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(More customer reviews)March will mark the release of some PreCode gems on this Forbidden Hollywood set, in particular for Norma Shearer fans.
"The Divorcee" (1930). Ms. Shearer's Academy award winning performance as Jerry in the role her husband, Irving Thalberg, initially thought she wasn't sexy enough to play (a few wonderfully seductive portraits, courtesy of Mr. Hurrell were enough to prove his doubts had no basis) is excellent. Great minor role by her future leading man, Robert Montgomery, as well.
"A Free Soul" (1931). Ms. Shearer is Jan Ashe; Mr. Lionel Barrymore (in his Academy Award winning role) is her alcoholic, lawyer father, Stephen Ashe. Young Clark Gable made his cinematic bones with his role as mob heavy Ace Wilfong. For those who've only known Norma for "Marie Antoinette" and "The Women", be prepared for an entirely different actress. Ms. Shearer, resplendent in her erotic white gown, is pure bombshell.
"Night Nurse" (1931). Barbara Stanwyck was at her best in PreCodes (though I think "Illicit" is a better film) and Joan Blondell packs a punch as her nurse friend. This film has a plot to kill children, a nymphomanical mother, drug references and Clark Gable mobbing up again as Nick, the chauffeur.
"Three on a Match"(1932). Anne Dvorak, Joan Blondell and Bette Davis play the three ladies who share the karmic match. One's a bad girl who turns her life around (Blondell); another one is a good girl who remains true to her goodness (Bette Davis); the third has all the luck, money and the love of a faithful husband (Dvorak), but throws it all away for booze, drugs and shady men. Humphrey Bogart, also making his start as a mob heavy, plays her connection/kidnapper, Harve while the charming Warren Williams plays her abandoned husband, Robert.
"Female" (1933). The exceptionally talented Ruth Chatterton plays Alison Drake, president of a successful automobile factory, with a penchant for having trysts with her male secretaries and promptly transferring them to the company's Canadian office. Enter George Brent (Ms. Chatterton's husband off-screen at the time) as designer Jim Thorn and the sparks begin.
Commentary, trailers and a new documentary make this a must-own for fans of Pre-Code cinema. Let's get working on set 3, why don't we? Classic film fans (myself included) are only glad to spend those preorder dollars for Pre-Code releases.
Click Here to see more reviews about: TCM Archives - Forbidden Hollywood Collection, Vol. 2 (The Divorcee / A Free Soul / Night Nurse / Three on a Match / Female)
THE DIVORCEE (1930): After several blissful years of marriage a woman catches her husband in a compromising position and forces him to confess his infidelities Her solution to the problem is to then try to match him tryst for tryst. Based on the 1929 Ursula Parrott novel "Ex-wife," this highly controversial story was first published anonymously, with the author’s name added only after thousands of copies were sold. A FREE SOUL (1931): Lionel Barrymore shines as Stephen Ashe, a brilliant alcoholic lawyer who successfully defends dashing gangster Ace Wilfong (Clark Gable) on a murder charge only to find that his headstrong daughter, Jan (Norma Shearer), has fallen in love with his client. Jan, a fun-loving socialite seeking freedom from her blue-blood upbring, is only too eager to dump her aristocratic boyfriend (Leslie Howard) for the no-good gangster. Barrymore gives a remarkable Oscar-winning performance culminating in a legendary courtroom scene that is powerful and deeply moving. THREE ON A MATCH (1932): Childhood friends Mary Keaton, Ruth Wescott and Vivian Deverse reunite ten years after high school. Mary is now a chorus girl, level-headed Ruth has a job as a secretary, and sexy Vivian is on the verge of deserting her wealthy husband Henry Kirkwood and their baby in favor of a glamorous gangster. FEMALE (1933): In Michael Curtiz's romantic comedy FEMALE, Ruth Chatterton plays Alison Drake, the iron-fisted president of a motorcar company. Alison oversees the daily operations of her male employees with a predatory gaze and frequently exercises her right to engage with them in any way she deems fit. She meets her match in an equally strong-minded new employee, Jim Thorne (George Brent), and the two engage in a smoldering, contentious, sexually charged duel. NIGHT NURSE (1931): William Wellman's NIGHT NURSE is a sassy, unsentimental comedy about a private pediatric nurse named Lora Hart (Barbara Stanwyck) who, after applying as an apprentice in a family home, discovers there is a plot afoot to starve her two rich, fat, young charges to death. The culprit is the family's chauffeur, Nick (Clark Gable), a villain who plans to marry the kids' dissolute mother and make off with their trust fund. THOU SHALT NOT: SEX, SIN AND CENSORSHIP IN PRE-CODE HOLLYWOOD (2008): Over seventy years later, they've lost none of their power to shock, entertain, and titillate. So-called "pre-Code" movies remain among the most vital films America has ever produced. But why were these films so much more sexually free and socially critical than what came before or after? Who created the Code, and what did it forbid? And why did it finally become a Hollywood commandment? The answer is a fascinating mix of scandal, big business and social history - a unique collision of events that resulted in one of the most dynamic - and delicious - periods in Hollywood history.
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