Showing posts with label hugh grant. Show all posts
Showing posts with label hugh grant. Show all posts

Mickey Blue Eyes (1999) Review

Mickey Blue Eyes (1999)
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To tell you the truth, I wasn't really expecting too much from this movie, it IS a romantic comedy, but not expecting too much is the best way to not be dissapointed.
Hugh Grant plays an auctioneer who wants to marry his girlfriend played by Jeanne Tripplehorn. The only problem is she wants to protect him from her family, who happen to be mobsters, most notable James Caan.
Hugh Grant's clumsy, stuttering style serves him well here because he is faced with a number of uncomfortable situations. He and Caan do fine work in the movie although Caan's character becomes weaker towards the second half of the movie. Tripplehorn is ok, in a role that only required her to be ok.
The rest of the mobster cliches, I mean cast, are made up of people who at one time or another have been or will be on The Sopranos.
The movie does have some funny moments, like when Caan teaches Grant to talk like a wiseguy, although that wears thin soon. But in the end the movies uneven tone between lighthearted romantic comedy and some violence ultimately keep it from being too memorable

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ABOUT A DAPPER ART AUCTIONEER WHOSE ROMANCE WITH A SCHOOLTEACHERENTANGLES HIM IN THE WORKINGS OF HER MOB FAMILY. SPECIALFEATURES: FILMOGRAPHIES AND THEATRICAL TRAILER. SUBITLES IN ENGLISH.

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Music and Lyrics (Widescreen Edition) (2007) Review

Music and Lyrics (Widescreen Edition) (2007)
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Sure. Why not? The first question in assessing a movie's merit is does it do as intended?
With "Music and Lyrics," what it intends is nothing extraordinary. It aims to be a fun, romantic, sweet comedy of a man meeting a woman and falling in love, with a poke at pop culture. It accomplishes this. I saw this on February 14, Valentine's Day, and wanted exactly as delivered.
Paul McCartney asked in the 1970s what the world needs with another silly love song. "Music and Lyrics" is, in film, a silly love song.
Hugh Grant plays Alex Fletcher, a has-been pop singer from a defunct duo similar to Wham!, struggles to find his way as his audience stops caring. Realistic, he knows what he is capable of, but is unsure what his next step should be.
When Cora, a pretentious form of Britney Spears-Shakira-Christina Aguilera of sex-pop, offers him an opportunity to write a song, he runs into trouble. He is a melody man, not a lyricist. His lyricist from his old band, Pop!, is long gone.
In walks Sophie Fisher, played with charm by the ever-sweet Drew Barrymore. She's Alex's temporary plant watering person (and not a very good one), with a penchant for delivering peppy lyrics under her breath. Despite the scorn of fill-in wordsmith Greg Antonsky, Alex takes a liking to her style. Greg's angst-style, hopeless lyrics seem off kilter with Alex's personality.
Embittered from a broken affair with an engaged man, Sophie is uninterested. It is one thing to hum a tune, and it is another to commit to writing a song. However, Alex only has a few days and pressures (begs, really), Sophie to help.
She acquiesces, and tries to write. Alex and Sophie clash, as he understands the profession of music, and is desperate, and she is still stuck on the failed affair.
Both are living in the past, and both need to move up into 2007 to survive and thrive.
Finally, lyrics are written, and Cora loves them -- with a few changes. Cora's version is laced with faux spirituality and tramped-up seduction. Sophie's artistic sensibilities are insulted, and pulls the song much to Alex's chagrin. They argue, break-up, and now, Alex is stuck trying to fix a song.
Can he fix the song on time? Will they figure out how to live in the present day? What about love (this is a romantic comedy, remember?).
A fine self-mocking performance is put on by Kristen Johnston as Sophie's older sister Rhonda, making jabs at her own weight-loss campaign. Brad Garrett as Alex's agent Chris Riley is right on the money, as he is both a manager and friend.
Drew Barrymore shows she's more than the girl next door, but has a kind of Lucille Ball, Jenna Elfman, Meg Ryan mix going on.
Hugh Grant is perfectly cast, and is the better side of himself. He never overplays the role, and yet, does not fall into the 'stupid Englishman' persona he occasionally does.
I fully recommend "Music and Lyrics."
Anthony Trendl
editor, HungarianBookstore.com

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First you're hot, then you're not...and then you're Alex Fletcher (HUGH GRANT). So when the sizzlingest tween-queen on the charts asks the has-been '80s pop sensation to write her a song, he grabs for another chance at stardom. Problem: Alex can say it with music, but he sure can't say it with words. Enter Sophie Fisher (DREW BARRYMORE), his beguiling if quirky plant lady, who has a green thumb for lyrics. Together, they go after songwriting success -- and discover that if you want to write the perfect love song, it helps to fall in love. With Hugh Grant and Drew Barrymore at the keyboard and Marc Lawrence (Two Weeks Notice) directing, Music and Lyrics is a witty, wacky romantic comedy that faces the music...and laughs!

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TWO WEEKS NOTICE (2003) Review

TWO WEEKS NOTICE (2003)
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Good, Light Romantic Comedies are few and far between as are actors capable of pulling them off. The days of Cary Grant, Marilyn Monroe, Katherine Hepburn, Carole Lombard, etc are long gone. Once in a while though, moviemakers come up with a good one and "Two Weeks Notice" is one of them: substantially helped along with the Charisma, Charm and talent of Sandra Bullock and Hugh Grant.
Even though I was a fan of Bullock's "Murder One," most want to see her only in these light comedies as in her hit last year with "Miss Congeniality." And Bullock has the business-savvy and intelligence to hire the best writers and directors as in Marc Lawrence here.
The story of "Two Weeks Notice" is a trifle: filled with witty repartee between Grant and Bullock and involving a love/hate relationship standard in this type of genre film. With so many of last year's films turning out so deadly serious, this is a relief and a palliative to all that earnestness. Ditto with J-Lo's "Maid in Manhattan."
"Two Weeks Notice will provide you with an hour-and-a-half of smart, funny dialogue performed by two of the best practitioners of this difficult art. And whereas many current comedies require that you leave your brain parked outside at the curb, this one requires that you bring it in the theater with you.

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Opposites don't just attract - they hilariously banter, fuss, feud and collide when SANDRA BULLOCK plays an activist lawyer and HUGH GRANT is the eccentric tycoon who hires her in this romantic-comedy romp from the writer of Miss Congeniality DVD Features:Additional Scenes:Two new scenesAudio Commentary:Feature-length audio commentary with branching gags by Sandra Bullock, Hugh Grant and Writer Marc LawrenceDocumentary:Visit the stars, moviemakers and New York City with "HBO First Look: The Making of 'Two Weeks Notice'"Filmographies:Cast/Director Film HighlightsInteractive MenusScene AccessTheatrical Trailer


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