Showing posts with label john wayne. Show all posts
Showing posts with label john wayne. Show all posts

John Wayne DVD Gift Set (The Shootist/ The Sons of Katie Elder/ True Grit/ El Dorado/ The Man Who Shot Liberty Valance) (1965) Review

John Wayne DVD Gift Set (The Shootist/ The Sons of Katie Elder/ True Grit/ El Dorado/ The Man Who Shot Liberty Valance) (1965)
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While a Western 'purist' would certainly prefer seeing a 'dream' boxed set of John Ford/John Wayne's 'Cavalry' trilogy, "Stagecoach", and "The Searchers" released together, the "John Wayne DVD Gift Set" is an excellent collection of some of the Duke's finest westerns from his last two decades.
The classic of the collection is "The Man Who Shot Liberty Valance", John Ford's 1962 'deconstruction' of the genre he'd helped to create. A visually simple, yet deeply layered tale of how a western legend was born, the film echoes Ford's "The Last Hurrah", as well as taking a tongue-in-cheek 'jab' at critics of his more idealized earlier westerns. While Jimmy Stewart, at 55, is far too old to play an idealistic young lawyer, his confrontations with desperado Lee Marvin, and pragmatic (yet ultimately doomed romantic) Wayne are terrific. And don't miss Edmund O'Brien's 'takeoff' on actor Thomas Mitchell, in support...Ford's directorial 'style' was never better than in this remarkable film.
"The Sons of Katie Elder" is an important film in Wayne's career, as it marked his 'comeback' after losing a lung to cancer. While much of his dialogue had to be 'looped', and oxygen was kept nearby throughout the filming, Wayne proved that he could still play an action hero believably. Certainly, he looked all of his 58 years, and the idea of Dean Martin being one of his brothers is farfetched, but when Wayne first appeared on the screen, 1965 film audiences stood and cheered...and his dominating presence still makes the film 'work', today.
"El Dorado" is, if you are unfamiliar with the film, simply a reworking of 1959's Hawks/Wayne classic, "Rio Bravo", but it stands very well on it's own merits, beginning with the terrific chemistry between Wayne and co-star Robert Mitchum. A very young James Caan offers a funny counterpoint to the two veteran stars, and wonderful character actor, Arthur Hunnicutt (who, for trivia fans, played Davy Crockett in 1955's "The Last Command"...thus making this a unique opportunity to see TWO Davy Crocketts in one film!) plays a rustic variation of Walter Brennan from the earlier film. With plenty of Howard Hawks' signature comraderie, the film is very entertaining.
"True Grit" is, of course, John Wayne's Oscar-winning role, as pot-bellied, one-eyed Rooster Cogburn. While many believe Wayne won for his career longevity rather than his performance, the film is, in fact, very entertaining and lyrical, and Wayne's portrayal is the glue that holds it together. Certainly, Glen Campbell offers a less-than-stellar performance, but it is more than compensated for by Kim Darby and Robert Duvall, and Wayne, guns blazing, reins clenched in his teeth, provides an image that has become classic.
Finally, there is "The Shootist", Wayne's final film. Shot as the Duke's health was declining, dramatically, the production was a difficult one, with director Don Siegel struggling to work with the ailing actor (Co-star Ron Howard would say he learned more about directing from this film, than any other). Because of the Duke's fragile condition, many friends took roles at far below their usual salaries to work with him a last time (including James Stewart, Richard Boone, and Lauren Bacall). The finished film is a labor of love, from the "Classic Wayne" film clips that open the story, to the final gunbattle, with Wayne's character, the cancer-ridden John Bernard Books, going out in a blaze of glory. It may not have been among Wayne's 'best' films, but it was certainly a most fitting end to his career.
It's easy to see why this is a worthy Wayne collection to own...But don't take my word for it; buy it, and see for yourself!


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Legendary producer-director Howard Hawks teams with two equally legendary stars, John Wayne and Robert Mitchum, in this classic Western drama. Mitchum plays to perfection an alcoholic but gutsy sheriff who relentlessly battles the dark side of the wild West, ruthless cattle barons and crooked "businessmen." The Duke gives an equally adept performance as the sheriff's old friend who knows his way around a gunfight. Filled with brawling action and humor, El Dorado delivers the goods. James Caan and Ed Asner co-star.Ranking with Stagecoach as one of the greatest of its genre, The Man Who Shot Liberty Valance is the modern-day Western to beat all Westerns. John Ford, whose very name is synonymous with "Westerns," directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and Bad Man: Liberty Valance (Lee Marvin). And as if all that weren't enough, the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super-sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman but the other gets the gal.Afflicted with a terminal illness, John Bernard Brooks (John Wayne), the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler (James Stewart). Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow (Lauren Bacall) and her son (Ron Howard). However, it is not Brook's fate to die in peace, as he becomes embroiled in one last valiant battle.Katie Elder bore four sons. The day she is buried they all return home to Clearwater, Texas, to pay their last respects. John Wayne is the eldest and toughest son, the gunslinger. Tom (Dean Martin) is good with a deck of cards and good with a gun when he has to be. Matt (Earl Holliman) is the quiet one - nobody ever called him yellow...twice. Bud (Michael Anderson, Jr.) is the youngest. Any hope for respectability lies with him. Directed by Henry Hathaway (True Grit), an acknowledged master of the Western, the story has a dual theme: not only is this a he-man's story, but it is also a drama of the maternal influence of Katie Elder, movingly portrayed from beginning to conclusion.In 1970, John Wayne won an Academy Award. for his larger-than-life performance as the drunken, uncouth and totally fearless one-eyed U.S. Marshall, Rooster Cogburn. The cantankerous Rooster is hired by a headstrong young girl (Kim Darby) to find the man who murdered her father and fled with the family savings. When Cogburn's employer insists on accompanying the old gunfighter, sparks fly. And the situation goes from troubled to disastrous when an inexperienced but enthusiastic Texas Ranger (Glen Campbell) joins the party. Laughter and tears punctuate the wild action in this extraordinary Western which features performances by Robert Duvall and Strother Martin.

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John Wayne-John Ford Film Collection (The Searchers Ultimate Edition / Stagecoach Two-Disc Special Edition / Fort Apache / She Wore a Yellow Ribbon / The Long Voyage Home / They Were Expendable / 3 Godfathers / The Wings of Eagles) (2006) Review

John Wayne-John Ford Film Collection (The Searchers Ultimate Edition / Stagecoach Two-Disc Special Edition / Fort Apache / She Wore a Yellow Ribbon / The Long Voyage Home / They Were Expendable / 3 Godfathers / The Wings of Eagles) (2006)
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First...the films
Stagecoach and The Searchers...two of the all time greatest movies ever made....Fort Apache and She Wore a Yellow Ribbon...perhaps only a notch below and the other films while not on that level...wonderfully enjoyable. The transfers are typically excellent as WB tends to do...the cover art is the original 1sheet...very fun stuff. The Searchers edition included is the ULTIMATE edition with tons of extra paper goodies!
Second..the extras!
Stagecoach...the American Masters documentary airing this month on the tube on Ford/Wayne is a nice bonus...the NEW 30 minute documentary on the actual making of Stagecoach is REALLY GREAT....and i noticed its done by SPARKHILL , who did Wizard of Oz and some of the other great WB re-issues... THeir bonus featurettes on Fort Apache (Monument Valley) and the Searchers are also wonderful....truly there are hours of extras included in this package that will let the viewer learn much about both John Wayne...who people think they know but perhaps don't and John Ford...who just might be the greatest director of all time.
CHEERS to WB for releasing these films in lovingly done transfers and packing them with new and vintage featurettes to make them truly worth owning instead of waiting to catch on TCM some day.....and the overall package and price...well..terrific!
A collection of movies from arguably the greatest film director and starring arguably the greatest film star in history....stop reading and BUY!

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John Ford was easily one of the greatest, most prolific and versatile directors Hollywood ever produced. Combined with a star of the caliber and magnetism of John Wayne, what emerges is pure cinematic magic. WHV now introduces a ten-disc set featuring eight of the team's finest collaborations: The Searchers: Ultimate Collector's Edition (1956) Stagecoach: Special Edition (1939) Fort Apache (1948) The Long Voyage Home (1940) Wings of Eagles (1957) She Wore a Yellow Ribbon (1948) They Were Expendable (1945) 3 Godfathers (1948)

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McLintock (1963) Review

McLintock (1963)
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I've been a McLintock fan since 1963...when it came out to the movies. My dad took me to see it on my 11th birthday. I held off buying the VHS version once I discovered the Wayne Foundation had not released an "authorized" copy. Once it did, I purchased three...just in case one got damaged! Yes...I love the movie. For DVD customers....it IS worth the wait. If, as you can see from other reviews, the transfer quality to DVD is poor, then why waste your money now, when you can (HOPEFULLY!!) purchase the legitimate product when the Wayne Foundation releases it! This is a GREAT movie for all ages. Kids love the shenanigans, teens like the romance, and us old-timers just like an easy-on-the-eyes and -ears movie with a happy ending. This is the only movie review I've ever written, but the movie was worth it.

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McLINTOCK! He Tamed the West--But Could He Tame Her? Cattle baron, banker, and model citizen George McLintock (John Wayne) has the world in his hands.The only thing missing is his wife, Katherine (Maureen O’Hara, who co-starred with the Duke in Rio Grande and The Quiet Man), who left him two years earlier, suspecting him of adultery.In an effort to get on with his life, McLintock saves a beautiful but impoverished widow from resettlement and hires her as his cook, welcoming both her and her two children into his home.Sparks begin to fly and McLintock’s simple and serene lifestyle comes to a crashing halt as an unexpected turn of events results in brawls, gunfire, an Indian attack, the engagement of his only daughter and...the return of Mrs. McLintock!This Westernized Taming of the Shrew was produced by John Wayne’s son, Michael. McLINTOCK! Starring JOHN WAYNE MAUREEN O’HARA With PATRICK WAYNE STEFANIE POWERS * JACK KRUSCHEN * CHILL WIILLS Original Screen Play by JAMES EDWARD GRANT Produced by MICHAEL WAYNE Directed by ANDREW V. McLAGLEN Music Under License from EMI This program is not authorized by the John Wayne estate or any other entity. Approximately 128 minutesColor

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How the West Was Won (1963) Review

How the West Was Won (1963)
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This is the first (and only) CINERAMA film I ever saw, without doubt the most thrilling aspect of the movie is the grand scale of the Cinerama process and the multi- channel soundtrack. The transfer to DVD is an insult. In this era of digital technology it is easily possible to correct the color balance errors evident in the "seams" of this otherwise remarkable motion picture. I agree with other reviewers, lose the Turner promo. The color balance, saturation, and picture
resolution are very average, and fall well below of what the DVD process is capable. One redeeming feature is the soundtrack. Finally, after viewing the VHS tape, and Laserdisc of this movie, the DVD release incorporates the correct rear channel information of the original release. Finally, and most regrettably, this DVD release has been cropped. Don't we buy widescreen movies to see how they were originally shot? HELLO HOLLYWOOD!

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The first feature film to be photographed and projected in the panoramic three-camera Cinerama process, this epic Western is almost as expansive as the West itself, chronicling a pioneering family's triumphs and tragedies in numerous episodes spanning three generations and a half century of westward movement. Divided into five segments directed by veteran Hollywood filmmakers Henry Hathaway, George Marshall, and the legendary John Ford (and including uncredited sequences directed by Richard Thorpe), the film was one of the most ambitious ever made by the venerable MGM studio. Its stellar cast reads like a virtual who's who of Hollywood's biggest stars. Debbie Reynolds plays a sturdy survivor of many pioneering dangers, and the eventual widow of a gambler (Gregory Peck), who is later reunited with her nephew (George Peppard), a Civil War veteran and cavalryman who heads for San Francisco as the transcontinental railroad is being built. Many more characters and stories are woven throughout this epic film, which is dramatically uneven but totally engrossing with its stunning vistas and countless outdoor locations in Illinois, Kentucky, South Dakota, Monument Valley in Arizona, California, Colorado, and elsewhere."--Jeff Shannon"

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Operation Pacific (1951) Review

Operation Pacific (1951)
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Since I grew up with this movie, I have seen it at least 30 times. This is one of the best Submarine Movies of WW-II action made. And not everyone knows this but this movie did deal with some truth. When the skipper is shot by a "Q" ship in a surface attack, he uses the command "Take Her Down" which was in actuality used by the CO of the USS Growler, after being critically wounded in action in 1942. And the torpedo trouble in the movie was also true and they did drop warheads from on high to test out various firing options. One submarine mentioned in the Movie was the Corvina, which really was a USN Sub, and she was suck by a Japanese Submarine like the movie portrays. Unlike other Sub Movies, this one has a lot of truth in it and is an excellent watch. It is made more realistic by being in black and white. Sources for the above "Sink em All" By Vice Admiral Charles A. Lockwood, USN COMSUBPAC during WW-II

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World War II rages across the Pacific and Lt. Cmdr. Duke E. Gifford is in the thick of it. He evacuates children from enemy-held islands. Oversees the development of torpedoes at Pearl Harbor. And prowls the depths in the submarine Thunderfish for a chance to aim his improved "tin fish" - torpedoes - at the enemy. John Wayne plays Gifford in Operation Pacific. "I'm no theory man. I'm a line officer," Gifford barks. He backs it up with lots of bite in several feverish sea battles. He's also a man of heart with a loving wife at home (fellow Academy AwardO winner* Patricia Neal). Vice Adm. Charles Lockwood, World War II commander of all U.S. Pacific submarines, was technical advisor for this adventure packing real you-are-there thrills!

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The Searchers (1956) Review

The Searchers  (1956)
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Even if you've never seen John Ford's THE SEARCHERS, you will have, undoubtedly, seen a film that owes it's 'style' to the film. DANCES WITH WOLVES, THE OUTLAW JOSIE WALES, UNFORGIVEN, JEREMIAH JOHNSON, and OPEN RANGE are just a few westerns that have 'borrowed' from it, but THE SEARCHERS' impact transcends the genre, itself; STAR WARS, THE ENGLISH PATIENT, THE LAST SAMURAI, even THE LORD OF THE RINGS have elements that can be traced back to Ford's 1956 'intimate' epic. When you add the fact that THE SEARCHERS also contains John Wayne's greatest performance to the film's merits, it becomes easy to see why it is on the short list of the greatest motion pictures ever made.
The plot is deceptively simple; after a Comanche raiding party massacres a family, taking the youngest daughter prisoner, her uncle, Ethan Edwards (Wayne), and adopted brother, Martin Pawley (Jeffrey Hunter), begin a long quest to try and rescue her. Over the course of years, a rich tapestry of characters and events unfold, as the nature of the pair's motives are revealed, and bigoted, bitter Edwards emerges as a twisted man bent on killing the 'tainted' white girl. Only Pawley's love of his 'sister' and determination to protect her stands in his way, making the film's climax, and Wayne's portrayal of Edwards, an unforgettable experience.
With all of Ford's unique 'touches' clearly in evidence (the doorways 'framing' the film's opening and conclusion, with a cave opening serving the same function at the film's climax; the extensive use of Monument Valley; and the nearly lurid palette of color highlighting key moments) and his reliance on his 'stock' company of players (Wayne, Ward Bond, John Qualen, Olive Carey, Harry Carey, Jr, Hank Worden, and Ken Curtis), the film marks the emergence of the 'mature' Ford, no longer deifying the innocence of the era, but dealing with it in human terms, where 'white men' were as capable of savagery as Indians, frequently with less justification.
Featuring 18-year old Natalie Wood in one of her first 'adult' roles, the sparkling Vera Miles as Pawley's love interest, Wayne's son Patrick in comic relief, and the harmonies of the Sons of the Pioneers accenting Max Steiner's rich score, THE SEARCHERS is a timeless movie experience that becomes richer with each viewing.
It is truly a masterpiece!

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Working together for the 12th time, John Wayne and director John Ford forged The Searchers into an indelible image of the frontier and the men and women who challenged it. Wayne plays ex-Confederate soldier Ethan Edwards, a believer more in bullets than in words. He's seeking his niece, captured by Comanches who massacred his family. He won't surrender to hunger, thirst, the elements or loneliness. And in his obsessive, five-year quest, Ethan encounters something he didn't expect to find: his own humanity.

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The Alamo (1960) Review

The Alamo (1960)
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I want to warn others not to make the mistake I did. This is not that beautiful director's cut which was issued on Laser and VHS. If that is what you are looking for, WAIT.
I am completely in awe why the studio would release the trimmed down version of this film on DVD!
Please please release the 202 minute version.

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John Wayne produces, directs and stars in this "bigger than life" (Life) chronicle of one ofthe most remarkable events in American history. At the Alamoa crumbling adobe mission185 exceptional men joined together in a sacred pact: they would stand firm against an army of 7,000 and willingly give their lives for freedom. Filmed entirely in Texas, only a few miles from the site of the actual battle, The Alamo is a visually stunning and historically accurate celebration of courage and honor. Co-starring Richard Widmark, Laurence Harvey and Chill Wills, and garnering seven OscarÂ(r) nominations*, it is a "truly memorable movie spectacle" (Leonard Maltin).*1960: Picture, Supporting Actor, Cinematography, Sound (winner), Editing, Score and Song

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Conqueror (1956) Review

Conqueror (1956)
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Contrary to the critics in general and the reviewers here in
particular, The Conqueror is actually a pretty good film, if you're
a John Wayne fan, or just enjoy Hollywood spectaculars as they
were made back in the '50s. Wayne was not as miscast as one
might think. He certainly had the strength of character and screen
presence to play Temujin/Genghis Khan and he looked good in the
oriental mustache and the Mongol warrior garb. The dialog here is
no dumber than in any other Hollywood historical saga of that
time (or of this time, either, for that matter. Remember Russell
Crowe in Gladiator: "At my signal, unleash Hell!"?)
Movie lore has it that The Conqueror was filmed on location in
Utah either on or near an atomic test site, and that many of the cast
and crew later died from radiation-induced cancers. It may be
true, or it may be just mythology. There were no nuclear test sites
in Utah, but the shooting location could have been near the
Nevada test site. Director Powell and cast members Wayne,
Hayward, Moorehead, and John Hoyt did die from cancer, but of
different types and years apart. Many others died from other
causes. Pedro Armendariz committed suicide. Thomas Gomez
died from an auto accident. Lee Van Cleef died of a heart attack.
And some lived to a ripe old age. Leo Gordon, for instance,
passed away just last year, at the age of78, after a brief illness.
Gordon was a scriptwriter as well as an actor, and wrote two
classic Roger Corman movies: The Terror, and The Wasp
Woman.
The Conqueror also had the distinction of having a Playboy
Playmate, Pat Lawler (Miss August 1955) in a bit part. Ms.
Lawler appeared in the sci-fi comedy Invasion of the Saucer Men
in 1957, and that seems to be the extent of her film career..
To sum up: The Conqueror is not as bad as reported. It's not
nearly as bad as, say, Big Jim McLain, The Fighting
Kentuckian, or Jet Pilot. And it's not nearly as good as, say, The
Quiet Man, Sands of lwo Jima, or True Grit. It's in the middle.
like, say, Hatari, Circus World, or The Shootist.
This DVD edition offers just the movie, a scene index, and
subtitles. The image quality is good, but the sound varies a
bit--some of the dialog seems rather distant and tinny. But at this
price it's a bargain, so don't miss out!

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Item Name: The Conqueror; Studio:Good Times Video

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Rio Lobo (1970) Review

Rio Lobo (1970)
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Rio Lobo is a good John Wayne western that borrows from several of his previous movies. The story is about a Union colonel trying to find out who the traitor was in his unit that sold information about gold shipments to Confederate guerillas. Along the way he helps a town escape the wrath of a rich landowner and a corrupt sheriff. The story may seem similar, but this still is a very entertaining movie. What John Wayne movie isn't? The story blends action and story together in this exciting western.
The Duke is great once again as Cord McNally, the Union colonel in pursuit of traitors. Jorge Rivero is awkward as Pierre "Frenchy" Cordona, the Confederate guerilla who helps Wayne. I don't know whether it is actually Rivero talking or someone dubbing his lines in, but it just sounds funny. Joining them are Jennifer O'Neill, Christopher Mitchum, Jack Elam, and Victor French. Elam is great as usual in his role as the eccentric old man in the town. The DVD has a good widescreen presentation that looks cleaned up compared to the one shown on TBS. Otherwise, there isn't any extras added on. This was Howard Hawks last western, and he made a good one. Good story and exciting action. Deserves a watch if nothing else for those who haven't seen this late Duke western!

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After the civil war, a union colonel goes to rio lobo to take revenge on two traitors.

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Chisum (1970) Review

Chisum (1970)
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Based upon historical fact, this film follows the famous range war in which Billy the Kid made his name, but chiefly from the viewpoint of aging cattle baron John Chisum (Wayne in the title role). It's 1878 in New Mexico Territory, and Chisum rides into the local town of Lincoln to meet his niece Sallie (Pamela McMyler) off the stage. His foreman and long-time Good Right Hand, Pepper (Ben Johnson practically stealing the movie--he should have been nominated for Best Supporting Actor), remarks upon the many acquisitions being made by would-be real-estate magnate Lawrence J. Murphy (Tucker in a cheerfully malevolent role), but Chisum isn't looking for trouble. Still, he is inexorably drawn into the escalating situation when lawyer Alex McSween (Andrew Prine), whom Sallie befriended on the journey, finds it impossible to turn a blind eye to Murphy's machinations, and helps stake the idealistic Easterner to a store to run in competition with the one Murphy bought out from under its original owner. Not until his friend and neighbor, Britisher Henry Tunstall (Patric Knowles), is murdered on the road by two deputies of Murphy's hand-picked sheriff (Bruce Cabot), does Chisum's temper finally come unglued, and the story continues through the siege (canonical) of the McSween store by Murphy's forces, the shooting down of McSween in the street, and at last a classic brawl (in an ultimately burning building) between Chisum and Murphy that always reminds me of two old range bulls butting heads. As always, the supporting cast adds immeasureably to the movie: Geoffrey Deuel as Billy Bonney; Christopher George (who also played a villainous role in the Duke's "El Dorado") as his old enemy, gimpy, half-crazy bounty hunter Dan Nodeen; Richard Jaeckel as Jess Evans, with whom Billy once rode; Glenn Corbett as Billy's friend (and future killer) Pat Garrett. The mild liberties that are taken with history (such as Sallie's attraction to Billy) only serve to fill out the characters better. There's plenty of classic Old West action and a good score (Merle Haggard's vocal, "Turn Me Around," should be released on a retrospective of his songs), and Chisum is portrayed as a decent man who loves the land and wants the best for the people who live on it (interestingly, he isn't expected to carry a romantic relationship at all, though it's strongly hinted that he came close to marrying Sallie's mother). A solid entry to the Wayne oeuvre and one well worth your time.

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Chisum showcases John Wayne in the twilight of his remarkable 200+-film career. As John Chisum, a real-life cattle king determined to protect his empire against a land-grabbing developer (Forrest Tucker). Wayne's no-nonsense persona snugly fits this lively reworking of the events of New Mexico's 1878 Lincoln County War. "Directed in fine sagebrush style by Andrew V. McLaglen and beautifully photographed by William H. Clothier" (The Warner Bros. Story), Chisum is the kind of sweeping, brawling Western that made Wayne endure as a star.

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McLintock (Authentic Collector's Edition) (1963) Review

McLintock (Authentic Collector's Edition) (1963)
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I've been a McLintock fan since 1963...when it came out to the movies. My dad took me to see it on my 11th birthday. I held off buying the VHS version once I discovered the Wayne Foundation had not released an "authorized" copy. Once it did, I purchased three...just in case one got damaged! Yes...I love the movie. For DVD customers....it IS worth the wait. If, as you can see from other reviews, the transfer quality to DVD is poor, then why waste your money now, when you can (HOPEFULLY!!) purchase the legitimate product when the Wayne Foundation releases it! This is a GREAT movie for all ages. Kids love the shenanigans, teens like the romance, and us old-timers just like an easy-on-the-eyes and -ears movie with a happy ending. This is the only movie review I've ever written, but the movie was worth it.

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MCLINTOCK:SPECIAL COLLECTOR'S EDITION - DVD Movie

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The Wings of Eagles (1957) Review

The Wings of Eagles (1957)
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This is a factual naval aviation story, intermixed with Army Air Corps rivalry and combat scenes. It provides a chronological view of one naval family- their love and adversity, including Navy and Army aviators supported by their loyal maintenance personnel who helped in the advancement of U.S. military aviation during 1920s to 1940s. Add, of course, a mixture of competition provided by the navy wives and their only rival- the United States Navy. Released 22 February 1957, The Wings of Eagles was considered an adult story, wrought with the thrills, laughter, and family hardships all to well experienced by the real heroes of this story- the pioneer naval aviation wives (there is still no "Hall of Fame" dedicated to these gallant ladies at the National Museum of Naval Aviation, NAS Pensacola, FL).
Ms. Maureen O'Hara who acted the gallant part of Mrs. Minnie (Bryant) Wead was well received by the "naval aviation wives of gold", and was nominated at a Naval Aviation Cadet Recruiting Officers Convention, Long Beach, CA, as "Ms. Naval Aviation- 1957." Other familiar actors included: John Wayne (CDR Frank "Spig" Wead), Kenneth Curtis (RADM John "Johnny" Dale Price), Dan Dailey (Chief "Jughead" Carson- loyal Chief Aviation Machinist's Mate), Kenneth Tobey (characterization of Lieutenant Jimmy H. Doolittle), Ward Bond (representing Hollywood director John Ford), Edmund Lowe (RADM William Adger Moffett, USN- Chief, Bureau of Aeronautics), and Charles Trowbridge (representing ADM Ernest J. King) whose one line was: "I like it...write it up". The railroad boxcar scene, the hangar fly-through, the various odd aircraft shown, the newsreel aviation reports of winning the Schneider Cup of 1923, the loyal efforts and contributions by the aviation maintenance personnel keeping the aircraft flying were all real events. Today's aspiring military aviators may find this aviation story of much interest.
This story may bring tears and some fond memories back to those pioneer naval aviation wives who are still around and had experienced it all. Their stories can relate back to the days of sugar white sands at Santa Rosa Island and of Coronado Beach; the babies they lost from the 1919 flu influenza; the open-air jalopy rides down old Warrington Road and Coronado Avenue; the screened front-porch bungalows of Bay Front, Pensacola, and Coronado Island; the seaplanes skimming across Pensacola and San Diego bays; meeting their husbands as they landed in their squadron fighters and torpedo planes following short at-sea flight operations aboard USS LANGLEY (CV-1); followed by the many naval aviator and bridge parties given at Mustin Beach and North Island officers' clubs- all this on just a naval Lieutenant's salary (with flight pay) to make ends meet during the Great Depression.
This is an MGM/ John Ford contribution to those "naval aviators in leather skull caps"- he did this well, focusing on the triumphs and tragedies often found within the War and Navy departments during the development of our country's military aviation. This was also Ford's tribute to Army-Navy aviation camaraderie- America's early combat teams. Seen here are episodes of Army-Navy departmental budget rivalries; around-the-world "beat the Navy" Army Air Corps celebrations; CDR Wead at the Office of Strategic Services (OSS) during 1942 - 1943; combat films compiled by CDR Ford, USNR (Chief, Field Photographic Branch, OSS- worked for William "Wild Bill" Donovan, Director of OSS); and, the story of how CDR Wead got production approval of new "jeep" aircraft carriers on converted cruiser hulls- with the approval of ADM King and President Franklin D. Roosevelt in 1941. There is combat footage aboard carriers- a reenactment of CDR Wead aboard USS YORKTOWN (CV-10) as Chief of Staff/ Operations for RADM Charles A. "Baldy" Pownall, CTF-50, during the Gilbert and Marshall islands operations.
Interests in making this film concerning CDR Wead began with correspondence between Vice Admirals John Dale Price, Calvin Thornton Durgin, and John Ford. Ford received first priority from the Department of Defense (DoD) to film a story about CDR Wead, months ahead of an attempt by Warner Brothers Pictures Distributing Corporation. Priority permission to Ford was granted by Donald E. Baruch (Chief, Motion Picture Section, Pictorial Branch, DoD). The film was to be based upon historical material from DoD, tales from Price and Durgin, earlier correspondence received from CDR Wead, and a book by "Red" Futhven & Jerry Stagg titled "Staircase". The public has seen this magnificent Ford tribute to CDR Wead since 1957. A newcomer to this film might ask- who was this naval aviator called Spig Wead?
CDR Frank Wilbur Wead, USN, acquired the nickname "Spig" during his Naval Academy days (1912 - 1916). He accumulated 9 years & 7 months total sea service prior to his accident. Together, Lieutenants Wead, Price and Durgin received their aviation wings 22 May 1920, NAS Pensacola, FL. Later, LT Wead led the U.S. Navy Schneider Cup Team to England and brought this famous cup to America aboard S.S. LEVIATHAN, October 1923. With LT Price they broke five seaplane records, 11 - 12 July 1924. Along with fleet exercises aboard USS LANGLEY with VT-2, there were staff duty assignments under Admirals Moffett and Joseph M. Reeves, and with 11th Naval District Commander. Wead wrote for leading magazines (The Saturday Evening Post and The American Magazine) and Hollywood during 1930s to 1940s. His final assignment was as commanding officer of VF-2. During WWII, he acquired combat duty aboard USS YORKTOWN, receiving the Legion of Merit (Combat). CDR Wead was relieved from active duty 21 July 1944, at Fleet Air, Alameda, California, where his last naval boss was RADM Pownall (Commander Air Force, Pacific Fleet).
The accident: Tragedy struck Wednesday morning, 14 April 1926, during heavy electrical storm over San Diego and Coronado. Combination of power outage and hurrying in the darkness, LT Wead accidentally tripped, falling down dark stairway, fracturing his neck. This occurred in a two-story home he and Minnie recently rented: 600 9th Avenue, Coronado, CA Today, one can still see this home corner of 9th and H avenues.

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Cmdr. Frank "Spig" Wead was a pioneer aviator, renowned screenwriter (whose works included John Ford's They Were Expendable) and a man of war. The skies beckoned Spig to action; a crippling injury ultimately left him powerless to act, propelling him to discover the power of his pen. He was talented, driven, flawed, a friend of Ford and the subject of this compassionate biography. John Wayne plays Spig and Ford directs The Wings of Eagles, which also offers a fascinating glimpse into the ways and world of Ford: Ward Bond plays moviemaker John Dodge, a role modelled on Ford. Maureen O'Hara, Wayne's five-time co-star (including Ford's The Quiet Man), and Dan Dailey (of Ford's 1952 What Price Glory?) play Spig's indomitable wife Min and cigar-chomping sidekick "Jughead" Carson.

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The Horse Soldiers (1959) Review

The Horse Soldiers (1959)
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A wonderful picture of the war between the states, "Horse Soldiers" follows the story of Wayne leading his troopers in an attack deep into enemy territory. Loosely based on a factual event, the Union must cut off the supply lines to Vicksburg. DUKE leads the raid.
This is a fantastic transfer, as others have mentioned. I spotted literally one damaged frame, with a "V" shaped crease in it. The colors blaze off the screeen, and although there are no booklets, inserts, or extras (other than the original trailer), the disc is a real keeper.
Although many see this picture as "Ford-lite," there are several classic Ford touches throughout the film. The opening shot of the calvary marching in a sundown silhouette is stirring. The charge of the child soldiers is a great moment (you see Wayne tip his hat to them as he rides off).
For me, I like the subtle, "hidden" Ford touches in all of his films, which reveal telling information about characters without the overbearing, in-your-face, and just plain heavy-handed direction in today's movies.
In "Horse Soldiers", the dyed-in-the-wool Southern patriot Hannah Hunter has spent several days as prisoner of the Union soldiers. At one point, in order to make her feel better, a soldier gives her a candle for light. Another offers her a fragment of a looking glass. The soldier holds up the broken mirror, and when she looks at her reflection she can see the soldier's Yankee cap over the top of it, as if she wore it herself. That's Ford telling us she's been converted, without slapping us in the face or dumbing it down for us.
You'll see familiar Ford faces pop up here and there, too. Jack Pennick is in just about all of John Ford's westerns. Hank Worden and Ken Curtis will be instantly familiar to fans of "The Searchers". Ken Curtis was also in "Rio Grande" and "The Quiet Man", and is probably best known as Festus on "Gunsmoke".
O.Z. Whitehead was in "The Grapes of Wrath" and "The Man Who Shot Liberty Valance". Walter Reed was in "Sergeant Rutledge" and "Cheyenne Autumn".
Bing Russell, who plays Dunker, is the man gunned down in the saloon in another DUKE movie, "Rio Bravo".
Of couse, other familiar faces include Storther Martin and Denver Pyle as a pair of Confederate deserters.
This is a really solid cavalry film, with The DUKE in the thick of the action. William Holden is a good match as a foil for DUKE.
For those who say DUKE couldn't act, DUKE has a great scene in the Newton Station bar when he reveals why he doesn't like doctors.
"Horse Soldiers" is an overlooked gem from Ford, only because his more famous films shine that much more.

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John Wayne teams with William Holden and eminent western director John Ford for this frontier actioner "packed with laughter, romance and thrills" (The Hollywood Reporter)! Written by John LeeMahin and Martin Rackin, this faithful representation of one of the most daring cavalry exploits inhistory is both a moving tribute to the men who fought and died in that bloody war and a powerful, action-packed drama.Based on an actual Civil War incident, The Horse Soldiers tells the rousing tale of a troop of Union soldiers who force their way deep into Southern territory to destroy a rebel stronghold at Newton Station. In command is hardbitten Colonel Marlowe (Wayne), a man who is strikingly contrasted by the company's gentle surgeon (Holden) and the beautiful but crafty Southern belle (Constance Towers) who's forced to accompany the Union raiders on perhaps the most harrowing mission in the war.

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Sands of Iwo Jima (1950) Review

Sands of Iwo Jima (1950)
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"Sands of Iwo Jima" was the first movie I ever saw in which John Wayne played a character who actually died, which was certainly one of the more shocking deaths I can remember ever seeing in a film. Wayne plays Sgt. John Marion Stryker and since Wayne's real name was Marion Michael Morrison there seems to be an additional level of identification between actor and character here, while the power of the name "Stryker" is obvious. Stryker seems a bully to the green recruits he is training to be U.S. Marines in 1943. When the men of the rifle squad learn that Stryker's wife had taken their son and left him they think they know the reason why the man who was once the epitome of the tough Marine has become such a martinet.
Of course when Stryker and his men hit the beach at Tarawa and are fighting for their lives against the Japanese troops defending the island, they understand that his hard lessons are the difference being life and death in combat. Then comes the last hard nut to crack of the islands occupied by the Japanese, the volcanic island of Iwo Jima. As the officer briefing the troops says, "nobody knows exactly what they've got on this island, but they've had forty years to put it there." Director Allan Dwan takes advantage of actual combat footage from the documentaries "With the Marines at Tarawa" and "To the Shores of Iwo Jima" to provide an added dimension of realism to the battle sequences. The reenactment of the flag raising on Iwo Jima involved Rene Gagnon, Ira Hayes, and John Bradley, the only three Marines in the celebrated photograph who survived the battle.
Since this is a Hollywood war movie Stryker's rifle squad consists of not just new recruits but a few veterans, including Al Thomas (Forrest Tucker), an old enemy who is perfectly willing to bad mouth the sergeant at every opportunity, even after he is taken out behind the tents by Stryker to be reminded who is running the outfit. The recruit who absorbs all of this venom the most is young Peter Conway (John Agar), whose father was Stryker's Commanding Officer at Guadalcanal. The old man felt his son was too soft to be a Marine (he reads books and went to college) and the kid resents the particular interest Stryker is taking in his training. Even when Stryker saves Conway's life when the kid is too busy reading a love letter to notice a live grenade gets loose during a training exercise, Conway refuses to show gratitude. So in addition to their relationship and sergeant and private Stryker and Conway are playing out their own familial relationship problems with each other as well.
It is in battle that Stryker is at his best, blowing up a Japanese bunker to save trapped Marines, and once he proves himself to be a warrior god his squad, now tested in battle, finally becomes a true band of brothers. But "The Sands of Iwo Jima" has the elements of a Greek tragedy and at the moment of his apotheosis the hero must fall. Adding insult to injury the blow comes from behind and the shot of a bullet hole beneath Stryker's stenciled name on the back of his fatigues is even more powerful than the reenactment of the raising of the second American flag on Mt. Surabachi.
This is not the best war movie of 1949; that honor goes to William Wellman's "Battleground," which remains one of the very best of the best in the World War II genre. Wayne was nominated for Best Actor, the only other time he was up for an Oscar besides "True Grit," although he arguably gave a better performance that same year in his previous film "She Wore a Yellow Ribbon." Despite the pair of strong performances by the Duke the Academy Award went to Broderick Crawford for "All the King's Men," but "Sands of Iwo Jima" remains Wayne's best WWII movie and one of the few that stands up with his classic westerns."


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SANDS OF IWO JIMA - DVD Movie

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The Longest Day (1962) Review

The Longest Day (1962)
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The Longest Day (1962 film)
In 1959, 15 years after the Allied invasion of Normandy, former war correspondent Cornelius Ryan wrote The Longest Day, his popular and critically-acclaimed account of the D-Day landings. Based on painstaking research and interviews with Allied and German veterans and the French civilians swept up in the events of June 6, 1944, The Longest Day remains among the best books on the topic.
It is not surprising, then, that 20th Century-Fox studio chief Darryl F. Zanuck bought the film rights and asked Ryan, (who, besides having been a reporter, had also written plays) to adapt The Longest Day into a screenplay for a major motion picture. Zanuck, who had served in the Army Signal Corps as a lieutenant colonel and helped document the D-Day landings, had always wanted to make a feature film about the invasion. He also had another pressing reason to make what he thought would be a big hit: 20th Century-Fox, nearly crippled by box office flops and the costly production of Cleopatra, was on the brink of bankruptcy.
In order to attract audiences, Zanuck and his massive production team assembled a cast almost as large as the actual invasion force. 48 major international stars from three countries were signed on to what a World War II trivia book described as "the most expensive black-and-white movie made." Shot in studios near Paris and on the Mediterranean island of Corsica, The Longest Day required not one but three directors. Andrew Marton shot the American exterior episodes, Bernhard Wicki handled the German exterior episodes, and Ken Annakin directed the British exterior episodes. Overseeing the entire project were Zanuck and Associate Producer Elmo Williams, who would later executive produce the Japanese-American Pearl Harbor classic, Tora! Tora! Tora!
The movie basically follows the book's structure in its three major acts: The Wait, about the preparations on both sides for the invasion; The Night, about the night airborne assault; and The Day, about the landings on the five invasion beaches. The DVD breaks these three acts into 12 chapters.
While by early 21st Century standards The Longest Day's combat scenes are rather tame - there are no extremely gory scenes as explicit as those in Saving Private Ryan - they do capture the vastness and complexity of the Normandy landings. Shot in a semi-documentary style (major characters are introduced with identifying "credits" so we know who is who), The Longest Day is as accurate as a 1962-era film studio could depict an actual event. The black-and-white presentation allows insertion of a few snippets of actual documentary footage (mainly of German soldiers marching through Paris and running to their fortifications near the beaches) seamlessly into the film. Of course, some characters (such as Eddie Albert's Col. Thompson) seem to be composites or even fictitious, and some actors (such as John Wayne and Robert Ryan) look nothing like the officers they are portraying. Wayne plays Lt. Col. Benjamin Vandenvoort, who in 1944 was in his 30s, while Ryan plays Brig. Gen. James "Slim Jim" Gavin, who at 38 was the Army's youngest general. (The more accurate, but far less popular sequel, A Bridge Too Far, cast Ryan O'Neal as Gavin.)
Accuracy goes out the window in at least one respect, and this one is at the top of most D-Day veterans' list of gripes. While the movie does mention the awful conditions on the transports and landing craft ("Man, that stink! Diesel oil, backed up toilets, vomit. And there ain't no place to get sick in!" gripes one soldier to Roddy McDowell), when the Allied soldiers get out of the landing craft, they hit the beaches running and screaming like banshees. In Stephen E. Ambrose's 1994 D-Day, June 6, 1944, veterans scoff at Zanuck's fanciful depiction, pointing out that they were too tired and too sick to run across the beach, much less yell like Confederates at Gettysburg.
Nevertheless, The Longest Day remains one of the best war movies ever made. Released in October of 1962 and enjoying a long run at the theaters, it was the box office's top draw for 1963, earning an Academy Award for special effects and, luckily for Zanuck, saving 20th Century Fox from bankruptcy.
The DVD presents The Longest Day to its original CinemaScope wide screen presentation, improving on the CBS-Fox two-cassette VHS version, which was released on the usual pan-and-scan "full screen" re-edit. Other improvements are a sound remastering by THX and a few tiny bits of additional footage. The single disc, however, has very few extra features; only the theatrical trailers to The Longest Day, Patton, and Tora! Tora! Tora!

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The Undefeated (1969) Review

The Undefeated (1969)
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I didn't really care for this movie the first time I saw it but as I watched it the second time I came to appreciate the great lines delivered by the Duke as only he can. Not my favorite but it does have a civil war battle intro, 3000 horse drive to mexico, the unavoidable mexican bandit trying to steal the horses, great outdoor scenery and the obligatory John Wayne signature group brawl.
The VHS tape I have is the same cover as the one pictured and has a great making of documentary for the movie. Why is this feature not on the DVD?!?!

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In the tumultuous aftermath of the Civil War, Union Calvary officer John Henry Thomas takes his heroic men west while southerner James Langdon takes his soldiers to Mexico. When their paths cross, they forge an uneasy friendship that is quickly tested as they get caught between Mexican rebels and the Emperor's forces, and find themselves fighting side by side.

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In Harm's Way (1965) Review

In Harm's Way (1965)
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It always seems that WWI movies covered the European Theater more, as far as Blockbusters are concerned... "Longest Day", "Bridge to Far", "Patton", "Guns of Navarone", "Saving Private Ryan". Sure the Pacific had the multitude of John Wayne Movies, but true epics either dealt with Pearl Harbor or Midway, nothing else existed it seems.
Then I see "In Harms Way" . This movie is a true classic, with a superb cast including Wayne, Kirk Douglas, Dana Andrews, Patricia Neal (may be one of her best), Henry Fonda, Burgess Merredith and many more.
This a "true grit" battle of the Pacific tale which we need more of. Its description of sea battles both before and after are classic, and the movies lenght is not noticed since you are continually involved in it.
Yes, the movie is in black and white, but it seems its supposed to be. The filming and actions sequences for its day are outstanding, and watch you bass speakers or you will lose some china! Seeing this movie on REGULAR TV is not a good idea. They cut more than 20 minutes from it, ruin its continuity, and it is NOT the same movie. networks would rather sell than eep the movie intact.
WATCH THE FULL LENGTH VERSION! Is like seeing a new movie! A give this movie a standing thumbs up. This is one of the Dukes BEST.

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Epic study on the bombing of Pearl Harbor and the effect it had on so many relationships.Genre: Feature Film-DramaRating: NRRelease Date: 2-MAY-2006Media Type: DVD

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