Showing posts with label intelligent sf. Show all posts
Showing posts with label intelligent sf. Show all posts

A Boy & His Dog (1975) Review

A Boy and His Dog (1975)
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It's the year 2024, and most of the Earth's nations have been demolished by yet another world war (the latest being WWIV). In this postapocalyptic world, slow-witted survivor Vic (Don Johnson) forages through the ruins for food and women with the help of his faithful dog, Blood (voiced by Tim McIntire), with whom he is able to communicate telepathically. Blood, more intelligent and more cultured than his young "master," often gets impatient with Vic's immature behavior and lack of interest in his attempts to educate the boy, but he nonetheless loves Vic and sticks with him to help him survive. And after several minor adventures and one huge misadventure, Vic does learn one incontestable actuality: Nothing is more important to a boy than his dog.
Based on an award-winning novella by the curmudgeonly SF writer Harlan Ellison, A BOY AND HIS DOG was adapted and directed by character actor L.Q. Jones and co-produced by Jones and Alvy Moore (the latter probably best known for his portrayal of scatterbrained Hank Kimball on TV's GREEN ACRES). While Ellison has said many times publicly that the film is the most faithful adaptation of any of his works, he has nonetheless complained vehemently about some of Jones' "adjustments"--most notably the minor addition of some gross or vulgar dialogue--and tried unsuccessfully to get them changed. Whether or not Ellison's complaints have merit, A BOY AND HIS DOG has come to be regarded as a science-fiction classic, its popularity undoubtedly due to its likeable characters who, despite their constant bickering and individual quirks, are redeemed by their committed friendship and their sarcastically humorous approach to survival.
The performances in A BOY AND HIS DOG are top-notch. Johnson convincingly portrays Vic as a filthy scavenger who, in spite of his dire situation, still manages to remain a decent human being at the core. Tim McIntire's vocal characterization of Blood embodies Ellison's original concept of a mutant pooch with a caustic ego that is balanced with just the right amount of off-beat humanity, and this portrayal is enhanced further by the outstanding on-screen performance of Tiger, the canine thespian that portrayed the family pet on TV's THE BRADY BUNCH. In his supporting role as the governor of a subterranean dystopia, Jason Robards is delightfully smarmy. And when beautiful Susanne Benton bares her ample "talents" on the screen, that's a lot of fun watch, too.
With A BOY AND HIS DOG, Jones' intention is not to make deep socio-political innuendos or to meet the average action-fan's prosaic expectations, and sentimentality is obviously far from his mind. Instead of serving up a dull postapocalyptic survival-of-the-fittest thriller or a cliché love-among-the-ruins drama, Jones gives us a wry black comedy that doesn't take itself too seriously. His direction is tight, his staging often inventive, and the dialogue--while MOSTLY lifted directly from Ellison's story--is often sharply sardonic and frequently witty. With this AND the outstanding performances he elicits from his cast, Jones creates a realistic world of future desolation, but he peoples it with central characters that learn to deal with the nightmare while still maintaining their humanity...and a sense of humor.
Several DVD editions of A BOY AND HIS DOG have been available over the past few years, and all have delivered good letterbox widescreen digital transfers. The current offering from First Run Features is an anamorphic widescreen version, and it also contains an interesting feature commentary and theatrical trailers.
All in all, A BOY AND HIS DOG is a wonderful interpretation of a classic SF novella, and this DVD will make a great entry in the film collections of SF fans who love quirky non-mainstream films.

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A BOY AND HIS DOG is a wild, kinky and darkly hilarious cinematic adventure, a cult classic for almost 30 years and an inspiration for an era of sci-fi films, including the Mad Max movies. Based on the Nebula winning novella by Harlan Ellison and directed by L. Q. Jones, it stars Don Johnson, Jason Robards and Susanne Benton. Set in the year 2024 in Post-Apocalyptic America, 18-year old Vic (Johnson) and his telepathic dog Blood (voiced by Tim McIntyre) are happy scavengers in the desolate wilderness ravaged by World War Four, where survivors must battle for food, shelter, and sexual companionship in the desert-like wasteland. Vic and Blood eke out a meager existence, foraging for food and fighting gangs of cutthroats. When they find a woman named Quilla Jones (Benton), she lures Vic into a bizarre underground city, where he is to be used against his will to impregnate dozens of young ladies!

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THX 1138 - The Director's Cut (Two-Disc Special Edition) (1971) Review

THX 1138 - The Director's Cut (Two-Disc Special Edition) (1971)
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The world seems to be divided between two kinds of people. The people who think George Lucas is a talented legitimate artist, and those who think he's a business man unbothered by aethetics. For those who feel Lucas has (or had) talent, THX-1138 is a testament to it that. The use of color (or lack thereof), sound and editing in this film is truly unique. Lucas is often accused of lacking in writing skills, but THX-1138 doesn't rely on complex character backstories, or inspiring dialogue. In fact, THX, SEN, and LUH are rather one-dimensional characters. (Just to settle a common argument about the film, I do not believe SEN is intended to be homosexual, as beings in this world aside from THX and LUH are asexual because of their sedations) While images and sounds typically supplement dialogue as the force that progresses a story, it seems to be backwards at times in THX-1138. The title "visual storyteller" has been applied to every director at one point or another it seems, but for this work Lucas truly earns it. The sound effects of Star Wars have been copied so many times we all are numb to how good they really were, but watching this movie gives us a fresh idea of how incredible sound can be. These days most movies just use digital catalogs for all of their sound effects - Lucas had people go out with tape recorders and find things. While the sound is crude by today's standards, it is richer and warmer.

If I had any complaints about the film, it would be that there are moments where its quite obvious that its being made by an amateur director fresh out of film school who is used to making short features. Although these aspects also supplement the film as a whole, it does detract from the watchability (and rewatchability) of this film for some people.

This was one of the first art films I ever watched as a young man, and this had a huge impact on me. To know what was happening, I had to pay attention to everything - not just words.
Without having seen this movie, I wouldn't have learned to appreciate so many other films in the way I do. Every so often we viewers have to have our artistic perspectives broadened, and this film continues to do that. I would recommend this film to anyone - Star Wars fans (be warned... it is different), young film students, anyone.

Personally, I consider it a real shame that he burned out after directing the first Star Wars (those familiar with Lucasology know that he only directed the first feature and the newer prequels), since he obviously was capable of so much. I'm not dumping on Star Wars here, but the while the world doesn't end with the Star Wars movies, unfortunately Lucas's directing career did.

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Two-Disc Special Edition: * Digitally remastered with THX certified sound * Commentary by George Lucas and co-writer/sound effects editor Walter Murch * Theatre of Noise sound-effects track with branching segments to 13 master sessions with Walter Murch * 2 New documentaries: "A Legacy of Filmmakers: The Early Years of American Zoetrope" and "Artifacts from the Future: The Making of THX 1138" * George Lucas's original student film "THX-11384EB" * "Bald": 1971 production featurette * Five new trailers from the 2004 theatrical release* Original theatrical trailer

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Silent Running (1972) Review

Silent Running (1972)
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Hailed by some as one of the best science-fiction movies of the 1970s, Silent Running is a quirky, unique movie that conveys a serious ecological message in an unforgettable manner. To be honest, I had never heard of this movie before, but the premise of the film intrigued me, as did the knowledge that a prominent special effects man for 2001: A Space Odyssey, Douglas Trumbull, directed it. Almost despite itself, the movie moved me in places, and I ended up quite enjoying it, even though there are many things about it I didn't particularly like. Many would consider this a boring movie, I am sure, as there are no fierce battles fought or alien beings threatening to destroy mankind. Silent Running is a thinking man's science-fiction film that succeeds or fails on its compelling storyline alone.
The story takes place some time in earth's near future, at a time when all plant life has been destroyed on the planet in some unexplained way; America's last forest land still exists, however - millions of miles out in space on board the Valley Forge. The ship carries along several huge geodesic domes filled with trees, flowers, garden plants, etc., along with much of the animal life that goes with them. A crew of four mans the ship, with the help of a number of mechanical drones, but only one, Freeman Lowell (Bruce Dern) really cares about the forests in his care. We first meet the other three crew members racing willy-nilly around the ship in jeep like go-carts, thinking nothing of trampling a bunch of flowers or taking shortcuts through the grass. In person, they are even less likeable, making fun of Lowell's idealism and basically harrumphing on their own belief that the forests have no importance whatsoever. Lowell himself starts off on the wrong foot, in my opinion, in terms of the audience's reaction to him. The man is a wide-eyed zealot seemingly about two steps away from madness of a dangerous kind; I agreed with everything he said about the importance of the forests, but his words are somewhat lost on the listener (and the crew) because he is simply annoying in his fanaticism. His mood doesn't improve when the crew gets word that they are to destroy the forests and return home to commercial service. Freeman can't handle such a decision, so he does what he feels he must in order to save the last vestige of earth's forests still in existence.
The second half of the film revolves solely around Freeman, as he is basically stranded in space with his forest. His only companions are (originally) three drones, and in my opinion these little robotic guys steal the show. This is a 1971 film, so the drones are by no means technologically exotic, yet these things do have their own personalities; there are a couple of especially poignant moments with the drones that I would like to have seen explored on their own terms, but this would have wandered a little too far afield from the premise of the film. The ending is actually quite touching and, perhaps more importantly, it feels right to this viewer.
There is certainly a strong undercurrent of allegory working in this storyline. Freeman's fellow crew members represent society at large; their lack of concern for the forests and dismissal of any ecological cares at all are meant to be a condemnation of contemporary society's uncaring and unthinking attitude toward ecology on the planet. Freeman is an evangelical fanatic on the subject, a voice crying in a wilderness that may not survive much longer if things continue as they are; up until the very end, he does not give up hope, though, and that is the inspirational message that stays with the viewer after the movie ends. It's a rather somber and depressing movie for the most part, yet I, who would not call myself an environmentalist of any kind, was touched both emotionally and intellectually by the film. Freeman and his crewmates represent the extreme weights on both sides of the environmentalism/commercialism scale, and it is up to us, the viewers, to find a way to balance those opposing weights on our home planet.

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SILENT RUNNING - DVD Movie

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Star Trek: The Next Generation - Complete Series (1987) Review

Star Trek: The Next Generation - Complete Series (1987)
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There are several important inadequacies you should know about this set before you buy:
1) The discs are in cheap, brittle trays -- easily subject to breakage -- rather than in well-built cases.
2) These trays are not labeled, and amazingly, there is no insert describing -- or even listing -- the episodes, or which discs they are on. Episode titles are printed on the disc labels, but that's all the info you get, so after spending $300, a buyer has to flip through the 49 discs like file cards, to find the episode s/he wants.
3) The discs are stuck into three unweildy clumps -- of either eight or nine trays, each -- that are held together by inexpensive adhesive tape. This tape seems likely to decay, and the result will be 26 individual, unlabled trays scattered around your living room. (Most trays have two discs).
4) The tray configuration leaves some discs uncovered, unless the whole awkward mess is stored together...a problem which will get worse when the trays inevitably separate.
The lone advantage is the bonus disc. Most of the features on the disc appear to have been meant for, and for some reason never made it onto, the original releases of seasons 4 - 7. That doesn't mean they're not worth watching; some of them are quite good. Of the three new features, the best offers interviews with several of the series' writers and producers. (However, it only tangentally deals with its supposed subject -- introduced by John DeLancie -- about Star Trek's cultural impact.) Less successful is the roundtable of visual effects wizards; it has interesting moments, but it did not explain enough for a layman, nor did it go into enough detail for an expert. The Will Wheaton-hosted "Legacy" looks at how Star Trek ideas have shown up at the Jet Propulsion Laboratory, but it's pretty vapid (not Wheaton's fault).
To be honest, I'm torn. I'm glad to have the bonus disc (the features on Q and Lwaxana were touching) but part of me wishes I'd purchased the previously released conglomeration of individual seasons, "Star Trek The Next Generation - The Complete Seasons 1-7". The price of that set has decreased to compete with this new, and somewhat inconsiderate, release...and the packaging of the old set is far easier to deal with.

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Finally, the complete, epic sci-fi television series, Star Trek: The Next Generation is available in a complete series set for the first time ever. Celebrate the 20th Anniversary of the landmark series and own all 176 classic episodes in one definitive collector’s boxed set, featuring all-new special features.This is the definitive release that fans have been waiting for!

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