Showing posts with label dvd. Show all posts
Showing posts with label dvd. Show all posts

Little Big Man (1970) Review

Little Big Man  (1970)
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Advertised as a comedy when originally released, LITTLE BIG MAN is much, much more than that. Director Arthur Penn's sweeping film depicting the clash of the Indian and white cultures will have you chuckling one moment, then shaking your head sadly at man's inhumanity to man the next.
Dustin Hoffman as the ever industrious Jack Crabb takes this movie on his shoulders and carries it superbly. To say that the actor shows some "range" in this role is the epitome of an understatement: from portraying an adolescent teenager to a fragile 121-year-old-man (phenomenal makeup job), from snake-oil salesman to mule skinner, Hoffman brings Jack's fascinating life to splendorous glory. And Hoffman is funny--darn funny--with a wonderful knack for physical comedy.
In addition to Hoffman, LITTLE BIG MAN offers other savory treats. Richard Mulligan is absolutely delightful as a narcissistic General George Armstrong Custer--the stunning Faye Dunaway positively wicked as naughty Mrs. Pendrake. Chief Dan George, who portrays Old Lodge Skins, Jack's adopted Cheyenne grandfather, delivers countless one-liners, yet lends a quiet, heartfelt dignity to his role. In fact, this is a movie one will wish to savor again and again--a beautifully crafted, well-made film that is timeless in its ability to entertain.
--D. Mikels

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UC Gundam Movie Pack (The Movie Trilogy/Char's Counterattack/Miller's Report) (2003) Review

UC Gundam Movie Pack (The Movie Trilogy/Char's Counterattack/Miller's Report) (2003)
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I am a huge fan of Gundam, watched (still watching) almost all UC-Gundam series (0079, 0080, 0083, MS 08 team, Z, ZZ, Nu, F91). This DVD pack is a blessing to me, having most major movie versions. The picture quality is nice, they did a great job. The only thing: I wish Miller's report had been replaced with 0083 movie, for MS 08 team is kind of 'side story' and the storyline is a little different from the others. But still this is the best DVD pack I ever bought. Second the only thing: there is no English audio track in 3 0079's. Japanese audio+English subtitle.
News: another UC gundam is being released soon. Go youtube and find 'Unicorn Gundam' promotion clips. The mecha designs and storyline seem authentic UC Gundam's.

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Goodbye Mr. Chips / Mrs. Miniver (Two-Pack) (1939) Review

Goodbye Mr. Chips / Mrs. Miniver (Two-Pack) (1939)
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Good Bye Mr. Chips
This is the story of the 60 plus year life of a school teacher, Mr. Chipping (Robert Donat), from neophyte teacher to hopefully Head Master. On his way he will make several mistakes and learn from them. The movie has the feel of several stories running in series that all tie in to Chipping's life. He is also destined to meet the love of his life Katherine (Greer Garson) and see that the Danube is blue.
I do not want to go into a detail as that is the fun in watching eh stories unfold however I think it is significant when Chipping and Katherine are alone on the top of the world and time stops finding them selves in eternity. He also gets an insight or different slant of his carrier.
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Mrs. Miniver
It is hard to tell of the importance of this movie and skip the details. Yes the technical stuff may not be that interesting in a review like, after first choice Norma Shearer rejected the title role (as she refused to play a mother), Greer Garson was cast. The meat of the story is the action and interaction of family members. Add this to plausible plot twists and you come up with a movie that had a unique view of the sacrifices they endured during WWII. This is not some cardboard war propaganda film. So you do not think this review came off of some box cover, I would say to me the most moving sections were, the outcome of the Miniver Rose, unexpected war casualty, and of course as results the final church scene.


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Welcome to DongMakGol DVD (2005 Korean Movie) Review

Welcome to DongMakGol DVD (2005 Korean Movie)
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It is hard to tell you the exact nature of the film; it is basically a fantasy, but is also a war movie. Anyway the film is pretty impressive, though.
`Welcome to Dongmakgol' is made in South Korea, where it became a huge hit in 2005. It was selected as the nation's entry for Oscars, but in spite of the film's better-than average quality it was not nominated. If you see the film, you will know why it was ignored by the voters of the Academy. (I will come back to the supposed reasons later.) Let me first say that `Welcome to Dongmakgol' is a highly entertaining film for all its deep flaws.
The film begins with a close-up of a strange girl Yeo-il (played by Hye-jeong Kang, 'Old Boy') who is happily staring something falling from the sky. Actually she is watching a US fighter airplane which lands near the sleepy and peaceful village of Dongmakgol.
The story is in fact set in the 1950s, during the Korean War, and two groups of soldiers are seen heading for the same village Dongmakgol without knowing the presence of each other. When three soldiers of the North Korean army led by Chief Comrade Lee Su-Hwa (Jae-yeong Jeong) arrive at Dongmakgol after a bloody battle, they are surprised to find that there are not only two South Korean soldiers, 2nd Lt. Pyo (Ha-kyun Shin) and Army Medic Mun Sang-sang (Jae-kyeong Seo) but also an American pilot Smith (called Su-Misu, played by Steve Taschler).
Well I think you already know the rest of the story, which is pretty predictable. The soldiers of both sides confront one another at first, but the kind villagers and the life in the peaceful village gradually change their minds.
Something happens in the middle of the film, which I won't disclose here. All I can say is that some characters of the film, especially the Westerns (or Americans to be precise), are depicted in a very negative light. True, the filmmakers did not forget to refer to the painful facts as to who started the war, or who killed the (South/North) Koreans, and they present this Smith as a very nice guy. However, it is also true that some Western soldiers are violent, trigger-happy (and bomb-happy too), extremely negative stereotypes, and their nagative traits are shown on the screen with truly stereotypical villain's acting.
Though some scenes reflect the today's political climate in this country, the film has lots of wonderful fantasy-like moments that would be universally appealing, accompanied by the beautifull music of Jo Hisaishi (known for his works in the films of Miyazaki and Kitano), and the friendship between the characters are really moving. The ending has a surreal beauty, which is surely touching, but like many other films from South Korea, the film is sometimes very nationalistic, alienating some of us from the content of the film. `Welcome to Dongmakgol' is worth a look for the good acting from the Korean stars, and its unique visuals (see the funny slow-motion hunting sequence), but could be better with well-balanced descriptions of some characters.

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Mysterians (1959) Review

Mysterians  (1959)
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The DVD case for The Mysterians aka Chikyu Boeigun (1959) - the IMDb lists a release year of 1957 (12/28/57, to be exact), so maybe 1959 was the year it made it to the U.S. - states `The Greatest science fiction picture ever conceived by the mind of man.' That's seems like a pretty haughty claim, especially for a film made by a studio (Toho) most famous for movies featuring guys in rubber suits crushing miniature buildings...and after watching the film last night, I feel it didn't quite live up to said claim, but still, it was fun nonetheless (besides, would your interest be peaked in a film that claimed something like `Not the greatest science fiction film in the world, but it will do in a pinch'? Probably not...)...directed by legendary Japanese director and Academy Award winner IshirĂ´ Honda, the creator of Godzilla, The Mysterians was Toho Studios 1st wide screen sci-fi color release (Rodan was the 1st Toho monster film color release, also directed by Honda...some may claim Rodan is a sci-fi film, and it does have many sci-fi elements, but it will always be a monster film to me). Appearing in the film is Kenji Sahara (King Kong vs. Godzilla, Attack of the Mushroom People), Yumi Shirakawa (Rodan), Momoko Kochi (Godzilla), Akihiko Hirata (Rodan, Gorath, the Mysterious Star), and Takashi Shimura (The Seven Samurai, Godzilla).
As the film starts, we see a village of Asian peoples celebrating something or other, only to be interrupted by a fire consuming a nearby forest. Three men foolishly decide to try and put out the massive fire, with predictable results (do you like your sushi fried?). Later said village suffers yet another disaster in that a giant sinkhole swallows them whole...better luck in the next life, I suppose. An investigation provides little information, except for the presence of radioactivity (that's never a good sign, doubly so in a film like this) and this marks the appearance of what looks like a giant, metal, flightless bird that shoots destructive eyebeams. Whatever was left of the village is now completely gone, and the army soon arrives to deal with the menace. There's the obligatory fleeing of Asian peoples, and the creature is finally brought down, and it is learned that it is not of this Earth. Turns out the creature was controlled by a group of aliens, from the planet Mysteroid (I had a case of mysteroids once...got some cream from the drugstore and it went away) calling themselves, aptly enough, Mysterians, who have decided to take up residence on the Earth, and used the mechanical creature as a demonstration of their awesoma powers. What the heck do these Mysterians, who've arrived from the dark side of the moon (there's a Pink Floyd joke in there somewhere), want? Well, I'll give you a hint, it has something to do with our wimmin...I've come to the conclusion females are among the scarcest commodity in the universe. Anyway, beside the wimmin, they have other demands (I think if they just wanted some wimmin, we probably would have acquiesced, but then they got greedy...let that be a lesson to all you aliens out there), demands the Earth aren't willing to meet, and that means all out war! Whoo hoo! Let the fireworks begin (literally...I think some of the scenes featured actual fireworks)!
I did enjoy this film immensely, but I also had a few problems with it...the biggest fault, I suppose, is the story often gets bogged down as the characters seem to be in a continual state of conferencing and holding meetings, trying to decide how to deal with the aliens. This was certainly one way to dole out the exposition, but if all the meeting scenes were removed, the 88-minute runtime would have probably been reduced to about an hour. I wasn't even born at the time this film came out, but I gotta figure the effects were pretty amazing, in all their full color glory. They still come off really well. The rubber bird suit looked pretty funky (strangely, our handguns have no effect on the creature!), but everything else was top notch, especially the realistic nature of miniatures. Apparently the giant creature wasn't initially part of the story, but the producer decided the film needed a giant creature, so maybe that's why it has an odd fit with relation to the rest of the film. The Mysterians looked pretty cool, sort of like retro Mighty Morphin' Power Rangers (who I don't care much for, and probably even less now as it would appear they `borrowed' their costume concept from here). I think one of my favorite elements of the film is the music, created by legendary composer Akira Ifukube. It's very distinct, aggressive (as the aliens), and indicates some operatic influences (think of the effectiveness of Wagner's The Ride of the Valkyries and its usage in Francis For Coppola's Apocalypse Now during the helicopter scene). Seems rare to find a composer these days whose music blends in so nicely with the material on the screen.
The picture, in TohoScope (the early Japanese equivalent of widescreen anamorphic), is presented in its original aspect ratio of 2.35:1 (this was one of the first Japanese films to see such a release), and looks wonderful. There are a few scratches present (especially during the air combat sequences), but I sure this will probably blow away any VHS copy you may possess. As for the audio, there are five separate tracks available in English 5.1 Surround, Japanese 5.1 Surround, Japanese Mono, Spanish Mono, a commentary track featuring a moderator and two special effects artists named Koichi Kawakita and Shinji Higuchi (they all speak in Japanese, but there are English subtitles), and finally you can watch the film with music only. Other special features include a photo gallery, design gallery, storyboards, an original trailer, and previews for Matango - Attack of the Mushroom People (1963), Dogora (1964), Varan (1962), Gappa The Triphibian Monster (1967), and One Missed Call (2003).
Cookieman108


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The Miracle (1959) Review

The Miracle (1959)
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Based upon a well known stage production of the same name, this is an unusual film about a postulant nun, who has a life defining decision to make. It is a choice between a secular life and a religious one. Her decision is to have consequences for many.
The film takes place in Spain, sometime in the early nineteenth century. At the Convent of the Valley of Milaflores stands a statue of the Madonna. Legend has it that since the statue has been there, the region has been prosperous. This is the convent where seventeen year old Teresa (Carroll Baker) is a postulant nun. One day, a group of English soldiers, sent to help Spain ward off invasion by the French, come by the convent. Led by young, impossibly handsome Captain Michael Stuart (Roger Moore), who cuts a dashing figure, Teresa falls in love at first sight. He, too, is smitten by her. As luck would have it, they fall in love, and Teresa agrees to meet him in town in order to get married.
Unfortunately, timing is everything. Teresa gets into town just as the French are invading. Believing that Michael has been killed, she leaves to wander about the world, after joining a band of gypsies. In the meantime, the statue of the Madonna literally leaves her pedestal, becoming flesh and blood. No one in the convent knows that Teresa is gone, as the Madonna has taken Teresa's place and assumed her visage.
Meanwhile, Teresa becomes a famous gypsy singer and dancer, traveling around the country and having adventures. Whenever a man falls in love with her, however, the recipe is usually disaster. One day, her faith is renewed, when she gets her dearest wish. She then finds herself making a promise that causes her to find herself back at square one. It is a life defining decision. It is a miracle.
Carroll Baker is unexpectedly moving as the angst ridden young woman. She does a wonderful job with the role of Teresa, as she evolves from an innocent, wide-eyed seventeen year old to a world weary, somewhat bitter, young woman. Roger Moore is a joy to behold as the English Captain, so very handsome is he, and so in love with Teresa. The rest of the supporting cast is equally good, with a stormy, passionate performance by Katina Paxinou as La Roca, Queen of the Gypsies. Vittorio Gassman gives a fine performance as Guido, Teresa's gypsy lover, as does Gustavo Roja with his portrayal of Cordoba, the broodingly handsome and intense matador who loves Teresa. Walter Slezak adds a sly comedic touch as the Spanish gypsy, Flaco, who befriends Teresa.
The only discordant note in the film is the superimposition of Carroll Baker's visage over that of the Madonna, when the statue first becomes flesh and blood. It looks odd due to the fact that the visage is clearly superimposed in a garish yellow color that stands out like a sore thumb. I suspect that the film did not always have this garish superimposition. Other than that, the movie is an enjoyable one for those who like this genre of film. Those viewers who enjoy films such as "The Miracle of Our Lady of Fatima", "Song of Bernadette", and "The Miracle of Marcelino" will, undoubtedly, enjoy this one, as well.

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During the war of 1812, a young nun leaves the convent to search for a series of romantic adventures, and during her journey the statue of the virgin Mary descends from the pedestal and takes the young nun's place until her return.

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Mulan (Disney Gold Classic Collection) (1998) Review

Mulan (Disney Gold Classic Collection) (1998)
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First of all, kudos to Disney for *finally* including a MANDARIN LANGUAGE AUDIO TRACK (the original DVD had French and Spanish- no Chinese). It's about time!!!
Next: I have to emphatically disagree with reviewer Bill Mydo below. -You will excuse me if I spend some little time defending this film against his critique; Mulan happens to be my favorite Disney animated movie, second only perhaps to Beauty and the Beast. Perhaps my being Chinese-American may have something to do with it, as does the fact that I strongly identify with the character's self-doubts. Still, I am fairly particular as to what I consider "good art"; and it boggles and confounds me that anyone would fail to see the difference between this movie and, for example, Hunchback or Hercules.
Yes, Disney's Mulan is very much a western/ American movie, made for western and American- not Asian- audiences. No, they "didn't get it right"; or, not exactly. But I never expected them to, and I give them a good deal of credit for trying. They came quite a bit closer that I ever thought that they would. Nor do I find this movie overly feminist (no more than Snow White or Cinderella are "chauvinist"). Mulan may be a strong female character, but she is not Aladdin's Princess Jasmine. Mulan is not defined by rebellion, nor by what she rejects. Instead she upholds her sense of honor as she struggles to find out who she is and where she fits in. Moreover, in a genre known for its blatant ad nauseum boy-meets-girl love themes, I truly appreciated the downplayed understatedness of the "interest" between Mulan and Captain Shang.
As to the "commercial" aspect of the film; yes, it had its tie-ins and its merchandising. What Disney movie doesn't? But the real issue is the worth of the film itself, and on this I take exception to the review below. I believe there is more in it than Mr. Mydo gives credit for.
The film does have its awkward moments. The scene with the match-maker and Mulan's first entrance into the army camp are both extremely painful to watch- I do not enjoy watching anyone be utterly humiliated- not even a cartoon character (and I do not believe that someone as bright as Mulan would fumble so badly over simply coming up with a new name). I also find it somewhat irksome that one minor character, Mushu the dragon, continually steals attention away from the movie's proper focus. And there are a number of jokes and visual gags that closely border on PG. I found this in somewhat poor taste in a kid's movie.
But these faults are counterbalanced, and more than compensated for, by the scenes that really work. The opening "brush painting" of the Great Wall; Mulan's song (Reflections) and the ensuing scene of loving encouragement from her father; the scene where she decides to leave home; her heart-to-heart talk with Mushu at the abandoned camp in the mountains; the Imperial Palace where she is honored by the Emperor before all China... the sheer artistry of these scenes is breathtaking.
When the Special Edition DVD is released, I intend to be first in line!

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Courage Under Fire (1996) Review

Courage Under Fire (1996)
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The basic plot line of "Courage Under Fire" is that Lt. Col Nathaniel Sterling (Denzel Washington) is investigating an incident during the Gulf War to determine whether or not the Medal of Honor should be awarded to Captain Karen Walden (Meg Ryan). It does not take us long to find out that the title of this film refers to both Sterling and Walden. The initial story on Walden, the pilot of a rescue helicopter, is that she made a spectacular rescue of a downed helicopter crew, then fought off attacking Iraquis after her own copter crashed, dying right before they were rescued themselves. But as Sterling questions the surviving members of Walden's crew, he discovers their various versions do not jive, and he begins to question what is the truth. Moreover, Sterling is haunted by his own actions during the Gulf War, where he was responsible for a "friendly fire" incident that resulted in the death of American soldiers. To complicate matters, Sterling is drinking too much, has grown distant from his family, and is being hounded by a commanding officer who wants the P.R. value of Walden receiving the medal and a reporter who knows something of what happened to the Colonel in Iraq.
"Courage Under Fire" makes excellent use of the "Rashomon" technique, wherein we get to see each person's version of what really happened in Iraq. Sterlings own feelings of guilt and responsibility for what happened in Iraq provide an additional level of depth to the narrative (more so than in Kurosawa's original classic film in fact). Some may find the parallel attempts to find redemption to be somewhat heavy handed, but ultimately the film succeeds because of the solid acting performances. In addition to Washington and Ryan, who knew have a scene together, there are solid performances from Lou Diamond Phillips and a very underweight Matt Damon as surviving members of Walden's crew, Michael Moriarity as the General, Scott Glenn as the reporter, and Regina Taylor as Sterling's wife. Certainly this film is closer to the reality of Desert Storm than "Three Kings," but the main enjoyment here is watching Ryan and her crew do the same lines with totally different meanings because of radical changes in context while Washington tries to find meaning in his own life.

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When Lt. Colonel Nathaniel Serling (Denzel Washington) is asked to review the posthumous candidacy of the first woman (Meg Ryan) to receive a medal of honor, he finds himself plunged into an apparent cover-up surrounding the actions that led to her death. As he struggles to uncover the truth, he also finds himself forced to confront his own tormenting demons. Matt Damon co-stars in this powerful and provocative drama.

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John Wayne DVD Gift Set (The Shootist/ The Sons of Katie Elder/ True Grit/ El Dorado/ The Man Who Shot Liberty Valance) (1965) Review

John Wayne DVD Gift Set (The Shootist/ The Sons of Katie Elder/ True Grit/ El Dorado/ The Man Who Shot Liberty Valance) (1965)
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While a Western 'purist' would certainly prefer seeing a 'dream' boxed set of John Ford/John Wayne's 'Cavalry' trilogy, "Stagecoach", and "The Searchers" released together, the "John Wayne DVD Gift Set" is an excellent collection of some of the Duke's finest westerns from his last two decades.
The classic of the collection is "The Man Who Shot Liberty Valance", John Ford's 1962 'deconstruction' of the genre he'd helped to create. A visually simple, yet deeply layered tale of how a western legend was born, the film echoes Ford's "The Last Hurrah", as well as taking a tongue-in-cheek 'jab' at critics of his more idealized earlier westerns. While Jimmy Stewart, at 55, is far too old to play an idealistic young lawyer, his confrontations with desperado Lee Marvin, and pragmatic (yet ultimately doomed romantic) Wayne are terrific. And don't miss Edmund O'Brien's 'takeoff' on actor Thomas Mitchell, in support...Ford's directorial 'style' was never better than in this remarkable film.
"The Sons of Katie Elder" is an important film in Wayne's career, as it marked his 'comeback' after losing a lung to cancer. While much of his dialogue had to be 'looped', and oxygen was kept nearby throughout the filming, Wayne proved that he could still play an action hero believably. Certainly, he looked all of his 58 years, and the idea of Dean Martin being one of his brothers is farfetched, but when Wayne first appeared on the screen, 1965 film audiences stood and cheered...and his dominating presence still makes the film 'work', today.
"El Dorado" is, if you are unfamiliar with the film, simply a reworking of 1959's Hawks/Wayne classic, "Rio Bravo", but it stands very well on it's own merits, beginning with the terrific chemistry between Wayne and co-star Robert Mitchum. A very young James Caan offers a funny counterpoint to the two veteran stars, and wonderful character actor, Arthur Hunnicutt (who, for trivia fans, played Davy Crockett in 1955's "The Last Command"...thus making this a unique opportunity to see TWO Davy Crocketts in one film!) plays a rustic variation of Walter Brennan from the earlier film. With plenty of Howard Hawks' signature comraderie, the film is very entertaining.
"True Grit" is, of course, John Wayne's Oscar-winning role, as pot-bellied, one-eyed Rooster Cogburn. While many believe Wayne won for his career longevity rather than his performance, the film is, in fact, very entertaining and lyrical, and Wayne's portrayal is the glue that holds it together. Certainly, Glen Campbell offers a less-than-stellar performance, but it is more than compensated for by Kim Darby and Robert Duvall, and Wayne, guns blazing, reins clenched in his teeth, provides an image that has become classic.
Finally, there is "The Shootist", Wayne's final film. Shot as the Duke's health was declining, dramatically, the production was a difficult one, with director Don Siegel struggling to work with the ailing actor (Co-star Ron Howard would say he learned more about directing from this film, than any other). Because of the Duke's fragile condition, many friends took roles at far below their usual salaries to work with him a last time (including James Stewart, Richard Boone, and Lauren Bacall). The finished film is a labor of love, from the "Classic Wayne" film clips that open the story, to the final gunbattle, with Wayne's character, the cancer-ridden John Bernard Books, going out in a blaze of glory. It may not have been among Wayne's 'best' films, but it was certainly a most fitting end to his career.
It's easy to see why this is a worthy Wayne collection to own...But don't take my word for it; buy it, and see for yourself!


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Legendary producer-director Howard Hawks teams with two equally legendary stars, John Wayne and Robert Mitchum, in this classic Western drama. Mitchum plays to perfection an alcoholic but gutsy sheriff who relentlessly battles the dark side of the wild West, ruthless cattle barons and crooked "businessmen." The Duke gives an equally adept performance as the sheriff's old friend who knows his way around a gunfight. Filled with brawling action and humor, El Dorado delivers the goods. James Caan and Ed Asner co-star.Ranking with Stagecoach as one of the greatest of its genre, The Man Who Shot Liberty Valance is the modern-day Western to beat all Westerns. John Ford, whose very name is synonymous with "Westerns," directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and Bad Man: Liberty Valance (Lee Marvin). And as if all that weren't enough, the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super-sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman but the other gets the gal.Afflicted with a terminal illness, John Bernard Brooks (John Wayne), the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler (James Stewart). Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow (Lauren Bacall) and her son (Ron Howard). However, it is not Brook's fate to die in peace, as he becomes embroiled in one last valiant battle.Katie Elder bore four sons. The day she is buried they all return home to Clearwater, Texas, to pay their last respects. John Wayne is the eldest and toughest son, the gunslinger. Tom (Dean Martin) is good with a deck of cards and good with a gun when he has to be. Matt (Earl Holliman) is the quiet one - nobody ever called him yellow...twice. Bud (Michael Anderson, Jr.) is the youngest. Any hope for respectability lies with him. Directed by Henry Hathaway (True Grit), an acknowledged master of the Western, the story has a dual theme: not only is this a he-man's story, but it is also a drama of the maternal influence of Katie Elder, movingly portrayed from beginning to conclusion.In 1970, John Wayne won an Academy Award. for his larger-than-life performance as the drunken, uncouth and totally fearless one-eyed U.S. Marshall, Rooster Cogburn. The cantankerous Rooster is hired by a headstrong young girl (Kim Darby) to find the man who murdered her father and fled with the family savings. When Cogburn's employer insists on accompanying the old gunfighter, sparks fly. And the situation goes from troubled to disastrous when an inexperienced but enthusiastic Texas Ranger (Glen Campbell) joins the party. Laughter and tears punctuate the wild action in this extraordinary Western which features performances by Robert Duvall and Strother Martin.

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Tenchi the Movie - Tenchi Muyo In Love (1996) Review

Tenchi the Movie - Tenchi Muyo In Love (1996)
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I laughed (laughed my brains out, actually)at the antics of Ryoko and Ayeka, I smiled at the gentle romance between Achika and Nobuyuki, and I cried at the bittersweet and ironic ending (if U've seen the movie, U know what I'm talking about). This anime has got to be one of the absolute BEST that I've ever seen. The music complements the story extraordinarily well, the animation quality is befitting any Disney film, and the plot, though simplistic in a sense, is very good. This was the movie that got me hooked on the Tenchi craze, and though I knew of "Tenchi Muyo!" for the longest, I never thought much about it until I saw some of the TV series, and then, this movie. Then, I nearly kicked myself for not jumping into the fray sooner. This is a definite MUST HAVE for any anime Otaku, with a plot that, though in some ways similar, rivals that of El Hazard. Actually, my humble bit of praise doesn't do the movie justice, so all I can say is buy it, and check it out for yourselves. It's good for the Tenchi neophyte, and even better for the anime neophyte. Trust me, folks, it'll draw U in faster than it drew me in! I guarantee, if U see this, then U DEFINITELY won't regret it!

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The merciless criminal Kain has escaped from sub-space where he has been captured! Kain, who was deprived of his freedom by the Jurai royal family and GP (Galaxy Police), has demolished the GP headquarters and attacked the Jurai King. His next target is earth! Around the same time on earth, Tenchi's house has suddenly disappeared. What's even worse is that Tenchi's body is disappearing too! Something must have happened in the past to Tenchi's mother, Achika! So the gang must now leave for a journey to the year 1970.

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Ewan McGregor & Charley Boorman: Long Way Round - Special Edition (2004) Review

Ewan McGregor and Charley Boorman: Long Way Round - Special Edition (2004)
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I love this show and highly recommend it to pretty much everyone who has the travelling bug. I would have given it 5 stars based on the merits of the show alone...EXCEPT saying that this is "uncut" is misleading. In fact, the DVD producers will be "double-dipping" later in 2006.
It is important to note that they released a longer special edition of this show on DVD in the UK last week. So now there are actually 10 extended episodes of this show that are available as a three disc set everywhere else in the world except North America at this point in time.
The region one disc being released in North America in December 2005 only has 7 episodes (on two discs). They are planning to release this 10 episode version later in 2006.
If this doesn't faze you, and you need to get this NOW then I still think you'll enjoy the heck out of the 7 episode version.
However, if you can hold out for the 10 episode version (or buy the PAL version from Amazon UK), then I'd strongly advise you to do that instead.
Consider this fair warning!

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NTSC/Region 0. Ewan McGregor and Charley Boorman begin a twenty thousand mile trip by motorcycle around the world, travelling through Europe, Mongolia and Canada. Seven one hour episodes. Long Way Round documents the adventures of film stars Ewan McGregor (Trainspotting, Moulin Rouge, Star Wars) and Charley Boorman on their 20,000 mile motor bike trip around the world. Departing from London on 14th April 2004 the pair travelled through Europe, Ukraine, Russia, Kazakhstan, Mongolia, Siberia, Alaska, Canada arriving in the USA just over 3 months later. Along the way the intrepid pair encountered Kalashnikov-toting gangsters and extreme cuisine, survived numerous motorised scrapes often whilst traversing non existent roads days from the nearest hospital and found themselves alarmingly close to a hungry grizzly bear. They arrived at their final destination, New York, on 29th July and this DVD release tells the story from the eyes of the two film stars. EMI.

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The Christmas Miracle of Jonathan Toomey (2007) Review

The Christmas Miracle of Jonathan Toomey (2007)
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The Christmas Miracle of Jonathan Toomey is a beautiful rendition which stays true to the spirit and story of the book -- which doesn't always happen when stories are translated from one medium to another. There are a few slight differences which do not detract from the story in any way:
--- in the book, the creche belonged to the widow, and had been carved by her grandfather.
--- in the movie, it was given to Thomas by his father, who dies in the war.
Another difference is in the book, we never learn how the widow "got" that way, in the movie there is some backstory development showing the father in uniform heading off to war, etc.
What is the same is that its a story of kindness, love and miracles. Time spent with either version of this story will be time well spent.

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"The Christmas Miracle of Jonathan Toomey" is a story of love, redemption and above all, hope.When a broken hearted boy loses the treasured wooden nativity set that links him to his dead father, his worried mother persuades a reclusive, ill-tempered woodcarver to create a replacement, and to allow her son to watch him carve it. The commission takes their relationship to unexpected places as the young boy makes greater and more difficult demands of the woodcarver’s ability, and as Christmas approaches, the three of them struggle to come to terms with each other, their painful memories and the process of putting their unhappiness behind them. Outstanding performances, stunning CGI visuals and a brilliant score make this compelling, funny and ultimately, very moving adaptation of one of America’s most loved and award winning children’s books a must-see family movie experience.

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Under Siege 2: Dark Territory (Snap Case) (1995) Review

Under Siege 2: Dark Territory (Snap Case) (1995)
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Most movie sequels I've seen were bad remakes of the original. But UNDER SIEGE 2: DARK TERRITORY delivers some excitment, holding your attention.
Steven Seagal reprises his rule as the Navy cook/martial arts champion serving knuckle sandwiches to hijackers who take over a train. Seagal's in top John Wayne form, speaking slowly and softly and not saying too much. And as in the first film, he's at times funny, with one wisecrack you won't forget. ...
Eric Bogosian adds flavor as a slimey villain, another reason UNDER SIEGE 2 rises above the average sequel. Bogosian matches the high-energy performance he gave several years ago in the movie TALK RADIO.
Is it a Hollywood law to cast women as only sex objects or victims? Katherine Heigl fills the role of the latter in UNDER SIEGE 2. Despite her good looks, she plays Steven Seagal's niece - not his love interest. I suppose that's something you would not predict. But sure enough, the villains capture Ms. Heigl and it's up to Uncle Steve to save her pretty little head.
See UNDER SIEGE 2: DARK TERRITORY. It's a cut above both action flicks and sequels.

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AN ELECTRONIC WIZ AND HIS MILITIA HAVE SEIZED A SLEEK PASSENGER TRAIN AND TURNED IT INTO A ROLLING COMMAND CENTER FOR ANAWESOME WEAPONS SATELLITE. BUT THE HIJACKERS DIDN'T COUNT ONONE THING, ONE OF THE PASSENGERS IS EX-NAVY SEAL CASEY RYBACK.

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Vintage Erotica (Burlesque Edition) Vol. 2 Review

Vintage Erotica (Burlesque Edition) Vol. 2
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Vintage Erotica (Burlesque Edition) Vol. 2 is a fantastic second installment of Triad Productions Vintage Erotica series. Revisit American Erotica Cinema's Age of Innocence... Male fascination with erotica is probably as old as intelligent human life. The invention of cinematography was, of course, a giant stride forward. Before World War II, "stag films" were already a popular and firmly entrenched underground entertainment genre.
This collection contains some of the Stag Film Era's greats:
Two Bells for Virginia - The famous Virginia "Ding Dong" Bell with her amazing 48-24-36 measurements. Virginia Belle's 48 inch bust is amazing. In this clip, she dances to La Traviata.
Sandra Storm - Big busted with great rhinestone tassels, Sandra Storm strips to near nudity.
Scarlett Knight - Petite brunette with a cute bust.
And many more...

Bonus:
The compilation also includes Perversion for Profit, a 1965 propaganda film financed by Charles Keating and narrated by George Putnam. Taking an anti-pornography stance, the film attempts to link explicit portrayals of human sexuality to the subversion of American civilization, and briefly draws a parallel between pornography and the Communist conspiracy. Perversion for Profit illustrates its claims with still images taken from various soft core pornography magazines of the period.

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Vintage Erotica (Burlesque Edition) Vol. 2 is a fantastic second installment of Triad Productions Vintage Erotica series. Revisit American Erotica Cinema's Age of Innocence... Male fascination with erotica is probably as old as intelligent human life. The invention of cinematography was, of course, a giant stride forward. Before World War II, stag film were already a popular and firmly entrenched underground entertainment genre.This collection contains some of the Stag Film Era's greats:Two Bells for Virginia - The famous Virginia Belle with her amazing 48-24-36 measurements. Virginia Belle's 48 inch bust is amazing. In this clip, she dances to La Traviata.Sandra Storm - Big busted with great rhinestone tassels, Sandra Storm strips to near nudity.Scarlett Knight - Petite brunette with a cute bust.And many more... Bonus:The compilation also includes Perversion for Profit, a 1965 propaganda film financed by Charles Keating and narrated by George Putnam. Taking an anti-pornography stance, the film attempts to link explicit portrayals of human sexuality to the subversion of American civilization, and briefly draws a parallel between pornography and the Communist conspiracy. Perversion for Profit illustrates its claims with still images taken from various soft core pornography magazines of the period.

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Beau Geste (1939) Review

Beau Geste  (1939)
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"Beau Geste" is a magnificent adventure story for any age group and the 1939 version, Mr. Maltin's opinion not withstanding, is probably the best version of this tale I have ever seen. The cast is top-notch and the action never wavers. This is a film that I grew up with and it is one that can withstand the years. Above all, it is so much better than the 1966 version--please see this incredible film!

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Jackie Chan Fantasy Mission Force (1984) Review

Jackie Chan Fantasy Mission Force  (1984)
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Like I said above, this movie just has to be seen to be believed. I can't really describe it, except to say that it features some of the oddest situations and visuals I've ever seen in any movie. It's supposed to take place during WWII, but features old beat up 1970's chevy's (being ridden chariot style by Nazis!), Scottish UN Troops, and references to James Bond and Rambo.
Visually, the characters are almost comic book in appearance. Apart from the Scottish UN Troops in Kilts and Chrome helmets (this is a good place to point out that this film has an all chinese cast), we have a soiler, a hobo, a woman in tight black leather, and Wayne Newton.
The dubbing is laughibly atrocious. At one point, they refer to prisoners being taken to Tokyo, while pointing at a map of Europe! But that's part of this films goofy charm.
This is not really a Jackie Chan movie, though. He has a small supporting role and does little of his trademark fighting. It's one of those films that have been released to cash in on his name. But don't let that stop you. Overall, this movie is a total riot! It's the kind of movie that will make you miss the glory days of MST3K. Watch it with friends and have your own MST evening!
NOTE: If all you like are "normal" movies, stay away.

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The Jewel in the Crown (1984) Review

The Jewel in the Crown (1984)
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This DVD set is a real heartbreaker!
The Jewel in the Crown is absolutely one of historic the highlights of "quality" television. An absolutely arresting story. Wonderful script, wonderful acting, etc. I can't add anything on that count to the reviews already here.
That makes the TERRIBLE quality of the DVD transfer all the more disappointing. This set has literally the WORST video quality I have ever seen on a DVD! Murky, muddy picture with visible scratches and dirt on the film. The soundtrack is a little better. On my home theater setup it sounds like its coming over a half-decent clock radio. Seriously, the picture looks like they took an old VHS tape of the show and just ran it through a disc burner.
No, I don't expect blockbuster quality from an 30-year old BBC film, but I would have expected something more like the recent DVD set of Elizabeth R, which is quite watchable.
Sadly, this is almost surely the only DVD we'll ever see of this marvelous series. I'm going to rent the old tapes of this. They might easily be better. If not, I guess this is what we're all stuck with.

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Studio: A&e Home VideoRelease Date: 03/27/2001Run time: 750 minutesRating: Nr

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