Showing posts with label big brother. Show all posts
Showing posts with label big brother. Show all posts

THX 1138 - The Director's Cut (Two-Disc Special Edition) (1971) Review

THX 1138 - The Director's Cut (Two-Disc Special Edition) (1971)
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The world seems to be divided between two kinds of people. The people who think George Lucas is a talented legitimate artist, and those who think he's a business man unbothered by aethetics. For those who feel Lucas has (or had) talent, THX-1138 is a testament to it that. The use of color (or lack thereof), sound and editing in this film is truly unique. Lucas is often accused of lacking in writing skills, but THX-1138 doesn't rely on complex character backstories, or inspiring dialogue. In fact, THX, SEN, and LUH are rather one-dimensional characters. (Just to settle a common argument about the film, I do not believe SEN is intended to be homosexual, as beings in this world aside from THX and LUH are asexual because of their sedations) While images and sounds typically supplement dialogue as the force that progresses a story, it seems to be backwards at times in THX-1138. The title "visual storyteller" has been applied to every director at one point or another it seems, but for this work Lucas truly earns it. The sound effects of Star Wars have been copied so many times we all are numb to how good they really were, but watching this movie gives us a fresh idea of how incredible sound can be. These days most movies just use digital catalogs for all of their sound effects - Lucas had people go out with tape recorders and find things. While the sound is crude by today's standards, it is richer and warmer.

If I had any complaints about the film, it would be that there are moments where its quite obvious that its being made by an amateur director fresh out of film school who is used to making short features. Although these aspects also supplement the film as a whole, it does detract from the watchability (and rewatchability) of this film for some people.

This was one of the first art films I ever watched as a young man, and this had a huge impact on me. To know what was happening, I had to pay attention to everything - not just words.
Without having seen this movie, I wouldn't have learned to appreciate so many other films in the way I do. Every so often we viewers have to have our artistic perspectives broadened, and this film continues to do that. I would recommend this film to anyone - Star Wars fans (be warned... it is different), young film students, anyone.

Personally, I consider it a real shame that he burned out after directing the first Star Wars (those familiar with Lucasology know that he only directed the first feature and the newer prequels), since he obviously was capable of so much. I'm not dumping on Star Wars here, but the while the world doesn't end with the Star Wars movies, unfortunately Lucas's directing career did.

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Two-Disc Special Edition: * Digitally remastered with THX certified sound * Commentary by George Lucas and co-writer/sound effects editor Walter Murch * Theatre of Noise sound-effects track with branching segments to 13 master sessions with Walter Murch * 2 New documentaries: "A Legacy of Filmmakers: The Early Years of American Zoetrope" and "Artifacts from the Future: The Making of THX 1138" * George Lucas's original student film "THX-11384EB" * "Bald": 1971 production featurette * Five new trailers from the 2004 theatrical release* Original theatrical trailer

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V for Vendetta (Widescreen Edition) (2006) Review

V for Vendetta (Widescreen Edition) (2006)
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"V for Vendetta" is going to confuse a lot of people. Nevertheless, and make no mistake about it, this is movie making of the highest order, combining all the finest elements of great storytelling into a potent roller coaster of a movie filled with great action,intellect and above all, ideas. Its message can - and will - easily be dismissed by naysayers as sophomoric or too "out there," or "anti-american" but there is also an earnestness here that will resonate strongly, and perhaps, frighteningly, to many viewers who will not fail to see the correlation between this fictional tale and the way the world we live in works.
Filled with stereotypes and archetypes, "V" is unapologetic in its essaying of morality and in its strongly held sentiment that this tale is "for the people, by the people." Brothers and writers Larry and Andy Wachowski (of Matrix fame) have infused their screenplay with the anger, confusion and hope captured in Alan Moore's original graphic novel - and it's better looking as a result.
I truly believe that many who see "V" will be upset by it, but hopefully more of us will be inspired by its bold, blatant message and take a good hard look at ourselves and the way the world works around us and see that, with sacrifice and thoughtfulness, the world can be changed.
As Evey, Natalie Portman is cast in something of the "victim" role, but she makes us route for her, and to her credit she goes beyond that making the transformation of her character not only believable, but in the end, noble.
Hugo Weaving - the man behind the mask - gives a performance that can only be described as mesmerizing. As "V" he exposes all of the strength and weakness of a character that is equal parts savior and villain.
The physical production is beautiful in its realism as it paints a nightmarish world of the not-very-distant future (2020) and is chilling in its depiction of governmental power, socio-political corruption and, ultimately, the complacency of its citizens. Weaving's "V" challenges, and ultimately changes all of that, as he quickly unravels the fabric of civilized society, capturing the public with his bold ideas - and with the promise and permanancy of change through rebellion and political uprising.
Most chillingly, the film invokes the dread once feared in "1984" but with a renewed vigor that drives home the horrors Orwell foresaw, and still loom large in our comfy modern world. Chilling? You betcha! For those who know the novel, there is little skimping, and, given the current world situation, one must absolutely applaud the filmmakers for "going there" as far as the ending is concerned. This is film making at its emotional and challenging best.
Are there flaws? Of course there are, but ultimately "V for Vendetta" rises far above them in its presentation of a world filled with ideas that have forever been debated, and does it in a story well told, beautifully acted and full of hope for humankind. Not bad work for a movie. Actually, it's magnificent.


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Set against the futuristic landscape of totalitarian Britain, V For Vendetta tells the story of a mild-mannered young woman named Evey (Natalie Portman) who is rescued from a life-and-death situation by a masked man (Hugo Weaving) known only as "V." Incomparably charismatic and ferociously skilled in the art of combat and deception, V ignites a revolution when he urges his fellow citizens to rise up against tyranny and oppression. As Evey uncovers the truth about V's mysterious background, she also discovers the truth about herself - and emerges as his unlikely ally in the culmination of his plan to bring freedom and justice back to a society fraught with cruelty and corruption.

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