Showing posts with label love. Show all posts
Showing posts with label love. Show all posts

The Christmas Miracle of Jonathan Toomey (2007) Review

The Christmas Miracle of Jonathan Toomey (2007)
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The Christmas Miracle of Jonathan Toomey is a beautiful rendition which stays true to the spirit and story of the book -- which doesn't always happen when stories are translated from one medium to another. There are a few slight differences which do not detract from the story in any way:
--- in the book, the creche belonged to the widow, and had been carved by her grandfather.
--- in the movie, it was given to Thomas by his father, who dies in the war.
Another difference is in the book, we never learn how the widow "got" that way, in the movie there is some backstory development showing the father in uniform heading off to war, etc.
What is the same is that its a story of kindness, love and miracles. Time spent with either version of this story will be time well spent.

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"The Christmas Miracle of Jonathan Toomey" is a story of love, redemption and above all, hope.When a broken hearted boy loses the treasured wooden nativity set that links him to his dead father, his worried mother persuades a reclusive, ill-tempered woodcarver to create a replacement, and to allow her son to watch him carve it. The commission takes their relationship to unexpected places as the young boy makes greater and more difficult demands of the woodcarver’s ability, and as Christmas approaches, the three of them struggle to come to terms with each other, their painful memories and the process of putting their unhappiness behind them. Outstanding performances, stunning CGI visuals and a brilliant score make this compelling, funny and ultimately, very moving adaptation of one of America’s most loved and award winning children’s books a must-see family movie experience.

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The Sisterhood of the Traveling Pants 2 (Widescreen Edition) (2008) Review

The Sisterhood of the Traveling Pants 2 (Widescreen Edition) (2008)
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The impression that "The Sisterhood of the Traveling Pants 2" gives is that it's a bubbly, bright, and--for all intents and purposes--meaningless sequel to the first film. To my relief, it follows the example set by its predecessor, a surprisingly levelheaded friendship story. Four years after discovering a magically fitting pair of jeans, best friends Tibby Tomko-Rollins (Amber Tamblyn), Carmen Lowell (America Ferrera), Lena Kaligaris (Alexis Bledel), and Bridget Vreeland (Blake Lively) have returned for a second chapter that remains on perfectly equal ground with the first, focusing on coming-of-age issues like maturity, self-discovery, family, and love. Unoriginal ideas? Maybe so, but that doesn't mean they're any less effective. If anything, they make the film's message that much clearer. It helps that many of the girls' problems are based in reality--high school issues, like being pretty and popular, are pushed aside in favor of adult issues, like pregnancy scares and family crises.
If there's anything we learned from the first film, it's that the magic of the titular jeans was symbolic; by in large, the girls worked through their own ups and downs on their own, with no miraculous intervention other than their friendship with one another. We learn pretty much the same thing in this film, which sees each character facing new, more mature challenges. Let's begin with Carmen, who doubles as the film's bookend narrator. She now attends Yale, working as a stagehand for the theatre department. Her mother (Rachel Ticotin) has since remarried and is now pregnant with her second child. When Carmen's hopes of spending the summer with her friends are dashed, she decides to join a Shakespearian theater company in Vermont with a prima donna named Julia (Rachel Nichols). Once there, a British actor named Ian (Tom Wisdom) coaxes Carmen into auditioning for "A Winter's Tale"; to her shock--and to Julia's horror--she's cast as Perdita. As rehearsals continue, she begins to fall in love with Ian.
Next, there's Bridget, who plays Soccer at Brown University. Lately, her interests have shifted to archeology. While on an expedition in Turkey, her instructor, Professor Nasrin Mehani (Shohreh Aghdashloo), opens her eyes to the fact that she's only running away from her past. Bridget, it seems, is still haunted by the suicide of her mother. And her relationship with her father (Ernie Lively) is worse than ever; before leaving for Turkey, she discovered a box full of letters her grandmother had written her, letters her father wanted to keep hidden. Returning to the United States, Bridget takes a bus to Alabama and finally meets her grandmother, Greta (Blythe Danner), an accommodating woman with a matter-of-fact outlook on everything, including her daughter's mental illness.
The next in line is Tibby, who continues to pursue her filmmaking dreams at NYU. Forced to stay in New York for the summer to rewrite her screenplay, she gets a job at a local video store. She's now dating Brian McBrian (Leonardo Nam), who was introduced in the first film as the "Dragon's Lair" champion. When their relationship is threatened (for reasons I won't reveal), Tibby begins to wonder if she was meant for happiness. She does put up a wall every time she gets close to someone, and that's because, deep down, she believes that those you love the most will eventually abandon you. Her attempts to get sympathy from Carmen are flatly rejected; she doesn't appreciate how uncommunicative Tibby has been all summer.
Finally, there's Lena, who attends an art college in Rhode Island on a scholarship. Heartbroken after breaking up with her Greek boyfriend, Kostos (Michael Rady), she reverts to her old timid ways. She then meets Leo (Jesse Williams), the male model hired to pose nude in her art classes. It isn't long before they fall in love, although we suspect it's for all the wrong reasons. All she really knows about Leo is that he's a nice guy, and he's incredibly handsome. But does she know what she wants out of life? Does she even know who she is? How can know she when she's torn between two men?
Naturally, the pants themselves have to play a part in this story, and indeed, they're continually FedEx-ed from friend to friend. The question is: Do any of them need the pants anymore? You'd think that, at this point, a pair of old jeans traveling the world would reveal itself as a big metaphor. They may realize that by the time the film ends. I'm not entirely sure, though.
Moments of this movie are perhaps a little too sentimental, and the general plot may be a little too formulaic. At times, the dialogue is a bit contrived. Consider this conversation: When Tibby says drearily, "I suck at relationships. I should have been a guy," Lena calmly responds, "A guy wouldn't care about sucking at relationships." Only best friends in a coming-of-age story could get away with lines like that. Then again, I never expected a reinvention of the wheel. Movies like "The Sisterhood of the Traveling Pants 2"--and its predecessor--are aimed at a very specific audience, namely teenage girls; if they can get something out of it other than the sight of four young women looking pretty, if they can leave the theater understanding the more complex aspects of the story, then the filmmakers can include all the predictable dialogue they want. I think this movie will get the job done, not merely for teenage girls, but for anyone open to the idea.

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Join the four best friends as they finish their first year of college and dive into a summer of excitement. Bridget (Blake Lively) journeys to Turkey on an archeological dig. Carmen (America Ferrera) plunges into the hectic, creative world of summer theater in Vermont. Lena (Alexis Bledel) discovers new love and old heartbreak at the Rhode Island School of Design. And in the Big Apple, Tibby (Amber Tamblyn) takes a big step in her relationship with Brian. Romance, laughs, tears and that magical pair of jeans that keeps the girls together even when theyre far apart all here in a heart-lifting second film based on Ann Brashares bestsellers. Its a perfect fit.

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Doctor Zhivago (TV Miniseries) (2003) Review

Doctor Zhivago (TV Miniseries) (2003)
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It may be somewhat sacrilegious to admit this, but I actually prefer this production to the David Lean classic. That is an admission however that I do not take lightly, the Lean version having left an indelible impression on my younger life and the beautiful Lara's Theme having haunted me since I first saw the original version on television back in the 1980s.
No, when I sat down to watch this 2002 adaptation of the Boris Pasternak epic I was all prepared to be both disappointed and resistant to a newer version of the Omar Sharif/Julie Christie favorite - so what happened? Why am I now sitting here so impressed and involved in what should by all accounts be a poorer step child to the colorful, star-filled 1960s movie.
Simply put this movie has the advantage of time. A whole hour longer than the other movie that extra time gives the production of filling in some of the blanks that inhabited the original and more fully exploring the human relationships and interaction between characters. Matheson may not have the acting ability of Sharif but what he does have is the opportunity to more fully realize the character of Zhivago. In this sense this movie is more faithful to the source material and all the better for it.
Matheson plays the part of Zhivago, a man brought up in the shadow of tragedy who feels the pull of loyalty to his wife (and childhood friend) Tonya and a deep infatuation for Lara. With the violence of World War I and the Russian Revolution as a backdrop, Zhivago travels through life torn by conflict.
Less colorful than the original this mini-series compensates with a strong, well defined script and some star turning peformances by Sam Neill and one-time Bond girl Maryam D'Abo (as Lara's mother). Many have also dismissed Keira Knightley in her role as Lara, but I found her both competent and powerful in the role. I found myself both involved in her story and convinced by her portrayal - she was certainly a different Lara than the one depicted by Christie some four decades ago, but one no less realized or compelling. In fact, I would go as far as to say that Knightley's Lara is a more rounded character than Christie's, no doubt due to Knightley's impressive screen presence, but also the longer screentime afforded to her character.
One device I found both clever and interesting was real archive footage from the period that is woven into the story in a fascinating manner.
Included on this DVD is a text biography of author Boris Pasternak as well as over an hour of interviews with the cast. Prepared to be surprised by this DVD and be prepared to fall in love with a whole new version of the DOCTOR ZHIVAGO story.

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DOCTOR ZHIVAGO A man torn between two women amid the chaos and brutality of the Russian Revolution One of the world’s most famous love stories and half a century of Russian history come to life in this adaptation of Pasternak’s masterpiece by celebrated screenwriter Andrew Davies (Bridget Jones’s Diary, Pride and Prejudice). War and revolution bring poet and physician Yury Zhivago (Hans Matheson) together with the beautiful Lara (Keira Knightley), his muse and all-consuming passion. But both are haunted--Yury by guilt over his betrayal of Tonya, his beloved wife, and Lara by fear of Komarovsky (Sam Neill), the powerful man who means to have her any way he can. DVD SPECIAL FEATURES INCLUDE 70 minutes of cast and crew interviews, photo gallery, filmographies, Boris Pasternak biography, English subtitles. Complete UK broadcast edition RECOMMENDED FOR MATURE AUDIENCES

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Helen of Troy (1956) Review

Helen of Troy (1956)
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This is my favorite movie version of the story of Helen of Troy. It's more melodramatic and theatrical than the recent cable TV miniseries, but it is faster paced and has a grandeur and fascination with Greek mythology lacking in that version. At least Cassandra is Kassandra in this film - she's endowed with the gift of prophecy, yet no one believes her until it's too late. Then again, many other mythological details are sacrificed for simplicity's sake.
In the role of Helen, Rossana Podesta is radiantly beautiful. She indeed has the face that could launch a thousand ships. And the Paris of Jacques Sernas is nearly as beautiful as his beloved. Their passion is believable, if a tad overblown. The rest of cast is good too, especially the Priam of Sir Cedric Hardwick, Achilles of Stanley Baker and Odysseus of Torin Thatcher. Although the Trojan War occured during Mycenaean times, most of the set designs and costumes appear to use Classical Greece as the model, and to very good effect, for it gives the movie a nobility lacking in the more recent version. It's all pure Hollywood and many liberties have been taken. The spectacular scenery, great matte work and action sequences nevertheless make for a very entertaining movie. So where's the DVD?

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Homer's Illiad surges to the screen in Helen Of Troy, from the '50s heyday of big-screen spectaculars. Robert Wise (Westside Story, The Sound Of Music) directs this lavish epic capturing some 30,000 people on screen at a then huge cost of $6 million.

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Pure Country/Honeysuckle Rose (1980) Review

Pure Country/Honeysuckle Rose (1980)
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My family and I love Pure Country. It is a simple and pleasurable movie with a predictable but delightful ending. While George Strait is not an A-List actor, he gives a solid performance. Besides, his list of lifetime accomplishments far outweigh most actors 10 fold.
Honeysuckle Rose is just packed with Willie Nelson tunes. While Nelson is also not an A-List actor, Amy Irving and Dyan Cannon certainly fit the bill. I'm partial to "Song For You", a tune Willie sings at the end of the movie. And, practically stealing the show is veteran character actor Slim Pickens, who comically swears with flair making "Honeysuckle" a "sweet" affair.

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They're singing the songs...and living them. George Strait already had 25 chart-topping hits when he made his film debut in Pure Country (Side A). He plays Dusty, who ditches his superstar C&W career to rediscover his simple roots...and finds that the simple life can be complex when his manager (Lesley Ann Warren) retaliates. Next, in another savvy, song-filled slice of the performing life, Willie Nelson is On the Road Again for a film that's not autobiographical yet knows its highways and byways well. Dyan Cannon, Amy Irving and Slim Pickens join Nelson in a film that has the knack for providing the right song at the right time. Get on the bus. With Honeysuckle Rose (Side B) marking its DVD Debut, you can't help but go places.

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The Fountain (Widescreen Edition) (2006) Review

The Fountain (Widescreen Edition) (2006)
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I was utterly moved to tears by this film. The Fountain is a breathtaking sentimental masterpiece in the vein of 2001: A Space Odyssey [Blu-ray] as it boldly seeks to answer the great mysteries of life, love, death and re-birth transgressing the metaphysical boundaries of the universe. It's epic non-linear narrative spans the centuries with Hugh Jackman delivering an absolutely unforgettable performance as Tomas, a Spanish Conquistador in the 16th century who pledges his loyalty to Queen Isabella (Rachel Weisz) to find the mythical Tree of Life so that Spain will hold the key to the Fourth Paradise, Immortality, denounced as heresy by the Grand Inquisitor. Tomas' quest is interleaved between three converging narratives across time and space. As a modern-day neurosurgeon, Tomas struggles to find a cure for a tumorous disease that threatens the mortality of his beloved wife Izzi who is writing a fable called "The Fountain" chronicling the odyssey of their 16th century quest which can be interpreted as either a fictitious or biographical account of Tomas and Izzi's lives who have endured the centuries together or simply as mythical characterizations of Izzi's unfinished allegorical manuscript symbolizing her husband's obsessive quest to find a cure for her terminal ailment that she has left for him to finish (the past representing Izzi's tale and the future representing Tomas' as he struggles to "finish it") both of which could be argued with equal measure. One of the beauties of The Fountain is its open-ended narrative construct left to speculation and interpretation and can be viewed from entirely different perspectives with each consecutive viewing. Tomas' quest ultimately takes him to the distant 26th century where he has projected himself and the dying Tree of Life across the great void of space in a transcendental bubble to reach Xibalba, the name of the Mayan underworld given to a dying nebula that brings the creation of new life from the wake of its destruction like the yin and yang of the cosmos beyond the confines of this mortal coil. "Our bodies are prisons for our souls. All flesh decays... death turns all to ash. And thus, death frees every soul... "
Darren Aronofsky's poetic film blossoms with rich cultural, biblical, mythical and spiritual imagery that speak the common language spoken by all religions and cultures that have asked the boldest philosophical questions about our place in the universe since time immemorial. For anyone who has ever looked to the heavens and stared in the face of mortality and beyond, The Fountain holds all of the answers to life like a profound epiphany radiating from the heavens. Drink from The Fountain and achieve the knowledge of truth and spiritual enlightenment on the road to Awe. One of the truly great cinematic masterpieces of this century and last, The Fountain will transcend the test of time and eternity.

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Yesterday, today, tomorrow. Past, present, future. Through time and space, one man embarks on a bold 1000-year odyssey to defeat humankind's most indomitable foe: Death. Hugh Jackman plays that man, devoted to one woman (Rachel Weisz) and determined to protect her from forces that threaten her existence. His quest leads him to a Tree of Life...and to an adventure into eternity. Darren Aronofsky (Pi, Requiem for a Dream) directs, continuing his string of imaginative, involving filmmaking with a tale alive with ideas and filled with astonishing vistas. "Not many films can blow your mind and break your heart at the same time, but this one will" (Drew McWeeny, Ain't It Cool News).

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A Summer Place (1959) Review

A Summer Place (1959)
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What can one say about this film. I consider this Delmer Daves' masterpiece. It was the first of four productions that teamed Daves and Troy Donahue (Parrish, Susan Slade and Rome Adventure followed).Troy Donahue was never noted for any great acting prowess, but he did represent the last breed of the innocent clean-cut naive teenager. This was Donahue's strong point and Daves used that persona expertly and effectively to extract the longing for the eternal youthful spirit in all of us. That is why this film is so viewable to this day. To paraphrase Richard Egan's character in the film: Our only purpose is to love and be loved. That is what this film is all about. Visually it is breathtakingly and lushly photographed by Harry Stradling. The dialog is juxtaposed between crisp witty cynicism at times and then beautiful tender passages of poetic expressions of love. The Max Steiner score and love theme have become interwoven into our everyday society as effectively as they mirrored the emotions of the characters in this film. The story at its most basic level is one of adultery and teenage love canvassed on an island on the Maine coast. However, the motivations and the ramifications of the characters' actions run much deeper. The expert cast includes Richard Egan, Dorothy McGuire, Sandra Dee, Constance Ford, Beulah Bondi and the actors' actor Arthur Kennedy. This film was based on the Sloan Wilson novel. This is one of my favorite films. I highly recommend it. The VHS copy is very good.

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Illicit romance take center stage when a wealthy family set off for a summer seaside vacation.

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P.S. I Love You (2007) Review

P.S. I Love You (2007)
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Marketing P.S. I LOVE YOU was a hit/miss situation. The general trailer and the billboards seem to set the audience up for a sappy tearjerker. But happily what happens in this film is not the expected 'widowed person communicating with the dead love out of failure to get on with life' tale, but instead a look into the importance of friendship, family, and adjusting to the incomparable loss. Credit the original novel by Cecelia Ahern as adapted for the screen by Steven Rogers writer/director Richard LaGravenese for making what so easily have been a sappy, maudlin, whining tale into a touching one of human emotions with a sense of reality mixed with a mildly implausible situation, and a series of character studies that emphasize the importance of support in the time of grief.
Holly (Hilary Swank) and Gerry (Gerard Butler) Kennedy are a married couple with goals and frustrations and a huge dollop of passionate love, surrounded by friends and family. The tragedy happens just as the movie starts: Gerry has died of a brain tumor leaving the copeless Holly alone with her memories and self-inflicted regrets. But Gerry, knowing he was a terminal patient, devised his own plan to help Holly through that first year of grief: he left letters in various forms and places, advising Holly how to learn about his family and how to get on with life. Holly's mother (Kathy Bates) owns a bar and has supported her little family since Holly's father deserted his family years ago. In the bar is another injured soul named Daniel (Harry Connick Jr.) who fancies Holly but realizes she is far from ready to think about dating. Holly's friends Denise (Lisa Kudrow) and Sharon (Gina Gershon) accompany Holly to Gerry's pre-planned trip to his home in Ireland to meet the in-laws Holly never knew. While in Ireland Holly reminisces on the magic of first meeting Gerry, meets Gerry's parents as well as Gerry's best friend William (Jeffrey Dean Morgan) and through it all manages to appreciate the gift of PS I Love You letters and reminders Gerry has left for her. And she ultimately finds closure to her loss.
The cast is strong and makes these at times strained characters into lovable people: Hilary Swank has made a successful entrance into the feminine lead role and is balanced to perfection by Butler, Morgan, Connick, Bates, Kudrow and Gershon. They make the implausible plausible and deliver a love story that goes beyond the level of superficial to join the ranks of warm and tender memorable slices of life. It is surprisingly good! Grady Harp, May 08

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Buy a new outfit. Be a disco diva. Learn to fish. Take a chance. Travel. Laugh. Love. Sometimes all you need to start really living is a little shove in the right direction – and that’s just what Holly Kennedy gets. From the handsome, big-hearted love of her life. From a series of mysterious letters. And from gal pals who know that a friend in need is a friend in need of some laughs! Based on Cecelia Ahern’s joyful bestseller and boasting a top cast led by two-time Academy Award® winner* Hilary Swank and Gerard Butler (300), P.S. I Love You is your very own message full of fun, love, triumph and romance. Open it now. (P.S. You’ll love it!)

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The Notebook (2004) Review

The Notebook (2004)
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THE NOTEBOOK has long been my favorite of Nicholas Sparks' many books, so it is a happy surprise to me that the wonderful story transferred to the big screen with all the sweetness, warmth, and tenderness that made the book a runaway best seller.
The best part of this movie was the incredible chemistry between Rachel McAdams and Ryan Gosling as the young lovers Allie and Noah. Their story was told by an elderly couple in a nursing home. James Garner and Gena Rowlands were outstanding as the devoted "Duke" and the woman with irreversible dementia. As Duke recounted the story of Allie and Noah from the notebook he carried with him, the lady's memory began to come back and she could remember.
The movie always changes the book but the one major change (the ending) which had the audience letting out a collective gasp and reaching for the nearest tissue was, in my opinion, really good even if it was pure Hollywood melodrama.
Why does a movie like THE NOTEBOOK appeal to so many? Is it that every woman longs for a man who loves as deeply as Noah? Is it that every one wants a love that transcends all problems---those of class, education, family objection----and lasts forever? Or just maybe in a world of high-tech gizmos and high security alerts, it's nice to get back to basics with a really good love story....and this is definitely that.

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Behind every great love is a great story. Two teenagers from opposite sides of the tracks fall in love during one summer together, but are tragically forced apart. When they reunite 7 years later, their passionate romance is rekindled, forcing one of them to choose between true love and class order.

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Origin - Spirits of the Past: The Movie Review

Origin - Spirits of the Past: The Movie
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reading the mediocre reviews here at amazon for this anime really had me questioning my purchase, but i am glad to say i really enjoyed my 'origin' experience. i just didn't watch it thinking "well...this has all been done before"....it was more like "ahhh that's really cool and a creative way at looking at the future", and the 'feel' of the film is very nice. sorta laid back with no outragous child-tantrum moments most anime's seem to be plagued with. english voice acting was great, music was great, the whole thing was just great and really really well drawn. very vibrant and clean colors, textures were excellent. i don't regret this purchase at all.

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Ages past the Forest was awakened and the Moon unleashed a ravenous Beast upon the Earth. Man cowered in fear...Three hundred years later the landscape of the world has been drastically rewritten. The remnants of humanity are divided as never before. Half seek a tenuous coexistence with the Forest half seek to dominate and subdue that which they cannot understand.Agito the son of an aged hero inadvertently sets in motion the destruction of all that is left when he revives the young Toola from her timeless slumber. Unable to reconcile life as she once knew it from the world as it is now Toola calls forth ancient technology to reshape the future from the ashes of the past. With the blessing of the Forest Agito must first save the girl from herself in order to rescue them all.

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Pearl Harbor Review

Pearl Harbor
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This movie was definitely one to show off the Blu-Ray format, but some corporate genius decided not to pay MS royalties for the use of VC-1, and they went with MPEG2 again on PH. Unless you have the sharpness dialed down on your set, or a 720p display blocking can be seen on this title pretty easily. If you're not sensitive to it then you're lucky. It comes through looking almost like a second layer of grain, but not the very fine grain of good film we're used to. I know some films are intentionally grainy, but rather than error diffusion (like real grain) this movie exhibits patterned grain. It is an artifact of MPEG2 block in motion.
Titles released on Blu-Ray in VC1 encoding have proven how much better they can look. Why won't they maximize the potential of the format already?

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History comes alive in the unforgettable motion picture PEARL HARBOR, the spectacular blockbuster brought to the screen by Jerry Bruckheimer and Michael Bay. Experience the groundbreaking special effects that place you at the center of one of the watershed events of the twentieth century, presented for the first time through the magic of Blu-ray Disc® technology! Ben Affleck, Josh Hartnett and Kate Beckinsale star in this real-life tale of catastrophic defeat, heroic victory, personal courage and sacrifice. See the battle as never before in 1080p high definition, while the astonishing 5.1 48 kHz, 24-bit uncompressed audio will make you feel as though you're in the cockpit of your own fighter plane. The unparalleled realism of Blu-ray Disc® technology delivers a breathtaking reenactment of the "date which will live in infamy."

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