Showing posts with label coming of age. Show all posts
Showing posts with label coming of age. Show all posts

Wild America (Snap Case) (1997) Review

Wild America (Snap Case) (1997)
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I think the title kind of explains it all really. Three guys going off into the wild of America, on a mission to find a cave filled with a thousand bears, although being told that they sleep alone, the boys don't believe anyone, find the cave, and have loads of adventures along the way!! Jonathan Taylor Thomas played a great part in this movie and he really narrated it well too! As I live in the UK, I was lucky enough to see it while I was in America, I'd always liked Jonathan and Devon's films, and this was another one I HAD TO HAVE!!! I would also say that this is a great film for all the family, only recently has it been released in the UK, but I bought it in America, luckily I have an international VCR. This film is way cool. I would really reccommend it.

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Based on the true story of the daredevil Stouffer brothers, "Wild America."DVD Features:Production NotesTheatrical Trailer


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My Dog Skip (2000) Review

My Dog Skip (2000)
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I didn't watch the movie in the theater because I figured that it's one of those children movies and I probably won't enjoy it. After reading about three reviews on Amazon.com and the good reviews from the viewers (dog lovers) out there, I had to give it a try.
My wife and myself watched the movie with our two dogs sitting next to us. We love our dogs but I wanted to watch the movie not because of the story of a boy and his dog (I could have watched "Ben") but because I wanted to see this touching story and the relationship one has with their pets, that's what I was interested in.
After we were done watching, we were both in tears. I looked at my two dogs and it reminded me of how much these pets are a part of our lives. The storyline of a kid who is bullied and how his dog helps him through his young life and eventually gains friends to the last 15 minutes which will nearly shatter your heart. An emotional roller coaster this movie turned out to be.
Ok...as for the DVD, the audio is mostly dialogue but the rear speakers are used pretty well.Especially during the baseball game. The video is clear and the colors are good.As for the special features, you get two feature-length audio commentaries. One with Frankie Muniz and animal trainer Mathilde DeCagney and the other with director Jay Russell. It was cool to see the deleted scenes and part of me wishes they left it in and I wish the director elaborated why he removed them from the movie. And of course, the ever loveable trailer and scene selections which I don't count as special features (all DVD's should have those).
All in all, "My Dog Skip" is a wonderful movie. I recommend this movie to all dog lovers. Those who dislike canines or any pets would probably not watch this movie anyway... Highly recommended for the dog loving fans out there and remember to have the tissue box nearby.

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The Outsiders: The Complete Novel (1983) Review

The Outsiders: The Complete Novel (1983)
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Coppola's original version was quite faithful to Hinton's book and this new edit is even more so. He has put back in 22 more minutes, most noticeably at the beginning and end of the movie. This new footage opens up the film more. We are introduced to the greasers much earlier on now that Coppola isn't reigned in by the dictates of test screenings. He is able to take the time to immerse the audience in this richly textured world shot in glorious widescreen by Stephen Burum who adopts a look that evokes another epic about troubled youth, Rebel Without A Cause (1955). The film is drenched in the golden hues of warm sunrises and sunsets like something right out of Gone with the Wind (1939).
Another significant change has Coppola replacing all of his father's beautiful, classical score in favour of period rock `n' roll music. In some cases, like the opening scene where Ponyboy is jumped by some Socs, it works and in others, like the whimsical surf music that plays over the scene where the Socs jump Johnny and Ponyboy, it feels awkward and out of place. Part of the film's original charm was its moments of `50s style melodrama, as epitomized by the film's orchestral soundtrack, and this diminished by the newly inserted period music that could be right out of an episode of Crime Story. Hinton's books are timeless with their universal themes and the original music reflected that. This new music, while accurate for its time period, contributes to a loss of some of the timeless feel.
On the first DVD is an audio commentary with director Francis Ford Coppola. He addresses the changes in the soundtrack by saying that after all these years he wanted to move away from a score that commented on what was happening to music that the characters would actually be listening to. The filmmaker delivers another top notch commentary full of smart observations and talks at length about why he prefers this cut.
There is an additional commentary featuring Diane Lane, Ralph Macchio, Patrick Swayze, C. Thomas Howell, Rob Lowe and Matt Dillon. Coppola invited all of them back to see this new cut of the film with Lowe and Dillon recorded separately. This is an entertaining track that fans will love. It's great to hear these actors talk about this movie after all these years.
The second disc kicks things off with a retrospective look at the movie, entitled, "Stay Gold: A Look Back at The Outsiders." In a nice touch, we see Lane, Macchio, Swayze and Howell being reunited with Coppola at his ranch where they recorded their commentary. This is an excellent look at the movie with all kinds of good, on set footage.
"S.E. Hinton on Location in Tulsa" features the publicity-shy author revisiting the locations that Coppola used in the movie, including the drive-in which still exists. She talks about how Coppola worked closely with her on the set to make sure that the script was true to her book.
"The Casting of The Outsiders" has casting director now producer Fred Roos take us through the casting process with audition footage from back in the day. People like Kate Capshaw and Adam Baldwin tried out for the film. Anthony Michael Hall even read for the role of Ponyboy!
A nice addition is "Readings," with some of the cast who came back for these featurettes reading their character descriptions from Hinton's novel.
"NBC News Today Segment: The Outsiders Started by School Petition." This is a new story done during the film's original release about how a class of California school kids wrote a letter to Coppola asking him to make Hinton's book into a movie.
There are six "Additional Scenes" with more footage from the opening that is even more faithful to the book but the rest of the scenes amount to extensions of existing ones.
Finally, there is a theatrical trailer.

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In 1983, Francis Ford Coppola's film of S.E. Hinton's novel struck a powerful chord with audiences, capturing the intense feelings of being caught between childhood and adulthood, and not belonging anywhere. Decades later, Coppola has revisited the film and reintegrated 22 minutes of character-enriching footage, including a new beginnning and ending more true to the book. A rousing new rock-n-roll soundtrack featuring six songs from Elvis Presley and other music greats make this new version of The Outsiders one of movie history's great rediscoveries.



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Running on Empty (1988) Review

Running on Empty (1988)
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I recently watched this film again, as I do periodically, and thought I'd comment. Several reviewers have pointed out that although the film is uniformly excellent, the DVD presentation is lacking, and I am of mixed feelings on that point. While it's true that the DVD doesn't offer more than the film, it's a film of such understated perfection and poignant brilliance that I wonder if we have the right to demand more. Sure, a director's or screenwriter's commentary track, or even a quick comparison of this to Lumet's earlier and similarly-themed Daniel, would be nice, but sometimes a movie is so good it doesn't need help.
I saw this movie on HBO as a kid, probably soon after it came out. I feel certain that I must have seen it several times, but although I vaguely recalled liking it immensely, I went for some years without thinking of it much. Then I went on a huge Sidney Lumet kick in 1997/1998 (owing to his compelling appearance on Inside the Actor's Studio and his intriguing book) and rediscovered this. To my utter astonishment, I began to see that the film had transformed me when I saw it as a kid, and it would be months before I unraveled all its subconscious shaping of my pysche.
This is a gorgeous, unflinching and aching film about tough choices and living with consequences, and I'm glad to say that despite numerous opportunities, it never once sinks into the chasm of Hollywoodisms that have capsized most films that even attempt something like this. It manages constantly to be honest and to present the gray areas of its characters, rather than letting them fit into simple archetypes of hero/protagonist, etc. I like that, because I don't find it helpful to understand the world in black and white, and clearly Lumet doesn't either. Even the most villainous character is given the opportunity to express his point of view, and although I don't sympathize with it, I at least understand it.
In short, there are really only a small handful of 'family' dramas that I would argue are completely genuine, and this is in that august company. (Ordinary People is the only other that leaps to mind at this moment.) It is a rare accomplishment indeed, and everyone in it is at least superb, with a couple of performances managing to go even beyond (Lahti's multiple, and heart-wrenching, inner conflicts toward the end are all clear without being tediously overacted -- an amazing feat, while Phoenix's Danny captures not only the torment of his character that's in the script, but the added burden of being a 17-year-old boy in general).
So would it be nice if they gave this the Special Edition treatment? Of course, and I'll replace my copy if they decide to. But is the lack of special features an excuse for not owning this? An unequivocal no. That's like declining to purchase an original Michaelangelo because the frame isn't perfect.

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Two fugitive radicals must face the painful consequences of their teenage son striking out on his own. Year: 1988 Director: Sidney Lumet Starring: Christine Lahti, River Phoenix, Judd Hirsch, Martha Plimpton

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Entrusted Review

Entrusted
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This movie/film is wonderfully produced. It is well worth the buy. It is about a boy (who is very good at chess)whose mother knows the code to a Swiss bank account that contains millions of dollars that she put away to free and help other people. I thnk its set in Germany. His mother dies, and soon everyone is after the boy including the bad guy-the professor and the good guy-the long-lost rich American father he never knew he had. They team up with his mother's friend Anna, but she soon sacrifices her life to get him across the boderline. At the end he reveals the code to the Swiss bankers which is coded in chess moves. He and his father decide to live together. Overall, a wonderful film, a talented cast (Thomas Sangster is great) and the setting is brilliant.

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The Outsiders (1983) Review

The Outsiders (1983)
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Coppola's original version was quite faithful to Hinton's book and this new edit is even more so. He has put back in 22 more minutes, most noticeably at the beginning and end of the movie. This new footage opens up the film more. We are introduced to the greasers much earlier on now that Coppola isn't reigned in by the dictates of test screenings. He is able to take the time to immerse the audience in this richly textured world shot in glorious widescreen by Stephen Burum who adopts a look that evokes another epic about troubled youth, Rebel Without A Cause (1955). The film is drenched in the golden hues of warm sunrises and sunsets like something right out of Gone with the Wind (1939).
Another significant change has Coppola replacing all of his father's beautiful, classical score in favour of period rock `n' roll music. In some cases, like the opening scene where Ponyboy is jumped by some Socs, it works and in others, like the whimsical surf music that plays over the scene where the Socs jump Johnny and Ponyboy, it feels awkward and out of place. Part of the film's original charm was its moments of `50s style melodrama, as epitomized by the film's orchestral soundtrack, and this diminished by the newly inserted period music that could be right out of an episode of Crime Story. Hinton's books are timeless with their universal themes and the original music reflected that. This new music, while accurate for its time period, contributes to a loss of some of the timeless feel.
On the first DVD is an audio commentary with director Francis Ford Coppola. He addresses the changes in the soundtrack by saying that after all these years he wanted to move away from a score that commented on what was happening to music that the characters would actually be listening to. The filmmaker delivers another top notch commentary full of smart observations and talks at length about why he prefers this cut.
There is an additional commentary featuring Diane Lane, Ralph Macchio, Patrick Swayze, C. Thomas Howell, Rob Lowe and Matt Dillon. Coppola invited all of them back to see this new cut of the film with Lowe and Dillon recorded separately. This is an entertaining track that fans will love. It's great to hear these actors talk about this movie after all these years.
The second disc kicks things off with a retrospective look at the movie, entitled, "Stay Gold: A Look Back at The Outsiders." In a nice touch, we see Lane, Macchio, Swayze and Howell being reunited with Coppola at his ranch where they recorded their commentary. This is an excellent look at the movie with all kinds of good, on set footage.
"S.E. Hinton on Location in Tulsa" features the publicity-shy author revisiting the locations that Coppola used in the movie, including the drive-in which still exists. She talks about how Coppola worked closely with her on the set to make sure that the script was true to her book.
"The Casting of The Outsiders" has casting director now producer Fred Roos take us through the casting process with audition footage from back in the day. People like Kate Capshaw and Adam Baldwin tried out for the film. Anthony Michael Hall even read for the role of Ponyboy!
A nice addition is "Readings," with some of the cast who came back for these featurettes reading their character descriptions from Hinton's novel.
"NBC News Today Segment: The Outsiders Started by School Petition." This is a new story done during the film's original release about how a class of California school kids wrote a letter to Coppola asking him to make Hinton's book into a movie.
There are six "Additional Scenes" with more footage from the opening that is even more faithful to the book but the rest of the scenes amount to extensions of existing ones.
Finally, there is a theatrical trailer.

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Gran Torino (Widescreen Edition) Review

Gran Torino (Widescreen Edition)
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Throughout his illustrious acting career, Clint Eastwood has delivered a series of iconic characters, such as The Man with no name, Dirty Harry, Josie Wales, and Will Munny in Unforgiven.
Throughout his illustrious directing career he has delivered outstanding movies such as Unforgiven, Mystic River, and Million Dollar Baby, for which he has won five Academy Awards, for best Picture, Best Director, and including the Irving Thalberg Life Achievement Award.
The actors who have worked with him have been blessed with Oscar: Gene Hackman for Unforgiven, Tim Robbins and Sean Penn for Mystic River, Morgan Freeman and Hilary Swank for Million Dollar Baby.
In Gran Torino he both directs and acts, and delivers an acting performance that will be remembered long after the final credits roll, in its unique way, as memorable as any other character he has created.
Gran Torino is the second best movie I have seen this year. Not just for the acting, not just for the directing, but for the storytelling, and the emotional journey on which it takes you, the laughter, the feeling of being gripped, and its more surprising moments.
In the opening scenes, we have the exposition of the character. We get to know Walt Kowalski, by how people act around him, and his seemingly hateful attitude towards people. More is conveyed through a scowl, and a snarl than with words. When the mischievous grandchildren go through his stuff in the basement, we see the Silver Star he won in Korea. There are three other important symbols in the movie, the lighter, the gun, and the car.
We see a hero with a warrior past, a patriot who fought for a cause greater than himself. Clearly, his bigotry stems from those experiences.
He's not just mean, he's 'get of my lawn' mean. He's Dirty Harry 'Go ahead punk, make my day!,' mean.
His dead wife's priest bugs him to hear his confession, at her request. The priest in a way is his wife's conscience.
When he snarls down the barrel of his rifle, at the neighborhood punk: 'I could blow your head off, and sleep like a baby,' you get the sense that he means it.
So, with all that happens, we see the change in his decision making, from someone reluctant to be involved in his neighbor's affairs, and a story can turn on something as random as looking at an empty beer cooler.
For all his faults, Walt has mature masculine character. Even though he is a difficult father, he has taught his children character. So, when he sees the boy next door lacks character, and a strong male role model, he takes him under his wing, and teaches him how to be a man.
The scenes where the boy practises Walt's high octane ball busting banter, are the funniest in the movie. Through knowing Walt, he makes decisions he never would have made by himself. In so doing, Walt finds meaning and purpose, and a chance for redemption, and the boy becomes a man.
The Academy's actor awards tend to go to actors in two types of role:
1.Psychopath- No Country for Old Men, The Usual Suspects, There Will Be Blood, Training Day, Silence of the Lambs.
2.Mentally Disabled, Social or Physical Handicap, overcomes great adversity or discrimination- Shine, As Good as It Gets, A Beautiful Mind, Ray, Scent of a Woman, Capote, Philadelphia, The Pianist, A Beautiful Life.
Every rule has an exception. Russell Crowe in Gladiator played a character with thematic similarities to Walt.
For a 78 year old man to direct and be lead actor in a movie of this caliber is an achievement worthy at the very least of being nominated for the highest award for Acting, Directing or both.
I hope you find this review helpful.

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A disgruntled Korean War vet, Walt Kowalski (Eastwood), sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.

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The Yearling (1947) Review

The Yearling (1947)
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This wonderful film is one of a handful that has the power to call me back to my childhood days and wrap me in warm memories of my Mom, Dad and little brother sitting around the television on Saturday night, watching the late show.
From the opening scenes of this beautifully photographed movie I found myself caught-up in the intriguing post Civil War story of a boy and his pet faun and their fantastic adventures on a scruffy Florida Everglades farm. The film stars Gregory Peck, Jane Wyman and Claude Jarman in the lead roles, with some of Hollywood's best character actors in the colorful supporting roles.
Peck gives an Oscar caliber performance as the warmhearted father who tries his best to make a better life for his family, with absolutely no help from the elements, which surround them. Jane Wyman plays his wife Orry, the hardened mother and wife who is so embittered by past tragedies in her life that she refuses to show any love for her one remaining child for fear of losing him too. And Claude Jarman plays Jodie the wistful young son who is just one summer away from adolescence and all the hardships that come with growing up.
This story is chock-full of excitement and adventure sure to please the kids, and each of those adventures is also a great lesson on life that will stay with them for years to come. Just watching Jodie romp with his pet faun for that one fleeting summer is a joyous site to behold and the touching scenes where Orry finally begins letting herself love her son will bring tears to your eyes. And of course the heart-rending scenes of Jodie trying his best to get the yearling to run away so he won't have destroy it, all come together to make this movie one of the most emotional experiences of my childhood and I must say I believe I'm a better person for the values I learned from this timeless story.
Experience this film with your children, you won't be sorry you did.

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Life abounds in the 1870s Florida scrubland that's home to young Jody Baxter. There are bears to hunt, cash crops to plant, evenings of storytelling with Pa and Ma... and there are timeless lessons of love and letting go that Jody learns from Flag, the orphaned pet fawn that follows him around with devotion.

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The Power of One (1992) Review

The Power of One (1992)
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is the topic of Bryce Courtenay's novel of the same name. The DVD does credence to his excellent (5 star!) book. Virtually unknown to the viewing audience thanks to release errors made when the movie came out in 1992, the story provides a showcase
for the acting talents of Stephen Dorff - then a virtual unknown, today one of our strongest young character actors; he stars as Peekay, a young English orphan torn by the promise of an easier future outside of his native South Africa and his love for all things and most people of his land. He is drawn by his past and the lessons learned from a series of wise mentors, who see in him the promise and hope of a better future for South Africa. Color blind, he grows up speaking many tribal languages, and is foreign only to the politically powerful movement that created the system of Apartheid in South Africa.
Power of One was recommended to me by a dear friend, who said the movie inspired him in many ways. He was so right. The music, a mixture of soaring melodies and tribal songs, inspires on its own. The scenic beauty of the land of South Africa, from the grasslands to the waterfalls is breathtakingly portrayed on film and captured with true artistry in the DVD.
There are many fine supporting players in this tale, some famous, some unknown. Like most tales of heroes and leaders, they shine for awhile in the tale of the child, the adolescent and then the young man Peekay (kudos to the casting director for the two youngsters who play Peekay in his early years; they light up the screen!) and each one's sun sets as Peekay lives through the losses and tragedies that form the backdrop for most heroes.
Really a fine tale - a little long in the last hour, some gratuitous violence - a story of the African struggle that few of us know was taking place while the world watched the Nazis.
If you see the Power of One, and are moved by the story, be sure to read Courtenay's novel. Both are outstanding!

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The Power of One is an intriguing story of a young English boy named P.K. and his passion for changing the world. Growing up he suffered as the only English boy in an Afrikaans school. Soon orphaned, he was placed in the care of a German national named Professor von Vollensteen (a.k.a. "Doc"), a friend of his grandfather. Doc develops P.K.'s piano talent and P.K. becomes "assistant gardener" in Doc's cactus garden. It is not long after WWII begins that Doc is placed in prison for failure to register with the English government as a foreigner. P.K. makes frequent visits and meets Geel Piet, an inmate, who teaches him to box. Geel Piet spreads the myth of the Rainmaker, the one who brings peace to all of the tribes. P.K. is cast in the light of this myth. After the war P.K. attends an English private school where he continues to box. He meets a young girl, Maria, with whom he falls in love. Her father, Professor Daniel Marais, is a leader of the Nationalist Party of South Africa. The two fight to teach the natives English as P.K.'s popularity grows via the myth. Maria is killed. P.K. looses focus until he sees the success of his language school among the tribes. He and Guideon Duma continue the work in hopes of building a better future for Africa.

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The Karate Kid (1984) Review

The Karate Kid (1984)
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Karate Kid is not what you may think it is. The premise of a young fatherless boy trying to survive a completely new environment is how this movie gets its humanity. For anyone who has ever had to move to a new town, be raised by only one parent, or face overwhelming odds, and almost everyone has done at least one of these, this movie can be related to on many levels. Ralph Macchio plays Daniel, a teenager from New Jersey who is forced to move across the country with his mother and start a new life in a foreign place, California. Setting aside the differences between East & West coast alone, there is plenty for him to realize. When faced with bullies that he doesn't understand, he finds a friend in an unlikely place; Mr. Miagi, a Japanese handyman, played by Pat Morita, who's hides many talents. To say Karate Kid is a story about over coming your fear is to say that life is just a thing we do everyday. This movie mixes a friendship, a romance, a coming of age story, gaining self confidence and learning to appreciate that which you may not understand right away. After getting sufficiently beat up by the bullies more than once, Daniel enlists the help of Miagi and soon finds himself training for a tournament. This may seem outrageous, but Miagi knows it is a much safer place and a more controlled environment for Daniel to defend himself and gain respect. Miagi's training techniques are unique to say the least, and just as Daniel begins to question what is going on, he realizes that Migai really does know what he is doing. The story is good and solid and allows sympathy for both sides of the characters. They fill a void for each other, an obvious father/son, mentor/student relationship. The chemistry between them is very solid. Elizabeth Shue is good in her first major role, playing the sweet rich girl who sees Daniel for the person he is and not for his social status. Although sounding clichéd on the surface, this movie is well done and not superficial. The characters are very real, the emotions are deep and the fear of growing up with bullies hits home for many of us. The ending will have you cheering as Daniel moves his way through the tournament to the final climatic ending. Highly recommended and highly entertaining.

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The Karate Kid II (1986) Review

The Karate Kid II (1986)
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The first Karate Kid literally spoke to any kid who felt out of place and picked on. Strongly enough, it was a concept played out over and over again. But the evenhanded direction of Avildsen made it a triumph. So what do you do for a sequel? You get real. Not that the first one wasn't real. The threat to Daniels safety in the first movie was always there and fully realized. But take this student and mentor pair and send them to Okinawa, and you have a whole different ball game. The story centers more on Miagi and his journey home to see his dying father, and facing demons he left as a young man. Asian culture takes certain things much more seriously. Honor in this movie is a subject brought up constantly, and we see it from Daniels perspective; as an American who does not understand why these people do things they way they do in the name of honor. As Daniel comes to grips with this life code in the small village of Miagi's youth, he realizes that the bully who has targeted him this time does not hold back. He's ready to kill Daniel. He has no qualms about it either and feels it's justified. As Daniel swoons a beautiful Asian girl and finds he's getting in deeper with the affairs of Miagi's past, he holds his ground, and his good upbringing helps to hold his own honor in place. In the end, the climatic fight scene is what really makes the movie. The whole story builds up to that moment. The idea is that this fight is real, there is no competition, no points. This is not a tournament, this is not a spectacle. Daniel is fighting to stay alive. And it is more brutal then the rules laden tournament of the first movie. Morita and Maccio play off each other so well it's obvious these two have great chemistry. The teacher/student relationship is apparent from the first scene despite their polar opposite personalities. As in the first movie, each character gives the other what they are missing. Daniel gets a father figure/teacher, Miagi gets a son/student. This movie is just as good as the first in my opinion, just different. A different set of circumstances played similarly to the first one. It's as different as it can be while still holding the same values. I give it four stars only because of some very minor inconsistencies but overall, it is a very good film.

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KARATE KID 2 - DVD Movie

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All My Loved Ones Review

All My Loved Ones
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All My Loved Ones is the story of a young Czech boy named David Silberstein and his large 'family'. At the start of the movie, we meet David's family, such as his best friend Sosha. During the course of the movie, we see how, little by little, the nazis begin to take control of the Jews life, starting with small things such as cars, and working up to David's father's (Dr. Silberstein) job. At long last, The Silbersteins make a last attempt to save David by putting him up for adoption in Great Britain, thanks to English stockbroker Nicholas Winton, who saved hundreds of children through this method.
This movie is very historically accurate, and is also a very good story.
But, I must warn you, be ready to cry your heart out!!!

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Matej Minac's heartbreaking and poignant story of one family's experience at the onset of World War II is inspired by the heroics of English stockbroker Nicholas Winton who saved hundreds of Czech Jewish children from the Nazis and is loosely based on his own mother's personal memories of the time.

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Tea With Mussolini (1999) Review

Tea With Mussolini (1999)
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My wife insisted we watch this film - since it was not something in which I was interested (dramas and romances are not usually what I prefer to watch)I picked up a book and began reading. Within minutes, I was completely enraptured by this movie and forgot about the book. While a picture with the title TEA WITH MUSSOLINI sounds leisurely, trust me, it's not. It moves forward beautifully telling a true story of English and American women in Italy at the breakout of the war and its effect on them and the Italian child they have all raised together. This is a remarkable film (an epic in small movie disguise)with indelible performances from a perfect cast esp. Cher and Joan Plowright. Why neither they nor this film have appeared on many (if any) best of the year lists is completely mind-boggling to my wife and myself. The play is truly the thing here and director Zeffirelli has done a marvelous job telling a wonderful story (his own life)that's ultimately irristible. Filled with humor, hope and inspiration - words that usually make producers cringe these days but words that still mean the best in great moviemaking. My choice for best film of the year and one of the best of all time. A minor masterpiece. Please give it a try...I don't think you'll be disappointed if you're looking for something with great heart that has something to say about the dignity of the human spirit. Better than LIFE IS BEAUTIFUL. A gem!

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Florence, Italy, on the brink of WWII: it was a time of social unrest and, of course...afternoon tea. Join OscarÂ(r) winner* Cher and an incredible cast of leading ladies as they host this "radiant, beautiful film" (Gene Shalit, "Today Show") that is "worth savoring" (Mademoiselle).Prewar Florence is the place to be for any proper British woman who relishes culture and the arts. These ladies have everything they could ever want or needincluding a promise from dictator Mussolini himself that not even the imminent world war will impose upon their lifestyle. But when itappears that his word is not kept, and these expatriateswho chose to stay in Italy instead of seeking refuge in their own countryare in trouble, it takes a young outcast boy and a brazen American woman (Cher) to keep them in the high life and out of harm's way.

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The Chorus (Les Choristes) Review

The Chorus (Les Choristes)
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Prisons are filled with people without hope; perhaps especially prisons which house young boys. Devoid of the normal pleasures of life in which boys delight, these ruffians lead desperate, bland, colorless lives of few joys, little change, and little love. Into this drab, dreary, and harsh enviornment arrives our lovable dreamer, Prefect Clement Mathieu.
A frustrated musician/composer, Mathieu has an idea: organize this rag-tag group of troublemakers into a boys choir. Like a wildflower in the field, this group springs into beautiful song and harmonies. It also upsets a few people along the way. No good deed goes unpunished, as Mark Twain said, and this one is no exception.
Mathieu is different than the other prefects and administrator/teachers, he loves the boys and in that lies the difference.
The Chorus is a sweet, gentle, moving film. Everything about it is exceptionaly well done. Remarkable acting, writing, filming, and storytelling make this a film which lingers sweetly in the mind of the viewer, long after the credits have scrolled by.

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An inspirational story in the rich tradition of MUSIC OF THE HEART and MR. HOLLAND'S OPUS, THE CHORUS has moved critics everywhere to declare it one of the year's very best films! When he takes a job teaching music at a school for troubled boys, Clément Mathieu is unprepared for its harsh discipline and depressing atmosphere. But with passion and unconventional teaching methods, he's able to spark his students' interest in music and bring them a newfound joy! It also puts him at odds with the school's overbearing headmaster, however, locking Mathieu in a battle between politics and the determination to change his pupils' lives!

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The Kite Runner (2007) Review

The Kite Runner (2007)
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Khaled Hosseini's THE KITE RUNNER was one of those first novels that captured both public interest and the hearts of the many who read this story of childhood unconditional love and redemption set against three stormy decades in Afghanistan. Though Hosseini was approached about the story's adaptation to the screen soon after the novel was published, there seems to have been a rush to get the visual form of the poetic novel before the audience, a journey besieged by unsuspected political intervention and criticism by the Afghan government. But after seeing the film, this intrigue heightens the intent of those involved in translating the book to film - writer David Benioff and director Marc Forster.
People may argue both sides of whether or not the dialog be in Afghan languages (Dari, Pashtu,Urdu) with English subtitles or be in English throughout: the choice of using both languages is severely hampered by the decision to place the Afghan translations in an overlay on the screen while the English subtitles are place off the viewing field. A small point, perhaps, but one that makes the first viewing of the film difficult to follow visually. As far as the actors are concerned, the two young lads who were chosen to portray Amir (Zekeria Ebrahimi) and Hassan (Ahmad Khan Mahmidzada) are perfect: closest of friends living in a household where one (Amir) is the son of the master of the house and the other (Hassan) is the son of the grounds and house keeper - a factor that serves to underline class differences that will later become increasingly poignant. The boys are inseparable, reading stories together and flying kites in competitions - each lad specializing in one of those pastimes. But disaster crumbles the boys' victory in the kite flying contest when Hassan is beaten and raped by the town bullies while Amir cowardly runs for safety, deserting his friend. Suddenly the Russians invade and that change factors into the need for Amir and his father to move to America where Amir is educated and becomes a writer. Twenty years pass. After the fall of Afghanistan to the Russians and subsequently to the Taliban, Amir (now actor Khalid Abdalla) receives a telephone plea from Hassan's father to return to Kabul. Amir, now married and a successful writer, feels the need to return to amend for his past omission as well as to assuage Amir's fears. When he arrives in Kabul he encounters a war torn country he no longer recognizes, discovers past secrets as to his and Hassan's true identities, and sets out on a journey to bring closure to a childhood love and promise. It is a touching tale of redemption and the strongest echo of the magic of the novel.
THE KITE RUNNER as both novel and film will appeal to all audiences sensitive to scars that wars leave on children and adults alike. For this viewer the film lacks the intensity of the book in that the time spent with the childhood of the two boys feels secondary to the personal journey of the adult Amir. But that is not to say the film is less powerful in the end: the story is one that leaves an imprint on the audience that last long past the ending credits. Grady Harp, March 08

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Amir is a young Afghani from a well-to-do Kabul family; his best friend Hassan is the son of a family servant. Together the two boys form a bond of friendship that breaks tragically on one fateful day, when Amir fails to save his friend from brutal neighborhood bullies. Amir and Hassan become separated, and as first the Soviets and then the Taliban seize control of Afghanistan, Amir and his father escape to the United States to pursue a new life. Years later, Amir – now an accomplished author living in San Francisco – is called back to Kabul to right the wrongs he and his father committed years ago.

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Europa Europa (1990) Review

Europa Europa (1990)
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This is one of the best films in the genre--historial film from autobiography. Marco Hofschneider brings to brilliant life the story of Salamon Perel, a German Jew. From the days of Kristallnacht--the Night of Broken Glass, when Jewish businesses were trashed and vandalized throughout Germany, to his final reunification with his brother--to poignant to say more about this here...this is a cinematic masterpiece.
I've seen few films that capture the turmoil of adolescent identity and identification so well. True, the Nazi era is the backdrop, but the themes couldn't be more universal. In that respect, it is also more relevant today, in 2004, than during the 1980s, when it was filmed--especially in America, where the American identity has been deconstructed so as to be hardly palpable. Also, it is equally relevant in Europe, where national distinctions could meld into a Confederacy if not a Union of some power.
Politics aside, this is an intensely personal film, one where the unquestioned identity of youth (German) falls victim to oncoming War and cruel happenstance. Perel must continually revise his vision OF himself and FOR himself, and at one point wishes for nothing more than to be an Nazi, for a beautiful young German girl becomes enfatuated with him. How did he end up in this position, wearing the uniform of the Hitler Youth at an Elite boarding school in Berlin? Or lose his virginity to a high-ranking female Party member while he is escorted by train from the Eastern Front to Berlin, as a Folk Hero (Volksdeutscher Held). Perhaps you think it unimaginable. I do not.
I've seen places in German where the remnants of Jewish culture and tradition are clear as day--such as a former High School for Jews in Berlin--with Hebrew and German inscribed clearly in the stones.
No, though Germany seems to some a heartless pillar of unemotionality, efficiency, heartlessness, the German characters in Europa, Europa are as human as those found anywhere. They fall victim to their personal aspirations, desire to please, deceitfulness, betrayal...simply put, human.
Although current fashion is to think of the period as one of the "banality of evil" (attributed to Hannah Arendt, Holocaust scholar), this film exposes the period as one more of human triumph and tragedy, and that, while we grow into adulthood, our personal identity is as much at the mercy of the passage of time and events as a unique, solitary construction.
See this film! It will draw you into the themes of Life, Love, and Redemption, and be over leaving you desperate for more.

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This "incredible, true story" (Los Angeles Times) is at once "eye-opening, harrowing and humorous" (Leonard Maltin) as it recounts the severe actions a young boy must take in order to survive the Holocaust. Based on the autobiography of Solomon Perel, a young German Jew, the film "bounds from one jaw-dropping episode to the next" (The New Yorker) and puts you in the middle of war-torn Europe where ingenuity, timing and luck are the key to survival.Separated from his family at the age of thirteen, Solly (Marco Hofschneider) takes on various identities to hide his Jewishheritage. First passing himself off as an orphan and later as one of the "Hitler Youth," Solly carries on his charade, hoping desperately to keep his identity hidden and make it through the war alive.

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Summer of '42 (1971) Review

Summer of '42 (1971)
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It is the summer after Pearl Harbor. The world is at war, and America is sending her best, strongest and healthiest men to fight overseas. Meanwhile, those too young, old, or physically disabled to serve stay behind, as well as wives and sweethearts. Among these are Hermie, Oscy, and Benjie (Gary Grimes, Jerry Houser and Oliver Conant). Together, this "terrible trio" raids the Coast Guard station, frolics on the beach on Packett Island, and sneaks looks at "dirty pictures" from a medical book.
But even as the three friends goof around on lazy summer days, the war's effects will soon touch the more serious and sensitive 15-year-old Hermie. He finds himself falling in love with the beautiful Dorothy (Jennifer O'Neill), who is seven years older and married. He worships her from afar, enduring both his friends' merciless teasing and his own confusion about his feelings.
But when Dorothy's husband Pete goes overseas to enter the fray, Hermie befriends Dorothy, helping her with chores such as carrying her groceries to her house on the beach and placing boxes in the attic.
At the same time, the more rambunctious Oscy (and Hermie's best friend) is trying very hard to pick up girls and lose his virginity, and he makes it his mission in life to help Hermie do the same. So he copies information from a medical book that Benjie says "belongs to the house" where he spends the summer. Oscy also attempts to set up a date for the "terrible trio" at the movies, but that almost falls apart when Benjie and the third girl don't want to go. I don't want to give away what happens next, but it's pretty funny.
But the heart of the movie revolves, as many reviewers have said, around Hermie's love for Dorothy, and how he comes to manhood unexpectedly when Dorothy finds out that her husband has been killed in action. It's a beautiful, discreet and bittersweet sequence, and will leave the viewer with indelible memories of a haunting, timeless experience.
I like Summer of '42 because it is sweet and gentle, hilarious at times, and always very touching. Michel Legrand's Oscar-winning score is simple yet evocative, and Herman Raucher's screenplay was later adapted by the writer into a best selling novel. I recommend this film to young and old alike as a fine example of what a coming-of-age movie should be like.

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