Showing posts with label classic western. Show all posts
Showing posts with label classic western. Show all posts

Little Big Man (1970) Review

Little Big Man  (1970)
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Advertised as a comedy when originally released, LITTLE BIG MAN is much, much more than that. Director Arthur Penn's sweeping film depicting the clash of the Indian and white cultures will have you chuckling one moment, then shaking your head sadly at man's inhumanity to man the next.
Dustin Hoffman as the ever industrious Jack Crabb takes this movie on his shoulders and carries it superbly. To say that the actor shows some "range" in this role is the epitome of an understatement: from portraying an adolescent teenager to a fragile 121-year-old-man (phenomenal makeup job), from snake-oil salesman to mule skinner, Hoffman brings Jack's fascinating life to splendorous glory. And Hoffman is funny--darn funny--with a wonderful knack for physical comedy.
In addition to Hoffman, LITTLE BIG MAN offers other savory treats. Richard Mulligan is absolutely delightful as a narcissistic General George Armstrong Custer--the stunning Faye Dunaway positively wicked as naughty Mrs. Pendrake. Chief Dan George, who portrays Old Lodge Skins, Jack's adopted Cheyenne grandfather, delivers countless one-liners, yet lends a quiet, heartfelt dignity to his role. In fact, this is a movie one will wish to savor again and again--a beautifully crafted, well-made film that is timeless in its ability to entertain.
--D. Mikels

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Santa Fe Trail Review

Santa Fe Trail
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For all those DVD owners who are Errol Flynn fans or just plain love movies of the 30's and 40's, Santa Fe Trail is a fine film. Never mind political correctness or historical accuracy (none to be found), just smile and emerse yourselves in great entertainment by great stars...Errol Flynn (JEB Stuart), Raymond Massey (an awesome John Brown), Ronald Reagan (Custer), Olivia de Havilland, Alan Hale, et al. Solid performances by all.
The Roan Group did a good job transferring the movie to DVD...the sound is good and the picture clear. One can only hope that more of Flynn's movies will be transferred to DVD. To date none of his truly great movies, The Adventure's of Robin Hood, The Sea Hawk, Gentleman Jim, The Charge of the Light Brigade, Dodge City, Captain Blood, and Objective Burma are no where to be seen on the DVD horizon. A real travesty for all fans of Hollywood's Golden Age.

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SANTA-FE TRAIL (DVD MOVIE)

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The Outlaw Josey Wales (1976) Review

The Outlaw Josey Wales (1976)
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Although Clint Eastwood gained his greatest critical acclaim as a director for 1992's "Unforgiven" and 2003's "Mystic River" -- both of which are incredible pieces of American cinema -- his best film remains this perennially popular Western from 1976. Here's Eastwood's own take on it: "I do believe that if I'd made that picture in 1992, in place of `Unforgiven,' it might have received the same amount of attention, because I think it's equally as good a film. I think the subject matter of `Josey Wales' is timeless." Orson Welles himself named it one of his favorite movies!
Yet critics at the time completely dismissed it as just another Clint Eastwood Western-Revenge flick. On the surface, the plot might give you that illusion: Missouri farmer Josey Wales loses his family to marauding Union cutthroats during the civil war. In retaliation, he joins Qunatrill's raiders in the guerrilla warfare that flames across Missouri. When the war ends, Wales refuses to surrender. He flies west across the country, chased by his former leader Fletcher (John Vernon in a great, sympathetic performance) and Terrill, the Union captain who murdered his family (Eastwood regular Bill McKinney). It seems Wales has no future except to stay alive long enough to get his revenge.
But...that's not at all what movie ends up being about. Gradually, Wales finds himself at the center of a growing community of outcasts from many different backgrounds: an old Cherokee named Lone Watie (Chief Dan George, in the film's most unforgettable performance), a band of Northern settlers (including Sondra Locke in her first role with Clint), a girl from another Native American tribe, the residents of a dying Texas town, and a red bone hound. Gradually, "The Outlaw Josey Wales" turns into a story about forgetting revenge and a fixation on death, and instead about embracing life and rebuilding a community. "Dying is easy for men like you and me," Wales says to a Comanche chief (Will Sampson) in one scene. "It's living that's hard." It's one of the most unexpectedly uplifting and moving films ever made. And, let's make no mistake about it, it's also an action-packed, tough, and exciting film.
Strangely, the film came out of extremely difficult circumstances and rough beginnings. Eastwood purchased the rights to Forrest Carter's novel "Gone to Texas," only to discover that the author was actually Asa (Ace) Carter, who had worked as a speech writer for George Wallace supporting racial segregation and had once created a subgroup of the Ku Klux Klan. Upon meeting Carter, Eastwood and his producer Robert Daley found the man to be a borderline sociopath (he drew a knife on one of Daley's secretaries at a restaurant). Regardless, Eastwood loved the beautiful story too much and pushed on with making the film. He hired Philip Kaufman to both write and direct the movie, now re-named "The Outlaw Josey Wales." Kaufman (along with Sonia Chernus) wrote a stunning script, but after only a few days on the set, it became obvious he wasn't working out as a director; his style clashed with Eastwood's. Eastwood quietly removed him as director and took over the job himself. As Eastwood's biographer notes, "Kaufman was to a degree the victim of Clint's growing confidence in his own abilities."
Despite this confused beginning, "The Outlaw Josey Wales" turned into a magical piece of Western cinema and a huge hit with audiences. It gets better and better with each viewing: a thrilling adventure when you first see it, its many layers of beautiful subtlety emerge each time you go back to it. Bruce Surtees's photography is astonishing, Jerry Fielding's music exciting and unusual for a Western, and every performance top-notch. Few films are as all-around well done as this American classic.
The DVD offers the film in a glorious widescreen transfer with a new 5.1 sound mix, but there are no extras. Considering the history behind the making of the film, this disc really ought to sport some fascinating commentaries and documentaries, but alas, nothing. Still, I can recommend few films higher than "The Outlaw Josey Wales."

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Josey Wales is a farmer turned fugitive in the post-civil war south who is chased by the law after he avenges the murder of his family and friends.DVD Features:Introduction:Introduction by Clint Eastwood Other:"Hell Hath No Fury" - 30:25 "Eastwood in Action" - 7:45


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Broken Arrow (1950) Review

Broken Arrow (1950)
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This is really intended for Amazon--please convey to whomever that a market exists--we're all waiting for the remastered DVD!!!
If you agree, please cast your vote here!!!

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In 1870, when white men and Indians are fighting bitterly, Tom Jeffords (Stewart) strongly believes the Apaches are treated unfairly.After befriending their leader Cochise (Jeff Chandler) and arranging a truce, he is called upon by a U.S. Army general to negotiate a government peace treaty.Though he fulfills his mission, Jeffords soon experiences great tragedy when he, his Indian wife (Debra Paget) and good friend Cochise become targets of a renegade ambush.

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Louis L'Amour's The Sacketts (1979) Review

Louis L'Amour's The Sacketts (1979)
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This is a motion picture I could watch over again and again, if only to see the terrific collection of Western film icons. An early scene features Ty Sackett (Jeff Osterhage) trying to sign on with a cattle drive. Around the campfire sit the owner of the cattle (L.Q. Jones), the foreman (Glenn Ford), and the top hand (Ben Johnson). Right then the viewer knows that he's in for first-rate entertainment.
The story line is split between Tell Sackett (Sam Elliott) trying to steer clear of three brothers (Jack Elam, Gene Evans, and Slim Pickens) out to revenge Tell's killing of their card shark brother, and Orrin and Ty Sackett (Tom Selleck and Osterhage) doing their best to bring law and order to Sante Fe despite the diabolical dealings of the town's richest man (the always oily John Vernon).
But the focal point of the picture is the underrated Glenn Ford as the mysterious Tom Sunday -- one time attorney, marshal, and even murderer. He begins the film as a mentor to Orrin and Ty, but eventually time and fate pit the three against each other.
Don't get me wrong, "The Sacketts" is not in the league of "The Wild Bunch," "High Noon," or "Ride the High Country," but I can't think of a much better way to spend three hours of my time.
Except for maybe doing a little riding on my old Buckskin on a cool, clear Saturday morning.

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SACKETTS - DVD Movie

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The Shadow Riders (1982) Review

The Shadow Riders (1982)
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"The Shadow Riders" has all the grit, matter-of-fact speech, incredible landscapes and action of a great Louis L'Amour book. Tom Selleck, Sam Elliot and Jeff Osterhage also starred in "The Sacketts" in 1979, and do just as fine a job in this movie as that one.
The part that will surprise you is how strong the female lead role is. Katharine Ross does an excellent job as the fiesty Kate Connery, the love interest of Dal Travern (Sam Elliot). She had as good a character and as much screen time as many of today's heriones -- a highly unusual circumstance in the early 80s and certainly unusual for the genre.
"The Shadow Riders" has a great mix of romance, action, humor and good old fashioned Western elements. This mix makes the film appealing to a much wider audience than just Western fans or Louis L'Amour fans -- although they will come away thrilled.

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The Civil War is over and the Traven brothers are going home. But what Mac (Tom Selleck, Quigley Down Under) and Dal (Sam Elliott, Tombstone) find upon their arrival is a town ravaged by Confederate rebels who've refused to surrender. Swearing to fight the Yankees to the bitter end, the guerillas have kidnapped the Travens' younger sisters - as well as Dal's sweetheart, Kate (Katharine Ross, Shenandoah) - and plan to sell them to a brothel in Mexico to raise money for guns and bullets. Determined to rescue their loved ones, Mac and Dal bust their Uncle Black Jack (Oscar(r) winner Ben Johnson, Best Actor in a Supporting Role, The Last Picture Show, 1971) out of prison and head south of the border, where they aim to finish a war they thought had already ended.

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McLintock (Authentic Collector's Edition) (1963) Review

McLintock (Authentic Collector's Edition) (1963)
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I've been a McLintock fan since 1963...when it came out to the movies. My dad took me to see it on my 11th birthday. I held off buying the VHS version once I discovered the Wayne Foundation had not released an "authorized" copy. Once it did, I purchased three...just in case one got damaged! Yes...I love the movie. For DVD customers....it IS worth the wait. If, as you can see from other reviews, the transfer quality to DVD is poor, then why waste your money now, when you can (HOPEFULLY!!) purchase the legitimate product when the Wayne Foundation releases it! This is a GREAT movie for all ages. Kids love the shenanigans, teens like the romance, and us old-timers just like an easy-on-the-eyes and -ears movie with a happy ending. This is the only movie review I've ever written, but the movie was worth it.

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MCLINTOCK:SPECIAL COLLECTOR'S EDITION - DVD Movie

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Major Dundee (1965) Review

Major Dundee  (1965)
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Well, I've seen the extended version, and even if they added only 12 minutes, out of a possible forty I guess, it still makes so much more sense now it is totally worth it. Kudos to the editors behind this reconstruction. I didn't have any problem following any of it, and I'm not really bright at complicated plots. All the main outlines of the drama became extremely vivid and clear; the tension between the Confederates and the Union soldiers; the dilemma about the French army; the massacre of the family at the beginning that causes Major Dundee to go all medieval and turn over command at the prison to his skeptical sub-lieutenant. "Maybe there's a reason why you're a jailer, not a soldier, Amos." They keep saying this as though being a jailer were something terrible.
Charlton Heston's descent into a delirium of infection is painful to deal with, very real. Now we see him drawn to the Mexican woman who brings him food; he's so out of it he finds himself having sex with her for the comfort it brings, and then of all times that's when Senta Berger shows up at his door on her own mission of mercy. She sees the naked back of the Mexican woman and you can see the pain in her eyes. Heston's pretty covered up but you get the picture, and he's man enough not to lie about what happened.
Richard Harris looks great and brings a rebel energy to the movie. Warren Oates' death scene is pure poetry, shot through with genius. What a ham he is! And oh, that is ham deluxe, 100 percent pure gold!
Michael Anderson, Jr. is excellent in his role as the young bugler, so much better here than in his other parts. He's sort of playing the Claude Jarman role, or maybe the part Brandon De Wilde played in IN HARMS WAY. The scenes where he meets Begonia Palacios in the ruined town where Senta Berger works as a doctor are credible and hilarious because he's so much in lust he can't see anything else but "Linda." Equally funny is the aftermath of the skirmish in which he's been shot in the butt and then they try to fix him up by tearing out the seat of his pants and stitching up what looks like his bare ass (kind of daring nudity for 1965). Anderson's got game and you can see why Peckinpah made him so prominent in this movie.
[SPOILER]
The chronology straightens itself out and before long we come to the scene where the troops find the crucified corpse of their Indian scout, whose trustworthiness the previous version had left in doubt. Somehow it is nice, after all these forty years, to have at least one MAJOR DUNDEE mystery cleared up, and also to find that that Riago was loyal after all!
[END OF SPOILER.]
At the end a whole bunch of us (film geeks I expect) clapped at the final credits. PS, the new music is outstanding, though I'm glkad the forthcoming DVD will give you the option to hear the old sing-along theme too.

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They Died With Their Boots On (1942) Review

They Died With Their Boots On (1942)
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I don't care if the film is historically inaccurate. Errol Flynn may not have been an ideal figure in real life but the movies he was in, well, I was raised with the 30's and 40's films and his films always gave me a hero to look up to and how things should have been done. They inspired me and taught me right from wrong and how to treat people fairly. Along with my Dad's guidelines, I was better for it. That's all I care about, not whether it was historically accurate. Mr. Flynn, even in real life, was a chip off the old block. I love this film. I grew up with it and it still gets an emotional rise out of me when I view it. Its what Custer should have been in my opinion and as a young boy watching this for the first time, influenced me for the rest of my life. Errol Flynn was my hero after I saw this and his WWII Burma movie. Its a shame he's gotten a bad shake from the critics whether now or in the past.

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THEY DIED WITH THEIR BOOTS ON - DVD Movie

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Star Trek - The Original Series, Vol. 12, Episodes 23 & 24: A Taste of Armageddon/ Space Seed (1966) Review

Star Trek - The Original Series, Vol. 12, Episodes 23 and 24: A Taste of Armageddon/ Space Seed (1966)
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One of the real treats about Parmount releasing two episodes of Star Trek per DVD is that the entire series was so good you're guaranteed of at least getting one good episode. But on rare occasion, the unthinkable happens--you get not only two good episodes, but two GREAT episodes on one offering. Such is the case with this Trek DVD.
Both episodes are classics and they both look stunning being remastered.
Of course, Space Seed is probably the most famous episode on the set, namely because it features the first appearance of Khan. The episode itself is what classic Trek is all about--suspense, drama, great characters, well-written dialogue and some nice action. Ricardo Montelban delivers a great performance as the arrogant, superman Khan and Shanter plays off him point for point. And, of course, this episode features one of the all-time great Star Trek bloopers of all time (watch DeForest Kelly's reaction very closely when Khan is first coming out of stasis and Shanter knocks his prop off his belt). Space Seed is simply marvelous--one of the top ten episodes of all time.
Ranking right up there with it is the superb and underrated A Taste of Armageddon. Kirk and company are sent to make contact with a society that fights their war by computers with "casualties" being tallied and herded into disentegration chambers. No sooner have Kirk and Spock beamed down then the Enterprise is declared a war casualty, a set of events that does not agree with Kirk. Kirk must then spend the rest of the episode upping the stakes to save his ship and to stop the war. (Prime directive you ask? We don't need to steeenkin' prime directive!) It's an episode that features the theme of Kirk vs. computer (though not as much as Return of the Archons or the Ultimate Computer) and it also features the recurring theme that if you rank above Kirk most chances are you're either an idiot or gone mad. In this case, it's the Federation ambassador who can't see beyond his limited range and almost gets red-shirted for it. It's a great episode that is still exciting and entertaining to watch today and is certainly looks spectacular on DVD.
These are two superb episodes...and they've never looked better. Episodes like these are why classic Trek has endured to this day. And like great wine, it gets better and better with age.

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How the West Was Won (Blu-ray Book) (2008) Review

How the West Was Won (Blu-ray Book)  (2008)
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A massive, sprawling epic shot in the three camera Cinerama Process popular during the early 60's, "How the West Was Won" spans from 1830 to 1880 covering the history of the westward expansion. Directed by three directors (John Ford, Henry Hathaway and George Marshall with a forth Richard Thorpe providing uncredited linking pieces)"How the West Was Won" was produced during the twilight of the western as the most popular type genre.
Warner has done a painstaking job of restoring this classic film and although it isn't perfect, it's an exceptional job that deserves kudos. The film has never looked this good with colors that pop and accurate fleshtones. More important the seams that one could see for the separate cameras aren't quite as glaring as before. The image quality is exceptionally crisp with terrific detail. Audio sounds extremely good with a nice 5.1 mix.
The film is spread over two discs with the original Overture and Alfred Newman's marvelous score included as part of the package. We get a terrific feature length commentary track from "West" stuntman Loren James who provides plenty of background details about the physical shooting of the film, filmmaker David Strohmaier, film scholar Rudy Behlmer, Cierama's John Sittig and music historian Jon Burlingame. My only complaint is that Burlingame will make a comment about listening to Newman's marvelous score and then whomever edited his comments continues to play them right over the music cue we should be listening to without interruption.
The only other complaint that I have is that while the dirt and grit has been removed making the film look marvelous, there's one sequence that has always bugged me--there is a bit of dirt right in the middle of the frame of the opening fly over sequence that I wish they could have figured out how to remove. Other than that, it's pretty smooth looking throughout the presentation despite an occasiona bit of image unsteadiness as characters move across the screen and span of the three cameras lenses.
We also get a terrific hour and a half documentary on the Cinerama process on the third disc.
There are three different versions of the film in re-release: the first is a three disc DVD edition with just the film; the second is the three disc set postcards, a reproduction of the original press book, souvenir book and photos as part of the package;there is no equivalent for this SCE in the Blu-ray edition although it does have a booklet as part of that package.
The image and sound quality in this restored edition improves on the original single disc edition of the film with a terrific commentary track and documentary to round out the set. With a stunning casts (James Stewart, Gregory Peck, Carolyn Jones, Debbie Reynolds, Carol Baker, Lee J. Cobb, George Peppard, John Wayne, Lee Van Cleef, Karl Malden, Agnes Moorehead and others)this was truly one of the last epic, lyrical westerns to be produced in Hollywood. Highly recommended.


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With courage, sinew and conflict: that’s how the West was won. With three directors, five interlocked stories, some of movie history’s most legendary action scenes and a constellation of acting talent: that’s how How the West Was Won was filmed. Henry Fonda, Gregory Peck, Debbie Reynolds, James Stewart and John Wayne are among the big names in this big saga following a family’s move West through generations – marked by the spectacles of a heart-pounding raging river ride, a thunderous buffalo stampede and a bracing runaway train shootout. Via technological advances, this panoramic winner of three Academy Awards can now be seen with a resplendent, restored clarity eliminating its original "three- panel join lines" and in roof-raising Dolby 5.1 audio. Westward ho!

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