Showing posts with label vanessa redgrave. Show all posts
Showing posts with label vanessa redgrave. Show all posts

The House of the Spirits (1994) Review

The House of the Spirits (1994)
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I love this movie! It has a stellar cast, who give top notch performances. How can you go wrong with Jeremy Irons, Meryl Streep, Glenn Close, Antonio Banderas, Winona Ryder, Vanessa Redgrave, and Armin Muehler-Stahl? The answer is that you can't. It is a riveting piece of film making, based loosely upon Isabelle Allende's wonderful book of the same name.
The film delicately captures the mysticism of the book, rendering those scenes in which such is the focal point highly believable. This is no mean feat given the subject matter. The story takes place in South America. The saga begins in the nineteen thirties.
Vanessa Redgrave and Armin Muehler-Stahl play the wealthy and liberal parents of two daughters, Rosa and Clara Del Valle. Rosa is the beautiful, older daughter. Clara, played by Meryl Streep's real life daughter, is a lovely child with exceptional, psychic gifts. Jeremy Irons plays the part of Esteban Trueba, an impoverished young man in love with Rosa. Vowing to make his fortune in order to marry her and provide her with the comforts to which she is accustomed, he succeeds in making his fortune. He loses Rosa, however, before being able to marry her, when she drinks poisoned wine intended for her liberal party father.
Esteban, broken hearted, leaves with his fortune and buys an estancia, where he sternly rules with an iron fist over the peasants who work the land for him. They obsequiously refer to him as "Patron". He takes what he wants, even the women, with the expected result. He has a bastard son whom he does not acknowledge.
Esteban has a spinster sister, Ferla, well acted by Glenn Close, who, for the past twenty years, has lived a grim existence in the city with their ailing mother, whom she has taken care of. When their mother dies, Esteban, now a bitter and lonely man, returns to the city from his estancia to attend his mother's funeral. In doing so, he spots Clara, who is now all grown up and ethereally portrayed by the very talented Meryl Streep. Not wasting a moment, he goes to her home. She, luminous, and mystical, already knows that he is there to ask for her hand in marriage and happily accepts. After all, she has loved him ever since she first saw him all those years ago.
Clara lovingly embraces his sister, Ferla, into the bosom of her househould, when they move to her Esteban's estancia. Ferla blossoms from a bitter old maid into a companionable and pleasant woman, under Clara's warmth. Esteban and Clara eventually have a child, Blanca, who grows up playing with Pedro, the son of the estancia's indigenous indian foreperson. When Esteban discovers this, he sends Blanca away to boarding school. He does not want his daughter fraternizing with the peasants.
Clara, loving and pure of heart, is his exact opposite. When their daughter finally grows up and returns home from school, she knows that the independent Blanca, well played by Winona Ryder, has fallen in love with her childhood playmate, Pedro, passionately portrayed by Antonio Banderas. Esteban hates Pedro, as Pedro is a liberal inciting the peasants to unionize and demand their rights, whipping them into a frenzy against the "Patron", or so Esteban sees it. He drives Pedro off his land. He also drives Ferla off, as he believes her to have unatural feelings for his wife, Clara. Possessive to a fault, he is consumed by jealousy. Clara and Esteban have a fight over his cruelties, and she finally leaves him, taking Blanca with her to the Del Valle family home in the city.
Meanwhile, life goes on. Blanca, pregnant by Pedro, has his child, believing that Pedro has been killed by her father. Esteban, representing the wealthy, becomes senator. He reigns for years, until the liberals win power. When they do, however, their tenure is short lived, as a militairy coup sets up a reign of terror and his old sins come home to roost. Meanwhile, Blanca discovers that Pedro is alive, and they joyously hook up again. When Blanca is picked up as a political dissident and tortured for her political views, Esteban, old and broken, is now just a bit player in a larger arena. Too late, he tries to right some wrongs. Some of the wrongs, however, can never be righted.
This is a magnificent, multi-generational family epic, that holds the viewer in its thrall. While it only loosely follows Isabelle Allende's wonderful book of the same name, it is a winner in its own right. It has something for everyone, as it deals with human nature, as well as the complex emotions, forces, and events that shape one. The film is about a family struggling to find its place in our ever changing world, and the relationships that each member of that family forges. It is a rich and vibrant tapestry, which succeeds in capturing the viewer.

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Yanks (1979) Review

Yanks  (1979)
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My husband and I have watched Yanks many times on VHS. I am glad to see that it is finally available on DVD. Every time I watch this movie I marvel at the small touches that bring this era to life, from the tiny grocers shop with lines to the boredom of the men in the barracks.
All the actors have a freshness in their roles. I don't know if Richard Gere every played a more grounded, real character. Vanessa Redgrave has a bittersweet role as the married woman who enjoys a dalliance with dashing American William Devane.
From the arrival of the soldiers until their departure for the the D-day invasion, the movie sweeps through the changes wrought on the lives of English and Americans. The stories of the various characters intertwine, and it is not until the end that we realize how interconnected they hae become.

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The Trojan Women Review

The Trojan Women
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Ancient Greek plays with all their dramatic devices and often an emphasis on static speeches by the actors and the chorus often do not translate well to the screen. Euripides' "The Trojan Women," however, is an exception to the rule. What makes this production work is the fine acting by most of the performers as well as the beautiful language, though in translation, of Euripides.
The plot is simple and straight forward. Queen Hecuba (Katharine Hepburn), her now crazed daughter Cassandra (Genevieve Bujold), her daughter-in-law Andromache (Vanessa Redgrave) and a host of other Trojan women are now at the mercy of the Greek victors. The play builds as one catastrophe after another befalls these women. Cassanda will be the wife of Agammemnon, Andromache will go with the son of Achilles, and Hecuba will become the slave of Odysseus-- or as Hecuba so aptly puts it, "Anguish heaped upon anguish."
The Greek chorus-- or in this instance I suppose we must call them the "Trojan Chorus" works well. Irene Papas plays a different sort of Helen than we see through other writers' eyes. Here she is unbowed, even as she awaits her fate from the hands of her wronged husband Menelaus. In a quite wonderful scene, after Helen has made her pitch to him to spare her life, Hecuba delivers the great lines: "Kill her, Menelaus." Ms. Hepburn has a lot of such passages. I remember from having seen the movie when it was released in 1971 her lines: "Kindness unwanted is unkindness."
The theme is obvious. Wars always hurt the women and children most-- Andromache's son almost steals the movie, by the way-- and while the weaponry and locales may change, war in 2005 is not that much different than it ever was, a sad, sobering thought.

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