Showing posts with label romantic comedy. Show all posts
Showing posts with label romantic comedy. Show all posts

Love Don't Cost a Thing (Full Screen Edition) (2003) Review

Love Don't Cost a Thing (Full Screen Edition) (2003)
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You now the scenario; boy meets girl, girl is out of boys league BUT boy has something that girl wants so she takes what she wants and gives him what he wants only to find out that he USED to be everything she ever wanted. This same concept has been used and abused for years. In fact, this very film is a remake. That said; this movie has some serious charm, which really works to its benefit. Not that I'm a huge fan of Mr. Mariah Carey, but he has some nice comedic timing, and his faux swag (I say faux only because he is far more believable as a nerd) is entertaining. Christina Milian is a cutey, and she really comes through as the popular girl lost in a sea of popularity she kind of resents. The message presented, about being yourself and not formulating to the molds of teenage society, is a nice one (albeit an overused and underdeveloped one), and the bouncy infectious teenage quality to the film is nothing short of enjoyable. I kind of loathe Steve Harvey, so his mug gracing the screen was a turn-off, and his ridiculous attempt at emulating Eugene Levy's iconic `American Pie' father role was a total misfire; but you have to expect a film like this to have its downs to balance out the ups. There is absolutely NOTHING new here but overall it's a fun film and if you are looking for this breed of rom-com you could do far worse.

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Romantic Teen Comedy. In this modern update of the classic 1987 teen comedy Can't Buy Me Love, our hero is high-school senior Alvin Johnson (Nick Cannon), a brilliant, likable outcast who has come to regret the years of intellectual endeavors that prevented him and his un-hip friends from socializing, getting girlfriends and hanging out with the super-cool "Elite" kids. When queen of the Elites, Paris Morgan (Christina Milian) wrecks her mother's car, Alvin steps in and mortgages his future to help her out. The catch: In exchange for $1500 in car parts and Alvin's automotive expertise, Paris agrees to "fake a front" with him to convince the school that they're dating. The question is: can Alvin rein in his newfound ego before he loses his true friends, his chance for a scholarship and a shot at a real relationship with Paris?DVD Features:Additional ScenesAlternate endings:Paris takes center stage in a surprise alternate endingDocumentary:Marvelous making-of documentaryMusic Video:2 Music Videos: "Shorty (Put it on the Floor)" by platinum selling rap stars Busta Rhymes, Chingy, Fat Joe and film star Nick Cannon "Luv Me Baby" by Murphy Lee Theatrical Trailer


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Something to Talk About (1995) Review

Something to Talk About (1995)
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There isn't anything in this that was earth shattering or incredible performances. It was just a good Sunday Afternoon flick, I own this one and forgot how much I enjoyed it until my Daughter and I pulled it off the shelf.
Julia Roberts does a believable job as a woman who has found out that her husband has screwed around on her. What I liked most about this movie was allll of the secondary characters... Kyra was the PERFECT Older sister looking out for her younger one, Gena was Great as the Southern Belle Mama, the Aunt (don't know this woman's name)was HILARIOUS as the "little" crazy Aunt that would/could go there. You really have to pay attention to this movie there are so many innuendos and funny moments that I truly can recommend this one. The actress that played the daughter was wonderful and last but not least Dennis Quaid did quite a convincing job as a contrite husband (once he was caught).
If you want something along this plot line I would also suggest "Hope Floats" which also stars Gena Rowlands and has pretty much the same subject matter but not the same movie. Enjoy.
Respectfully Reviewed

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Grace has a picture-perfect life. And it goes dizzyingly out of focus the day she discovers her husband Eddie has been unfaithful. Julia Roberts headlines this acclaimed movie that aims for the heart and funnybone - and scores a bull's eye. In her best screen role yet, Roberts is Grace, whose reaction to the infidelities of Eddie (Dennis Quaid) turns the lives and loves of the people around her into something like falling dominoes. Robert Duvall, Gena Rowlands, Kyra Sedgwick and others in "the years best ensemble of characters" (Jack Matthews, Newsday) join Roberts for this juicy, truthful story written by Callie Khouri (Thelma and Louise) and directed by Lasse Hallstrom (What's Eating Gilbert Grape?). Folks are talking about Grace. You owe it to yourself to see why.

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In the Land of Women (2007) Review

In the Land of Women (2007)
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The Kasdan Family has made a significant mark on the better films of Hollywood and Jon Kasdan (writer/director of IN THE LAND OF WOMEN) holds those values of fine cinema intact. Having appeared as an actor in some films of his father Lawrence Kasdan (Grand Canyon, The Big Chill, Body Heat, Mumford, Dreamcatcher, The Bodyguard, etc), he has not only inherited his father's credo of making meaningful statements about life as we are currently living it, he has absorbed the fluid character development of those films and added his own sensitive touch with graceful dialog. He is a talent to watch.
Soft porn writer Carter Webb (Adam Brody in a very fine performance) lives in Los Angeles near his depressed mother (JoBeth Williams) and has just been dumped by his actress girlfriend Sofia Buñuel (Elena Anaya). When his mother learns of her mother's failing state, the distraught Carter offers to travel to suburban Michigan to stay with his grandma Phyllis (Olympia Dukakis). Once in picturesque Michigan Carter deals with his lovable but eccentric grandma and meets the across the street neighbors - mother Sarah (Meg Ryan in fine form), daughters Lucy (Kristin Stewart) and the younger Paige (Makenzie Vega), and errant husband Nelson (Clark Gregg). In this setting of a 'woman world' Carter is key to aiding the various maladies of each of the women while addressing his own disappointing failed relationship. The manner in which he intervenes by simply being present and tender and caring makes a positive impact on not only those around him but also on his own life and talent as a meaningful writer.
In what could have been a soupy chick flick Jon Kasdan has instead provided a script that has a healthy dose of homespun philosophyand has guided his multi-talented cast to offer some of their finest moments on film. This is an entertaining movie, but it is also a balm for viewers who have experienced life-threatening illness, broken homes, coping with the elderly, and ultimately coping with death. It simply works. Grady Harp, October 07


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Aspiring writer Carter Webb has just been dumped by his true love, Sophia. Heartbroken and depressed, Carter escapes Los Angeles to suburban Michigan to care for his ailing grandmother and to work on a book he has always wanted to write. Soon after his arrival, Carter stumbles into the lives of the family living directly across the street: Sarah Hardwicke, and her daughters, Paige and Lucy. His relationships with all of these women help Carter discover that what felt like an end was only just the beginning of something else...

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The Replacements (Snap Case) (2000) Review

The Replacements (Snap Case) (2000)
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As shocking as it may be, when you think about it, the football movies of the past, to include Oliver Stone's excellent but dark, "On Any Given Sunday" simply do not match this film. I will even place this film in the all-time greats like "Pride of the Yankees" and "The Natural".
First, we don't need to watch any more tragedies on film, we need to see something that inspires us to overcome, and this film delivers: I'm surprised its considered a comedy! Hackman should get an oscar for this film because his narration and actions drive the film and create yet another complex character from the mind of the master. Hackman's Coach knows that the men he wants to be his replacements are great, he is frustrated that life hasn't shown them that and he wants to set them up for success, not failure. He believes in them as human beings, not just as football players, that if they can get a "second chance" they will shine. His talks with Keanu Reeves' charachter, reveal a candor and leadership style you should really consider. He tells him flat out he wants to see the man and the ability come together because it will be wonderful to see or words to that effect, his belief in the REALITY that Reeves can deliver are stupendous. Later he instructs his Quarterback, in the hour of decision, the leader wants the ball in his hands.
Along the way, Reeves meets a sexy head cheerleader and there is a nice romance where she begins to believe in him, too. The football action scenes are the best yet to grace movie screens, you feel like you are in shoulder pads/helmet again. What I like was how just before the final game that would decide whether they go to the play-offs or not, Reeves gets canned by front-office politics in favor of the arrogant Joe Theismann-type "all pro" quarterback who is afraid he will lose his job. You are not really sure how the film will end at this point, the team follows the leadership of Reeves but are losing under the arrogant vet. The coach gets a phone call.
I will not give away the ending but Hackman's voice over after the game, clinches it, I paraphrase: "All men once they have touched greatness in their lives are changed forever".
AND THIS IS THE POINT!
Just once, do something great in your life! Go all out and let yourself know that you can do it, once you know this you will be changed forever. The world doesn't let you or want you to know that greatness is within your grasp, this is why it beats you down. Find your gift you have been given and act on it, this is the true attitude "replacement" we need and this film shows us how to get it.

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A comedy based on the 1987 professional football players' strike. Gene Hackman plays the coach of the team, Jack Warden is the owner, Brett Cullen is the All-Pro quarterback that goes on strike and Keanu Reeves is the "scab" who replaces the star QB.

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Rumor Has It... (Widescreen Edition) (2005) Review

Rumor Has It... (Widescreen Edition) (2005)
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The Graduate is a classic cult film, and since this movie was based on it, I was hoping for the best, but not expecting much. I was never more wrong! Jennifer Aniston was refreshing, but I had dry heaves when she slept with a man her mother and grandmother did especially when she thought at first he could be her father. That is just not entertaining in any situation. Kevin Costner was good in his role, but the ewwww factor was too much. Mark Ruffalo gave probably his best performance to date. The most surprising performance was from Shirley MacLaine, and she was absolutely fabulous. She held her own in every scene. It didn't matter who she shared screen time with, she stole the limelight.


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Jennifer Aniston portrays Sarah Huttinger, whose return home with her fiance convinces her that the sedate, proper, country-club lifestyle of her family isn't for her, and that maybe the Huttinger family isn't even hers. Join Sarah as she uncovers secrets that suggest the Huttingers are neither sedate nor proper - and as Kevin Costner, Shirley MacLaine and Mark Ruffalo join the fun. The story is rumor. The laughs are real!

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Private Benjamin (Full Screen Edition) (1980) Review

Private Benjamin (Full Screen Edition) (1980)
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Along with "Foul Play" this is one of Goldie Hawn's finest hours, playing a rich, pampered widow who is duped into joining the army. An hysterical comedy who's format has been returned to time and again, but never quite to this effect. Eileen Brennan is equally fantastic as the tough army officer you love to hate. I've been awaiting the release of this film on DVD for some time (along with Foul Play which hasn't yet been released), and it's here that I felt disappointed.For one, the only released version of this is in Standard Pan & Scan. I know some of you out there still cling to this outmoded format, but for the rest of us, this is unacceptable. At the very least, it should have been dual sided, with Widescreen on one side and Standard on the other. Secondly, they've done nothing with soundtrack other than present in Dolby Stereo 2.0. I realize that with some older titles, they don't bother to remaster the soundtrack in 5.0 (let alone DTS - the Ultimate sound format for your buck!), but I still think it's very lame that they do this. Anyway, there is a trailer, at least, but don't expect any deleted scenes, bloopers, or any other fancy features. The film can also be heard in French, but Spanish would also have been nice (there are at least Spanish subtitles). They've priced this relatively low (I guess because they knew what a lame job they did with it), but I'd have preferred a bit more of a higher price if it meant little more effort on their part for this truly classic comedy. Let's hope that "Foul Play" offers a lot more when it's finally released.

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Goldie Hawn wins the Comedy Medal of Honor in this box-office smash about a pampered, upper-middle class princess who joins "today's Army." Eileen Brennen and Armand Assante co-star. Year: 1980 Director: Howard Zieff Starring: Goldie Hawn, Eileen Brennen, Armand Assante

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Swing Shift (1984) Review

Swing Shift (1984)
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"Swing Shift" has proven to be a marvelous nostalgia trip for those who remember the '40s, and for those self-proclaimed nostalgia buffs like myself who enjoy the music of the era.
Goldie Hawn has a childlike innocence as a housewife to Ed Harris in a working class neighborhood in 1941 California. Jack and Kay Walsh deal with Jack's having to work on Saturdays, a rather vampy neighbor at whom they make derogatory remarks when they see her going to work, and enjoy time at the roller rink.
While they are at the roller rink, the attack on Pearl Harbor is announced and their world changes. Jack enlists in the Navy and Kay decides to work as riveter, who helps to build airplanes at a local munitions plant.
She develops an antagonistic relationship with her neighbor, Hazel(Christine Lahti), the singer-turned riveter, whom she and her husband used to taunt, and an even closer relationship with a plant worker named Lucky (Kurt Russell)who repeatedly invites her out to hear him play his trumpet at club leading to gossip and speculation about their relationship among their co-workers.
During the course of the film, we see the reluctance of the women's male co-workers to accept them as equals in the workplace, and one of the male instructors gets a little too familiar with Hazel while instructing her on how to drill.
The unspoken problem in all this is the women's inability to defend themselves against sexual harrassment in the workplace at that time. In modern times, Lucky never would have been able to make the kind of advances that he made towards her in this film, at least not without Kay filing a complaint. This film suggests that such situations may have been common back then, largely because of this fact.It leads a viewer to wonder how many affairs between the female swingshifters and their male counterparts took place at that time, regardless of the marital status of either of them.
But we share the triumphs as well as the tragedies of the swing shifters; Holly Hunter, as Jeanne Sherman, receives her husband's death notice while at work, but later gives the audience a lesson in how life can go on afterwards.
Jack discovers his wife's affair when he comes home on furlough, and is heartbroken. As Kay tries to figure out how best to resolve the situation, Hazel and Lucky begin a dallience of their own after Hazel's relationship with her former boss appears to be over.
After the inevitable fight between the two women, they avoid each other at work. Lucky gets his big break as a musician, and leaves the plant, which makes it easier for Hazel and Kay to eventually make peace with each other.
I found this film--a counterpart to that other portrayal of life in World War II California, "Racing With the Moon", which was released the same year--to be a fine tribute the the women who helped win World War II--to their endurance of heartache and sacrifice, demeaning treatment, the realism of the marginalized treatment of the African American women at the plant, and the support that women in general can give each other in times of crisis. When Kay is promoted after saving a co-worker's life, we see how the men begin to respect their female co-workers for their intelligence. Interestingly, these themes were later echoed in the 1992 film, "A League of Their Own".
Sadly, these women had to give up their jobs once the men returned home from the war. But those who see this film should come to appreciate the way the women of this era paved the way for equality in the workplace.

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A film about World War II that examines what happened to the men and women in the factories making weapons rather than following the troops.Genre: Feature Film-DramaRating: PGRelease Date: 8-FEB-2005Media Type: DVD

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Darling Lili (1970) Review

Darling Lili (1970)
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Paramount Home Video had originally scheduled to release "Darling Lili" on DVD in April, but it was pulled from the release schedule with no explanation. Now they have just announced that the film will be released October 25, 2005!
As you probably know, this movie bombed when released in 1970, and it was never released on home video in any format. However, anything with Julie Andrews in it has a cult following, and I've always felt that it was just a matter of time before this film was finally made available.
Darling Lili is not a great movie by any means, but it's quite enjoyable with pretty music, nice cinematography, costumes, and set design. The story's not especially memorable, but Julie and Rock Hudson have good chemistry and give it their best shot. This was the sort of sophisticated, light comedy/drama that was popular in the Sixties and, if made just a few years earlier, would have starred either Doris Day, Audrey Hepburn, Sophia Loren, or Shirley MacLaine. However, by the time of its release in 1970, this type of film had fallen on hard times--plus being a musical did not help its appeal at the box office.
Let's hope that Paramount decides to finally release the full-length version on DVD soon (as opposed to the shortened version that turns up occasionaly on cable) and gives us a beautiful transfer that is sharp, saturated, and free from debris.

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A German spy masquerades as a singer during World War I to obtain secrets from an American pilot and she begins to fall in love with him.Genre: MusicalsRating: GRelease Date: 25-OCT-2005Media Type: DVD

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Racing With the Moon (1984) Review

Racing With the Moon (1984)
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Although the superficial theme of this film is young love, the heart of the film is in the subtle ways that Henry (Sean Penn) tries to come to terms with the harsh realities of his impending military service. Henry knows that, in less than a year, he will probably be on some remote Pacific island, fighting one insane Japanese soldier after another to the death. While he has no idea of the horrors to come, he definitely feels a sense of impending doom.
The movie's most telling scene is after Callie (Elizabeth McGovern) is angred by Henry & Nicky (Nicolas Cage) when they make fun of their school's emergency preparedness drill. Callie takes Henry to a veteran's hospital, where she delivers library books to soldiers recovering from amputations (and likely worse). Henry is visibly scared at the sight of these guys, not much older than he is, who will now go through life with a new, horrific perspective.
After the visit, Henry becomes angry with Callie. He shows her - and the audience - that bravado DOES have a place in dealing with impending terror, and that there are many ways to look at the complexities of war. At the end of the film, when both boys jump on the train that may take them to their deaths, the resilience of the human spirit goes with them, and they impart some of their courage to those left standing at the station. A classic film, with a timely message.

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RACING WITH THE MOON tells the story of small town pals, Henry "Hopper" Nash (Penn) and Nicky (Cage) enjoying their last boyish exploits before they enter the Marines during World War II.Henry begins a new romance, while Nicky gets himself into trouble and involves Henry and his new love interest.What ensues is the ultimate test of friendship.

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Music and Lyrics (Widescreen Edition) (2007) Review

Music and Lyrics (Widescreen Edition) (2007)
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Sure. Why not? The first question in assessing a movie's merit is does it do as intended?
With "Music and Lyrics," what it intends is nothing extraordinary. It aims to be a fun, romantic, sweet comedy of a man meeting a woman and falling in love, with a poke at pop culture. It accomplishes this. I saw this on February 14, Valentine's Day, and wanted exactly as delivered.
Paul McCartney asked in the 1970s what the world needs with another silly love song. "Music and Lyrics" is, in film, a silly love song.
Hugh Grant plays Alex Fletcher, a has-been pop singer from a defunct duo similar to Wham!, struggles to find his way as his audience stops caring. Realistic, he knows what he is capable of, but is unsure what his next step should be.
When Cora, a pretentious form of Britney Spears-Shakira-Christina Aguilera of sex-pop, offers him an opportunity to write a song, he runs into trouble. He is a melody man, not a lyricist. His lyricist from his old band, Pop!, is long gone.
In walks Sophie Fisher, played with charm by the ever-sweet Drew Barrymore. She's Alex's temporary plant watering person (and not a very good one), with a penchant for delivering peppy lyrics under her breath. Despite the scorn of fill-in wordsmith Greg Antonsky, Alex takes a liking to her style. Greg's angst-style, hopeless lyrics seem off kilter with Alex's personality.
Embittered from a broken affair with an engaged man, Sophie is uninterested. It is one thing to hum a tune, and it is another to commit to writing a song. However, Alex only has a few days and pressures (begs, really), Sophie to help.
She acquiesces, and tries to write. Alex and Sophie clash, as he understands the profession of music, and is desperate, and she is still stuck on the failed affair.
Both are living in the past, and both need to move up into 2007 to survive and thrive.
Finally, lyrics are written, and Cora loves them -- with a few changes. Cora's version is laced with faux spirituality and tramped-up seduction. Sophie's artistic sensibilities are insulted, and pulls the song much to Alex's chagrin. They argue, break-up, and now, Alex is stuck trying to fix a song.
Can he fix the song on time? Will they figure out how to live in the present day? What about love (this is a romantic comedy, remember?).
A fine self-mocking performance is put on by Kristen Johnston as Sophie's older sister Rhonda, making jabs at her own weight-loss campaign. Brad Garrett as Alex's agent Chris Riley is right on the money, as he is both a manager and friend.
Drew Barrymore shows she's more than the girl next door, but has a kind of Lucille Ball, Jenna Elfman, Meg Ryan mix going on.
Hugh Grant is perfectly cast, and is the better side of himself. He never overplays the role, and yet, does not fall into the 'stupid Englishman' persona he occasionally does.
I fully recommend "Music and Lyrics."
Anthony Trendl
editor, HungarianBookstore.com

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First you're hot, then you're not...and then you're Alex Fletcher (HUGH GRANT). So when the sizzlingest tween-queen on the charts asks the has-been '80s pop sensation to write her a song, he grabs for another chance at stardom. Problem: Alex can say it with music, but he sure can't say it with words. Enter Sophie Fisher (DREW BARRYMORE), his beguiling if quirky plant lady, who has a green thumb for lyrics. Together, they go after songwriting success -- and discover that if you want to write the perfect love song, it helps to fall in love. With Hugh Grant and Drew Barrymore at the keyboard and Marc Lawrence (Two Weeks Notice) directing, Music and Lyrics is a witty, wacky romantic comedy that faces the music...and laughs!

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Blast From the Past (1999) Review

Blast From the Past (1999)
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I have seen this movie twice and have loved it both times. It is a funny and endearing romantic comedy that is peppered with a terrific cast and excellent performances. I would gladly watch it again.
Calvin Webber (Christopher Walken), a nerdy, nutty scientist, and his traditional and very pregnant wife, Helen (Sissy Spacek), are living in California in fifties style splendor in the early nineteen sixties, when the Cuban Missile Crisis occurs. Buying into the red scare of the day and convinced that attack by the communists is imminent, they immediately go underground into the super deluxe bomb shelter that Calvin had had the foresight to build under his house and fully equip with enough supplies to last thirty five years. No sooner do they do so, Calvin's fears are reinforced, as suddenly a force of great impact shudders overhead. Thinking that they were hit by an atomic blast set off by the communists, they hunker down for the next thirty five years, waiting for the radiation to dissipate.
In the interim, they have a baby boy, whom they name Adam (Brendan Fraser). As Adam grows up, he is unknowingly caught in a time warp with his parents, as they have no contact with the outside world. Adam's world view and values reflect that of his parents, as his entire life, thus far, has been spent underground soley in their company. When the thirty five years are up, Calvin surfaces briefly to check the state of affairs topside. What he sees, he misinterprets, and upon his return to the bomb shelter ends up having a heart attack. He and Helen then dispatch Adam on a reconnaissance mission to get needed supplies.
What transpires when Adam ventures into the outside world is very funny and often poignant. As played by Brendan Fraser, the thirty five year old Adam, a fresh faced, polite virgin with no fashion sense, has a Dudley-Do-Right quality and a load of goofy, sincere charm that ensures the comedic success of this film. His foray into the outside world, his endearingly innocent interpretation of all that he sees, and his interaction with others will leave the viewer laughing. When he runs into Eve (Alicia Silverstone), the hard edged, appropriately named, beautiful blonde with a heart of gold, he is smitten. Together they will leave the viewer hoping that Adam and Eve will find the Garden of Eden.
Christopher Walker is wonderful as the slightly nutty, paranoid but brilliant scientist. Sissy Spacek shows a distinct comedic flair as the patient and long suffering wife who buys into her husband's vision of things. Dave Foley of "Kids in the Hall" fame is terrific as Eve's drolly funny, gay roommate. Alicia Silverstone, while ostensibly the weakest link in this otherwise brilliantly cast comedy, still manages to give a more than acceptable performance as the cynical Eve. It is Brendan Fraser, however, with his aw-shucks, innocent veneer, who deftly steals the show right under everyone's nose. His charming and funny, ingratiating performance is one that will have the viewer watching this film over and over again. This is a must have comedy for one's personal collection.

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Doc Hollywood (1991) Review

Doc Hollywood (1991)
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This film is the perfect offbeat movie for a lazy summer afternoon. Michael J. Fox and the supporting cast create a sense of place and time where the lowly squash is king (or it queen?). Fox loses his way in the Carolinas as he travels to Lotus Land for a new job as a plastic surgeon. A good movie to remind you what is important in life - pigs, kudzu, and a Porsche Speedster. It is such a lovely little film that the DVD presentation should be a crime. The picture quality is horrible and it is not letterboxed. No trailers, director's comment (which would have been GREAT), or added features. Just the movie, nothing extra. It appears some distributor's ten-year-old son was learning to burn a DVD for the first time and was given this as a project. Somebody should be ashamed. It's like serving a Heineken in a dirty baby bottle. Warner Brothers clearly dropped the ball on this. Loved the movie. Hated the DVD.

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A brash young medical resident is driving across the country to begin a career in Beverly Hills as a cosmetic surgeon to the stars. But an accident of fate strands him in a small southern town. There, his outlook on life - and love - gets a down-home twist that changes him forever.

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The Main Event (1979) Review

The Main Event (1979)
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This film was a major hit upon release in the summer of `79. With a budget seven-million-dollars, the film took in over $40 million at the domestic box office and became one of the top-ten grossers of the year. Unfortunately, it has since been written off by many fans and critics alike as one of Streisand's weakest film efforts. As for myself, I believe THE MAIN EVENT manages to be likable, funny, and entertaining. Even though we've seen the same story a thousand times before, THE MAIN EVENT is very enjoyable while it's playing.
The scenes are all set up very well, the one-liners are funny ("I said celebrate, not fornicate "), and Streisand and O'Neal give off a strong sexual charge between them onscreen. The film also features a very strong supporting cast, with Paul Sand, Whitman Mayo, and Patti D'Arbanville turning in terrific performances. Unfairly mangled by most critics and many viewers (many of whom need to learn how to loosen up), the film is complete fun from start to finish. Ignore all of the naysayers, THE MAIN EVENT stands one of my favorite romantic comedies.
About the DVD: The picture quality is great, and the mono sound is fine as well. It's great to have the original trailer and the 19-minute television special, titled GETTING IN SHAPE FOR THE MAIN EVENT, preserved on disc, although Streisand's brief audio commentary is slightly disappointing.

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An executive awakens one morning to find that her accountant has stolen all her money and fled the country. The only asset she has left is a boxer she purchased as a tax write-off. The executive then goads the boxer into re-starting his career.

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Operation Petticoat (1959) Review

Operation Petticoat (1959)
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Cary Grant is cast as the commander of the Sea Tiger, a sub held together by a lick and a promise. Tony Curtis is cast as Lt Nick Holden. He was assigned sea duty as a punishment, and is very outside of his element. Since the country is at war, supplies are very scarce, and Holden discovers that he does have a talent in being a thief. If they can't get a requisition filled, Mr. Holden can find it. This crew has one catastrophe after another, and then they get stuck with team of nurses that are stranded. This is a hilarious movie that will make you laugh out loud. The cast is superb, and not just the talent of Grant and Curtis, but all the supporting players.


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OPERATION PETTICOAT - DVD Movie

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Flipped (2010) Review

Flipped (2010)
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Okay, let's dispense immediately with the idea that this film is geared toward teenagers and all of their sappy crap that they go through. I assure you "mature adults" out there that this film will delight you also, unless you are a completely hopelessly lost Scrooge. This film should make sense to all ages. Everyone should identify with it. I don't care what kind of a snob, low-life, big wig, or puritan you are, you should enjoy this film. It's never too sappy when it deals with matters of the heart, nor is it too blunt and insensitive.
The film is told almost entirely in a voice over of one of the two main characters. It's told in a brilliant he-said she-said style where the same scene is often told twice from the two opposite points of view (Juli's and Bryce's). So we see the opening scene twice. The first time as explained by Bryce, and the second time explained by Juli. This sort of formula is used many a time in the unfolding battle of the sexes. Of course this doesn't happen in every scene--that would get boring. Director Reiner gives us the proper dosages of everything in this film. The proper amount of comedy, romance, and the proper amount of sadness. Never is it sappy or indulgent or even presumptuous. It's a perfect film for what it's worth. The screenplay is absolutely the work of a fine craftsman--or craftsmen Andrew Scheinman and director Reiner. I don't know how long it took to write or how much blood went into it, but this film is the result of excellent work in every department. The two child stars are perfect in their roles (although Bryce could have done better), but the strength of the cast are in supporting actors. The cast is full of great actors, particularly Anthony Edwards as Bryce's arrogant, critical, smart-aleck father, and the ever-welcome Aidan Quinn as Juli's loving, down-to-earth, tree painting father.
I wasn't completely convinced of the excellence of the film until a beautiful scene in which Mr. Baker (Quinn) and Juli go to visit Mr. Baker's mentally retarded brother Daniel, who is so happy with the world and everything in it. But this scene can't be expressed in words, you have to see it. For what it's worth, Flipped is somewhat of a deep film, full of parallels to the real world. All of the characters have the proper amount of development, even the big sycamore tree that Juli likes to sit in and watch the sunrise. Her exploits while up in that tree are so poetic and beautiful when matched up with the pictures on screen. It's a beautiful and insightful scene into the thoughts and feelings of people in general, not just a teenage girl.
In this day when films are almost all big-budget action movies with loud explosions, Flipped has explosions of its own kind. It has explosions of heart and feeling and character, all at the appropriate times. I did not find any axe to grind here. Other than the characters, plot, and screenplay, it's also a technically beautiful film. The camera captures everything so clearly with the proper colour timing and excellently framed shots. After the mid-way point of the film, being surrounded by excellence, one starts to look for any reason to criticize the film. I found none. Every nuance of the film is done so genteelly and honestly, who can have a problem with it? This film achieves what movies are meant to achieve. They are meant to reach into are minds and draw us in, to entertain and to move us with fright, emotion, tears, laughs, whatever may be the subject. They are meant to create a world around us, whether in space, in the Wild West, in the future, in Bible times, or in the case of Flipped in 1960s suburbia. This film does exactly what it is meant to do. To touch and make us laugh and to remember. That's what it does. It makes us remember what happened or is happening to us. No one can give this a bad review. Anyone who does will be personally crucified by me (yes, I am saying sayonara to free speech and forcing my opinions on the world). I don't see how anyone can pick a fight with the film. But I'm blabbing about nothing.
In short, Flipped is by far the best film I've seen this year. I do hope the Academy doesn't overlook this like they do so many other "family" films. It should at least get a few nominations, if not a win. We'll see what happens. It's only July.


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WHEN SECOND-GRADERS BRYCE AND JULI FIRST MEET, JULI KNOWS IT'S LOVE. BRYCE ISN'T SO SURE. BEGINNING THAT DAY, AND FOR THE NEXT SIX YEARS, YOUNG BRYCE DOES EVERYTHING HE CAN TO KEEP HIS OUT- SPOKEN WANNABE GIRLFRIEND AT ARMS LENGTH, BUT THEY GO TO THE SAME SCHOOL AND LIVE ACROSS THE STREET FROM EACH OTHER.

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The Lake House (Widescreen Edition) (2006) Review

The Lake House (Widescreen Edition) (2006)
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If you enjoy love stories, then you should delight as much in this modern day fairy tale as my wife and I did. Sandra Bullock (one of my favorite actresses) as Dr. Kate Forster and Keanu Reeves as Alex Wyler complement each other extremely well and manage to develop a tangible chemistry despite the unique nature of their "long distance" (in time) relationship. However, you have to be prepared to suspend your usual conception of the relationship of time and place and accept unconditionally the truly unusual and scientifically fictional aspects of the storyline. This film is about emotions, interpersonal relationships and personal discovery, and needs to be engaged with your heart, not your mind.
CAUTION: it was obvious from the comments of other moviegoers who watched the film with us that our enthusiasm was not universally shared. Perhaps understandably given several of Sandra's Bullock's previous films, some people obviously expected to see a typical romantic comedy, which this most definitely is not despite some truly funny sequences. Others seemed to be unable to let go of their attempt to rationally analyze the techniques which the story utilized to further the relationship between Kate and Alex; this trait led to their inability simply to accept the facts as the writer and producer chose to present them in furtherance of the story and thus distracted from the essence of the film, which is the development of the central characters' relationship and the mystery of how the story will conclude. And finally, a few seemed bewildered that anyone would find such a ridiculous story appealing and frustrated that they had wasted almost two hours of their time watching it.
As the film begins, Kate and her female dog Jack are ending their tenancy at an architecturally unique LAKE HOUSE and moving into a modern new apartment in downtown Chicago near the hospital where she is on staff. She leaves a note in the mailbox for the next tenant, which Alex finds when he moves into the house. Thus, very early in the film, the four main actors in this drama have already been introduced - Kate, Alex, Jack, and THE LAKE HOUSE itself. However, the key plot twist of what briefly appears a rather conventional and undoubtedly otherwise pedestrian romance (which would simply be a showcase for the stars) is introduced. It is a concept familiar to science fiction fans but seldom used in other genres; specifically time shifting together with some aspects of parallel universes. Since what has happened is incidental to the story and never explained, it is not clear at any particular point in the story what rules will apply to the situations in which the characters find themselves. (N.B. This film should definitely not be included in the genre of science fiction, it involves neither time travel or futurism.)
However, when Alex replies to Kate's note and a correspondence ensues, their initial misunderstandings soon turn to disbelief when she claims to be living in 2006 and he is in 2004. What! How could she move out and he then move in? Despite their incredulity, they eventually both become convinced that their lives really have been linked through some sort of time warp. Of course, since this is a love story they then both become increasingly attracted to each other (Remember, you can't expect to understand how the intermediary device of the magic mailbox operates, just enjoy the flag waving which results.) The story is incredibly cleverly constructed, with several threads gradually coming together and increasingly causing their lives to become intertwined. THE LAKE HOUSE, a memorable edifice built on stilts and reached by a walkway over the water is reminiscent of Phillip Johnson's signature Glass House. It not only unites Alex and Kate but plays a crucial role in Alex's family history and his strained relationship with his father, the noted architect Simon Wyler (Christopher Plummer).
The enjoyment of the film is in fact heightened by its leisurely pace, the cast (and the supporting roles are uniformly well acted) has time to develop the story and let us get to know Kate and Alex as they get to know each other; thus we also experience their frustration that thyey may have to accept the fact that they will be resigned to living separate lives. The most difficult aspect of the film for me to follow was the fact that the sequence of the scenes as presented to the moviegoer was not always immediately clear. Not only are Alex and Kate simultaneously living in different years, but their individual experiences are not presented in chronological order. There are frequent flashbacks and the jumps forward to their individual present day selves, interspersed with one chance meeting of which only Alex is aware. Remember, concentrate on their story - not on trying to figure out how it is occurring. One incredibly deft touch is the use of a copy of Jane Austen's PERSUASION as both a very important point of contact in their relationship and also with the story as a metaphor for their situation.
In conclusion, if you enjoy fantasy, then you should enjoy this unconventional love story. In addition, you also get as a bonus to try to figure out how an appealing dog such as Jack could somehow live with both Kate and Alex and maybe you will even receive a few insights about architecture. Just remember to pay attention to details, because at various times during the film events occur whose complete relevance only becomes clear much later. Interestingly enough, if you do pick up these clues, while they foreshadow some of the later events (in the sequence in which the movie unfolds), they in no way make the eventual outcome predictable and thus do not spoil the story. Fun, interesting, well acted, emotionally satisfying and unpredictable enough to keep your interest - certainly a more attractive set of attributes than most of today's film fare.
Tucker Andersen

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A lonely doctor (Sandra Bullock) who once occupied an unusual lakeside home begins exchanging love letters with its newest resident, a frustrated architect (Keanu Reeves). When they discover that they're actually living two years apart, they must try to unravel the mystery behind their extraordinary romance before it's too late.

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Forrest Gump (Sapphire Series) (1994) Review

Forrest Gump (Sapphire Series)  (1994)
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Forrest Gump is a rare movie that succeeded on all levels. It was a box office smash ranking among the top five highest grossing movies of all time. But it was also a critical darling, garnering across the board praise and a truckload of awards. The movie became a cultural phenomenon, spawning cook books, quote books, a top ten soundtrack album and lines like "stupid is as stupid does" and "life is like a box of chocolates, you never know what you're gonna get" have permeated our dialect. The movie has a nostalgic, feel good vibe thanks to the dimwitted Forrest's trek through 60's and 70's touchstone events. Underneath all those warm feelings lies a darkness. Bad things happen to just about everyone Forrest comes in contact with. His best friend Bubba is killed in Vietnam, his other friend Lt. Dan loses both his legs, his mother dies of cancer and his beloved Jenny dies of AIDS. Even the famous people Forrest comes across meet with disaster, President Kennedy & John Lennon are assassinated, George Wallace is shot and Elvis Presley dies young. There are superb performances all around. Sally Field is feisty as Forrest's mama, Mykelti Williamson is funny as Bubba, Gary Sinese as Lt. Dan is a perfect rough edged foil to Forrest and Robin Wright as Jenny portrays the confusion that young people of the times felt perfectly. While all those performances are of high quality, Forrest Gump is Tom Hanks' tour de force. He is utterly brilliant as Forrest. He is in virtually every scene of the movie and never once does he fail to astound. He becomes Forrest and makes you care what happens to him. Mr. Hanks deservedly won his second consecutive Best Actor Oscar for the role and cemented himself as the best actor of his generation and one of the best of all time.

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"Stupid is as stupid does," says Forrest Gump (played by Tom Hanks in an Oscar-winning performance) as he discusses his relative level of intelligence with a stranger while waiting for a bus. Despite his sub-normal IQ, Gump leads a truly charmed life, with a ringside seat for many of the most memorable events of the second half of the 20th century. Entirely without trying, Forrest teaches Elvis Presley to dance, becomes a football star, meets John F. Kennedy, serves with honor in Vietnam, meets Lyndon Johnson, speaks at an anti-war rally at the Washington Monument, hangs out with the Yippies, defeats the Chinese national team in table tennis, meets Richard Nixon, discovers the break-in at the Watergate, opens a profitable shrimping business, becomes an original investor in Apple Computers, and decides to run back and forth across the country for several years. Meanwhile, as the remarkable parade of his life goes by, Forrest never forgets Jenny (Robin Wright Penn), the girl he loved as a boy, who makes her own journey through the turbulence of the 1960s and 1970s that is far more troubled than the path Forrest happens upon. Featured alongside Tom Hanks are Sally Field as Forrest's mother; Gary Sinise as his commanding officer in Vietnam; Mykelti Williamson as his ill-fated Army buddy who is familiar with every recipe that involves shrimp; and the special effects artists whose digital magic place Forrest amidst a remarkable array of historical events and people.

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