title. This review is merely for those who may already own the movie and are wondering if it's worth buying a second time around for an additional 10 minutes of footage. For those who have never bought this title, then I can say emphatically to choose this version. For those who already own it . . . well . . . I suppose you'll need to read on and decide.
First of all (thank goodness), the extra 10 minutes of footage are not merely tacked on as "Deleted Scenes" at the end of the movie. In fact, it would be nearly impossible to do so since some of the extra footage is not found in separate scenes, but rather additional footage of already established scenes. In these situations, the extra footage may be as long as an additional minute or as little as a few seconds. How do I know? Well, for one, I'm a high school history teacher and show it every year during our unit on the Revolutionary War. Given that I teach five classes a day of the same subject, I'd say I've gotten quite familiar with the movie.
Now, one particular extension of a scene is quite riveting in that Benjamin Martin's youngest children get their first taste of the horrors of war prior to the death of Thomas. This comes just before the evening when Gabriel stumbles home after being wounded in a nearby battle. Something (the viewer is unaware) catches the attention of the Martin children and they stride over to a nearby creek/river to investigate. What they discover are the bodies of several soldiers floating downstream. Martin then comes over and ushers the children back into the house.
Another noteworthy scene extension is found in the "ambush" scene following the death of Thomas--you know, the famous "aim small, miss small" scene. Well, in the original edited version of the film we soon observe the infamous Tavington interviewing a dying witness of the event in a battlefield tent hospital. It is in this scene that the witness compares who we know as Benjamin Martin to a ghost. The problem is, as far as we knew, there were no survivors. We had to accept at face value that perhaps one must have escaped. In this version of the film we now know the facts! You see, after Martin does his bloody hack job on a would-be escapee, the camera pans in on one particular Redcoat as he lays wounded in a nearby swamp. We then get a peek at what he sees through his one dying eye: an eerie glimpse of Martin flitting through the dim light of the heavily-wooded forest. Then the camera focuses again on the bloodied face of this dying witness. It is not long thereafter that we discover that this poor chap actually survives (he's the one in the hospital tent).
One particular scene left off the original is the burial of Thomas. Although the scene is short, it nevertheless reiterates that Benjamin Martin has a tender, loving side (remember, a few scenes before he was hacking and slashing away at every Redcoat in sight).
Of particular note are the additional scenes involving Cornwallis and Tavington. Here, the viewer witnesses Cornwallis scolding Tavington in the presence of other officers --- the viewer should be delighted to see the arrogant and villainous Tavington being humiliated in front of others. In the scene, Cornwallis sarcastically remarks that Tavington has earned himself the nickname "The Butcher." This scene is important in that it helps establish and underscore the motive Tavington has for eliminating "The Ghost," Benjamin Martin. Further dialogue between the two is found later in the movie as well.
In short, the additional footage is not just added fluff. Indeed, the additional footage adds substance to every scene where it was originally found. Now, if the original version is a perennial favorite of yours, then by all means go out and get it. If, on the other hand, you may only watch it once in a blue moon then you could probably live without it.

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Gallipoli (1981) Review

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Braveheart (1995) Review

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(More customer reviews)"Braveheart" is quite simply, one of the best and most successful movies ever created and a huge part of that success comes from the efforts extended by Mel Gibson, as he wore three different hats for this masterpiece, those being producer, director and star. The one oddity about this movie for me was that I pretty much wore out my VHS copy of it and had, a couple years ago, purchased the DVD but only just recently took the opportunity to watch it again and no matter how many times you watch this movie, it is still a stunning, compelling and extraordinarily intriguing film that draws you in to the life of William Wallace despite already knowing how it's going to end.
The one thing that drives this movie is the spirit that Mel Gibson puts into his character of William Wallace and it is of no surprise that "Braveheart" won five Academy Awards, including Best Picture of 1995 and Best Director for Mel Gibson. The only true surprise was that he wasn't among the top five nominated for or won the Best Actor award.
High praise also goes to the long list of supporting actors and actresses that starred in this superb film! Most notable was the performance by Sophie Marceau, one of the most beautiful women on the planet. Patrick McGoohan was absolutely incredible in the role of the villain Longshanks, King Edward I, delivering a memorable performance.
One of the most notable performances in this film, among the many, was the work done by James Horner who was responsible for the score. As is normally the case when his name appears in the credits, everything about the score, from the first reel to the last, is incredibly well blended into the movie and serves extremely well in enhancing the experience of the movie.
The Premise:
As the old saying goes, is it Hollywood or History? The truth is, of course it's a bit of history, put together Hollywood style to make one of the best films ever presented to an audience. The truth behind it is that we'll never know as recorded history from this era is circumspect as best. Where a huge portion of the credit for this film lays is in the hands of Randall Wallace, a descendant of William Wallace's.
As this historic film opens, we see a young William Wallace in Scotland as he's learning the harsh lessons of life in his era. After his family is killed in battle he's fortunate enough to have his Uncle Argyle (played brilliantly by Brian Cox) take him under his wing! Several years later he returns home to find that his countrymen are still suffering under the yoke of English oppression but he didn't come home for that, he came home for Murron MacClannough (Catherine McCormack), seeking her hand in marriage. Unfortunate events unfold from there and William loses the love of his life and goes on a rampage not only to avenge his love but to free his country...
What follows from there is not only one of the best films of the nineties but one of the best films of all times. I highly recommend "Braveheart" to any and all who are interested in seeing what true movie making is about! {ssintrepid}
Special Features:
-2 Theatrical Trailers
-Commentary by Director Mel Gibson
-A Filmmaker's Passion: The Making of Braveheart

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A warrior marries secretly and leads a revolt against the tyrannical english king in 13th-century scotland. Oscars for best picture.Studio: Paramount Home VideoRelease Date: 05/18/2004Starring: Mel Gibson James RobinsonRun time: 177 minutesRating: RDirector: Mel Gibson

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Braveheart (Sapphire Series) (1995) Review

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(More customer reviews)"Braveheart" is quite simply, one of the best and most successful movies ever created and a huge part of that success comes from the efforts extended by Mel Gibson, as he wore three different hats for this masterpiece, those being producer, director and star. The one oddity about this movie for me was that I pretty much wore out my VHS copy of it and had, a couple years ago, purchased the DVD but only just recently took the opportunity to watch it again and no matter how many times you watch this movie, it is still a stunning, compelling and extraordinarily intriguing film that draws you in to the life of William Wallace despite already knowing how it's going to end.
The one thing that drives this movie is the spirit that Mel Gibson puts into his character of William Wallace and it is of no surprise that "Braveheart" won five Academy Awards, including Best Picture of 1995 and Best Director for Mel Gibson. The only true surprise was that he wasn't among the top five nominated for or won the Best Actor award.
High praise also goes to the long list of supporting actors and actresses that starred in this superb film! Most notable was the performance by Sophie Marceau, one of the most beautiful women on the planet. Patrick McGoohan was absolutely incredible in the role of the villain Longshanks, King Edward I, delivering a memorable performance.
One of the most notable performances in this film, among the many, was the work done by James Horner who was responsible for the score. As is normally the case when his name appears in the credits, everything about the score, from the first reel to the last, is incredibly well blended into the movie and serves extremely well in enhancing the experience of the movie.
The Premise:
As the old saying goes, is it Hollywood or History? The truth is, of course it's a bit of history, put together Hollywood style to make one of the best films ever presented to an audience. The truth behind it is that we'll never know as recorded history from this era is circumspect as best. Where a huge portion of the credit for this film lays is in the hands of Randall Wallace, a descendant of William Wallace's.
As this historic film opens, we see a young William Wallace in Scotland as he's learning the harsh lessons of life in his era. After his family is killed in battle he's fortunate enough to have his Uncle Argyle (played brilliantly by Brian Cox) take him under his wing! Several years later he returns home to find that his countrymen are still suffering under the yoke of English oppression but he didn't come home for that, he came home for Murron MacClannough (Catherine McCormack), seeking her hand in marriage. Unfortunate events unfold from there and William loses the love of his life and goes on a rampage not only to avenge his love but to free his country...
What follows from there is not only one of the best films of the nineties but one of the best films of all times. I highly recommend "Braveheart" to any and all who are interested in seeing what true movie making is about! {ssintrepid}
Special Features:
-2 Theatrical Trailers
-Commentary by Director Mel Gibson
-A Filmmaker's Passion: The Making of Braveheart

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Winner of five Academy Awards® including Best Picture, the exhilarating epic Braveheart is one of the most anticipated films on Blu-ray and continues to be beloved by fans and critics alike. The film will be presented in 1080p High Definition with English 5.1 Dolby TrueHD, French 5.1 Dolby Digital and Spanish 5.1 Dolby Digital and English, English SDH, French and Spanish subtitles. Among the more than two hours of new special features to be included on Braveheart are:

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The Patriot (Special Edition) (2000) Review

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We Were Soldiers (Widescreen Edition) (2002) Review

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(More customer reviews)I live with a Vietnam Vet who served in the late 1960s with 1st Cav. Medivac. During service he earned two Purple Hearts, the Distinguished Flying Cross, and the Air Medal. Since WE WERE SOLDIERS concerns the 1st Cav., Randy wanted to see it. I reluctantly agreed; I am not partial to war films and I dislike Mel Gibson, and Randy is very hard on Vietnam War films. He dismisses PLATOON as a Hollywood 8x10 glossy; says APOCALYPSE NOW is an interesting movie that captures the paranoia, but all the technical details are wrong; and describes DEER HUNTER as excellent in its depiction of the strangeness of coming home but so full of plot holes that he can hardly endure it. And about one and all he says: "It wasn't like that."
He was silent through the film, and when we left the theatre I asked what he thought. He said, "They finally got it. That's what it was like. All the details are right. The actors were just like the men I knew. They looked like that and they talked like that. And the army wives too, they really were like that, at least every one I ever knew." The he was silent for a long time. At last he said, "You remember the scene where the guy tries to pick up a burn victim by the legs and all the skin slides off? Something like that happened to me once. It was at a helicopter crash. I went to pick him up and all the skin just slid right off. It looked just like that, too. I've never told any one about it."
In most respects WE WERE SOLDIERS is a war movie plain and simple. There are several moments when the film relates the war to the politics and social movements that swirled about it, and the near destruction of the 1st. Cav.'s 7th Battalion at Ia Drang clearly arises from the top brass' foolish decision to send the 7th into an obvious ambush--but the film is not so much interested in what was going on at home or at the army's top as it is in what was actually occurring on the ground. And in this it is extremely meticulous, detailed, and often horrifically successful. Neither Randy nor I--nor any one in the theatre I could see--was bored by or dismissive of the film. It grabs you and it grabs you hard, and I can easily say that it is one of the finest war movies I have ever seen, far superior to the likes of SAVING PRIVATE RYAN, which seems quite tame in comparison.
Perhaps the single most impressive thing about the film is that it never casts its characters in a heroic light; they are simply soldiers who have been sent to do a job, and they do it knowing the risks, and they do it well in spite of the odds. Mel Gibson, although I generally despise him as both an actor and a human being, is very, very good as commanding officer Hal Moore, and he is equaled by Sam Elliot, Greg Kinnear, Chris Klein, and every other actor on the battlefield. The supporting female cast, seen early in the film and in shorter scenes showing the home front as the battle rages, is also particularly fine, with Julie Moore able to convey in glance what most actresses could not communicate in five pages of dialogue. The script, direction, cinematography, and special effects are sharp, fast, and possess a "you are there" quality that is very powerful.
Randy did have a criticism. "I don't think there would be time for casualty telegrams to actually get home while the battle was going on," he said. "After all, it only lasted three days." I myself had a criticism; there were points in the film when I found the use of a very modernistic, new-agey piece of music to be intrusive and out of place. And we both felt that a scene near the end of the movie, when a Vietnamese commander comments on the battle, to be improbable and faintly absurd. But these are nit-picky quibbles. WE WERE SOLDIERS is a damn fine movie. I'll give Randy, who served two tours of duty in Vietnam, the last word: "It may not be 'the' Vietnam movie. I don't think there could ever be 'the' Vietnam movie. But they get everything right. That's how it looked and sounded, and that's what I saw, and this is the best movie about Vietnam I've ever seen."

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WE WERE SOLDIERS - DVD Movie

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