Showing posts with label magic carpet ride. Show all posts
Showing posts with label magic carpet ride. Show all posts

The House of the Spirits (1994) Review

The House of the Spirits (1994)
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I love this movie! It has a stellar cast, who give top notch performances. How can you go wrong with Jeremy Irons, Meryl Streep, Glenn Close, Antonio Banderas, Winona Ryder, Vanessa Redgrave, and Armin Muehler-Stahl? The answer is that you can't. It is a riveting piece of film making, based loosely upon Isabelle Allende's wonderful book of the same name.
The film delicately captures the mysticism of the book, rendering those scenes in which such is the focal point highly believable. This is no mean feat given the subject matter. The story takes place in South America. The saga begins in the nineteen thirties.
Vanessa Redgrave and Armin Muehler-Stahl play the wealthy and liberal parents of two daughters, Rosa and Clara Del Valle. Rosa is the beautiful, older daughter. Clara, played by Meryl Streep's real life daughter, is a lovely child with exceptional, psychic gifts. Jeremy Irons plays the part of Esteban Trueba, an impoverished young man in love with Rosa. Vowing to make his fortune in order to marry her and provide her with the comforts to which she is accustomed, he succeeds in making his fortune. He loses Rosa, however, before being able to marry her, when she drinks poisoned wine intended for her liberal party father.
Esteban, broken hearted, leaves with his fortune and buys an estancia, where he sternly rules with an iron fist over the peasants who work the land for him. They obsequiously refer to him as "Patron". He takes what he wants, even the women, with the expected result. He has a bastard son whom he does not acknowledge.
Esteban has a spinster sister, Ferla, well acted by Glenn Close, who, for the past twenty years, has lived a grim existence in the city with their ailing mother, whom she has taken care of. When their mother dies, Esteban, now a bitter and lonely man, returns to the city from his estancia to attend his mother's funeral. In doing so, he spots Clara, who is now all grown up and ethereally portrayed by the very talented Meryl Streep. Not wasting a moment, he goes to her home. She, luminous, and mystical, already knows that he is there to ask for her hand in marriage and happily accepts. After all, she has loved him ever since she first saw him all those years ago.
Clara lovingly embraces his sister, Ferla, into the bosom of her househould, when they move to her Esteban's estancia. Ferla blossoms from a bitter old maid into a companionable and pleasant woman, under Clara's warmth. Esteban and Clara eventually have a child, Blanca, who grows up playing with Pedro, the son of the estancia's indigenous indian foreperson. When Esteban discovers this, he sends Blanca away to boarding school. He does not want his daughter fraternizing with the peasants.
Clara, loving and pure of heart, is his exact opposite. When their daughter finally grows up and returns home from school, she knows that the independent Blanca, well played by Winona Ryder, has fallen in love with her childhood playmate, Pedro, passionately portrayed by Antonio Banderas. Esteban hates Pedro, as Pedro is a liberal inciting the peasants to unionize and demand their rights, whipping them into a frenzy against the "Patron", or so Esteban sees it. He drives Pedro off his land. He also drives Ferla off, as he believes her to have unatural feelings for his wife, Clara. Possessive to a fault, he is consumed by jealousy. Clara and Esteban have a fight over his cruelties, and she finally leaves him, taking Blanca with her to the Del Valle family home in the city.
Meanwhile, life goes on. Blanca, pregnant by Pedro, has his child, believing that Pedro has been killed by her father. Esteban, representing the wealthy, becomes senator. He reigns for years, until the liberals win power. When they do, however, their tenure is short lived, as a militairy coup sets up a reign of terror and his old sins come home to roost. Meanwhile, Blanca discovers that Pedro is alive, and they joyously hook up again. When Blanca is picked up as a political dissident and tortured for her political views, Esteban, old and broken, is now just a bit player in a larger arena. Too late, he tries to right some wrongs. Some of the wrongs, however, can never be righted.
This is a magnificent, multi-generational family epic, that holds the viewer in its thrall. While it only loosely follows Isabelle Allende's wonderful book of the same name, it is a winner in its own right. It has something for everyone, as it deals with human nature, as well as the complex emotions, forces, and events that shape one. The film is about a family struggling to find its place in our ever changing world, and the relationships that each member of that family forges. It is a rich and vibrant tapestry, which succeeds in capturing the viewer.

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The Clock (1945) Review

The Clock (1945)
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A charming, intelligent and pleasantly sentimental wartime comedy-romance, featuring a winsome Judy Garland and a babyfaced Robert Walker as a star-crossed young couple who meet in the waning days of WWII. He's a soldier from a small town who has a couple of days layover in New York City before shipping off to Europe. They meet by accident and slowly, but inexorably fall in love. The delicate, deliberate pace of their budding romance swiftly gives way to a panicked rush to marry, as they realize he's about to leave within hours, possibly never to return... This is one of director Vincente Minnelli's most heartfelt films, a really sweet, nostalgic ode to the meeting of old and new America, as the still-young nation strode into superpower status. One of my favorite old films... Fun supporting cast as well, with several broadly-drawn cariacatures of the nice folks you can meet in the Big City, if you can only still find its heart.

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Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves falling in love with each other, and they decide to get married before Joe has to return to camp.

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Cadfael - One Corpse Too Many Review

Cadfael - One Corpse Too Many
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I enjoy a good murder mystery of the classical type, and the Brother Cadfael series is particularly good. The author Ellis Peters (Edith Pargiter, 1913-1995), like Agatha Christie, Nagio Marsh and Dorothy Sayers, was popular during the mid-20th Century and wrote prolifically during that time. There are some 20 Cadfael books. The film One Corpse Too Many, based upon the book of the same name, was the first one I saw on Public TV. It hooked me irrevocably. The setting is incredibly authentic and colorful. The different orders of society: nobleman, servant, military man, tradesman, artisan, abbott, monk, and priest are carefully wrought to produce a period piece with more detail and clearer dialogue than a Shakespearean play. It would be a wonderful way of introducing young people to history.
The setting of the story is 12th Century England, a period of particular turmoil. Henry I had died without a legitimate male heir, and he had designated his daughter Matilda as his successor, binding his nobles by oath to support her. Although many of them did, including her very able half brother, an illegitimate son of Henry made an Earl by his father, many of them threw their support behind her cousin, Steven. Matilda, or Maud as she is referred to, was a granddaughter of William the Conqueror and no push over herself. She fought her cousin from a base in coastal France, where the family held land in fief of the King of France and where marriage alliances had placed her as wife of Geoffery, the Duke of Anjou. With her Norman support in France and her loyal factions in England, she made enough of a threat to Steven's rule to ultimately obtain a guarantee of succession to the English throne for her son Henry, ultimately Henry II. Until that time, warfare turned most of England into a battle ground and life for everyone a matter of ceaseless uncertainty. Added to this was the rancour still apparent in the social divisions between the largely Saxon population and their Norman rulers. The fall of the Saxon monarchy was only a hundred years previous and hostility still existed.
Cadfael, the central character of the series, is a Dominican monk and herbalist, and Dereck Jacobi is the perfect personification of him. He has a presence which suggests strength, wisdom, and compassion. Unlike most of the other brothers, Cadfael had spent most of his life in the secular world where he participated in the crusades, had adventures, fell in and out of love, and took his order after finding the ways of the world wanting. He comes from a different culture, that of Wales, and sees that of England through an outsider's more objective eyes. His experience with life and the motives of men and his keen awareness of detail makes him the perfect sleuth, and when murder is committed, the civil authorities are more than willing to have him clear things up for them.
In One Corpse Too Many, probably the best of the series, the forces of Queen Maude and those of Steven clash. The castle and Maude's supporters are captured, but not until the leaders of the rebellion make their escape. Steven vows to have them, and puts the castle's owner to torture to extract the information from him. When he refuses, Steven puts all the defenders to death. The monks of the Abbey having asked the king's leave to bury the victims, request Cadfael, who has "experience in these matters" to take over the detail of returning the bodies to the families. He agrees but discovers that there is "one corpse too many." Once Steven is convinced that a murder unpunished will reflect badly upon the king's justice, he commissions Cadfael to discover the villain. This is the first time that the character of the nobleman Hugh Beringer (Eorin McCarthy) is introduced. In his attempt to win the trust of Steven, he is given a mission which places him athwart Cadfael. The two match wits with interesting outcomes. The end of the film is a fine display of trial by combat. A thoroughly real and well researched visit to the Middle Ages.

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ONE CORPSE TOO MANY - DVD Movie

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