Pin Up Girl (1944) Review

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(More customer reviews)It is WONDERFUL that FOX is releasing some Betty Grable movies once again...and finally on DVD!! "Pin Up Girl" was primarily a
follow up to the release of millions of copies of her famous pin up picture in 1943. It is a typical Fox Musical...with a large dash of vaudeville (roller skating specialties) and Our Betty playing a secretary (watch her take off her glasses and WOW just about everybody!)...who pretends to be a musical comedy star. There is A BIG NAME BAND and Betty dances with
Hermes Pan! O.K....we watch Betty because she is a great entertainer (and by popular demand, A PIN UP)...her films are
bright and colorful light entertainment. Betty suffers the
embarassment of plots that bring on migraine, but Betty is a
trouper. Bottom line: you will LOVE BETTY...not the movie. We can hope that this will triger the release of some of Betty's
films that have never been on video of any kind. I would really prefer to buy my Betty Grable movies from Fox than from mysterious people on e-Bay and I sincerely hope that this means we will soon be able to do that! Please bring us "Coney Island", "Sweet Rosey O'Grady", "The Dolly Sisters", "Mother Wore Tights"....and everything she made between 1950 and 1955.
Betty Grable was a wildly popular star. Some of her plots are
a little threadbare by now...but BETTY will always be THE WOMAN WE WON THE WAR FOR and a phenomenal popular entertainer. Thanks for bringing her back to us. THREE stars for the movie.
For BETTY: a THOUSAND!!

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Easter Parade (Two-Disc Special Edition) (1948) Review

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(More customer reviews)I really like "Easter Parade" and was eagerly anticipating how beautiful it would look as a result of Warner's Ultra Resolution process. This is a method that electronically aligns the elements of the famous 3-strip Technicolor process to deliver greater sharpness and even details that weren't visible when the film was brand new. Unfortunately, this film doesn't look nearly as good as the other films that previously underwent this process: "Singin' in the Rain," "The Adventures of Robin Hood," "Meet Me in St. Louis," and "Gone With the Wind." Even "The Harvey Girls" and "Annie Get Your Gun," which were restored without the Ultra Resolution process, look much better than "Easter Parade."
All of these films, although not perfect, look almost like they were filmed yesterday with wonderful sharpness and contrast range, an almost three-dimensional clarity, and beautiful, sparkling colors--rather like a Kodachrome slide. "Easter Parade," on the other hand, looks like a very old movie that's had it colors artificially pumped up--like an old tart that thinks a lot of warpaint will make her look young, but fools no one. This transfer HAS to be several generations removed from the negative. It has a thick, flat, dull look: very little contrast or modeling, flesh tones the color of red clay mud, and colors that look as if they were applied to the film with a spatula--no light or life can get through! When there is some contrast and a bit of brightness, the effect is very garish and detail is washed out. Warner Brothers either shortchanged this film financially in its restoration or it was working with elements that were far removed from the original negative or color separations. Yes, this is the best this film has looked on home video. Yes, it often has decent detail, but it looks everybit like a film from 1948--or even older--rather than the almost brand new look we have come to expect from Warner's other major restoration efforts.
"The Band Wagon," another classic musical that was released in conjunction with "Easter Parade," is better, but still has that rather dull, flat, copy-of-a-copy-of-a-copy look, and reddish brown fleshtones. Compare it with "Singin' In the Rain," released just a year before: the difference is like night and day! We have come to expect better than this from a company that has given classic film fans the best DVD transfers of any company. I am more than disappointed; I am shocked! What happened, Warner Brothers?

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ON THE DAY BEFORE EASTER IN 1911, DON HEWES IS CRUSHED WHEN HIS DANCING PARTNER (AND OBJECT OF AFFECTION) NADINE HALE REFUSES TOSTART A NEW CONTRACT WITH HIM. TO PROVE NADINE'S NOT IMPORTANTTO HIM, DON ACQUIRES INNOCENT NEW PROTEGEE HANNAH BROWN, VOWING TO MAKE HER A STAR IN TIME FOR NEXT YEAR'S EASTER PARADE.

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The Band Wagon (Two-Disc Special Edition) (1953) Review

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(More customer reviews)This movie begins with a phenomenal if misleading shot. It shows a top hat and cane belonging to former dancing legend Tony Hunter being auctioned, with no takers. Of course, if you see a top hat and cane, you think "Fred Astaire." But despite the implication and reference, Fred Astaire was, at the time this film was being made, still very much the greatest dancer in the movies (with apologies to Gene Kelly). Unlike Tony Hunter, he had never ceased to make "A" pictures. But no one could have played this role with more authority than Astaire.
The plot is simple: washed-out and used-up former dance legend Tony Hunter is returning to Broadway in an attempt to revive his sagging career. That provides the pretext that is needed for a nearly perfect musical. THE BAND WAGON is a magnificent blend of great songs, great music, great dancer numbers, great actors, and great comedy. The cast is perfect. You get not only the greatest song and dance man in movie history but also a magnificent partner in the elegant and leggy Cyd Charise. You get great comic relief with Oscar Levant and Nanette Fabray. And you get one of the few musical comedy performers who could rival Fred Astaire for elegance and charm in Jack Buchanan.
The musical numbers are both marvelous and apparently never ending. The film begins with Fred performing "By Myself" and then soon shifts to a thoroughly rousing version of "Shine on My Shoes." Later in the film, two enormously debonair song and dance men (Fred and Jack) perform "I Guess I'll Have to Change My Plan's." And that doesn't even come close to exhausting the list.
Perhaps the highpoint of the film, however, comes when Tony and Gabrielle, the ballet performer the producers want to partner him with, uncertain that they will be able to dance with each other at all, take a carriage ride through Central Park to try to get to know each other. As they drive, they come upon an outdoor dance floor, with an orchestra playing the haunting Dietz and Schwartz classic "Dancing in the Dark" (which lyricist Dietz intended to be a meditation about the nature of human existence; Schwartz's music matched the mood of the lyrics perfectly). Tony and Gabrielle get out and begin to walk together in rhythm, gradually and tentatively attempting a few dance steps. Eventually, they discover each other's rhythm, and they begin to dance together marvelously and magnificently, matching the mood of the music precisely. It is one of the greatest moments in either Astaire or Charisse's career.
This is a must see film for any fan of the movie musical. I have to confess that I am not, by and large, a big fan of the MGM musical. I prefer the kookiness of the older RKO musicals, or even the stylized musicals of Warners or even Fox. MGM musicals were, to me, too often overproduced and dominated by the art directors. This film, however, is a magnificent exception.

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A washed-up movie star tries his luck on a faltering broadway show and manages to turn it into a smash hit. Some of the dazzling astaire dance numbers include triplets girl hunt dancing in the dark and thats entertainment.Studio: Warner Home VideoRelease Date: 03/15/2005Starring: Jack Buchanan Cyd CharisseRun time: 112 minutes

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Bedknobs and Broomsticks (30th Anniversary Edition) (1971) Review

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(More customer reviews)In 1971, Bedknobs and Broomsticks, a film many call a Mary Poppins rip-off, premiered at Radio City Music Hall, but in a version in which nearly half an hour of footage, including full songs, was removed. For its 25th Anniversary in 1996, Disney re-inserted all of the deleted footage except for one musical number in which the picture was lost. The Academy Of Motion Picture Arts And Sciences screened this in 1996, but it didn't get a theatrical release, and for years, the only way Americans could get it was either by the 1997 laserdisc release, an import of a European video, or by catching it on occasion on the Disney Channel.
Finally, in 2001, for the film's 30th Anniversary, Disney released a DVD with this extended version of the film. Restored and remastered, the film now has a clearer plot, extended musical numbers, and songs previously deleted. The brilliant "Portobello Road" number is now restored to its original running time, as well as Miss Price's response verses, titled "Don't Let Me Down" during Mr. Browne's song "Eglantine," and the previously entirely deleted songs "With A Flair" and "Nobody's Problems" are restored to the film.
The DVD is a mixed bag. The transfer is quite nice, but Lowry Digital, who did the recent Mary Poppins, Bambi, and Cinderella DVD restorations, could punch it up a little, as on occasion, I saw a bit of grain, and the occasional film artifact, especially during the closing credits and Walt Disney Pictures logo. However, this film has still never looked better on home video, so it's fine with me.
The extras could have been better. An actual making-of on the film would have been nice, including footage used in the Music Magic featurette. While that featurette does give some nice insight on the restoration, there's nothing behind-the-scenes about it except for the creation of the music score. Nothing about the effects, actors, nothing. But it's worth a look for info on the film's 1996 restoration. A larger gallery would have been nice. I do like the inclusion of the two cartoons. And of course, I'm happy to see that they have included theatrical trailers.
The best supplement, however, is the deleted song A Step In The Right Direction. That song was the catalyst that jump started this restoration project to begin with, so there's a bit of irony here in the fact that they couldn't find the footage of the song. So the supplement on the DVD, which is ported over from the 1997 laserdisc and was shown after the movie when the Disney Channel aired the restored version, is reconstructed using still photos of the scene and the original soundtrack. Hopefully one day, the footage will be found and they will be able to reinstate the number into the film, or at least they'll decide to include the photo reconstruction a la the restored version of A Star Is Born with Judy Garland.
Some have complained that there isn't an option to watch the original, shorter version due to its length and/or the poor dubbing of the voices in deleted scenes. (For much of the non-musical deleted footage, original dialogue soundtracks could not be found, so many of the deleted scenes had to be re-dubbed.) While I prefer the restored version despite the dubbing flaws, I think it would be wise of Disney to release both versions on DVD. Next year is the 35th Anniversary - maybe Disney will make a 2-disc DVD featuring both editions, with bonuses spread out on each disc, to appease all fans. Or better yet, a 3-Disc Collector's Edition, with discs 1 and 2 containing both cuts of the film and disc 3 with all the supplements. While neither edition is likely, the 2-Disc is a more likely option.
In conclusion, I can heartily recommend this DVD. The film has been lovingly restored and remastered, featuring almost all of the footage left on the cutting room floor in 1971, and features a nice handful of bonuses.

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An Academy Award(R) winner for Best Visual Effects (1971), BEDKNOBS AND BROOMSTICKS is a magical blend of live action and animation that makes it one of Disney's most enduring classics. This magical 30th anniversary edition version of the film is now yours to enjoy in digital splendor on this remastered, fully restored DVD! BEDKNOBS AND BROOMSTICKS is the enchanting story of an amateur witch who, along with three precocious orphans, flies into one fantastic adventure after another aboard a bewitched bed. The legendary Angela Lansbury is charming as the witch, and the inimitable David Tomlinson (MARY POPPINS) delights as the amusing professor whose help Lansbury and the children enlist in order to find an ancient incantation that will save the country from hostile invaders! This special edition BEDKNOBS AND BROOMSTICKS DVD includes many bonus features and is sure to be a film the entire family will want to watch again and again!

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South Pacific (1958) Review

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(More customer reviews)I first saw South Pacific when it was released in 1958 at the age of 10, and remember being totally overwhelmed by the orchestrations, performances and photography. Over the years I have regularly heard the film trashed by critics and many members of the public, so I was curious to see how I would respond to it now when I recently bought the video. Well, maybe it's just me, but I found the film as thrilling and beautiful as I did forty years ago. I agree with everyone else that it was a mistake to use those colored filters in many of the sequences, but the film still packs a heck of an emotional whallop, and I think along with The King and I stands out as the most successful of the Rogers and Hammerstein shows put on film. The weakest of the cast is John Kerr, who is somewhat wooden; however, Juanita Hall is magnificent as Bloody Mary (she will never be surpassed in the role she createwd on Braodway), Rossano Brazzi is thoroghly convincing as Emille DeBeque (even if he was dubbed by Giorgio Tozzi), and Mitzi Gaynor gives an unforgettable performance as Nelly Forbrush. Of all of the criticism one hears of South Pacific, to me the most puzzling is the bashing of Mitzi Gaynor, who to me is not only excellent but perfection in the role. I realize a lot of this probably stems from anger that Mary Martin didn't get the role and is basically sour grapes, but the fact is Ms. Martin was too old to be convincing in 1958. The scenes in which Ms. Gaynor struggles with her small-town prejudices are moving and very real, and when Bloody Mary brings Liat to her to find Lieutenant Cable, who has been killed, it breaks one's heart. Anyway, the movie still knocks me out, even if that makes me, as Nelly Forbrush calls herself, a "knucklehead." The incredible photography, gorgeous music, and theme of the need to triumph over bigotry which is still so relevant even today, makes this film a 5-star winner in my book. As trite as it sounds, "They don't make 'em like that anymore!"

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TCM Greatest Classic Films Collection: American Musicals (The Band Wagon / Meet Me in St. Louis / Singin' in the Rain / Easter Parade) (2009) Review

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(More customer reviews)This is one of several DVD sets that TCM/WHV is producing over the next year or so that brings the classic films to the masses at affordable prices. All of these films are available in more deluxe editions, so this is mainly for those who are not interested in extra features. Every one of these is a five star film for musical lovers.
Singin in the Rain is my favorite movie musical and perhaps the best movie musical ever made. Thrown together quickly after the success of "An American in Paris" I love it for its comedy, its timing, and its wonderful plag iarism of just about every song written for MGM movies between 1929 and 1940. If you are interested in extras this film is available as Singin' in the Rain (Two-Disc Special Edition). The two disc edition has some wonderful extras about the transition from silent film to sound.
The Band Wagon is one of Fred Astaire's best MGM musicals. Fred plays an aging song and dance man whose friends are writing a new Broadway show and want Fred to star. They enlist a Broadway headliner to help them get financial backing, but the show the veteran describes is a musical version of Faust, not the fun romp that was originally planned. This one is available in a more deluxe version as The Band Wagon (Two-Disc Special Edition).
The Easter Parade stars Fred Astaire again. After being rejected by his girlfriend/star, on a lark he offers Judy Garland a job as his partner, claiming he could make her as big a star as his ex-girlfriend. The next day he regrets his offer, but he has to go through with it when Judy shows up for rehearsal after having already quit her current job. Again, if you like extra features it is available as Easter Parade (Two-Disc Special Edition).
Meet Me in St. Louis stars Judy Garland and is about - absolutely nothing. However, this musical which has no big events and no real dramatic climax will grow on you. It is about a year in the life of an extended St. Louis family. The father has accepted a job offer in New York City, and nobody in the family is happy about it. This midwestern group does not want to give up their easy-going way of life and all of their friends for the big treeless city. Worse yet, the move is scheduled to take place at Christmas. This is available in the deluxe Meet Me In St. Louis (Two-Disc Special Edition). The best thing about this 2-disc edition is the inclusion of the 1930 Vitaphone short "Bubbles". Besides being one of the strangest little musical shorts ever, it stars Judy Garland back when she was still one of the Gumm Sisters.

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EASTER PARADE Strolling along 5th Avenue or bumming around as A Couple of Swells, Judy Garland and Fred Astaire lead a parade of music (17 Irving Berlin tunes and an Academy Award-winning adaptation score) and gotta-dance fun in this neverending delight co-starring Ann Miller and Peter Lawford. MEET ME IN ST. LOUIS She's in love with the boy next door. And movie fans are forever in love with her Judy Garland in a nostalgia and humor-filled tale of life with the Smith family in 1903 St. Louis. Songs include The Boy Next Door, The Trolley Song and Have Yourself a Merry Little Christmas. SINGIN IN THE RAIN Considered by many to be the greatest movie musical ever! Silent movies are giving way to the advent of sound and a Hollywood matinee idol (Gene Kelly) is caught in that bumpy transition, as well as his buddy (Donald O'Connor), prospective sweetheart (Debbie Reynolds) and vocally-challenged co-star (Jean Hagen). THE BAND WAGON Fred Astaire dazzles in a train station (By Myself), a penny arcade (A Shine on Your Shoes), a back-lot Central Park (Dancing in the Dark) and a smoky café (Girl Hunt), the latter two with incomparable Cyd Charisse. Nanette Fabray, Jack Buchanan and Oscar Levant co-star, and as the movies hallmark song goes, That's Entertainment!

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Darling Lili (1970) Review

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(More customer reviews)Paramount Home Video had originally scheduled to release "Darling Lili" on DVD in April, but it was pulled from the release schedule with no explanation. Now they have just announced that the film will be released October 25, 2005!
As you probably know, this movie bombed when released in 1970, and it was never released on home video in any format. However, anything with Julie Andrews in it has a cult following, and I've always felt that it was just a matter of time before this film was finally made available.
Darling Lili is not a great movie by any means, but it's quite enjoyable with pretty music, nice cinematography, costumes, and set design. The story's not especially memorable, but Julie and Rock Hudson have good chemistry and give it their best shot. This was the sort of sophisticated, light comedy/drama that was popular in the Sixties and, if made just a few years earlier, would have starred either Doris Day, Audrey Hepburn, Sophia Loren, or Shirley MacLaine. However, by the time of its release in 1970, this type of film had fallen on hard times--plus being a musical did not help its appeal at the box office.
Let's hope that Paramount decides to finally release the full-length version on DVD soon (as opposed to the shortened version that turns up occasionaly on cable) and gives us a beautiful transfer that is sharp, saturated, and free from debris.

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A German spy masquerades as a singer during World War I to obtain secrets from an American pilot and she begins to fall in love with him.Genre: MusicalsRating: GRelease Date: 25-OCT-2005Media Type: DVD

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By the Light of the Silvery Moon (1953) Review

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(More customer reviews)In the annual Quigley Poll of the top ten box-office attractions in America conducted at the end of 1952, Doris Day was determined to be the top money-making female star in films. "By the Light of the Silvery Moon", released in 1953, was her first film release after achieving that honor. "Moon" was a deserved success and certainly worthy of Day's position within the industry at that time.
"By the Light of the Silvery Moon" is the tuneful follow-up to the very popular 1951 hit for Warner Brothers, "On Moonlight Bay". Like its predecessor, it recalls another time and place in America, directly after World War I, bathing it in a nostalgic warmth and glow in stunning technicolor and reassembling most of the cast from the earlier film.
The characters and story are very loosely based on the "Penrod" series of stories written by Booth Tarkington.
Marjorie and Bill, the sweethearts of the piece, are played by Doris Day and Gordon MacRae, in their 5th and final on-screen pairing. They harmonize beautifully and play their scenes with genuine and totally unaffected warmth and believability. Watching Day, it's easy to see why see held the lofty position within the industry that she held for so long. Her natural likeability and never cloying manner are soothing and when she sings, as she does frequently, one is transported to a safe and comfortable haven.
The songs include the title tune, "If You Were the Only Girl in the World" and "Ain't We Got Fun" to name but a few.
The remaining members of Marjorie's family are back from the earlier effort and seem to be more a family than ever before. Leon Ames is part bluster/part patriarch, while Rosemary DeCamp, as usual, is better than much of the material Hollywood generally gave her to work with. Billy Gray is appropriately rowdy but skillfully avoiding the obnoxious elements as Wesley and Mary Wickes, as she is prone to do, shines in every scene she plays, a natural treasure as one of the most unique character actresses in film history.
If you look quickly in the beautifully staged skating sequence near the film's conclusion, you'll spot Merv Griffin talking through a megaphone and urging everyone to skate with their sweetheart. Doris Day was responsible for getting Griffin a contract at Warners, which launched his career. In 1970, she made her first ever talk show appearance on his program.
"By the Light of the Silvery Moon" is as substantial as a Hallmark Card brought to life but thanks to a fine cast headed by Day, who smoothly mixes the various facets of her character, some great tunes, a lightweight plot that never gets in the way of the music and some fine Warner Brothers production values, it works.
By the final credits you care so much about these characters that you almost wish Warner Brothers had done one more chapter to the story. The light in this moon certainly becomes everyone involved.

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"On Moonlight Bay" stars Doris Day and Gordon MacRae are back together in top tune-crooning form for the further adventures of a small-town family turning the corner from World War I into the Roaring '20s. Year: 1953 Director: David Butler Starring: Doris Day, Gordon MacRae, Billy Gray

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Hair (1979) Review

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(More customer reviews)If "Hair" were only a period piece, it would still be wonderful entertainment - but it's so much more. Previous reviewers have already spoken for me in praising this film's astonishing energy, its fine acting (not stereotypes, but iconic characters), and its forever-fresh-as-a-summer-flower soundtrack. I can only agree with them completely, and add my positive vote to theirs. This is a highly (no pun intended) recommended film!
But I'd like to emphasize something else now. Those reviewers who complain about the film being dated are missing an important point. Love, friendship, joy, exuberance - these things are never out of date. And it raises an interesting question: why are some people so embarrassed and downright afraid of the so-called "hippie-dippy" aspect of this movie, and the years it captures so well? Possibly because it goes against the current wisdom, which claims that the uglier and nastier and more downbeat something is, the truer it is.
Well, no one is claiming that this is a perfect world - far from it! - but there is still plenty of joy and beauty and magic to be found in it! Yes, in too many ways it's a more cynical world now ... which is all the more reason to celebrate and uphold those naïve, utterly necessary values. Don't be afraid of looking foolish, don't worry about having to be cool and detached all the time, don't be afraid to embrace the Universe and exult in it - let the sunshine in!

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Brimming with the energy, passion and music that rocked a nation, Hair is an entertaining and powerful tribute to the turbulent spirit of the '60s. Brilliantly recreated by OscarÂ(r)-winning* director Milos Forman and screenwriter Michael Weller (Ragtime), this vibrant screen version of the Broadway phenomenon ranks "among the best film musicals" (The Hollywood Reporter)! Fresh from the farm, Claude Bukowski (John Savage, The Thin Red Line) arrives in New York City for a date with the Army Induction Board, only to walk into a hippie "happening" inCentral Park and fall in love with the beautiful Shelia (Beverly D'Angelo, American History X). Befriended by the hippies' pacifist leader, Berger (Treat Williams, Mulholland Falls), and urged to crash a formal party in order to declare his love for Shelia, Claude begins an adventure that lands him in jail, Central Park Lake and, finally, in the army. But Berger's final effort to save Claude from Vietnam sets in motion a bizarre twist of fate with shocking consequences.*1975: One Flew Over the Cuckoo's Nest; 1984: Amadeus

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Cabaret (1972) Review

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(More customer reviews)While this is probably not a bone of contention with most viewers, I think it's worth noting for those that do pay attention to these things, especially if you base your purchases on them, as I did in this case. The packaging on this newer DVD edition of "Cabaret" states that it is an anamorphic transfer (i.e. "Enhanced for Widescreen TVs"). It is NOT. This is the SAME disc as before, with new a label on it.
They merely changed the packaging, I guess, so that they could mention "Chicago" in the description on the back cover and tie it into the heat for that film. Shame on you, Warner Bros. We all work hard for our money and deserve better than to believe we're buying a new anamorphic transfer, when you are really marketing the exact same discs as before.

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Willkommen, bienvenue, welcome to Cabaret. The winner of eight Academy Awards, it boasts a score by the legendary songwriting partnership behind another film that would energize the movie musical genre with equal razzle-dazzle 30 years later: Chicago's John Kander and Fred Ebb. Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles (Liza Minnelli) and an impish emcee (Joel Grey) sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force. Cabaret caught lightning (and won Oscars) for Minnelli, Grey and director Bob Fosse, who shaped a triumph of style and substance. Come to this Cabaret, old chum. You'll never want to leave.DVD Features:Documentary:25th-Anniversary Documentary "Cabaret: A Legend in the Making"Featurette:"The Recreation of An Era"Interactive MenusInterviewsProduction Notes:"Kit Kat Klub Memory Gallery": The film's stars and creators reminisce about making movie musical history.Scene AccessTheatrical Trailer

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Easter Parade (Two Disc Special Edition) (1948) Review

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(More customer reviews)I really like "Easter Parade" and was eagerly anticipating how beautiful it would look as a result of Warner's Ultra Resolution process. This is a method that electronically aligns the elements of the famous 3-strip Technicolor process to deliver greater sharpness and even details that weren't visible when the film was brand new. Unfortunately, this film doesn't look nearly as good as the other films that previously underwent this process: "Singin' in the Rain," "The Adventures of Robin Hood," "Meet Me in St. Louis," and "Gone With the Wind." Even "The Harvey Girls" and "Annie Get Your Gun," which were restored without the Ultra Resolution process, look much better than "Easter Parade."
All of these films, although not perfect, look almost like they were filmed yesterday with wonderful sharpness and contrast range, an almost three-dimensional clarity, and beautiful, sparkling colors--rather like a Kodachrome slide. "Easter Parade," on the other hand, looks like a very old movie that's had it colors artificially pumped up--like an old tart that thinks a lot of warpaint will make her look young, but fools no one. This transfer HAS to be several generations removed from the negative. It has a thick, flat, dull look: very little contrast or modeling, flesh tones the color of red clay mud, and colors that look as if they were applied to the film with a spatula--no light or life can get through! When there is some contrast and a bit of brightness, the effect is very garish and detail is washed out. Warner Brothers either shortchanged this film financially in its restoration or it was working with elements that were far removed from the original negative or color separations. Yes, this is the best this film has looked on home video. Yes, it often has decent detail, but it looks everybit like a film from 1948--or even older--rather than the almost brand new look we have come to expect from Warner's other major restoration efforts.
"The Band Wagon," another classic musical that was released in conjunction with "Easter Parade," is better, but still has that rather dull, flat, copy-of-a-copy-of-a-copy look, and reddish brown fleshtones. Compare it with "Singin' In the Rain," released just a year before: the difference is like night and day! We have come to expect better than this from a company that has given classic film fans the best DVD transfers of any company. I am more than disappointed; I am shocked! What happened, Warner Brothers?

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WHEN A DANCER'S PARTNER ABANDONS THE ACT, SHE FINDS A REPLACEMENT WHO TURNS OUT TO BE EVEN BETTER.

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High Society (1956) Review

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(More customer reviews)I've just finished watching "High Society" after having first seen "The Philadelphia Story" only a month ago. Both films are phenomenal, on their own and shouldn't be compared. They succeed wonderfully in very different ways. The cinematography of "High Society" is excellent and is one of the major factors of it's success. In many ways, it makes it a very, dare I say, 'modern' musical, not seeming at all fluffy or schmaltzy. The musical numbers are intimately filmed, and with Cole Porter's music and lyrics, it works amazingly well. Case in point..."Well Did You Evah". I believe this to be one of Sinatra's best roles, quite cool, charming, and thoroughly convincing. And then he sings...and all is well with the world. Bing is at his cool best and Grace Kelly is stunningly beautiful, even with her role's snobbery fully intact. It is a shame that Sinatra and Bing only had one other movie together "robin and the Seven Hoods" because their chemistry is unsurpassed. Add the jazz and personality of Satchmo, and what you have is one of the most enjoyable 107 minutes that you could spend in front of the tube. Highly recommended. Let's hope the DVD version is in the works!

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Heiress Tracy Lord (Grace Kelly) is engaged to one man (John Lund), attracted to another (Frank Sinatra) and, just maybe, in love again with her ex-husband (Bing Crosby) in this efferevescent musical reinvention of Philip Barry's play The Philadelphia Story featuring an endlessly delightful Cole Porter score. Among High Society's high points: Sinatra and Celeste Holm ask Who Wants to Be a Millionaire?, Crosby and Kelly share True Love, Der Bingle and Ol' Blue Eyes swing-swing-swingle Well, Did You Evah? and Crosby and Louis "Satchmo" Armstrong jive with Now You Has Jazz. Yes, indeedy, we has!

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Rodgers & Hammerstein's South Pacific (2001) Review

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(More customer reviews)Though the stage show was one of Rodgers and Hammerstein's biggest hits, the script has not aged well. It is overlong and lacking in subtleness. The 1958 film, despite the beautiful scenery, is played woodenly. Even Rodgers and Hammerstein expressed disappointment with the finished film.
So, in 2000, ABC TV and Glen Close produced a new TB film with a new script that weaves in most of the songs and situations of the original play while at the same time fleshing out the characters and making them more realistic.
Is the film a complete success? Well, no. For starters Glen Close is too old for the role of Nellie. She does act it well, however, and she sings with a characterful chest voice though I do detect some of her high notes might be dubbed. I have just re-watched the movie and don't find her all that objectionable. She sounds like she is having fun cutting loose in "I'm Gonna Wash That Man Right Outa My Hair" and "A Wonderful guy." Remember too that Mary Marin and Mitzi Gaynor were both too old for the role originally. What Glen Close does play very effectively is Nellie's warring emotions. Aided by the camera work, we see her confusion and unhappiness when confronted with her own prejudices.
Rade Sherbedgia certainly looks the part of DeBecque but since we are so used to hearing robust Bass singers in the role, his softly sung arias take a good deal of getting used to. Instead of an outpouring of emotion in "this Nearly Was Mine" he offers a more introspective take on the role. It's actually a good idea and might work better with a stronger singer. His acting is quite good but the script does tend to shortchange Emile in favour of Nellie.
Harry Connick Jr acts the part of Cable quite well and shades the characters different emotions. True he is more of New Orleans than Philadelphia, and like the others he tends to pull the big musical moments inward. It is most effective in the scene after he first makes love to Liat and croons a tender "Younger Than Springtime." This is everything that the sung ought to be... passionate, sexy and filled with wonder. This is a young man caught off guard by true love for the first time and Connick communicates that brilliantly. His "crooning" is not wildly out-of-place and certainly in keeping with the types of singers he would have heard at home. Some scenes later he performs a remarkably understated "Carefully Taught" having played the intense anger in the dialogue scene that precedes the song. The result is more a case of Cable realizing what he is saying than just spitting out an angry indictment. It may not be the way it was originally done, but you can't argue with its effectiveness.
Lori Tan Chin as Bloody Mary is much closer to the description provided by James Michener in his original novel than Juanita Hall. Hall indeed made the part her own, but that is not to say that hers was definitive.

In re-writing the screenplay, the scenes and songs were re-arranged from their traditional order. In this new version we see the first meeting of Nellie and Emile at an officers club dance, and the song "A Cockeyed Optimist" is used in this sequence to establish Nellie's outlook. It's part of her charm and clearly attracts DeBecque. The structure also allows the first two scenes of the musical to unfold simultaneously.
Anyone considering a Broadway revival of SOUTH PACIFIC might do well to examine the TV film for its style and construction. There might indeed be a way to make the story work for modern audiences, clearing away some of the hoary old jokes and developing character instead.

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Three-time Tony Award-winner Glenn Close and two-time Grammy Award-winner Harry Connick Jr. lead a sensational cast in an all-new version of Rodgers & Hammerstein's beloved musical SOUTH PACIFIC. Based on the Pulitzer Prize-winning book by James Michener, and featuring some of the finest music ever written for the stage ("Some Enchanted Evening," "I'm Gonna Wash That Man Right Outa My Hair," and "Younger Than Springtime"), SOUTH PACIFIC spins a romantic tale of love and loss on a tropical island naval base during the Second World War. Enjoy the fun and adventure of this breathtaking new production with a star-studded cast, timeless songs, and a story that has enchanted audiences for years.

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Meet Me In St. Louis (Two-Disc Special Edition) (1945) Review

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(More customer reviews)Many critics consider MEET ME IN ST. LOUIS the single finest Hollywood musical of the 20th Century. Produced by Arthur Freed, directed by Vincent Minnelli, and sporting a flawless ensemble cast led by Judy Garland, the film was immediately hailed when it debuted in 1944--and time has only added luster to its name. Now, after several home market incarnations, it at last receives the edition it deserves on DVD.
Given its stature, it is ironic that both MGM and Judy Garland originally fought the project. Based on a collection of autobiographical stories by Sally Benson, the script is little more than a series of domestic adventures in the lives of the Smith family of 1903 St. Louis. But it became a thing of wonder: a careful balance of sly but gentle humor, a collection of memorable performances, an understated score shorn of the usual movie-musical affectations, and at the center of it all Judy Garland, one of Hollywood's most memorable talents.
The transfer is excellent, capturing every nuance of the film's meticulously and beautifully designed sets in full Technicolor; the sound elements, remastered in Dolby 5.1, are equally fine and Garland's unique vocal skills are undimmed by time. All in all, it seems safe to say that not even the original 1944 theatrical release could surpass the quality of picture and sound offered here.
Although the bonus package would have better without the awful pilot for a failed television series based on the film, by and large it offers a superior collection. Previously available on VHS, the Roddy McDowell-narrated "making of" documentary is worth revisiting, as is the TCM-produced "Becoming Attractions." While a number of later documentaries surpass it, "Hollywood: The Dream Factory" has never before been widely available and offers an inside glimpse of the famous 1972 MGM auction. The Martins' performance of "Skip to My Lou" a reconstruction of "Boys and Girls Like You and Me," and a collection of Vincent Minnelli movie trailers round out the offerings, all of them entertaining.
The notable audio commentary is led by film historian and Garland scholar John Fricke. I regret to say that I have several issues with Fricke, who seems to rely excessively on Vincent Minnelli's autobiography I REMEMBER IT WELL and who has a tendency to perpetuate certain myths about the film--chief among them the idea that Garland did "The Trolley Song" in a single take. (Garland prerecorded the song, the overall sequence involves at least seven unique camera set-ups, and although Garland performs most of the solo in a single take there is a change in camera set-up toward the end of her vocal.) Even so, Fricke offers considerable insight into the cast, crew, and production of MEET ME IN ST. LOUIS, and the commentary is laced with remarks (some of them archival) by the likes of Margaret O'Brien, Hugh Martin, and Irving Brecher; in spite of my occasional misgivings, it really is everything one could wish an audio commentary to be.
These aside, the bonus package contains one significant and unique prize: the short film "Bubbles" and a notable audio commentary led by Hollywood and Garland historian John Fricke. Long thought lost, "Bubbles" is one of several shorts made in the early 1930s that include The Gumm Sisters, the youngest of whom would become better known as Judy Garland--a true rarity indeed.
Given the beauty of the transfer and the generally exceptional bonus package, it is difficult to imagine a better edition of this uniquely American classic. I strongly recommend it.
GFT, Amazon Reviewer

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St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however, barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair.

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Yankee Doodle Dandy (Two-Disc Special Edition) (1942) Review

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(More customer reviews)Oh what an out-and-out joy is this film!
As you know by now, the amazing James Cagney sings, dances and acts his way through this rousing biopic of George M. Cohan. He's directed by Michael Curtiz, a director who apparently could work in any genre of movie, and produce masterpieces. Pull up his name on imdb and you'll see what I mean.
Anyways, the film traces his life from his infant vaudevillian beginnings to his conquering of Broadway. After seeing this, you'll know why there's a statue of Cohan in Times Square.
The acting, as expected, is top-notch, with the sweet Joan Leslie as his love interest Mary, Walter Huston as his dad; Cagney's sister plays Cagney's sister...but what will bring you to see this movie again and again are the musical interludes.
Cagney is simply spectacular. He is a comet, bouncing around the Broadway stage. His dancing often flirts with straight-out levitation. I swear there are times when his feet fly across the screen...
Then consider the songs..."Yankee Doodle Dandy", "Mary", "Give My Regards to Broadway" and the most patriotic song I've ever heard, "Over There."
That song was written for the troops of WW I, and this film was being made when Pearl Harbor was attacked. The way this one song is used in this film, I guarantee, will stay with you forever. And knowing that this movie was made during that time only enhances your experience...but I didn't know it until afterwards, and it made no difference.
And that leads to the one thing I feel is overlooked in most reviews of this film: the script. It's has a strong story, great lines, terrific set-pieces and delightful twists. It's funny as all-get-out, and heart-wrenching when you least expect it.
The movie is as American as can be...the rags-to-riches rise of the central figure in Broadway history (the Broadway musical being essentially an American creation), the way his family travels to all the new states as they are incorporated...the evolution of New York City...WW I...WW II...it's all here!
And from beginning to end, Cohan (and the filmmakers) wear their "Grand Old Flag" on their proverbial sleeves, proudly and unabashedly. Patriotism is a definite theme througout the film, rising to dizzying heights right before the credits. Patriotism portrayed simply and honestly, without any hard political bent or satirical edge.
The DVD, one of those sweet Warner 2-disc sets, is exemplary...great transfer, nice extras...bravo Warner, again, for treating your classics with respect.
It's inarguable: this is one of the great films of all time. I envy those of you about to see it for the first time, and I assure you it won't be your last!

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YANKEE DOODLE DANDY - DVD Movie

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Cover Girl (1944) Review

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(More customer reviews)This musical/comedy is the story about Rusty Parker (Rita Hayworth) who decides to take a chance at becoming a cover girl. But she knows that her boss and boyfriend, Danny McGuire (Gene Kelly) believes that the easy way to stardom is not the way to happiness. At first, Rusty goes to audition for being the cover girl but when a jealous friend and co-worker Maurine Martin (Leslie Brooks) tells her to act 'animated', she blows her chance in front of Cornelia 'Stonewall' Jackson (Eve Arden). So when Cornelia and her boss, John Coudair (Otto Kruger), go to 'McGuire's Nightclub' to see Maurine, Coudair immediately takes a fancy to Rusty instead! The reason is because she looks exactly like Coudair's someone long ago whom he loved, Maribelle Hicks (also played by Rita Hayworth). He finds out that Rusty is Maribelle's granddaughter then makes her his cover girl and she is suddenly flung into the world of stardom and fame! But Danny and great friend Genius (Phil Silvers) try to get Rusty back on her feet when she starts getting high and mighty ideas. On the other hand, Coudair and producer Noel Wheaton (Lee Bowman) want to give Rusty all that they think is happiness; money, fame, and stardom. But could Rusty ever be happy without the one most important thing she needs, love?
A truly dynamic movie with terrific dance numbers, hilarious humor, romantic romance, and dramatic drama. Who can't help but hum along when Kelly and Hayworth sing the lovely song, "Long Ago and Far Away", laugh when the three main stars do their 'come on pearls' bit, sigh in happiness whenever Kelly and Hayworth kiss, and be in agony at the part where Hayworth realizes her mistake? If you haven't seen this movie, I can only say that you're missing out on a lot!
My favorite dance/song numbers are:
"Long Ago and Far Away": The romantic dance number with superb Kelly and Rita Hayworth.
"Who's Complaining?": Phil Silvers is just totally hilarious!
"Alter Ego": Gene Kelly is the best! Want proof? Watch this number where he dances with himself!
"Put Me to the Test": Both versions are wonderful. One is with Kelly and Hayworth, the other one is a much funnier version with Kelly and Silvers.
"Tomorrow": And who can forget this number with all three main characters Danny, Rusty, and Genius?
Here are some of my other favorite musicals/comedies which I highly recommend. "Silk Stockings", "Take Me Out to the Ballgame", "Bandwagon", "Tea for Two", "Singin' in the Rain", "Seven Brides for Seven Brothers", "The Barkleys of Broadway", the three "That's Entertainment" videos, and "Guys and Dolls". Of course there's plenty more!

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COVER GIRL - DVD Movie

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The Broadway Melody (Special Edition) (1929) Review

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(More customer reviews)The first talkie to win the BEST PICTURE Oscar finally comes to DVD, and it was well worth the wait.
Warner Home Video has packaged a dandy new DVD of "THE BROADWAY MELODY" that looks better than any 75 year old movie has a right to. I've never seen the film look or sound so good.
The story is hokey and predictable, but it was a trend-setter in its day. The great songs of Arthur Freed and Nacio Herb Brown debuted here including the famous title tune and YOU WERE MEANT FOR ME.
As much fun as the movie is, the superb extras WB has assembled here are worth the price of the DVD alone. 5 METRO MOVIETONE REVUE shorts from the 1928-29 era, filled with long-forgotten vaudeville stars, shine here, proving that some of these performers were really terrific and shouldn't be forgotten. Added to this, is a nifty little vaudeville short with the team of Van & Schenck who perform two novelty songs, one of which will have you rolling on the floor.
Last but not least is the DVD debut of MGM's 1930 DOGVILLE COMEDY SHORT-The Dogway Melody. This 20 minute classic features an all Canine cast, parodying The Broadway Melody. It was co-directed by Jules White, who later helmed THE THREE STOOGES best shorts at Columbia.
You'll love the movie, which is packaged with its original poster on the cover, and the extras make this an extra special treasure for any true classic film fan.

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Item Name: The Broadway Melody (Special Edition); Studio:Warner Home Video

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