Weird Al Yankovic - The Ultimate Video Collection (2003) Review

Average Reviews:

(More customer reviews)This DVD represents everything the format can offer in a music video. It has all of Al's videos, with stereo surround and 5.1 tracks, plus some extra clips from Al's Saturday morning cartoon show and his 1981 TV debut on Tom Snyder's Tomorrow Show. The videos are presented in random order; you can really see that Al's 80's videos hold up quite well in comparison to his 90's videos. Here's the track listing:
1. Fat
2. Amish Paradise
3. It's All About the Pentiums
4. Smells Like Nirvana
5. You Don't Love Me Anymore
6. Bedrock Anthem
7. Gump
8. Jurassic Park
9. Headline News
10. Dare to Be Stupid *my favorite*
11. Eat It
12. Like a Surgeon
13. UHF
14. Money For Nothing / Beverly Hillbillies
15. One More Minute
16. I Lost On Jeopardy
17. This Is the Life
18. Living With a Hernia
19. Spy Hard
20. Ricky
21. Christmas at Ground Zero
22. I Love Rocky Road
23. Bob
24. The Saga Begins
As you can see, no Weird Al fan should be without this DVD. I'd rate it 6 stars if I could.

Click Here to see more reviews about: Weird Al Yankovic - The Ultimate Video Collection (2003)

WEIRD AL YANKOVIC-ULTIMATE COLLECTION - DVD Movie

Get 11% OFF

Click here for more information about Weird Al Yankovic - The Ultimate Video Collection (2003)

Read More...

Music and Lyrics (Widescreen Edition) (2007) Review

Average Reviews:

(More customer reviews)Sure. Why not? The first question in assessing a movie's merit is does it do as intended?
With "Music and Lyrics," what it intends is nothing extraordinary. It aims to be a fun, romantic, sweet comedy of a man meeting a woman and falling in love, with a poke at pop culture. It accomplishes this. I saw this on February 14, Valentine's Day, and wanted exactly as delivered.
Paul McCartney asked in the 1970s what the world needs with another silly love song. "Music and Lyrics" is, in film, a silly love song.
Hugh Grant plays Alex Fletcher, a has-been pop singer from a defunct duo similar to Wham!, struggles to find his way as his audience stops caring. Realistic, he knows what he is capable of, but is unsure what his next step should be.
When Cora, a pretentious form of Britney Spears-Shakira-Christina Aguilera of sex-pop, offers him an opportunity to write a song, he runs into trouble. He is a melody man, not a lyricist. His lyricist from his old band, Pop!, is long gone.
In walks Sophie Fisher, played with charm by the ever-sweet Drew Barrymore. She's Alex's temporary plant watering person (and not a very good one), with a penchant for delivering peppy lyrics under her breath. Despite the scorn of fill-in wordsmith Greg Antonsky, Alex takes a liking to her style. Greg's angst-style, hopeless lyrics seem off kilter with Alex's personality.
Embittered from a broken affair with an engaged man, Sophie is uninterested. It is one thing to hum a tune, and it is another to commit to writing a song. However, Alex only has a few days and pressures (begs, really), Sophie to help.
She acquiesces, and tries to write. Alex and Sophie clash, as he understands the profession of music, and is desperate, and she is still stuck on the failed affair.
Both are living in the past, and both need to move up into 2007 to survive and thrive.
Finally, lyrics are written, and Cora loves them -- with a few changes. Cora's version is laced with faux spirituality and tramped-up seduction. Sophie's artistic sensibilities are insulted, and pulls the song much to Alex's chagrin. They argue, break-up, and now, Alex is stuck trying to fix a song.
Can he fix the song on time? Will they figure out how to live in the present day? What about love (this is a romantic comedy, remember?).
A fine self-mocking performance is put on by Kristen Johnston as Sophie's older sister Rhonda, making jabs at her own weight-loss campaign. Brad Garrett as Alex's agent Chris Riley is right on the money, as he is both a manager and friend.
Drew Barrymore shows she's more than the girl next door, but has a kind of Lucille Ball, Jenna Elfman, Meg Ryan mix going on.
Hugh Grant is perfectly cast, and is the better side of himself. He never overplays the role, and yet, does not fall into the 'stupid Englishman' persona he occasionally does.
I fully recommend "Music and Lyrics."
Anthony Trendl
editor, HungarianBookstore.com

Click Here to see more reviews about: Music and Lyrics (Widescreen Edition) (2007)

First you're hot, then you're not...and then you're Alex Fletcher (HUGH GRANT). So when the sizzlingest tween-queen on the charts asks the has-been '80s pop sensation to write her a song, he grabs for another chance at stardom. Problem: Alex can say it with music, but he sure can't say it with words. Enter Sophie Fisher (DREW BARRYMORE), his beguiling if quirky plant lady, who has a green thumb for lyrics. Together, they go after songwriting success -- and discover that if you want to write the perfect love song, it helps to fall in love. With Hugh Grant and Drew Barrymore at the keyboard and Marc Lawrence (Two Weeks Notice) directing, Music and Lyrics is a witty, wacky romantic comedy that faces the music...and laughs!

Click here for more information about Music and Lyrics (Widescreen Edition) (2007)

Read More...

August Rush (2007) Review

Average Reviews:

(More customer reviews)"August Rush" is a fairy tale. It doesn't have princes, princesses, evil stepmothers, witches, or big bad wolves, but it's a fairy tale nonetheless. And as such, it tells a story that resonates so strongly with its audience that it casts a magic spell. This movie is told in the language of music, and it exemplifies the harmonic connections between people, the rhythmic bonds that can never be broken in spite of distance and time. It's also told in the language of faith, of the belief that love will indeed conquer all. No, this is not a realistic idea, but that's not the point. Isn't it nice that we have films like this to escape to when realism is bringing us down? Isn't it wonderful when we find that one film that can raise our spirits? "August Rush" was that film for me, and I recommend it to anyone in need of a rejuvenating emotional boost.
The film stars Freddie Highmore as an orphan named Evan Taylor, a quiet yet determined musical prodigy. He was born as the result of a chance encounter between two musicians: an Irish rock guitarist named Louis Connelly (Jonathan Rhys Meyers) and a classically trained American cellist named Lyla Novacek (Keri Russell). While living in New York City, they met and separated through twists of fate--Lyla's controlling father (William Sadler) doesn't take the news of her unplanned pregnancy very well, and when she's hit by a car and injured, he uses that opportunity to make her believe that her baby did not survive. In reality, the baby was delivered and put into the legal system as a parentless orphan. Lyla and Louis go their separate ways, believing that they would never see each other again.
In the present day, their eleven-year-old son Evan lives in an orphanage with a number of broken-spirited boys. They're so disillusioned that they bully him into believing as they do. They constantly tell him that no one is coming for him, that his ability to hear music in everything makes him nothing more than a freak. And they will not stand for his belief that he actually hears the music of his parents calling out to him. But Evan refuses to sink to their level of hopelessness; he runs away to New York City, where the music seems to be beckoning him towards his destiny. It's there he meets Wizard (Robin Williams), a shady musician who houses a number of musically inclined children in an abandoned theater. He, too, is beaten down by life, so much so that he uses these children for his own financial gain. When he discovers Evan's natural ability to play the guitar, he gives him the pseudonym August Rush and forces him to perform in parks and on street corners.
Lyla, meanwhile, is living in Chicago as a music teacher. Single and without any children, she seems complacent yet stable in her new life. But all that changes when (1) she's offered a change to once again play with the New York Philharmonic Orchestra, and (2) she learns that her baby did not die eleven years ago. With a powerful yet unexplainable determination, she travels back to New York on a quest to find her long lost son, a quest that will hopefully be added by her playing of the cello. Hoping to help find Evan is Richard Jeffries (Terrence Howard), a social worker who met the boy when he was still living at the orphanage.
And then, of course, there's Louis, who has since gone on to be a businessman in San Francisco. His band members haven't forgiven him for leaving, least of all his brother, Marshall (Alex O'Loughlin). But worst of all, Louis hasn't been able to forgive himself, and upon seeing footage of himself performing on stage, he remembers the love he felt for Lyla. The memory is so strong that's he vows to reunite with her. This journey of finding lost love leads him from Chicago back to New York City, where he's inspired to rejoin with his band and restart his singing career. Much like his son--whom he doesn't know exists--Louis is a gifted guitar player; one can hear his passion and energy with every chord, and his music operates at the same frequency as Lyla's cello playing.
As you can probably tell, most of the film thrives on serendipity, and it gets more and more prominent with every passing scene. A kind-hearted pastor eventually takes Evan in, and when made aware of his musical genius, they send him to the Julliard School of Music. He composes a piece within the first six months of his stay, one that the faculty believes is good enough to be performed. Thus sets into motion the events leading to one of the most satisfying endings of any movie I've seen this year, a scene so touching that I was in awe. As I listened to Evan's "August's Rhapsody," I felt as if I had been enveloped in the folds of hope, love, and happiness; the earthiness of the chimes blended perfectly with the smoothness of the violins and the energy of the guitars, all of which made his unwavering faith in the power of connection perfectly clear.
This is the magic of "August Rush," a film so wonderful that I cannot recommend it enough. It's a modern day fable with a timeless message, and it comes across so well that I never once stopped to consider how implausible it is. Plausibility doesn't even come into play, here. What does come into play is the emotional impact, the sense that we can get something out of it if we surrender to pure fantasy. Evan opens the film by saying, "Music is all around us--all we have to do is listen." This is one of the year's best films, and if you keep that quote in mind when seeing it, you'll be more inclined to agree.

Click Here to see more reviews about: August Rush (2007)

There’s music in the wind and sky. Can you hear it? And there’s hope. Can you feel it? The boy called August Rush can. The music mysteriously draws him, penniless and alone, to New York City in a quest to find – somehow, someway – the parents separated from him years earlier. And along the way he may also find the musical genius hidden within him. Experience the magic of this rhapsodic epic of the heart starring Freddie Highmore (as August), Keri Russell, Jonathan Rhys Meyers, Terrence Howard and Robin Williams. "I believe in music the way some people believe in fairy tales," August says. Open your heart and listen. You’ll believe, too.

Get 53% OFF

Click here for more information about August Rush (2007)

Read More...

Purple Rain (1984) Review

Average Reviews:

(More customer reviews)Leonard Maltin's review missed the main point of this movie. The movie is not primarily about a young musician who"struggles to gain acceptance for his own brand of ... rock music". Instead, the movie is about a man who has acquired his not only some of his father's musical interest and talent, but also his father's emotional instability and occasional abusiveness towards others, especially women. Maltin is correct that Prince's character is sexist and unappealing, but that's crucial to the movie. By playing his character as emotionally unstable, insensitive, and occasionally cruel, Prince de-glamourizes the cool, rebellious rock star image, showing that fame and talent are neither a guaranteed road to happiness nor a good excuse for being cruel to your girlfriend.This movie, rather than being a "soppy story" wrapped around concert footage, is instead genuinely literary. The concert footage is not an excuse for a movie; some of the concert footage is integral to the story. The title song, "Purple Rain", is used very effectively in the movie as a point of conflict between Prince and two of his female bandmates.
This movie, like Quadrophenia, would make a good subject for an English literature class targeted towards aimlessly rebellious under-achievers (rather than the 4.0 GPA high school students that most English literature classes are designed for).
[This review is based on the VHS version of the movie.]

Click Here to see more reviews about: Purple Rain (1984)

Rock star Prince plays a headstrong, vulnerable young musician known as "the kid." He struggles with his own psyche and family pressures ofan alcoholic father who beats his mother. He sees his father's madness infecting both his music and his own personal life.

Get 47% OFF

Click here for more information about Purple Rain (1984)

Read More...

Purple Rain (1984) Review

Average Reviews:

(More customer reviews)Leonard Maltin's review missed the main point of this movie. The movie is not primarily about a young musician who"struggles to gain acceptance for his own brand of ... rock music". Instead, the movie is about a man who has acquired his not only some of his father's musical interest and talent, but also his father's emotional instability and occasional abusiveness towards others, especially women. Maltin is correct that Prince's character is sexist and unappealing, but that's crucial to the movie. By playing his character as emotionally unstable, insensitive, and occasionally cruel, Prince de-glamourizes the cool, rebellious rock star image, showing that fame and talent are neither a guaranteed road to happiness nor a good excuse for being cruel to your girlfriend.This movie, rather than being a "soppy story" wrapped around concert footage, is instead genuinely literary. The concert footage is not an excuse for a movie; some of the concert footage is integral to the story. The title song, "Purple Rain", is used very effectively in the movie as a point of conflict between Prince and two of his female bandmates.
This movie, like Quadrophenia, would make a good subject for an English literature class targeted towards aimlessly rebellious under-achievers (rather than the 4.0 GPA high school students that most English literature classes are designed for).
[This review is based on the VHS version of the movie.]

Click Here to see more reviews about: Purple Rain (1984)

PURPLE RAIN - DVD Movie

Get 65% OFF

Click here for more information about Purple Rain (1984)

Read More...

August Rush (2007) Review

Average Reviews:

(More customer reviews)"August Rush" is a fairy tale. It doesn't have princes, princesses, evil stepmothers, witches, or big bad wolves, but it's a fairy tale nonetheless. And as such, it tells a story that resonates so strongly with its audience that it casts a magic spell. This movie is told in the language of music, and it exemplifies the harmonic connections between people, the rhythmic bonds that can never be broken in spite of distance and time. It's also told in the language of faith, of the belief that love will indeed conquer all. No, this is not a realistic idea, but that's not the point. Isn't it nice that we have films like this to escape to when realism is bringing us down? Isn't it wonderful when we find that one film that can raise our spirits? "August Rush" was that film for me, and I recommend it to anyone in need of a rejuvenating emotional boost.
The film stars Freddie Highmore as an orphan named Evan Taylor, a quiet yet determined musical prodigy. He was born as the result of a chance encounter between two musicians: an Irish rock guitarist named Louis Connelly (Jonathan Rhys Meyers) and a classically trained American cellist named Lyla Novacek (Keri Russell). While living in New York City, they met and separated through twists of fate--Lyla's controlling father (William Sadler) doesn't take the news of her unplanned pregnancy very well, and when she's hit by a car and injured, he uses that opportunity to make her believe that her baby did not survive. In reality, the baby was delivered and put into the legal system as a parentless orphan. Lyla and Louis go their separate ways, believing that they would never see each other again.
In the present day, their eleven-year-old son Evan lives in an orphanage with a number of broken-spirited boys. They're so disillusioned that they bully him into believing as they do. They constantly tell him that no one is coming for him, that his ability to hear music in everything makes him nothing more than a freak. And they will not stand for his belief that he actually hears the music of his parents calling out to him. But Evan refuses to sink to their level of hopelessness; he runs away to New York City, where the music seems to be beckoning him towards his destiny. It's there he meets Wizard (Robin Williams), a shady musician who houses a number of musically inclined children in an abandoned theater. He, too, is beaten down by life, so much so that he uses these children for his own financial gain. When he discovers Evan's natural ability to play the guitar, he gives him the pseudonym August Rush and forces him to perform in parks and on street corners.
Lyla, meanwhile, is living in Chicago as a music teacher. Single and without any children, she seems complacent yet stable in her new life. But all that changes when (1) she's offered a change to once again play with the New York Philharmonic Orchestra, and (2) she learns that her baby did not die eleven years ago. With a powerful yet unexplainable determination, she travels back to New York on a quest to find her long lost son, a quest that will hopefully be added by her playing of the cello. Hoping to help find Evan is Richard Jeffries (Terrence Howard), a social worker who met the boy when he was still living at the orphanage.
And then, of course, there's Louis, who has since gone on to be a businessman in San Francisco. His band members haven't forgiven him for leaving, least of all his brother, Marshall (Alex O'Loughlin). But worst of all, Louis hasn't been able to forgive himself, and upon seeing footage of himself performing on stage, he remembers the love he felt for Lyla. The memory is so strong that's he vows to reunite with her. This journey of finding lost love leads him from Chicago back to New York City, where he's inspired to rejoin with his band and restart his singing career. Much like his son--whom he doesn't know exists--Louis is a gifted guitar player; one can hear his passion and energy with every chord, and his music operates at the same frequency as Lyla's cello playing.
As you can probably tell, most of the film thrives on serendipity, and it gets more and more prominent with every passing scene. A kind-hearted pastor eventually takes Evan in, and when made aware of his musical genius, they send him to the Julliard School of Music. He composes a piece within the first six months of his stay, one that the faculty believes is good enough to be performed. Thus sets into motion the events leading to one of the most satisfying endings of any movie I've seen this year, a scene so touching that I was in awe. As I listened to Evan's "August's Rhapsody," I felt as if I had been enveloped in the folds of hope, love, and happiness; the earthiness of the chimes blended perfectly with the smoothness of the violins and the energy of the guitars, all of which made his unwavering faith in the power of connection perfectly clear.
This is the magic of "August Rush," a film so wonderful that I cannot recommend it enough. It's a modern day fable with a timeless message, and it comes across so well that I never once stopped to consider how implausible it is. Plausibility doesn't even come into play, here. What does come into play is the emotional impact, the sense that we can get something out of it if we surrender to pure fantasy. Evan opens the film by saying, "Music is all around us--all we have to do is listen." This is one of the year's best films, and if you keep that quote in mind when seeing it, you'll be more inclined to agree.

Click Here to see more reviews about: August Rush (2007)

There’s music in the wind and sky. Can you hear it? And there’s hope. Can you feel it? The boy called August Rush can. The music mysteriously draws him, penniless and alone, to New York City in a quest to find – somehow, someway – the parents separated from him years earlier. And along the way he may also find the musical genius hidden within him. Experience the magic of this rhapsodic epic of the heart starring Freddie Highmore (as August), Keri Russell, Jonathan Rhys Meyers, Terrence Howard and Robin Williams. "I believe in music the way some people believe in fairy tales," August says. Open your heart and listen. You’ll believe, too.

Get 8% OFF

Click here for more information about August Rush (2007)

Read More...

Sierra Leone's Refugee All Stars (2005) Review

Average Reviews:

(More customer reviews)This is a compelling and ultimately uplifting documentary about refugees from the civil war in Sierra Leone who come together in a refugee camp in Guinea, create a band, and begin to transform their suffering into beautiful music. The documentary includes images of war torn Sierra Leone, as well as the stories of the members of The Refugee All Stars, so there are some very disturbing segments. If you are interested in learning more about this I also recommend a book by Ishmael Beah "A Long Way Gone: Memoirs of a Boy Soldier."

Click Here to see more reviews about: Sierra Leone's Refugee All Stars (2005)

Uplifting and courageous, this dramatic seven-time award-winning film by Zach Niles and Banker White tracks the journey of Sierra Leone s Refugee All Stars--a group of six musicians who formed a band after being displaced from their home during the brutal decade-long civil war in Sierra Leone--as they rise from the ashes of war and inspire a nation to believe in the healing power of music. SIERRA LEONE S REFUGEE ALL STARS follows band mates Reuben Koroma, FrancisFrancoLangba, Efuah Grace, Mohammed Bangura, Arahim Kamara and AlhadjiBlack NatureKamara through their tour of local refugee camps, debut recording session and painful return to their country for the first time since the war. The band s sound, a mixture of home-grown beats from West Africa, roots-reggae and Western-influenced rhythm and blues combined with heartfelt lyrics which condemn war and encourage social change, have been praised around the world, leading to the band s first American tour.DVD Features: Featurette: Refugee Rolling - this short film picks up the band s story as they prepare for their first journey to America and quickly become an international musical sensation; Deleted Scenes; Musical Moments; About ninemillion.org; Theatrical Trailer

Get 9% OFF

Click here for more information about Sierra Leone's Refugee All Stars (2005)

Read More...