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Hollywood Musicals of the 40's Review

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(More customer reviews)This DVD looks back at the musicals of the 1940s, through movie clips and trailers and while it is a wonderful way to retrospect on the time period, it is nearly unwatchable. The clips shown are faded, washed out or really dark. It is very distracting and the narration is not very good either. If I dare say it, it seems this DVD was compiled as some art school project that managed to find a distributor. There are three of these DVDs in a series: Musicals from the 40s, 50s and 60s. None of them is really any better than the other is. On a positive note, I saw trailers that I never thought I would see, and for that reason I rated this title higher, however, if you are hoping for a really great retrospective on musicals, this falls short simply because the execution seem so after-thought.

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Show #1 HOLLYWOOD MUSICALS OF THE 40s In the 1940's. America was just emerging from The Great Depression.War engulfed half the world and the future looked uncertain.The Hollywood musical had the recipe to make things better.Because of this original American art form, people still believed that dreams really can come true.Glamour spread across the screen.Whether in glorious color or black and white, the screen always glittered. Join Judy Garland, Mickey Rooney, Jeanette MacDonald, Fred Astaire, Alice Faye, Gene Kelly, Betty Grable, John Payne, Ann Miller, George Murphy, Margaret O'Brien, Bing Crosby, Doris day, Danny Kaye, Carmen Miranda, Frank Sinatra, Martha Raye, Jimmy Durante, Lena Horne, Tony Martin, and a host of others as we celebrate the great Musicals of the 1940's, when Hollywood put its best dancing feet forward.From nostalgia to contemporary jazz, the Hollywood Musical had it all. Show #2:Hollywood Victory Caravan Hollywood Victory Caravan is typical of the War Bond promotions of the second World War.Musical comedy stars Bing Crosby, Betty Hutton, Carmen Cavallero, Bob Hope, and Olga San Juan strut their stuff in this musical short.Barbara Syanwyck, Alan Ladd, Humphrey Bogart, and Robert Benchley make cameo appearances.Rare behind-the-scenes views of the Paramount studio highlight this gem from the 1940's.This is a real treat for fans of the Musical!

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Pin Up Girl (1944) Review

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(More customer reviews)It is WONDERFUL that FOX is releasing some Betty Grable movies once again...and finally on DVD!! "Pin Up Girl" was primarily a
follow up to the release of millions of copies of her famous pin up picture in 1943. It is a typical Fox Musical...with a large dash of vaudeville (roller skating specialties) and Our Betty playing a secretary (watch her take off her glasses and WOW just about everybody!)...who pretends to be a musical comedy star. There is A BIG NAME BAND and Betty dances with
Hermes Pan! O.K....we watch Betty because she is a great entertainer (and by popular demand, A PIN UP)...her films are
bright and colorful light entertainment. Betty suffers the
embarassment of plots that bring on migraine, but Betty is a
trouper. Bottom line: you will LOVE BETTY...not the movie. We can hope that this will triger the release of some of Betty's
films that have never been on video of any kind. I would really prefer to buy my Betty Grable movies from Fox than from mysterious people on e-Bay and I sincerely hope that this means we will soon be able to do that! Please bring us "Coney Island", "Sweet Rosey O'Grady", "The Dolly Sisters", "Mother Wore Tights"....and everything she made between 1950 and 1955.
Betty Grable was a wildly popular star. Some of her plots are
a little threadbare by now...but BETTY will always be THE WOMAN WE WON THE WAR FOR and a phenomenal popular entertainer. Thanks for bringing her back to us. THREE stars for the movie.
For BETTY: a THOUSAND!!

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Easter Parade (Two-Disc Special Edition) (1948) Review

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(More customer reviews)I really like "Easter Parade" and was eagerly anticipating how beautiful it would look as a result of Warner's Ultra Resolution process. This is a method that electronically aligns the elements of the famous 3-strip Technicolor process to deliver greater sharpness and even details that weren't visible when the film was brand new. Unfortunately, this film doesn't look nearly as good as the other films that previously underwent this process: "Singin' in the Rain," "The Adventures of Robin Hood," "Meet Me in St. Louis," and "Gone With the Wind." Even "The Harvey Girls" and "Annie Get Your Gun," which were restored without the Ultra Resolution process, look much better than "Easter Parade."
All of these films, although not perfect, look almost like they were filmed yesterday with wonderful sharpness and contrast range, an almost three-dimensional clarity, and beautiful, sparkling colors--rather like a Kodachrome slide. "Easter Parade," on the other hand, looks like a very old movie that's had it colors artificially pumped up--like an old tart that thinks a lot of warpaint will make her look young, but fools no one. This transfer HAS to be several generations removed from the negative. It has a thick, flat, dull look: very little contrast or modeling, flesh tones the color of red clay mud, and colors that look as if they were applied to the film with a spatula--no light or life can get through! When there is some contrast and a bit of brightness, the effect is very garish and detail is washed out. Warner Brothers either shortchanged this film financially in its restoration or it was working with elements that were far removed from the original negative or color separations. Yes, this is the best this film has looked on home video. Yes, it often has decent detail, but it looks everybit like a film from 1948--or even older--rather than the almost brand new look we have come to expect from Warner's other major restoration efforts.
"The Band Wagon," another classic musical that was released in conjunction with "Easter Parade," is better, but still has that rather dull, flat, copy-of-a-copy-of-a-copy look, and reddish brown fleshtones. Compare it with "Singin' In the Rain," released just a year before: the difference is like night and day! We have come to expect better than this from a company that has given classic film fans the best DVD transfers of any company. I am more than disappointed; I am shocked! What happened, Warner Brothers?

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ON THE DAY BEFORE EASTER IN 1911, DON HEWES IS CRUSHED WHEN HIS DANCING PARTNER (AND OBJECT OF AFFECTION) NADINE HALE REFUSES TOSTART A NEW CONTRACT WITH HIM. TO PROVE NADINE'S NOT IMPORTANTTO HIM, DON ACQUIRES INNOCENT NEW PROTEGEE HANNAH BROWN, VOWING TO MAKE HER A STAR IN TIME FOR NEXT YEAR'S EASTER PARADE.

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South Pacific (1958) Review

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(More customer reviews)I first saw South Pacific when it was released in 1958 at the age of 10, and remember being totally overwhelmed by the orchestrations, performances and photography. Over the years I have regularly heard the film trashed by critics and many members of the public, so I was curious to see how I would respond to it now when I recently bought the video. Well, maybe it's just me, but I found the film as thrilling and beautiful as I did forty years ago. I agree with everyone else that it was a mistake to use those colored filters in many of the sequences, but the film still packs a heck of an emotional whallop, and I think along with The King and I stands out as the most successful of the Rogers and Hammerstein shows put on film. The weakest of the cast is John Kerr, who is somewhat wooden; however, Juanita Hall is magnificent as Bloody Mary (she will never be surpassed in the role she createwd on Braodway), Rossano Brazzi is thoroghly convincing as Emille DeBeque (even if he was dubbed by Giorgio Tozzi), and Mitzi Gaynor gives an unforgettable performance as Nelly Forbrush. Of all of the criticism one hears of South Pacific, to me the most puzzling is the bashing of Mitzi Gaynor, who to me is not only excellent but perfection in the role. I realize a lot of this probably stems from anger that Mary Martin didn't get the role and is basically sour grapes, but the fact is Ms. Martin was too old to be convincing in 1958. The scenes in which Ms. Gaynor struggles with her small-town prejudices are moving and very real, and when Bloody Mary brings Liat to her to find Lieutenant Cable, who has been killed, it breaks one's heart. Anyway, the movie still knocks me out, even if that makes me, as Nelly Forbrush calls herself, a "knucklehead." The incredible photography, gorgeous music, and theme of the need to triumph over bigotry which is still so relevant even today, makes this film a 5-star winner in my book. As trite as it sounds, "They don't make 'em like that anymore!"

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Purple Rain (Two-Disc Special Edition) (1984) Review

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(More customer reviews)Leonard Maltin's review missed the main point of this movie. The movie is not primarily about a young musician who"struggles to gain acceptance for his own brand of ... rock music". Instead, the movie is about a man who has acquired his not only some of his father's musical interest and talent, but also his father's emotional instability and occasional abusiveness towards others, especially women. Maltin is correct that Prince's character is sexist and unappealing, but that's crucial to the movie. By playing his character as emotionally unstable, insensitive, and occasionally cruel, Prince de-glamourizes the cool, rebellious rock star image, showing that fame and talent are neither a guaranteed road to happiness nor a good excuse for being cruel to your girlfriend.This movie, rather than being a "soppy story" wrapped around concert footage, is instead genuinely literary. The concert footage is not an excuse for a movie; some of the concert footage is integral to the story. The title song, "Purple Rain", is used very effectively in the movie as a point of conflict between Prince and two of his female bandmates.
This movie, like Quadrophenia, would make a good subject for an English literature class targeted towards aimlessly rebellious under-achievers (rather than the 4.0 GPA high school students that most English literature classes are designed for).
[This review is based on the VHS version of the movie.]

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Another Cinderella Story (2008) Review

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(More customer reviews)Usually sequals do not turn out so good (this is not really a sequal) but it was enjoyable to watch... Even though this is completely different than the Cinderella Story with Hilary Duff, it has a similar plot and everything; however I actually liked it better than the "Cinderella Story". It had the masked ball as well but it goes well with the following events and Mary's preparation to go in the path of dancing. This is supposed to be a musical version of the "a Cinderella Story".
Mary (Selena Gomez) works for Dominique, her step mother, and her two step-sisters. She bumps into Joey Parker [the guy she has had a crush on since maybe 11 years old ] several times and dance at the school masked ball. She heads home early so that Dominique will not find out and Joey Parker who is a dancer/singer looks for her.
Mary loves and practices dancing on her own time and basically dancing is what brings Mary and Joey together.
I recommend this movie which is good all the way (music and acting).

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It\'s musical. It\'s magical. It\'s Another Cinderella Story, the dancing ever-after fairy tale. In this joyous update, Selena Gomez(The Wizards of Waverly Place) is Mary, a modern Cinderella complete with dancing shoes instead of a glass slipper. Drew Seeley (High School Musical) is Joey, a Prince Charming and dreamy new-guy-in-school looking for a girl to love. Could Mary be that girl? With your kind of music and dance, your kind of romance and all kinds of surprises, you\'ll find that Another Cinderella Story is a perfect fit.

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Hair (1979) Review

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(More customer reviews)If "Hair" were only a period piece, it would still be wonderful entertainment - but it's so much more. Previous reviewers have already spoken for me in praising this film's astonishing energy, its fine acting (not stereotypes, but iconic characters), and its forever-fresh-as-a-summer-flower soundtrack. I can only agree with them completely, and add my positive vote to theirs. This is a highly (no pun intended) recommended film!
But I'd like to emphasize something else now. Those reviewers who complain about the film being dated are missing an important point. Love, friendship, joy, exuberance - these things are never out of date. And it raises an interesting question: why are some people so embarrassed and downright afraid of the so-called "hippie-dippy" aspect of this movie, and the years it captures so well? Possibly because it goes against the current wisdom, which claims that the uglier and nastier and more downbeat something is, the truer it is.
Well, no one is claiming that this is a perfect world - far from it! - but there is still plenty of joy and beauty and magic to be found in it! Yes, in too many ways it's a more cynical world now ... which is all the more reason to celebrate and uphold those naïve, utterly necessary values. Don't be afraid of looking foolish, don't worry about having to be cool and detached all the time, don't be afraid to embrace the Universe and exult in it - let the sunshine in!

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Brimming with the energy, passion and music that rocked a nation, Hair is an entertaining and powerful tribute to the turbulent spirit of the '60s. Brilliantly recreated by OscarÂ(r)-winning* director Milos Forman and screenwriter Michael Weller (Ragtime), this vibrant screen version of the Broadway phenomenon ranks "among the best film musicals" (The Hollywood Reporter)! Fresh from the farm, Claude Bukowski (John Savage, The Thin Red Line) arrives in New York City for a date with the Army Induction Board, only to walk into a hippie "happening" inCentral Park and fall in love with the beautiful Shelia (Beverly D'Angelo, American History X). Befriended by the hippies' pacifist leader, Berger (Treat Williams, Mulholland Falls), and urged to crash a formal party in order to declare his love for Shelia, Claude begins an adventure that lands him in jail, Central Park Lake and, finally, in the army. But Berger's final effort to save Claude from Vietnam sets in motion a bizarre twist of fate with shocking consequences.*1975: One Flew Over the Cuckoo's Nest; 1984: Amadeus

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High Society (1956) Review

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(More customer reviews)I've just finished watching "High Society" after having first seen "The Philadelphia Story" only a month ago. Both films are phenomenal, on their own and shouldn't be compared. They succeed wonderfully in very different ways. The cinematography of "High Society" is excellent and is one of the major factors of it's success. In many ways, it makes it a very, dare I say, 'modern' musical, not seeming at all fluffy or schmaltzy. The musical numbers are intimately filmed, and with Cole Porter's music and lyrics, it works amazingly well. Case in point..."Well Did You Evah". I believe this to be one of Sinatra's best roles, quite cool, charming, and thoroughly convincing. And then he sings...and all is well with the world. Bing is at his cool best and Grace Kelly is stunningly beautiful, even with her role's snobbery fully intact. It is a shame that Sinatra and Bing only had one other movie together "robin and the Seven Hoods" because their chemistry is unsurpassed. Add the jazz and personality of Satchmo, and what you have is one of the most enjoyable 107 minutes that you could spend in front of the tube. Highly recommended. Let's hope the DVD version is in the works!

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Heiress Tracy Lord (Grace Kelly) is engaged to one man (John Lund), attracted to another (Frank Sinatra) and, just maybe, in love again with her ex-husband (Bing Crosby) in this efferevescent musical reinvention of Philip Barry's play The Philadelphia Story featuring an endlessly delightful Cole Porter score. Among High Society's high points: Sinatra and Celeste Holm ask Who Wants to Be a Millionaire?, Crosby and Kelly share True Love, Der Bingle and Ol' Blue Eyes swing-swing-swingle Well, Did You Evah? and Crosby and Louis "Satchmo" Armstrong jive with Now You Has Jazz. Yes, indeedy, we has!

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Rodgers & Hammerstein's South Pacific (2001) Review

Rodgers and Hammerstein's South Pacific (2001)

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(More customer reviews)Though the stage show was one of Rodgers and Hammerstein's biggest hits, the script has not aged well. It is overlong and lacking in subtleness. The 1958 film, despite the beautiful scenery, is played woodenly. Even Rodgers and Hammerstein expressed disappointment with the finished film.
So, in 2000, ABC TV and Glen Close produced a new TB film with a new script that weaves in most of the songs and situations of the original play while at the same time fleshing out the characters and making them more realistic.
Is the film a complete success? Well, no. For starters Glen Close is too old for the role of Nellie. She does act it well, however, and she sings with a characterful chest voice though I do detect some of her high notes might be dubbed. I have just re-watched the movie and don't find her all that objectionable. She sounds like she is having fun cutting loose in "I'm Gonna Wash That Man Right Outa My Hair" and "A Wonderful guy." Remember too that Mary Marin and Mitzi Gaynor were both too old for the role originally. What Glen Close does play very effectively is Nellie's warring emotions. Aided by the camera work, we see her confusion and unhappiness when confronted with her own prejudices.
Rade Sherbedgia certainly looks the part of DeBecque but since we are so used to hearing robust Bass singers in the role, his softly sung arias take a good deal of getting used to. Instead of an outpouring of emotion in "this Nearly Was Mine" he offers a more introspective take on the role. It's actually a good idea and might work better with a stronger singer. His acting is quite good but the script does tend to shortchange Emile in favour of Nellie.
Harry Connick Jr acts the part of Cable quite well and shades the characters different emotions. True he is more of New Orleans than Philadelphia, and like the others he tends to pull the big musical moments inward. It is most effective in the scene after he first makes love to Liat and croons a tender "Younger Than Springtime." This is everything that the sung ought to be... passionate, sexy and filled with wonder. This is a young man caught off guard by true love for the first time and Connick communicates that brilliantly. His "crooning" is not wildly out-of-place and certainly in keeping with the types of singers he would have heard at home. Some scenes later he performs a remarkably understated "Carefully Taught" having played the intense anger in the dialogue scene that precedes the song. The result is more a case of Cable realizing what he is saying than just spitting out an angry indictment. It may not be the way it was originally done, but you can't argue with its effectiveness.
Lori Tan Chin as Bloody Mary is much closer to the description provided by James Michener in his original novel than Juanita Hall. Hall indeed made the part her own, but that is not to say that hers was definitive.

In re-writing the screenplay, the scenes and songs were re-arranged from their traditional order. In this new version we see the first meeting of Nellie and Emile at an officers club dance, and the song "A Cockeyed Optimist" is used in this sequence to establish Nellie's outlook. It's part of her charm and clearly attracts DeBecque. The structure also allows the first two scenes of the musical to unfold simultaneously.
Anyone considering a Broadway revival of SOUTH PACIFIC might do well to examine the TV film for its style and construction. There might indeed be a way to make the story work for modern audiences, clearing away some of the hoary old jokes and developing character instead.

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Three-time Tony Award-winner Glenn Close and two-time Grammy Award-winner Harry Connick Jr. lead a sensational cast in an all-new version of Rodgers & Hammerstein's beloved musical SOUTH PACIFIC. Based on the Pulitzer Prize-winning book by James Michener, and featuring some of the finest music ever written for the stage ("Some Enchanted Evening," "I'm Gonna Wash That Man Right Outa My Hair," and "Younger Than Springtime"), SOUTH PACIFIC spins a romantic tale of love and loss on a tropical island naval base during the Second World War. Enjoy the fun and adventure of this breathtaking new production with a star-studded cast, timeless songs, and a story that has enchanted audiences for years.

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Yankee Doodle Dandy (Two-Disc Special Edition) (1942) Review

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(More customer reviews)Oh what an out-and-out joy is this film!
As you know by now, the amazing James Cagney sings, dances and acts his way through this rousing biopic of George M. Cohan. He's directed by Michael Curtiz, a director who apparently could work in any genre of movie, and produce masterpieces. Pull up his name on imdb and you'll see what I mean.
Anyways, the film traces his life from his infant vaudevillian beginnings to his conquering of Broadway. After seeing this, you'll know why there's a statue of Cohan in Times Square.
The acting, as expected, is top-notch, with the sweet Joan Leslie as his love interest Mary, Walter Huston as his dad; Cagney's sister plays Cagney's sister...but what will bring you to see this movie again and again are the musical interludes.
Cagney is simply spectacular. He is a comet, bouncing around the Broadway stage. His dancing often flirts with straight-out levitation. I swear there are times when his feet fly across the screen...
Then consider the songs..."Yankee Doodle Dandy", "Mary", "Give My Regards to Broadway" and the most patriotic song I've ever heard, "Over There."
That song was written for the troops of WW I, and this film was being made when Pearl Harbor was attacked. The way this one song is used in this film, I guarantee, will stay with you forever. And knowing that this movie was made during that time only enhances your experience...but I didn't know it until afterwards, and it made no difference.
And that leads to the one thing I feel is overlooked in most reviews of this film: the script. It's has a strong story, great lines, terrific set-pieces and delightful twists. It's funny as all-get-out, and heart-wrenching when you least expect it.
The movie is as American as can be...the rags-to-riches rise of the central figure in Broadway history (the Broadway musical being essentially an American creation), the way his family travels to all the new states as they are incorporated...the evolution of New York City...WW I...WW II...it's all here!
And from beginning to end, Cohan (and the filmmakers) wear their "Grand Old Flag" on their proverbial sleeves, proudly and unabashedly. Patriotism is a definite theme througout the film, rising to dizzying heights right before the credits. Patriotism portrayed simply and honestly, without any hard political bent or satirical edge.
The DVD, one of those sweet Warner 2-disc sets, is exemplary...great transfer, nice extras...bravo Warner, again, for treating your classics with respect.
It's inarguable: this is one of the great films of all time. I envy those of you about to see it for the first time, and I assure you it won't be your last!

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Pin-Up Girl (1944) Review

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Warner Bros. and the Homefront Collection (Irving Berlin's This Is the Army / Thank Your Lucky Stars / Hollywood Canteen) (2008) Review

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(More customer reviews)These are three musical comedies from the WWII era. It's been some time since I've seen "This is the Army". I've seen the other two pretty recently. I intersperse the press releases with my own remarks.
This is the Army (1942)
Press release:
Irving Berlin showed his abiding love for his adopted country with, among other cultural accomplishments, decades of Broadway hits, the unofficial national anthem "God Bless America" and the World War II spirit-lifter This Is the Army. On stage it featured 350 real-life GIs, giving their singing-and- dancing all to raise nearly $2 million (then an astronomical sum) for Army Emergency Relief.
My remarks:
Irving Berlin actually sings in this one - and not too well. According to one story, after Berlin sang "Oh How I Hate To Get Up In The Morning", one stagehand was overheard saying to another, "If the guy who wrote that could've heard how this guy just sang that song, he'd roll over in his grave." I got this story from someone over at imdb, but I can believe it happened. Great music, but a rather weak storyline. However, you have to remember at this point it was early in the war and the outcome was yet unknown. With everything on the line, people needed this kind of escapist entertainment.
Thank Your Lucky Stars (1943)
Press Release:
Bette Davis, Humphrey Bogart, Errol Flynn, and Dinah Shore come out to play in the joyous World War II-era Thank Your Lucky Stars. A breezy, behind-the-Hollywood-scenes story about young talents hoping for a big break glitters with specialty numbers featuring Golden Era greats.
My remarks:
The best of the three films in the bunch, this film does something that nothing else on DVD does to my knowledge - gives us a large dose of Eddie Cantor. Eddie Cantor insists upon being chairman of the Cavalcade of Stars benefit show, in return for the use of his vocalist, Dinah Shore. Eddie keeps disrupting the show and insisting on doing things his way. To complicate matters, there is a certain cab driver who very closely resembles Eddie. In fact, he can't get hired as an actor because of the close resemblance. Eddie does a great job of playing both roles. Other stars performing in the film as themselves include Olivia De Havilland, John Garfield, Ida Lupino, Ann Sheridan, and Jack Carson.
Hollywood Canteen (1944)
The real Hollywood Canteen was the invention of John Garfield and Bette Davis. It was a place where the stars did not only the performing but also waited on the troops. This is a light romantic tale involving a couple of soldiers spending three nights at the Canteen before they must return to duty. As with the other movies, the main reason to watch is the great entertainment provided by the Warner stars.
BONUS FEATURES
New Warner at War Documentary
Star/Historian Commentary
Outtake Song and Restored Overture
Exit Music on Irving Berlin's This is the Army
PLUS - On All Three: Warner NIght at the Movies:
Gallery of Music/Patriotic Shorts
Cartoons
Newsreels
Trailers
This looks to be a great collection and I'm looking forward to viewing both the movies and the extras.

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Genre: War/MilitaryRating: NRRelease Date: 11-NOV-2008Media Type: DVD

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