Showing posts with label 19th century britlit classics. Show all posts
Showing posts with label 19th century britlit classics. Show all posts

We'll Meet Again Review

We'll Meet Again
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Compelling war drama about a USA Air Base in England. Struggling B-17 crews find solace among British ladies. The Yank's money is appreciated but not always their ways with alcohol and women. This is a story of the small village of Market Wetherby and it's war-weary locals, and how they cope with the new arrivals, American bomber soldiers who freshly join the war, and expect to win overnight.
The British TV has always been excellent in period television series, war dramatizations, and this is no exception. War nostalgia. It is surpurb, with added interest of half a cast of Americans joining British actors. Brits have the preserved buildings to pull off a period series. They use that to advantage. Beautiful 1943 scenery, costumes, props. This show was actually filmed in the 80s but because of the historical setting, it is a timeless DVD set; classic. Perfect for those with war interest, awesome for those interested in what it was like living in a country waiting to be invaded by Hitler's army. It is something of a cousin series to the more recent homeland war drama of "Foyles War" (a must for all British Drama fans) and "Enemy at the Door" (also good).
WE'LL MEET AGAIN cleverly mixes in actual bomber air strip and bombing raid footage. But much of the action takes place in the village homes and the local pub. Dr. Helen Dereham (by Susannah York) and Maj. Jim Kiley (Michael Shannon) are only two that show the extraordinary work that war leaders had to complete, as well as the struggles romantically of working so closely in life/death living. There's is not the only romance. Plenty of hardship and lives lost. Very believable, although I'm too young to know first-hand, being a Baby Boomer.
The series ends well; but with a potential for another season, which, alas, never came. This set has no subtitles or CC. It's box warning of partial nudity refers to one breast exposed for 3 seconds.
My wife and I both enjoyed this, both sorry there were no additional episodes after the 13 provided in this set.
Episode details (each about 53 min.):
1 ALL DAY AND EVERY DAY-Market Wetherby, Suffolk, April 1943. American Air Force arrives in England ungraciously.
2 HANDS ACROSS THE SEA-Cocky American crews fail to perform well in the air & on the local ground.
3 THE MILK RUN-Letty's Uncle Sid arrives with contraband booze while she falls for a Yank on a 'milk run'-safe mission.
4 ONE STEP FORWARD,TWO STEPS BACK-Some romance buds but overall relations remain tense.
5 THE BIG ONE-Market Wetherby & the American Base find some agreeable relationships. 'The Big One' mission heads over Germany.
6 UP THE SMOKE-Some Yanks get London R&R while Dr. Dereham ponders her feelings between her injured husband & US Maj Kylie.
7 FIGHTING MEN-2 men in English woman's lives seems to become a minor epidemic, plus secrets are found out.
8 A WING AND A PRAYER-Yank marries a local just prior to a dangerous raid.
9 YOU'LL NEVER KNOW-2 Brit wives contemplate continued relations with Yanks. 3 sec. of female nudity.
10 OLD ENOUGH TO FIGHT-Maj Kiley halts his romantic relationship causing poor results at work.
11 ONE DAY AT A TIME-Maj Kiley gets more active in the air & personally as death touches others lives.
12 EXCEPTIONAL CIRCUMSTANCES-Dr. Dereham adds more bedside time to her manner dealing with Maj Kiley's injuries.
13 THE END OF THE BEGINNING-It's love & war and time to choose permanent sides on romance issues.

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True Women (1997) Review

True Women  (1997)
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Hallmark Entertainment offers a sweeping drama about the three women living in the South, from the time of "Alamo" to the Civil War. I am afraid that your teacher of history cannot allow you to use this TV series as a text for American history, and that is simply because it is too melodramatic, in the fashion of that famous Margaret Michell's book. The story is too fast; the characters are too many; but the film never stops, and something happens every ten minutes -- war, lynch, dead bodies (including children), commentary about slavery, rights for women to vote, human rights for native Americans. In a sense, this is a modern version of "Gone with the Wind" with smaller scale.
Georgia and Euphemia are good friends, but the latter is forced to leave her in order to go to Texas (until then, it takes only ten minutes). The film traces the life of the two women separately until their reunion of many years later. Now Georgia and Euphemia (with her independent sister) are both grown up, after the happy and sad times, and as you will expect, their environments changed what they once were; though they know they are no longer the best friends who played together by the peaceful riverside, they come to understand each other after the many plights of life in time of war.
There are so many events that happen every five minutes (as the editorial review say rightly) that it is impossible for me to summerize the whole story. The film goes just like turning pages of paperbacks: now you see delightful scenes, and suddenly, a war or epidemic breaks out. Now you see Georgia meets a man, and next, you see their pledge of love. The film gives no time to think. But that is probably the point.
So, it would be best for us to see the actors. Angelina Jolie and Anabeth Gish are both good, and it is a bit surprise that their characters in childhood are played respectively by lovely Rachel Leigh Cook and Tina Majorino (who stole every scene from Kevin Costenr in "Waterworld." Male character players like Powers Boothe and Tony Todd appear, alongside with Micheal York, but their roles are smaller they should be. But it is a film about women, and female players all shine, of course, with Dana Delaney.
So, see this one as such, as a melodramatic rendition of the Southern history. It is a laudable attempt to spotlight the women's roles in the Western genre, but perhaps the film gives you an impression that there is another way of describing it. My honest feeling is that "True Women" works as a melodrama, and women's life of this time, which deserve our attention more, should be treated with deeper characters and a slower story. Still intriguing.

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A Christmas Carol (1939) Review

A Christmas Carol (1939)
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As a child, I remember my mother watching this on TV every year. When I was slightly older, I became wrapped up in the magic of "A Christmas Carol," and would eagerly await this version on AMC every year. I never understood why Alastair Sims' 1951 version was heralded as the ultimate version; for me, it was too contrived, too melodramatic, and Sims chews up the scenery.
This 1938 version is a warmhearted take on Dickens' classic tale of greed and redemption. Bob Crachit's family is given a greater role than in the original novel, and the strength of the ensemble cast shines. Reginald Owen as Scrooge was a last-minute replacement, since Lionel Barrymore (Mr. Potter in "It's a Wonderful Life") was ill. Gene and Kathleen Lockhart shine as the Cratchits (their daughter June made her debut in this), Terry Kilburn is a hyper but cute Tiny Tim, Barry McKay makes a dashing Fred, and Leo G. Carroll makes for a frightening Marley's ghost.
The sets of wintertime London are charming and varied, the costumes lavish, and Franz Waxman's score perfectly accents tender scenes without overwhelming. This is the first time that the 1938 version is available on DVD (in its original glorious B&W and not the awful colorized version), and it includes several brief extras: the film's original theatrical trailer, 2 festive vintage featurettes: Jackie Cooper's Christmas Party and Judy Garland Sings "Silent Night" and the classic Oscar®-nominated cartoon Peace on Earth. Sure to bring holiday cheer to your home, this wonderful adaptation of "A Christmas Carol" shouldn't be missed!


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A classic that's as integral a part of Christmas as lighted trees and mistletoe. Reginald Owen and Gene Lockhart star in this rewarding holiday treat.

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Gunga Din (1939) Review

Gunga Din (1939)
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Possibly the best pure action film ever made and certainly the inspiration for many that have followed. Inspired by, rather than based on, a poem by Rudyard Kipling (who briefly appears as a character in the uncut version of the film in the guise of a journalist traveling with the British army) this tale of adventure, comedy, and action in 19th-century India under the British Raj has it all. Superb b&w cinematography (nominated for an Academy Award in Hollywood's greatest year). Perfect casting, with Cary "Archie" Grant as the cockney Sgt. Cutter, Victor McLaghlen as gruff Master Sgt. MacChesney, Douglas Fairbanks, Jr. as the dashing Sgt. Ballantine, Sam Jaffee (in full body makeup) as the humble water carrier Gunga Din, and the scene-stealing Eduardo Cianelli as a ferociously intelligent villain who is far more frightening than any '30's movie monster.
The setting, outside the small town of Lone Pine, in California's eastern Sierras, beautifully mirrors that of northwestern India. Filmed in 100 degree heat, the picture's sets and backgrounds have a look of sere authenticity rarely achieved by location filming in the '30's. The superb score borders on the operatic, with leitmotifs for characters as well as scenes.
I vividly remember thinking as a child, when I first saw a grainy print on our b&w tv, that this was the first time I had seen a non-white person in a film who was obviously smarter than the Caucasian heroes. Yes, Cianelli's guru is a fanatic at the head of a cult of ritual murderers, but his discourse on what makes a good officer ("Great generals, gentlemen, are not made of jeweled swords and mustache wax. They are made of what is here [touches hand to head] and here [touches hand to heart]!") has stayed with me ever since. Not to mention, before throwing himself into the cobra pit so that his soldiers will move against the British, that "India is my country, and I can die for my country as well as you for yours".
Of course, there is also his rousing speech in the temple to his devotees to "Kill for the love of Kali, kill as you yourselves would be killed, kill for the love of killing...kill, kill, kill!" that carries rather chilling relevance to all too many fanatical groups today (though not worshippers of poor slandered Kali, whose temple in Kolkata I have visited). And it's the bravery of a mistreated Hindu, Gunga Din, who saves the day, and British behinds.
This is a film that functions on many levels and inspired far more than the forgettable remake (SOLDIERS THREE). Its lack of availability on DVD in a fully restored version, together with the accompanying George Stevens, Jr. documentary footage on its making (including color film shot on the location), makes it the number one omission in the current DVD catalog.

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Emma (2009) Review

Emma (2009)
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Being an avid Jane Austen fan, I have watched every single adaptation of Emma (as well as Austen's other works). The older 1972 BBC adaptation, Emma (BBC, 1972) was quite tepid and the lead actress was not very inspiring in her role, lacking the upbeat, and sunny disposition that one associates with Austen's character. Then there was the A&E version starring Kate Beckinsale in the title role, in Emma (A&E, 1997) which though much better than the 1972 version (which also suffered from inferior production qualities), was still not the best adaptation. Finally, there was the movie version of "Emma" starring Gwyneth Paltrow, and until this current adaptation, this was actually my personal favorite (even though I personally found Paltrow's accent rather stilted)- it was a gorgeous movie with beautiful cinematography and the chemistry between Emma (Paltrow) and Mr. Knightley (Jeremy Northam) was simply wonderful and altogether credible.
This is truly a stellar production in terms of casting, and production qualities. The title role of Emma is credibly portrayed by Romola Garai, who has also been in other notable productions such as I Capture the Castle,and Daniel Deronda. She is perfectly cast - luminously beautiful, snooty, a busybody matchmaker wannabe who feels self-justified in her quest to pair off couples regardless of their own wishes, and yet possessing of a warm and sunny disposition. Romola Garai convincingly portrays all of Emma's characteristics - both her lovable and annoying qualities, her immaturity and impetuousness, and also shows her ability to transform from a self-centered immature young girl into a mature woman who realizes her flaws.
The other lead is of course Mr. Knightley, and he is also convincingly portrayed by Johnny Lee Miller, who had portrayed Edmund Bertram in the 1999 movie adaptation of "Mansfield Park"Mansfield Park (1999) which was rather reviled by critics and purists alike for its liberal adaptation of Austen's classic. Miller was also excellent as Lord Byron in Byron.I was quite concerned initially because I had always thought Jeremy Northam's portrayal of Knightley to be the best thus far, but Miller comes close, and in fact brings a new interpretation to the character that I really appreciated. There is this one scene in the series where Emma invites Knightley to dance, and as they dance...viewers get the sense that these are two individuals who are gradually realizing their real chemistry, not just as childhood friends and relatives-in-law, but as true soulmates. It is definitely one of the most romantic parts of the series and a highlight!
The other characters are also generally well-cast - Mr. Woodhouse is played to delightful effect by Michael Gambon (aka Dumbledore in the Harry Potter movie franchise); Harriet Smith is portrayed by Louise Dylan (though I still prefer Toni Collette's portrayal of Harriet in the movie version); the talented Jodhi May plays Emma's governess turned Mrs Weston (Jodhi May is a veteran of BBC productions and Henry James' The Turn of the Screw, The Other Boleyn Girl (2003 BBC Version), as well as others, including the coincidence that she was also in Daniel Deronda cast as the Jewess Mirah Lapidoth who attracts the attentions of Daniel Deronda, showcase her diverse acting talent); Frank Churchill is portrayed by Rupert Evans and I must say this particular adaptation portrays Frank Churchill in a thoroughly unflattering light - the man is simply infuriating, and gives Mr. Elton a run for his money! Mr. Elton is played by Blake Ritson who recently portrayed Edmund Bertram in Masterpiece Theatre: Mansfield Park.
The cinematography is excellent, capturing the beauty of the lush English countryside through the seasons, and the score is memorable (I still cannot get the music from the Emma-Knightley dance out of my mind!). The costumes are gorgeous - simple in their beauty, yet detailed and period-accurate, and the other production qualities are impeccable (the English manor houses picked for the various residences such as Hartfield etc are well-chosen).
Austen purists might take issue with some of the liberties taken here - the way the characters are portrayed, missing dialogue, the sequencing of certain story arcs, etc - but I still loved this adaptation - it is sunny, and bright, and all that I love in an Austen adaptation, and it is certainly my favorite adaptation of "Emma" thus far!
DVD features
Contains the scenes deleted from the PBS airing, and in addition:
Emma's Locations - this nine-minute featurette focuses on the locations used during Emma's filming, and why these places were chosen. I just loved the places they used (as is the case with most BBC period dramas) and found this illuminating.
Emma's costumes - this twelve-minute featurette explores the details behind costuming decisions for this period drama, including the choice of fabrics, color, etc. It's really a wonderful opportunity to see what goes on in the costume department, and these folks certainly take their jobs seriously, to wondrous effect!
Emma's music - this ten-minute featurette explores the music behind Emma with a brief description of how one goes about creating a score that matches the mood of the drama (I'd say they did a great job, especially on that Emma-Knightley dance!), and how important this is as the score should complement and not detract from the show itself.
Emma's Mr. Woodhouse - fans of Michael Gambon (aka Dumbledore) will rejoice in this thirteen-minute featurette. This veteran actor is truly a great talent, and this interview covers his career from his early beginnings in the craft until today. It's more of a special focus on Gambon, not so much on his role in Emma, but it is a nice touch nevertheless.
I did wish they had a director's commentary (I guess we'll have to wait for a special edition release for that, and spend more money!), and other cast interviews, sigh...but I'm happy to have the drama itself on DVD so that I can enjoy repeat viewings, and have an Emma adaptations marathon (the 1972 BBC adaptation, Kate Beckinsale's A&E adaptation, and of course, Paltrow and Jeremy Northam's pairing in the movie version). Enjoy!

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Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Harriet to reject an advantageous marriage proposal to a local farmer in favour of dashing Mr Elton. So begins a story which challenges Emma's naivety, her social preconceptions and her relationship with Knightley. Fresh and funny, this perceptive adaptation, featuring a stellar cast, brings Jane Austen's comic masterpiece to life.

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Persuasion (1995) Review

Persuasion (1995)
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Jane Austen wrote PERSUASION towards the end of her life, while in her final illness. Thus an atmosphere of bending weariness and quiet resignation pervades this tender romance, infused within provincial life in Regency England, swaying against the backdrop of the Napoleonic wars. I could not help but love this BBC film version unconditionally, so deftly are the gentle qualities of the novel brought forth.
As with her earlier novel, MANSFIELD PARK, Austen filled this story with subdued satire - intertwining a comedy of genteel manners with the unassailable decrees of the human heart. This is the story of Anne Elliot (Amanda Root): a single woman in her late 20's who, eight years previous, on the counsel of her patroness and late mother's friend, Lady Russell (Susan Fleetwood-who sadly died of cancer shortly after this film was made), had refused an offer of marriage from her true love, Captain Frederick Wentworth (Ciaran Hinds) on the grounds of his poor financial prospects.
Captain Wentworth returns to Anne's rather confined realm of society when his sister, Mrs. Croft, and her husband, an Admiral in the Navy (John Woodvine, of 1992's WUTHERING HEIGHTS) lease Anne's baronet father's estate, Kellynch Hall. Before she can join her father and elder sister Elizabeth (Phoebe Nicholls) in Bath, she must first spend a few weeks with her hypochondriac younger sister Mary, whose husband Charles' family, the Musgroves - parents Mr. and Mrs. Musgrove, and two younger sisters, Henrietta and Louisa - reside nearby. It is here that Anne becomes re-acquainted with her long-lost love, who's by now an advantageous match for any young woman, having made his prize fortune during the war. Wentworth initially fancies himself "a lost man" to the first attractive young lady who bestows upon him her "compliments to the Navy." To all appearances, Louisa Musgrove is that very lady...
Amanda Root and Ciaran Hinds, even though they lack the physical beauty distinctive in other Austen adaptations, express the gamut of suppressed emotions most flawlessly here. Ms. Root conjures all the feelings of empathy and affection with every delicate expression she makes. Mr. Hinds, whom I've seen in a number of other roles -including that of an overwrought Mr. Rochester in a 1997 adaptation of JANE EYRE - gives here what's quite likely the best performance of his career. His Wentworth's subtle yet barely suppressed anger hits Anne like a bombshell. The emotion is slow paced and very flowing - but it's nonetheless quite palpable.
The entire cast, in fact, gives every cause for high praise -- most notably Corin Redgrave (brother of Lynn and Vanessa) as Anne's vain and spendthrift father, Sir Walter Elliot, Sophie Thompson (sister of Emma Thompson) as Anne's self-centered younger sister Mary Musgrove, and Fiona Shaw (Mrs. Reed in 1996's JANE EYRE) as the indomitable Mrs. Croft - each are absolutely perfect in their respective roles.

Many a time, upon a weekend afternoon, I've placed this tape into my VCR and played it while occupied with various household chores. As ever and as always, this film offers up its many beauties, and they never fail to enchant me: the long walks through the pristine and stately New Forest - the excursions with the Navel men striding proudly along jetties of the shores at Lyme - the atmospheric turns about the drizzly sidewalks, the pump rooms, and the concert halls of Bath. Such are the scenes that eternally soothe a spirit ~

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A Little Princess (1995) Review

A Little Princess (1995)
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"I am a Princess. All girls are. Even if they live in tiny old attics. Even if they live in rags. Even if they aren't pretty, or young, or smart, they're still princesses. All of us! Didn't your father ever tell you that? Didn't he?"
Well no. My Dad didn't call me a princess, and that's because I'm a guy. But after seeing this movie, I was really beginning to wish I was. "A Little Princess" is quite simply amazing. It is the most magical family movie there is. I just can't recommend it high enough. I saw this at the movie theater, 7 times and it is quite easily my favorite film of all time.
Set in 1914, "A Little Princess" tells the story of a girl called Sara who goes to a strict boarding school while her father from England goes to fight the War. The school is run by a mean spirited head teacher called Miss Minchin. From the start, Miss Minchin is jealous of Sara who considers herself to be a princess. After all, her Papa has told her that she will always be his little princess. Despite the harshness of Miss Minchin, Sara continues to fill those around her with magic as she tells stories to them of a beautiful princess and her prince.
The emotion begins early in this movie, firstly being when Sara and her Papa say goodbye as he goes into war. Midway through the movie Sara hears that her Papa has been killed in battle. I have to say, when I watched this I was gone. Ok I wasn't gone yet, but I was holding the tears in. Actress Liesel Matthews who plays Sara is so genuine, and director Alfonso Cuaron definitely brings out the best in her. It is at the end which is complimented by the music of Patrick Doyle, that I really did feel a few tears going by my face. It happened just after Sara realized she may truly have lost her father forever.
The DVD itself just has a trailer and it would be great if it had more extras, but the moie is just so wonderful that you have to buy this DVD. In addition, the subtle Dolby Digital 5.1 is just right for a movie such as this.
"A Little Princess" made my heart feel so much, and I really felt like a girl, getting upset over a family movie like this. I guess I was getting in touch with my inner princess. Maybe I am a princess after all.

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The beloved story from the author of the Secret Garden becomes 1995's best reviewed film. A young girl must rely on her wits and imagination when she is separated from her soldier father and sent to a strict boarding school. Year: 1995 Director: Alfonso Cuaron Starring: Eleanor Bron, Liam Cunningham, Liesel Matthews DVD Features:Production NotesTheatrical Trailer


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