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The Ultimate Matrix Collection (2003) Review

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(More customer reviews)"The Matrix" in high-definition video fulfils the prophecy of the A/V geek elders: this is audio and video of a higher order, a plunge into the future of home theater.
The video has little in common with some of the jacked-up, overly hot presentations of older films we've seen in high-def formats. The colors, though muted by design, feel lush and true to the theatrical vision. The experience is that of watching moving images on film, not television or DVD. (The series was produced "with future technology execution in mind," Warner points out.)
High-def has rarely delivered the stunning audio we heard about when the formats first hit the market, but here it is. The rear soundstage doesn't sound subordinated: when the audio engineers send a jolt to a specific, discrete speaker, the result is powerful and distinct. The percussive sounds of gunfire are unlike anything I've heard on disc or in theaters. Some soft-spoken dialogue sounded indistinct or muffled from the center channel, but given the overall quality this is likely in the original elements.
Flesh tones are true, but only on close-ups do you get that film-like definition. All that computer-land metal looks astounding; sharp with three-dimensional pop. When primary colors break through the algae-green atmospherics, they radiate but without the annoying signs of artificial boost.
"The Matrix" was the first DVD title to sell more than a million copies back in the launch era. This set probably won't be a breakthrough for high-def, but it most certainly is a milestone in quality. The set is available only in HD DVD. Blu-ray Disc versions of both collections will be released later this year.

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The Ultimate Matrix Collection, for the hardcore Matrix fan, presents the complete adventures of machine battling truth-seekers Neo (Keanu Reeves), Trinity (Carrie-Anne Moss) and Morpheus (Laurence Fishburne) in all three of the Wachowski brothers' post-modern epic films. This collection will contain, for the first time, all three HD DVD versions of The Matrix series with more than 35 hours of bonus material in five double-sided discs.

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The Matrix (1999) Review

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(More customer reviews)If you've seen The Matrix you know why the film community heralds it as a benchmark achievement in filmmaking. Just as 2001: A Space Odyssey and Star Wars set the bar for film special effects, The Matrix came along and made us re-examine everything we thought a movie could do. Revolutionary, groundbreaking, mindblowing - these are all terms people use to describe The Matrix. It's certainly all true, but up until now, what I'd appreciated most about The Matrix was this: it packaged a Philosophy 101 course into a digestible Sci-Fi flick with a raging techno/rock/orchestral score and jaw-dropping action sequences. The Blu-ray release of The Matrix turns this scale on its head bringing the action scenes to the level they were always meant to reach - now the film is superb all the way around.
Andy and Larry Wachowski invited us to follow the white rabbit down the hole into an exploration of perception versus reality. If the entire world we live in - the air, the terrain and the other people - is nothing but a computer program, what is our reality? Do we consider the magenta-hued egg which sustains us while sapping our bioelectricity to be our reality? Or is the manufactured existence within a computer the truest one? Neo chooses the red pill and plunges into the terrifying truth of what reality has become. Amidst a group of ragtag survivors in c. 2199, Neo (Keanu Reeves) discovers the truth behind the Matrix under the guidance of Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss).
Despite The Matrix being stuffed with heaping spoonfuls of rudimentary philosophical musings, the plot is remarkably simple in structure. The entire second and third acts stem from Neo's attempting to verify his place in his new reality. He does so by diving back into the fictional world of the Matrix to confront the Oracle and in the process Morpheus is taken captive and the remaining members of the team mount a plan to rescue him. That's The Matrix at its most barebones level. What that description fails to impart are all the aspects that make The Matrix so memorable. Attached to that frame is a traitorous monad who longs to once again lose himself in the Matrix (Joe Pantoliano), a tireless Agent Smith (Hugo Weaving) seeking to end Neo and the omnipresent question of whether a true reality or an altered perception thereof is preferable. The latter might make you comfortable, but are you really living?
But I already own The Matrix on DVD, should I double dip? Is it worth the second purchase? There are two types of movies where high-definition makes a difference. The first is animation: the colors are crisper, the edges smoother and everything has vibrancy unparalleled in the DVD format. The second is balls to the wall action films with special effects that break all the rules: like The Matrix. Watching a helicopter spiral out of control and plummet into the side of a skyscraper which then ripples like a puddle is cool. Watching it in high-definition - it's like seeing the face of a special effects god for the first time. Yes, it's worth the second purchase. Buy it on Blu-ray, give your DVD copy to a friend...and just laugh at what they're missing.
Blu-Ray Extra Features:
Normally, I just plow through the trailers and audio commentary section, but in the case of The Matrix on Blu-ray special consideration is deserved. Your first audio commentary choice is a virtual Philosophy 101 lecture about the ideas presented in The Matrix taught by Dr. Cornel West and Ken Wilber - it's really interesting for newcomers but not quite meaty enough for anyone more versed in deep thinking. The second commentary comes from film critics Todd McCarthy, John Powers and David Thomson - this is somewhat obnoxious. It's an audio track of them praising The Matrix with a few snippets of legitimate criticism thrown in as if to validate their presence in commentary form. Thirdly, a cast and crew commentary features Carrie-Anne Moss, Zach Staenberg (editor) and John Gaeta (visual effects supervisor) discussing all the usual facets: working with the big names in the cast, the stunt work, the direction, etc. Finally, not so much a commentary but audio track, there's the option to play the film with no sound (diagetic or non) besides the score. It's a surreal experience and one of my favorite ways to watch the action sequences.
Finally, there's another commentary of sorts which is the "In-Movie Experience" which is really the icing on the commentary cake. Featuring a picture-in-picture box in the lower corners, virtually everyone involved in the film gets their moment in the sun talking about every conceivable part of the film from auditions, to stunt work, to personal relationships and what they took away from the film. Brilliantly laid in, it's worth your time.
As was offered previously, "The Matrix Revisited", a feature-length documentary on the making of the original film, comes with the main feature. Definitely interesting for fans and film geeks who want to understand every technological wonder that made this landmark film possible; but for non-Matrix enthusiasts you'll probably find yourself distracted after 20 to 30 minutes. It's interesting as all get out, but you do need to have the initial level of interest to commit to the two hour duration.
We have a healthy smattering of production diary featurettes chronicling things like the injuries suffered by Hugo Weaving while filming and Keanu's obsession over physical motion in specific scenes. Fun to watch and these are essentially the more palatable versions of "The Matrix Revisited" for the less devoted among us.
The last batch of features is a virtual jukebox of the music from The Matrix and includes a music video of Marilyn Manson's "Rock is Dead". The Music Revisited is a terrific addition and helps track down some of the great tracks from the film that you might not have known the names of.

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Set in the 22nd century, The Matrix tells of a computer hacker (Reeves) who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth. The computers are powered by human beings...DVD Features:Audio Commentary:Commentary by C. Moss, J. Gaeta, & Z. StaenbergFeaturette:"Bullet Time" Featurette (6:01) "What is the Concept" Featurette (10:50)Music Clips:2.0 Music only with commentaryOther:HBO 1st Look Special: Making the Matrix (25:48) "White Rabbit" Clips (22:22) [4x3]

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The Matrix Reloaded (Widescreen Edition) (2003) Review

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(More customer reviews)Warning - Spoilers ahead . . .
When I first saw the film, well, I didn't like it too much. It seemed to be over-packed with CGI Fight scenes and a storyline that didn't really mean anything. While Zion is under attack, Neo, Trinity, and Morpheus must find the keymaster to unlock the doors to the mainframe and end the war, thus freeing Zion.
This entire storyline, to me, seemed contrived, making the fight scenes seem meeningless, their overzealous and sometimes long running effects just becoming tiresome.
But, then I got it. Weeks after seeing it, it finally clicked.
They symbolism of these films is much deeper than the average action-movie viewer is usually given. Yes -- the entire "The One-Saves the world" storyline is meaningless, and that's the point. While paying too much attention to events within the computer-generated fantasy world of the Matrix, the real world, and Zion, fall into greater danger.
We are introduced to two 'french' characters, programs, which exist simply to experience life. While they are among the long list of villians in this piece, they are also the key to the story. They describe the situation in as much in the film, seeing our heroes as mere puppets in a meaningless plot, which, in fact, they are.
While are main characters are engaged in a meaningless task, struggling to achieve goal after goal in a virtual world, events of the real world are dire, and, just perhaps, if more attention were paid to the real-world events, perhaps the situation would not be so dire.
It is not until Neo discovers that his existance as 'the one' is simply another level of control set in place by the machines, that the entire struggle within the virtual world of the Matrix has no real meaning, only then does the truth come to light, just in time for this second chapter to come to a close.
Think about it, how many people do you know who obsess on politics, or sports, or their favorite television show, or even the Matrix itself? We engage in meaningless struggles to achieve goals that, in the end, really have no meaning but to feed our own ego.
A very profound statement to be made by an action film, that is, if the third and final installment draws this observation out.
As I see it, the value of this second episode is entirely dependent upon the content of the third chapter, but the potential is much greater than most people give it credit for.
Thank you for your time.

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In the second chapter of the Matrix trilogy, Neo (Keanu Reeves), Trinity (Carrie-Anne Moss) and Morpheus (Laurence Fishburne) continue to lead the revolt against the Machine Army. In their quest to save the human race from extinction, they gain greater insight into the construct of The Matrix and Neo's pivotal role in the fate of mankind.DVD Features:DVD ROM Features:Web links to the official Matrix websiteDocumentaries:PRELOAD: Go behind the scenes with the cast and crew THE FREEWAY CHASE: Anatomy of the mind-blowing scene ENTER THE MATRIX: Making of the ground-breaking video game WHAT IS THE ANIMATRIX? THE MATRIX UNFOLDS: A look at the Matrix phenomenon GET ME AN EXIT: Matrix-inspired design advertising Other:THE MTV MOVIE AWARDS RELOADED

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The Replacements (Snap Case) (2000) Review

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(More customer reviews)As shocking as it may be, when you think about it, the football movies of the past, to include Oliver Stone's excellent but dark, "On Any Given Sunday" simply do not match this film. I will even place this film in the all-time greats like "Pride of the Yankees" and "The Natural".
First, we don't need to watch any more tragedies on film, we need to see something that inspires us to overcome, and this film delivers: I'm surprised its considered a comedy! Hackman should get an oscar for this film because his narration and actions drive the film and create yet another complex character from the mind of the master. Hackman's Coach knows that the men he wants to be his replacements are great, he is frustrated that life hasn't shown them that and he wants to set them up for success, not failure. He believes in them as human beings, not just as football players, that if they can get a "second chance" they will shine. His talks with Keanu Reeves' charachter, reveal a candor and leadership style you should really consider. He tells him flat out he wants to see the man and the ability come together because it will be wonderful to see or words to that effect, his belief in the REALITY that Reeves can deliver are stupendous. Later he instructs his Quarterback, in the hour of decision, the leader wants the ball in his hands.
Along the way, Reeves meets a sexy head cheerleader and there is a nice romance where she begins to believe in him, too. The football action scenes are the best yet to grace movie screens, you feel like you are in shoulder pads/helmet again. What I like was how just before the final game that would decide whether they go to the play-offs or not, Reeves gets canned by front-office politics in favor of the arrogant Joe Theismann-type "all pro" quarterback who is afraid he will lose his job. You are not really sure how the film will end at this point, the team follows the leadership of Reeves but are losing under the arrogant vet. The coach gets a phone call.
I will not give away the ending but Hackman's voice over after the game, clinches it, I paraphrase: "All men once they have touched greatness in their lives are changed forever".
AND THIS IS THE POINT!
Just once, do something great in your life! Go all out and let yourself know that you can do it, once you know this you will be changed forever. The world doesn't let you or want you to know that greatness is within your grasp, this is why it beats you down. Find your gift you have been given and act on it, this is the true attitude "replacement" we need and this film shows us how to get it.

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A comedy based on the 1987 professional football players' strike. Gene Hackman plays the coach of the team, Jack Warden is the owner, Brett Cullen is the All-Pro quarterback that goes on strike and Keanu Reeves is the "scab" who replaces the star QB.

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Sweet November (2001) Review

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(More customer reviews)Charlize Theron brings on her charm, and Keanu Reeves turns in a surprisingly worthy performance in "Sweet November," a movie that's as light as a fall breeze. Slammed by most critics as a soggy romance with no star chemistry, the movie's premise centers around two people who, through an unlikely series of events, fall in love, though not without hardship.
Let it be known, the movie is not that bad. In fact, when put in comparison with movies like "Bounce" and "The Wedding Planner," "Sweet November" is actually kind of refreshing in it's own little way. Yes, the way in which the two develop their romance is a bit tough to swallow at first, but if you can ignore that and allow their growing relationship to touch your heart, then the movie succeeds on those terms.
Keanu Reeves plays Nelson Moss, a man who is all work and no play (when leaving for work one morning, he tells his girlfriend, "I have a life, and I'm late for it") as a big ad executive. While taking a test at the DMV, he runs into Sara Deever, played by Charlize Theron, who gives him an answer and gets caught cheating. What does Sara do? She milks the situation for everything she can in order to get Nelson to her home.
Her offer? To allow him to live in her house for a month, no more, no less, in order to help him get rid of all of his life's stresses and restrictions. She takes it to the extreme, too, giving his clothes to a homeless man, telling him he cannot go to work (he got fired, anyway), and taking him out into the town to show him the ways in which life can be fun.
Like any movie relationship, there are complications. Sara is reluctant to reveal anything about her past or her family, or her reasons for taking in a new man each month. All she will reveal is what she does to help each one of them. Near the end, there will come a revelation that will put the stability of their bond in jeopardy.
It seems preposterous, but with a movie like this, the events come in such an order that you can forgive these little pitfalls. Their budding romance really does have a kick to it, and despite the outside criticism, Theron and Reeves do have some good onscreen chemistry that lights up the screen in moments and provides for some very touching moments.
The film also has a lot of warm-hearted laughs. A scene in which Sara stands outside Nelson's apartment and begins shouting risque comments at people in order to gain his attention will have you chuckling, while her neighbors, two homosexuals who host a dinner party for the four of them in drag, are a riot. And the overall sweet nature of the relationship between the two is something to smile about, as well as shed a few tears over.
In one of his better roles, Keanu Reeves is convincingly emotional as Nelson. In the beginning, her perfectly portrays the egotistical attitude and outlook of his character, and then makes a very believable segue to someone who is so in love he is willing to change his whole life. Charlize Theron is, as always, a gem, bringing a touch of warmth and cheerfulness to her role as Sara. Her acting embodies her character with the zest for life needed to sell us on Sara's motives, and Theron captures that completely.
While it's not on par with many other romances on the market, "Sweet November" is nowhere near as bad as critics have made it out to be. In fact, it's a charming movie that is very uplifting, due in part to the moving relationship that Reeves and Theron bring to their characters. It met all of my expectations, which were few, but the fact that it met them is enough to recommend the film.

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HE'S A POWER-SUITED, PLUGGED-IN AD EXECUTIVE SPEED-DIALING THROUGH LIFE. SHE'S A BOHEMIAN, FREE-SPIRITED PET GROOMER TAKING LIFE AS IT COMES. YOU MAY NOT EXPECT THEM TO SHARE A LIFE-ALTERING ROMANCE TOGETHER. SPECIAL FEATURES: ORIGINAL THEATRICAL TRAILER: CAST/FILMMAKER CAREER HIGHLIGHTS & MORE.

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Dangerous Liaisons (1988) Review

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(More customer reviews)At first glance, DANGEROUS LIAISONS appears to be an extravagant eighteenth-century period-piece, which it is; the powdered wigs and overflowing corsets typical of the genre are all here, and the cinematography is appropriately glossy. But boiling beneath the elegant surface are the deviously twisted sensibilities of two monstrous characters--the Marquise de Merteuil (Glenn Close) and the Vicomte de Valmont (John Malkovich), a pair of schemers (and former lovers) who take pleasure in coolly manipulating and seducing those around them. The Marquise challenges the Vicomte to seduce the virtuous Madame de Tourvel (Michelle Pfeiffer), but when the latter finds himself genuinely falling in love with his intended prey, the game quickly turns fatal--with devastating consequences for everyone involved.
A period-piece? Yes, but one honed with a distinctly contemporary menace. It's rare, for example, to find a period-piece with such delicious, razor-sharp dialogue (which garnered the film an Academy Award for Best Screenplay Adaptation). It's also rare to find a period-piece that focuses primarily on sex, but treats its subject matter with so little eroticism. DANGEROUS LIAISONS is more about power and one-upmanship; sex merely serves as the weapon of choice. It's a diabolically entertaining film, a decadent one even; there's something both disturbing and enjoyable about watching the two central characters indulging in their elaborate power plays.
The performances are strong for the most part (Close, Malkovich, and Pfeiffer all received Oscar nominations), although the women fare much better than the men. Glenn Close does a magnificent job as the evil Marquise, and supplies the film with some of its most explosive moments--the scene in which she quietly utters the word "War" without batting an eyelash is chilling beyond words. I didn't completely buy Malkovich as the charming lady-killer (a small but serious flaw that undermines the whole film), but he does a fine job with what he's given. Keanu Reeves, as usual, is utterly unfathomable, even in a relatively minor part. The best performance of all is delivered by Michelle Pfeiffer; as the tormented wife, she bares every inch of her moral anguish, and the results are heartbreaking to behold. Behind the cold-blooded duo of Close and Malkovich, it's Pfeiffer who provides the emotional heart of the film, and in every one of her pained expressions lies the evidence of the very human consequences at stake.

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THE BITING SATIRE ABOUT LOVE AND LUST, PASSION AND DECEPTIONINCLUDES DIRECTOR'S COMMENTARY.

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Speed (Five Star Collection) (1994) Review

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(More customer reviews)Blu-rays are about picture and sound quality. A review of Blu-ray edition of an old 1994 movie should be addressing the issue of added entertainment value when upgrading to the Blu-ray edition, not the story itself, which we are all familiar with.
A dvd of this movie cost a bomb back in the day. It has been shown countless times on free to air TV. I saw this movie in a theatre way back in 1994. Nostalgia made me buy Blu-rays of this movie along with Blu-ray Black Hawk Down, both at the same price. Naturally, I saw Black Hawk Down first, reserving Speed for later.
I totally underestimated SPEED. With the Blu-ray, (I hook up my TV to Bose 901 speakers) I was transported back to the cinema hall. The sound from the Blu-ray was awesome. Every explosion, collision, aeroplane, helicopter had a deep and tight bass sensurround sound. The bass on my speakers were truly put to the test. The deep rumblings of the bus and the sound of the crashing of the bus were true to life. Sounds were moving to and fro Left and Right speakers positioning the bus, helicopters and gunshots correctly. This made the Blu-ray worth every cent. The dialogue was crisp. I switched off the sub-titles and just enjoyed the whole Blu-ray performance, even though I had seen this movie on Full Screen TV free so many times before. With Blu-ray, this appeared to be a different movie altogether.
I cannot complain about the picture quality, although others might expect a better transfer. I can see every wrinkle on Dennis Hopper's face and the individual hairs on every actor's head in close-ups. For a 1994 movie, that is good enough for me. Colour saturation was good. The picture quality surpasses that of many Blu-rays which cost a lot more, and which are of more recent vintage.
Probably one of the most well spent $12.99 (price at the time of this review). The Blu-ray release surpasses expectations. Black Hawk Down has a more sombre theme, but somehow, the gunfire and helicopter crashes sound muted compared to SPEED. I expected better from Blu-ray Black Hawk Down and for value added by the Blu-ray edition. Blu-ray Black Hawk Down was better than the dvd, but it did not have the massive improvement Blu-ray brought to SPEED. The acoustics in SPEED sounded better than the recent Fast and Furious series of Blu-rays, to me anyway.
I am not in the position to comment about technical specifications, but for a person who has been disappointed by a lot of Blu-ray upgrades, SPEED added so much more enjoyment for such a small investment.
If Blu-rays reviews ignored the content and were rated according to "How much more did the Blu-ray edition add to your enjoyment of the movie compared to the dvd version", I would say SPEED BD would rank in the top few. Gladiator Blu-ray, on the other hand, would rank in the bottom few (if you ignored the 5 star contents).
And if you do not have a copy of SPEED, go straight for the affordable Blu-ray version of SPEED. I experienced a ressurection of a movie I once wrote off as "old". Excellent value for money.

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The Lake House (Widescreen Edition) (2006) Review

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(More customer reviews)If you enjoy love stories, then you should delight as much in this modern day fairy tale as my wife and I did. Sandra Bullock (one of my favorite actresses) as Dr. Kate Forster and Keanu Reeves as Alex Wyler complement each other extremely well and manage to develop a tangible chemistry despite the unique nature of their "long distance" (in time) relationship. However, you have to be prepared to suspend your usual conception of the relationship of time and place and accept unconditionally the truly unusual and scientifically fictional aspects of the storyline. This film is about emotions, interpersonal relationships and personal discovery, and needs to be engaged with your heart, not your mind.
CAUTION: it was obvious from the comments of other moviegoers who watched the film with us that our enthusiasm was not universally shared. Perhaps understandably given several of Sandra's Bullock's previous films, some people obviously expected to see a typical romantic comedy, which this most definitely is not despite some truly funny sequences. Others seemed to be unable to let go of their attempt to rationally analyze the techniques which the story utilized to further the relationship between Kate and Alex; this trait led to their inability simply to accept the facts as the writer and producer chose to present them in furtherance of the story and thus distracted from the essence of the film, which is the development of the central characters' relationship and the mystery of how the story will conclude. And finally, a few seemed bewildered that anyone would find such a ridiculous story appealing and frustrated that they had wasted almost two hours of their time watching it.
As the film begins, Kate and her female dog Jack are ending their tenancy at an architecturally unique LAKE HOUSE and moving into a modern new apartment in downtown Chicago near the hospital where she is on staff. She leaves a note in the mailbox for the next tenant, which Alex finds when he moves into the house. Thus, very early in the film, the four main actors in this drama have already been introduced - Kate, Alex, Jack, and THE LAKE HOUSE itself. However, the key plot twist of what briefly appears a rather conventional and undoubtedly otherwise pedestrian romance (which would simply be a showcase for the stars) is introduced. It is a concept familiar to science fiction fans but seldom used in other genres; specifically time shifting together with some aspects of parallel universes. Since what has happened is incidental to the story and never explained, it is not clear at any particular point in the story what rules will apply to the situations in which the characters find themselves. (N.B. This film should definitely not be included in the genre of science fiction, it involves neither time travel or futurism.)
However, when Alex replies to Kate's note and a correspondence ensues, their initial misunderstandings soon turn to disbelief when she claims to be living in 2006 and he is in 2004. What! How could she move out and he then move in? Despite their incredulity, they eventually both become convinced that their lives really have been linked through some sort of time warp. Of course, since this is a love story they then both become increasingly attracted to each other (Remember, you can't expect to understand how the intermediary device of the magic mailbox operates, just enjoy the flag waving which results.) The story is incredibly cleverly constructed, with several threads gradually coming together and increasingly causing their lives to become intertwined. THE LAKE HOUSE, a memorable edifice built on stilts and reached by a walkway over the water is reminiscent of Phillip Johnson's signature Glass House. It not only unites Alex and Kate but plays a crucial role in Alex's family history and his strained relationship with his father, the noted architect Simon Wyler (Christopher Plummer).
The enjoyment of the film is in fact heightened by its leisurely pace, the cast (and the supporting roles are uniformly well acted) has time to develop the story and let us get to know Kate and Alex as they get to know each other; thus we also experience their frustration that thyey may have to accept the fact that they will be resigned to living separate lives. The most difficult aspect of the film for me to follow was the fact that the sequence of the scenes as presented to the moviegoer was not always immediately clear. Not only are Alex and Kate simultaneously living in different years, but their individual experiences are not presented in chronological order. There are frequent flashbacks and the jumps forward to their individual present day selves, interspersed with one chance meeting of which only Alex is aware. Remember, concentrate on their story - not on trying to figure out how it is occurring. One incredibly deft touch is the use of a copy of Jane Austen's PERSUASION as both a very important point of contact in their relationship and also with the story as a metaphor for their situation.
In conclusion, if you enjoy fantasy, then you should enjoy this unconventional love story. In addition, you also get as a bonus to try to figure out how an appealing dog such as Jack could somehow live with both Kate and Alex and maybe you will even receive a few insights about architecture. Just remember to pay attention to details, because at various times during the film events occur whose complete relevance only becomes clear much later. Interestingly enough, if you do pick up these clues, while they foreshadow some of the later events (in the sequence in which the movie unfolds), they in no way make the eventual outcome predictable and thus do not spoil the story. Fun, interesting, well acted, emotionally satisfying and unpredictable enough to keep your interest - certainly a more attractive set of attributes than most of today's film fare.
Tucker Andersen

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A lonely doctor (Sandra Bullock) who once occupied an unusual lakeside home begins exchanging love letters with its newest resident, a frustrated architect (Keanu Reeves). When they discover that they're actually living two years apart, they must try to unravel the mystery behind their extraordinary romance before it's too late.

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The Matrix (1999) Review

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A Walk in the Clouds (1995) Review

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(More customer reviews)I read all the other reviews for this movie, and I was amazed at the negative comments the guys made about it. Well, I'm a guy and I loved this movie. Okay, so Keanu Reeves doesn't get the award for best dramatic actor of the century, but he's a lot better than, say, Jim Carey. I didn't perceive him as "woody" or "stoic," but rather I saw him portraying a polite and shy young man who helps out a young woman in distress at his own personal inconvenience. That's a trait you don't see very often these days. It's a pleasant and refreshing change to see a young soldier who is actually moral and decent and willing to help, even at personal loss to himself. Yes, it's a huge chick flick. So what? A lot of chick flicks are great movies, and this is one of them. Buy it and watch it with someone you love. You'll have a great time. The photography is spectacular. The music is great. The story is predictable, but then, so are the plots of most of the action movies. It's a rare movie that is completely unpredictable. This is one you won't forget. Thanks to those who produced it for giving us a good example of the way real men act around women, particularly women in need. This is one movie you can watch with anyone... your spouse, your kids, your date. It's a good, clean, moral tale of shivalry that warms your heart and restores your faith in humanity. It's a totally enjoyable experience.

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After returning from World War II, a young G.I. (Keanu Reeves) finds he has little in common with the wife he left behind. Disillusioned, he heads north to work as a travelling salesman where he meets the daughter (Aitana Sanchez-Gijon) of a wealthy vineyard owner (Giancarlo Giannini). On her way home, she is unmarried and pregnant. The young man gallantly offers to help by posing as her husband for one night, unaware that doing so will change both of their lives forever.

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