Showing posts with label italian. Show all posts
Showing posts with label italian. Show all posts

Two Women (1961) Review

Two Women (1961)
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'Two Women' is a stark film from the neo-realism school that still packs a solid punch. Sophia Loren plays a beautiful widow who seeks to protect her teenage daughter from the ravages of World War II Rome. She's proud, opinionated, but protective and loving toward her daughter Rosetta. The two women flee to the widow's village, where they meet an idealistic young man to whom they are both attracted. The tragic events occur quite late in the film, but by the time they do, we really know who these characters are, making the film extremely powerful.
Loren looks stunning and acts wonderfully, but all the actors in the film are wonderful as well. But Loren had (and still has) that quality that makes her the center of all attention every time she is on-screen. A stunning actress in a stunning role.
I cannot finish this review without commenting on the abysmal video transfer to DVD. This is without a doubt the worst looking and sounding DVD I have ever seen since the medium was invented. I wish Sophia Loren would sue this video company for the travesty they have done to this fine film. How in the world with all the technology at our disposal can such a poor product be released on the market? I only hope a proper version can be released soon. This is criminal.
99 minutes

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Never Forget (1991) Review

Never Forget  (1991)
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An outstanding movie of gripping determination and bulldog tenacity!
Leonard Nimoy and Blythe Danner play Mr. & Mrs. Mel Mermelstein, a true-life California couple, thrown into the spotlight of judicial history in the 1980's. He is a Hungarian-born Jew, sole-survivor of his family's extermination at Auchwitz, and she is a Southern Baptist from Tennessee. Their four children are good kids, typical Americans, with just enough spunk and orneriness to irritate each other, but enough love and class to pull together when it counts.
When challenged by a hate group to prove that Jews were actually gassed at Auchwitz, Mel Mermelstein rises to the occasion with the support of his wife and children, in spite of the dangers to himself, his business, and his family.
Dabney Coleman provides Mel's legal help (pro bono) as a lawyer, originally a Roman Catholic from Texas, and brilliantly and believably fits out a role that is my personal favorite among any role he has ever played.
Leonard Nimoy is brilliant as always, and aside from playing Golda Meir's husband opposite Ingrid Bergman, if there was ever a role that shattered his Spock image, this would be it. (Not that I dislike Spock. On the contrary!) Nimoy plays a man who is empassioned, vulnerable to an extent, but tenaciously determined to prove the hate groups to be liars.
Why so committed to such a course? Because before Mermelstein's father died in Auchwitz, he commissioned Mel and his brother (who died shortly thereafter) to "Never Forget" what happened, and to bear witness to the facts of history. Mel Mermelstein did just that, and the United States finally took Judicial Notice of the truth of the Holocaust, some 40 years after WWII.
A great movie! (I taped mine off of TNT a few years ago, when it aired this movie in timed connection with the network premeir of Schindler's List, and this airing was hosted by Leonard Nimoy. I have since worn out my tape. I plan to buy a professional copy when the price drops.)

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Life Is Beautiful (La Vita E Bella) (1998) Review

Life Is Beautiful (La Vita E Bella)  (1998)
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Put the children to bed, unplug the phone, get out the tissues and refuse to watch this movie with anybody who likes to talk during a movie. You will be blown away.
Holocaust and comedy. Two words never spoken in the same breath before "Life is Beautiful." To smiply label this movie as such, would do it injustice. Every emotion comes into play during the viewing. You soon begin to empathize with Roberto Benigni as he portrays a father trying to keep the harsh realities of a German concentration camp from his young son. Benigni protects his son with two weapons that the German's could not seize: Humor and Imagination.
I thoroughly enjoyed this movie, and yes I cried. But I also laughed and smiled.
I recommend the Sub-title version of the movie. After five minutes the reading becomes natural and the depth to which you become involved with the movie is well worth it.
I so enjoyed the music in this movie, that I purchased "Tales of Hoffman" by Offenbach. The second playing of this piece in the movie will not allow you to maintain dry eyes.

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An inspired motion picture masterpiece, LIFE IS BEAUTIFUL was nominated for 7 Academy Awards(R) -- winning 3 Oscars, including one for Best Actor Robert Benigni. In this extraordinary tale, Guido (Benigni) -- a charming but bumbling waiter who's gifted with a colorful imagination and an irresistible sense of humor -- has won the heart of the woman he loves and created a beautiful life for his young family. But then, that life is threatened by World War II ... and Guido must rely on those very same strengths to save his beloved wife and son from an unthinkable fate! Honored with an overwhelming level of critical acclaim, this truly exceptional, utterly unique achievement will lift your spirits and capture your heart!

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And the Ship sails On - Criterion Collection (1994) Review

And the Ship sails On - Criterion Collection (1994)
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To my mind, "And the ship sails on" is maybe Fellini's best movie.
The story is delightful, fantasmagoric allegory about the last days of Grand Old Europe, when the "old order" with its nobility and social hierarchy blows up in smoke, in 1914, with the events that lead to WWI.
Fellini, though, is not interested in real events and precise history. He is a fable teller, portraying old Europe, to a grand ocean liner, set on a ceremonial voyage, to scatter the ashes of a famous opera diva, who had recently died. Upon the ship are all the rich and famous of Europe's nobility, as well as all the top musicians and opera singer-stars who joined in for the ride. Stacked in the lower compartments are the poor and the hungry, fleeing refugees brought on board as an act of compassion, that form the powder keg that will ignite the inevitable final explosion .
It is impossible to describe the kaleidoscopic scenes that occur between the passangers as the ship sails on. Imbued with fantastic portrayals of musical rivalry, political intrigue, lascivious affairs, and a pervasive sense of magic tinged with irony- the entire voyage, with its lavish scenery, turns into a tragi-comic, dream-like happening, where the spectator is tickled as much as emotionally moved. Only Fellini the master could conjure such a dazzling, symbolic and unbelievably lovely spectacle of a human folly of an era.
A lot of fun and a classic must.

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In Fellini's quirky, imaginative fable, a motley crew of European aristocrats (and a lovesick rhinoceros!) board a luxurious ocean liner on the eve of World War I to scatter the ashes of a beloved diva. Fabricated entirely in Rome's famed Cinecittà studios, And the Ship Sails On (E la nave va) reaches spectacular new visual heights with its stylized re-creation of a decadent bygone era. Criterion is proud to present this rarely-seen gem in an exclusive widescreen transfer with new English subtitles.

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Life is Beautiful (1998) Review

Life is Beautiful (1998)
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Put the children to bed, unplug the phone, get out the tissues and refuse to watch this movie with anybody who likes to talk during a movie. You will be blown away.
Holocaust and comedy. Two words never spoken in the same breath before "Life is Beautiful." To smiply label this movie as such, would do it injustice. Every emotion comes into play during the viewing. You soon begin to empathize with Roberto Benigni as he portrays a father trying to keep the harsh realities of a German concentration camp from his young son. Benigni protects his son with two weapons that the German's could not seize: Humor and Imagination.
I thoroughly enjoyed this movie, and yes I cried. But I also laughed and smiled.
I recommend the Sub-title version of the movie. After five minutes the reading becomes natural and the depth to which you become involved with the movie is well worth it.
I so enjoyed the music in this movie, that I purchased "Tales of Hoffman" by Offenbach. The second playing of this piece in the movie will not allow you to maintain dry eyes.

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An inspired motion picture masterpiece, LIFE IS BEAUTIFUL was nominated for 7 Academy Awards(R) -- winning 3 Oscars, including one for Best Actor Robert Benigni. In this extraordinary tale, Guido (Benigni) -- a charming but bumbling waiter who's gifted with a colorful imagination and an irresistible sense of humor -- has won the heart of the woman he loves and created a beautiful life for his young family. But then, that life is threatened by World War II ... and Guido must rely on those very same strengths to save his beloved wife and son from an unthinkable fate! Honored with an overwhelming level of critical acclaim, this truly exceptional, utterly unique achievement will lift your spirits and capture your heart!

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The Night of the Shooting Stars Review

The Night of the Shooting Stars
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Quite simply the best movie produced by Italy in the post-Fellini/Antonioni era. (And never mind *Cinema Paradiso*, the movie of choice for those who drink cappuccinos after lunch.) *The Night of the Shooting Stars*, written and directed by Paolo and Vittorio Taviani, is a semi-autobiographical account of World War II shuddering to a close in the Tuscan countryside. The movie begins with the disembodied voice of a young woman, who proceeds to relate her childhood memories of war to her own child. We hear this as the camera stays glued on a static shot of an open window looking out into the dreamy blue evening. A typically fairy-tale-like Italian village is visible. This sets the stage for the impressionistic narrative that follows. Everything seems exaggerated in this movie, which is to be expected when the incidents are viewed primarily (though not exclusively) through the eyes of an impressionable six-year-old girl. The plot is simple: "San Martino (based on the real town of San Miniato between Pisa and Florence) is earmarked for destruction by the Germans. The villagers must decide whether to stay or leave. Rumors abound that the Americans are in the vicinity -- will they reach San Martino first? Or should the villagers hit the dusty roads in the countryside and find the Americans before their town is destroyed? About half stay, and half go: we follow the half that goes. There are dozens of characters who embark on the journey, so not much time can be expended on characterization. But the Tavianis cast actors of such unique physiognomy that we feel we know them at a glance. Quite often, they're presented as heroic archetypes. The camera seems to glow around the young couple freshly married with a child on the way; it closes in on the village priest so that we can see every pore of guilty conscience in his face. Larger-than-life gestures help carry the characterization along. But it's the set-pieces that astonish with their comic and/or dramatic intensity and their hyper-realism. There's a marvelous bit when the girl, watching a small-scale battle that has erupted around her, associates the combatants with the heroes from Homer that her grandfather used to tell tales about. In fact, there are so many marvelous bits that to describe more of them will ruin the movie for you, but I can't end this review without mentioning the brilliant scene involving skirmishes in a wheat field between our villagers and the local contingent of hold-out Fascists. This, more than almost any sequence in cinema, captures the horror, pity, and sadness of war, and what it can do to a community. (The San Martinians and the Fascists mostly know each other, calling out behind the rows of wheat, "I know you -- you're Carlo from Pistoia, Alfredo's cousin!" It's like the Italian version of the American Civil War.) Finally, the movie serves to remind Americans just how much we meant to other peoples on the earth, and how much they loved us. This is bittersweet for us; perhaps educational for today's crop of young Italians who almost uniformly have "PACE" flags hanging out their windows these days. Anyway, *The Night of the Shooting Stars* is a must-own masterwork, without flaw. Highest recommendation.

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From internationally celebrated directors Paolo and Vittorio Taviani (Padre Padrone) comes thisextraordinary film(Los Angeles Times) about a Tuscan village struggling against Nazi persecution during the last moments of WWII. With its 'stirring, beautiful(Newsweek) story, Night of the Shooting Stars isa celebration of humanity(Wall Street Journal) andmajestic entertainment(Time)!Six-year-old Cecilia is fascinated by the world and everything in it. And when her family and neighbors flee their village to escape the Nazis, it's themost exciting moment of her life! But the excitement turns to terror when the enemy begins to closein. Little Cecilia prays for rescue, on this, the Night of the Shooting Starsan evening during which, it is said, all wishes are granted. Can Cecilia's wish be granted or will this be her eternal night?

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The Night of the Shooting Stars (1982) Review

The Night of the Shooting Stars  (1982)
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Quite simply the best movie produced by Italy in the post-Fellini/Antonioni era. (And never mind *Cinema Paradiso*, the movie of choice for those who drink cappuccinos after lunch.) *The Night of the Shooting Stars*, written and directed by Paolo and Vittorio Taviani, is a semi-autobiographical account of World War II shuddering to a close in the Tuscan countryside. The movie begins with the disembodied voice of a young woman, who proceeds to relate her childhood memories of war to her own child. We hear this as the camera stays glued on a static shot of an open window looking out into the dreamy blue evening. A typically fairy-tale-like Italian village is visible. This sets the stage for the impressionistic narrative that follows. Everything seems exaggerated in this movie, which is to be expected when the incidents are viewed primarily (though not exclusively) through the eyes of an impressionable six-year-old girl. The plot is simple: "San Martino (based on the real town of San Miniato between Pisa and Florence) is earmarked for destruction by the Germans. The villagers must decide whether to stay or leave. Rumors abound that the Americans are in the vicinity -- will they reach San Martino first? Or should the villagers hit the dusty roads in the countryside and find the Americans before their town is destroyed? About half stay, and half go: we follow the half that goes. There are dozens of characters who embark on the journey, so not much time can be expended on characterization. But the Tavianis cast actors of such unique physiognomy that we feel we know them at a glance. Quite often, they're presented as heroic archetypes. The camera seems to glow around the young couple freshly married with a child on the way; it closes in on the village priest so that we can see every pore of guilty conscience in his face. Larger-than-life gestures help carry the characterization along. But it's the set-pieces that astonish with their comic and/or dramatic intensity and their hyper-realism. There's a marvelous bit when the girl, watching a small-scale battle that has erupted around her, associates the combatants with the heroes from Homer that her grandfather used to tell tales about. In fact, there are so many marvelous bits that to describe more of them will ruin the movie for you, but I can't end this review without mentioning the brilliant scene involving skirmishes in a wheat field between our villagers and the local contingent of hold-out Fascists. This, more than almost any sequence in cinema, captures the horror, pity, and sadness of war, and what it can do to a community. (The San Martinians and the Fascists mostly know each other, calling out behind the rows of wheat, "I know you -- you're Carlo from Pistoia, Alfredo's cousin!" It's like the Italian version of the American Civil War.) Finally, the movie serves to remind Americans just how much we meant to other peoples on the earth, and how much they loved us. This is bittersweet for us; perhaps educational for today's crop of young Italians who almost uniformly have "PACE" flags hanging out their windows these days. Anyway, *The Night of the Shooting Stars* is a must-own masterwork, without flaw. Highest recommendation.

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