Showing posts with label historical romance. Show all posts
Showing posts with label historical romance. Show all posts

True Women (1997) Review

True Women  (1997)
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Hallmark Entertainment offers a sweeping drama about the three women living in the South, from the time of "Alamo" to the Civil War. I am afraid that your teacher of history cannot allow you to use this TV series as a text for American history, and that is simply because it is too melodramatic, in the fashion of that famous Margaret Michell's book. The story is too fast; the characters are too many; but the film never stops, and something happens every ten minutes -- war, lynch, dead bodies (including children), commentary about slavery, rights for women to vote, human rights for native Americans. In a sense, this is a modern version of "Gone with the Wind" with smaller scale.
Georgia and Euphemia are good friends, but the latter is forced to leave her in order to go to Texas (until then, it takes only ten minutes). The film traces the life of the two women separately until their reunion of many years later. Now Georgia and Euphemia (with her independent sister) are both grown up, after the happy and sad times, and as you will expect, their environments changed what they once were; though they know they are no longer the best friends who played together by the peaceful riverside, they come to understand each other after the many plights of life in time of war.
There are so many events that happen every five minutes (as the editorial review say rightly) that it is impossible for me to summerize the whole story. The film goes just like turning pages of paperbacks: now you see delightful scenes, and suddenly, a war or epidemic breaks out. Now you see Georgia meets a man, and next, you see their pledge of love. The film gives no time to think. But that is probably the point.
So, it would be best for us to see the actors. Angelina Jolie and Anabeth Gish are both good, and it is a bit surprise that their characters in childhood are played respectively by lovely Rachel Leigh Cook and Tina Majorino (who stole every scene from Kevin Costenr in "Waterworld." Male character players like Powers Boothe and Tony Todd appear, alongside with Micheal York, but their roles are smaller they should be. But it is a film about women, and female players all shine, of course, with Dana Delaney.
So, see this one as such, as a melodramatic rendition of the Southern history. It is a laudable attempt to spotlight the women's roles in the Western genre, but perhaps the film gives you an impression that there is another way of describing it. My honest feeling is that "True Women" works as a melodrama, and women's life of this time, which deserve our attention more, should be treated with deeper characters and a slower story. Still intriguing.

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The Love Letter (1998) Review

The Love Letter (1998)
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This wonderful Hallmark Hall of Fame television film was adapted from a short story from the master of time travel novels, Jack Finney ("Time and Again", "Time After Time", "About Time", "From Time to Time", just to name a few). This story by Finney delves once again with time, in that a modern-day young man named Scott (played by Campbell Scott) discovers a letter hidden in a secret compartment of an antique desk that he had just purchased. The letter (as well as the antique desk) belonged to a woman named Elizabeth (played by Jennifer Jason Leigh) who (at the time of her writings) is living during the civil war.
Scott becomes so enchanted by the letter that he ends writing to her, and after some obsession, and on a lark, actually decides to mail his response at a post office with historical significance using an authentic-period one-cent stamp. Shortly thereafter, and to his utter astonishment, he discovers a second letter in the hidden compartment. This letter turns out to be her reply to his letter...and thus begins a fascinating relationship of two people falling in love, but separated not by distance, but by 130 some odd years of time.
Although this may seem to be a "You've Got Mail" with a time twist, it is really more similar to "The Ghost and Mrs. Muir" and "Somewhere in Time". Believe me, if you liked either one of those films, you'll love "The Love Letter". This fantasy/drama pulls you in and keeps you pleasantly entranced all the way to the end. While this film does suffer a bit from situations handled too simplistically, I'm such a sucker for this type of film that I quickly forgave these missteps.
Both Campbell Scott and Jennifer Jason Leigh were pretty good in this film, but the standout performance (and the one most believable) was Daphne Ashbrook who played Scott's fiancée.
While this small film may pale in comparison to the typical big budget Hollywood films, it is, nonetheless, a film I think you will be delighted to have in your collection. My main concern, however, is the quality of the dvd. I've had difficulty with dvd's by Artisan Entertainment before, and so I did with this one (blurry on certain scenes and pretty jumpy). If you've had good luck with them (could be my player), by all means go get it (or maybe it might be wise to get the VHS instead). Between 1 and 10, "The Love Letter" (which feels like a breath of fresh air) deserves a solid 8.

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Dresden Review

Dresden
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I made a last minute decision to watch this on the History International channel. It's one of the best TV decisions I've made in a long time.
This is a fabulous tale of the horrors of war, humanity of all sides in a conflict and romance.
You can feel the horror building as the British planes approach Dresden and see the horror of the devastating firestorm following the massive bombings as more than 25,000 civilians were killed.
There is tenderness here, too. The characters are multi-dimensional. Even those we think have done terrible things, we know are conflicted and in at least case seek penance.
The photography and special effects are stunning.
I'll have to save my nickles and dimes to buy this one.

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January, 1945. In the uncertain days leading up to the Allied bombings of Dresden, Anna (Felicitas Woll) discovers Robert Newman (John Light), an injured British pilot, hiding in a hospital cellar. Torn between loyalty and desire, the young nurse risks everything to help him recover. As Anna struggles to keep his true identity a secret and Robert battles to survive behind enemy lines, a catastrophic fate descends upon the city. DVD Extras:Making-of Featurette, Archival Military Footage of the Dresden bombings

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Emma (2009) Review

Emma (2009)
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Being an avid Jane Austen fan, I have watched every single adaptation of Emma (as well as Austen's other works). The older 1972 BBC adaptation, Emma (BBC, 1972) was quite tepid and the lead actress was not very inspiring in her role, lacking the upbeat, and sunny disposition that one associates with Austen's character. Then there was the A&E version starring Kate Beckinsale in the title role, in Emma (A&E, 1997) which though much better than the 1972 version (which also suffered from inferior production qualities), was still not the best adaptation. Finally, there was the movie version of "Emma" starring Gwyneth Paltrow, and until this current adaptation, this was actually my personal favorite (even though I personally found Paltrow's accent rather stilted)- it was a gorgeous movie with beautiful cinematography and the chemistry between Emma (Paltrow) and Mr. Knightley (Jeremy Northam) was simply wonderful and altogether credible.
This is truly a stellar production in terms of casting, and production qualities. The title role of Emma is credibly portrayed by Romola Garai, who has also been in other notable productions such as I Capture the Castle,and Daniel Deronda. She is perfectly cast - luminously beautiful, snooty, a busybody matchmaker wannabe who feels self-justified in her quest to pair off couples regardless of their own wishes, and yet possessing of a warm and sunny disposition. Romola Garai convincingly portrays all of Emma's characteristics - both her lovable and annoying qualities, her immaturity and impetuousness, and also shows her ability to transform from a self-centered immature young girl into a mature woman who realizes her flaws.
The other lead is of course Mr. Knightley, and he is also convincingly portrayed by Johnny Lee Miller, who had portrayed Edmund Bertram in the 1999 movie adaptation of "Mansfield Park"Mansfield Park (1999) which was rather reviled by critics and purists alike for its liberal adaptation of Austen's classic. Miller was also excellent as Lord Byron in Byron.I was quite concerned initially because I had always thought Jeremy Northam's portrayal of Knightley to be the best thus far, but Miller comes close, and in fact brings a new interpretation to the character that I really appreciated. There is this one scene in the series where Emma invites Knightley to dance, and as they dance...viewers get the sense that these are two individuals who are gradually realizing their real chemistry, not just as childhood friends and relatives-in-law, but as true soulmates. It is definitely one of the most romantic parts of the series and a highlight!
The other characters are also generally well-cast - Mr. Woodhouse is played to delightful effect by Michael Gambon (aka Dumbledore in the Harry Potter movie franchise); Harriet Smith is portrayed by Louise Dylan (though I still prefer Toni Collette's portrayal of Harriet in the movie version); the talented Jodhi May plays Emma's governess turned Mrs Weston (Jodhi May is a veteran of BBC productions and Henry James' The Turn of the Screw, The Other Boleyn Girl (2003 BBC Version), as well as others, including the coincidence that she was also in Daniel Deronda cast as the Jewess Mirah Lapidoth who attracts the attentions of Daniel Deronda, showcase her diverse acting talent); Frank Churchill is portrayed by Rupert Evans and I must say this particular adaptation portrays Frank Churchill in a thoroughly unflattering light - the man is simply infuriating, and gives Mr. Elton a run for his money! Mr. Elton is played by Blake Ritson who recently portrayed Edmund Bertram in Masterpiece Theatre: Mansfield Park.
The cinematography is excellent, capturing the beauty of the lush English countryside through the seasons, and the score is memorable (I still cannot get the music from the Emma-Knightley dance out of my mind!). The costumes are gorgeous - simple in their beauty, yet detailed and period-accurate, and the other production qualities are impeccable (the English manor houses picked for the various residences such as Hartfield etc are well-chosen).
Austen purists might take issue with some of the liberties taken here - the way the characters are portrayed, missing dialogue, the sequencing of certain story arcs, etc - but I still loved this adaptation - it is sunny, and bright, and all that I love in an Austen adaptation, and it is certainly my favorite adaptation of "Emma" thus far!
DVD features
Contains the scenes deleted from the PBS airing, and in addition:
Emma's Locations - this nine-minute featurette focuses on the locations used during Emma's filming, and why these places were chosen. I just loved the places they used (as is the case with most BBC period dramas) and found this illuminating.
Emma's costumes - this twelve-minute featurette explores the details behind costuming decisions for this period drama, including the choice of fabrics, color, etc. It's really a wonderful opportunity to see what goes on in the costume department, and these folks certainly take their jobs seriously, to wondrous effect!
Emma's music - this ten-minute featurette explores the music behind Emma with a brief description of how one goes about creating a score that matches the mood of the drama (I'd say they did a great job, especially on that Emma-Knightley dance!), and how important this is as the score should complement and not detract from the show itself.
Emma's Mr. Woodhouse - fans of Michael Gambon (aka Dumbledore) will rejoice in this thirteen-minute featurette. This veteran actor is truly a great talent, and this interview covers his career from his early beginnings in the craft until today. It's more of a special focus on Gambon, not so much on his role in Emma, but it is a nice touch nevertheless.
I did wish they had a director's commentary (I guess we'll have to wait for a special edition release for that, and spend more money!), and other cast interviews, sigh...but I'm happy to have the drama itself on DVD so that I can enjoy repeat viewings, and have an Emma adaptations marathon (the 1972 BBC adaptation, Kate Beckinsale's A&E adaptation, and of course, Paltrow and Jeremy Northam's pairing in the movie version). Enjoy!

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Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Harriet to reject an advantageous marriage proposal to a local farmer in favour of dashing Mr Elton. So begins a story which challenges Emma's naivety, her social preconceptions and her relationship with Knightley. Fresh and funny, this perceptive adaptation, featuring a stellar cast, brings Jane Austen's comic masterpiece to life.

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