Showing posts with label arnold schwarzenegger. Show all posts
Showing posts with label arnold schwarzenegger. Show all posts

Collateral Damage (2002) Review

Collateral Damage (2002)
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"Collateral Damage" (2002)
The released date for this film was delayed after the tragic September 11 attacks on the World Trade Centre. I had heard quite a bit about the movie and was generally looking forward to it because I enjoyed The 6th Day, Arnie's last effort. I didn't expect it to be a life-changing experience to free our fear from terrorists after the horrific events of 9/11, but I expected to be entertained.
This movie far succeeded my expectations. It's more intelligent, more entertaining, more interesting, more original, more well-acted than I could ever expect. Of course one thing that did disappoint me was once again Arnie went completely soft and the motivations are all good-willed and stuff, he's not a cool bad[boy] anymore! However he still makes for a decent watch, also giving in a great performance as Gordon, our main man. Schwarzenegger was able to portray the tense expressions and great action stunts as well expect from him. But he also turned in what I found to be somewhat of a more subtle performance than usually, he had some great shock and dramatic acting scenes, and I think he could be really more than an action actor with big muscles, even if that's what we'll remember him as.
As for the rest of the cast, they turn in pretty decent performances. Cliff Curtis once again playing the bad guy is generally threatening. Francesca Neri (last year's underused Hannibal star) does pretty good as the mum caught in the middle. John Turturro and John Leguizamo were great comic relief and entertained me a lot. But Leguizamo's drug-making scenes were totally unnecessary to the whole plot of the movie.
This is yet another one of those twist-in-the-end movies (much like last year's The 6th Day, Arnie's box office hit) and it completely surprised me. The twist does have a couple of plot holes, but overall it worked. I was very pleased with the way it explained the twist, it made me understand the movie a whole lot better. Sometimes it doesn't make such perfect sense though.
The action sequences in this movie are entertaining, and very well filmed. They also have a certain cleverness to them (they're not just there because they are) and each of them delivers in a big way. They are also very well directed and the director of photography catches the atmosphere and important shots. The editing is very good (the fire especially looked very real) and the music used the perfect instruments (refreshingly different sounds!) to portray the excitement.
All that said, I felt the movie was a little too long at about 2 hours, and it had some unnecessary scenes (Elias Koteas wasn't really essential, and neither was the whole John Leguizamo drug back-story). However, this movie remained an entertaining, enjoyable, smart and thought-provoking dramatic actioner.
MY GRADE: B+

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ARNOLD SCHWARZENEGGER DELIVERS A NAIL-BITING EXCITEMENT AND BOLD ONE-MAN HEROICS AS A LOS ANGELES FIREMAN WHO SEEKS REVENGE AFTER HIS WIFE AND SON ARE KILLED IN A TERRORIST BOMBING. SCHWARZENEGGER TRACKS THE MAN RESPONSIBLE FROM COLOMBIA TOWASHINGTON, D.C. IN A RACE TO STOP HIM BEFORE HE STRIKES AGAIN.

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Eraser (1996) Review

Eraser (1996)
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The Eraser DVD
The Eraser starring Arnold The Eraser DVD
The Eraser starring Arnold Swarzzennegger and James Caan is one of my favorite movies. Arnold plays John Kruger who is specializes in "erasing" people's identities, in this case Vanessa Williams plays a FBI whistleblower that is going to testify against a very important person and Arnold must protect her from assassination.
The plot is relatively simple, in fact, you will be likely to pick up on the "secret" early on in the film. But the action is non-stop,). There are a lot of explosions, especially of vehicles blowing sky-high but hey, we have to give the special effects guys something to do, and the secret weapon's effect is also pretty cool. Vanessa Williams underplays her role as FBI whistleblower, and James Caan is just superb as the heavy. The surprise fun came from the Wise Guys, who pay some debts in the plot. They were amusing and added a bit of fun to the action.
I found the suspense pleasantly gripping, and if it wasn't the smartest film on the block, it sure was plenty of entertainment.
Recommended for Arnold fans and fans of action movies.
Gunner January, 2008

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Arnold Schwarzenegger stars as Eraser, an elite federal marshal who "erases" the pasts of jeopardized informers and relocates them into safe anonymity.

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Terminator Salvation (Director's Cut) (2009) Review

Terminator Salvation (Director's Cut)  (2009)
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The director's cut runs approximately 3 minutes longer, and inserts a few new scenes, but no major plot points. This is NOT the major unrated cut that McG has referred to in past interviews, where he suggested that 30-40 minutes of additional footage would be added. We'll probably see that in a future edition.
Here are the major differences between the theatrical version and the director's cut (spoilers follow).
1)In the opening action scene, when John Connor is leading his unit into the flooded underground Skynet base, a T-1 terminator (nice touch from T3) suddenly appears behind them. His men destroy it before it can do any damage. I'm glad this scene was cut; it inadvertently breaks the tension too quickly.
2)When John pulls his little "frogman stunt", he is seated before the Resistance Command generals, and General Ashdown (Michael Ironside) berates John. Ashdown says, "I don't believe in prophecy, not when one can re-write the future", pulls out his gun and points it at John's head. I liked this scene, because it illustrates John's present and minor role in the Resistance, especially with Command being skeptical of his "predictions".
3)Blair Williams/Moon Bloodgood's topless scene; really just a side shot as she washes herself in the rain in a non-sexual manner, and Marcus glances at her briefly.
4)Marcus/Blair Williams/redneck fight; the action is a little longer, and a little more brutal. Marcus stabs one of the attackers with a screwdriver, and we see the impact, as well as the victim painfully removing the screwdriver. Also, Marcus uses another one of the attackers as a human shield against another's shotgun blast.
5)Marcus/Blair Williams campfire scene is slightly longer with additional dialogue between the two.
6)Captured humans at Skynet; when one of the prisoners attempts an escape and is shot, we see the bullet impacts.
7)John Connor's speech to fellow Resistance members to not obey Ashdown's orders to attack is extended with a few sentences about his mother. I liked this scene, not sure why they cut it. It ties T2 in, and shows the impact of Sarah Connor. (Is this where Christian Bale had his stage lights tantrum?)
8)Marcus/T-800 fight scene is slightly longer, shows Marcus getting pummeled a bit more by the T-800. Also, John tries to revive Marcus an additional time, before collapsing in exhaustion.
I would like to add that I enjoyed Terminator 4; much better than the campy T3, and just a shade under T2. The action was definitely there, and McG included a lot of thoughtful touches from the past movies, e.g. photograph of Sarah Connor, the origin of John's scars, John's like for Guns N'Roses, Sarah Connor's taped voice recordings (actually Linda Hamilton's voice), use of and of course the Arnold cameo. Who can say no to Michael Ironside? What I didn't like was Blair Williams' geisha makeup which she wore during air combat. It made no sense, and was probably one of the deleted portions. Bryce Dallas Howard was believable as Kate Connor, but her screen time was too short. Hopefully, a future cut will show more of her relationship with John.
Some have said that Christian Bale's performance was wooden, or that John Connor's role was overshadowed by Sam Worthington's role as Marcus Wright. I disagree with both counts; Bale played Connor as he should have been; grizzled, scarred, gruff. Given that we know so much already about the future and John's role from prior Terminator movies, it makes sense to have another character portray the center protagonist role. I also liked the idea of the audience first seeing John as a minor Tech-Com officer, steadily rising through the ranks and gaining influence.
Additionally, the movie's opening and closing scenes had a poetic touch to it, which I appreciated. Marcus begins the film about to be executed, giving his body to a cybernetic program. The film ends with the same shots of needle plungers being depressed, albeit for a different reason. Marcus leaves the world as a cyborg, but giving his body to a human cause.
I did have one concern about the movies; how come the Arnold T-800 didn't die when John Connor shot the molten steel onto its head? Turns out there's a perfectly scientific explanation (McG consulted a metallurgist).
Here's McG's answer: "There are different characteristics of molten steels, and that was an earlier steel process after it had been separated from the coke. We went over this with a metallurgist, discussing which metals burn at which degrees. And also, if it had stayed on [the T-800], perhaps it would've melted him, but it was frozen quickly enough by the [liquid nitrogen]. Plus, we make the transition from the molten metal to the cooling property so quickly -- as a function of the T-800 being on [John] Connor -- that it wouldn't have had time to melt the existing titanium exoskeleton in time."
In conclusion, if you're a diehard Terminator fan, go ahead and pick up this version. Otherwise, wait for the (hopefully) longer extended cut.


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In the aftermath of Judgment Day and the machine takeover, resistance leader John Connor (Christian Bale) must counter Skynet\'s plan to terminate mankind. Rallying his underground street fighters for a last, desperate battle, he realizes that to save the future he must rescue his own father Kyle Reese (Anton Yelchin). But the most shocking discovery comes with the arrival of Marcus Wright (Sam Worthington), a mysterious loner from the past who challenges Connor with an impossible choice and leads them both on a brutal journey into the heart of the enemy.

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