Showing posts with label mark hamill. Show all posts
Showing posts with label mark hamill. Show all posts

To the Galaxy and Beyond With Mark Hamill: A Century Of Science Fiction Cinema Review

To the Galaxy and Beyond With Mark Hamill: A Century Of Science Fiction Cinema
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The product description above is certainly accurate. Chock full of examples, it entertains and kind of keeps you on the edge of your seat. Definitely not a dry documentary sort of thing. Mark Hamill does a great job of hosting and his is not the only voice. You get some super heros in the industry like Robert Wise (among others) as well. It takes a straight line approach through time and adds just enough background about what's happening in the real world at the time to put things in that perspective. So, let me put my 5 star rating in perspective.
Two sci-fans walkin' down the street; you and me. You say - "Dude, I love the sci-fi movies. I wish I could find a really good historical overview that runs less than two hours."
In a heart-beat, I'd be like "Dude: 'To the Galaxy and Beyond With Mark Hamill: A Century Of Science Fiction Cinema', you've got to see it."
You'd thank me. So really - what I'm saying is this is really good.


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Star Wars' Mark Hamill hosts this two-hour journey through the greatest science fiction films ever made. This fast-paced adventure through some of Hollywood's most imaginative movies includes nearly everything from early silent classics to contemporary favorites. From the dinosaurs in Jurassic Park to the spaceships in Independence Day and the oozing aliens of Men in Black, high quality special effects are expected by today's audiences. From the earliest days of cinema, science fiction films have offered dizzying illustrations of visual possibility. From Earth's first contact with alien visitors in The Day the Earth Stood Still to the eerie menace of computer HAL in 2001: A Space Odyssey, the genre's most imaginative storytelling has also helped to explore mankind's darkest fears and greatest hopes. Includes highlights from the greatest science fiction films of all time including Metropolis, The Invisible Man, The Day the Earth Stood Still, The Fly, The War of the Worlds, Invasion of the Body Snatchers, 2001: A Space Odyssey, Planet of the Apes, The Star Wars Trilogy, Close Encounters of the Third kind, Star Trek, Predator, E.T.: The Extra-Terrestrial, Alien, Jurassic Park, Independence Day, Men in Black, Lost in Space and many more!

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The Unauthorized 'Star Wars' Story (1999) Review

The Unauthorized 'Star Wars' Story  (1999)
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Unfortunately I bought a copy of this tape last November hoping for that for an un-authorised version something new and different,I am a SW fan but found the interview's repititious and overall, not of much interest as a hole,I also have the original 1977 The Making of Star Wars,far more entertaining though I understand most-likely un-obtainable now,in my opnion rent the Unauthorised version first before buying and decide for yourself. Just because your'e a fan does'nt mean you have to like everything put out there connected to the Star Wars franchise, it is boring and a disappointment,buyer's beware in future I will view/rent first before purchasing!

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The Simpsons - Bart Wars (1989) Review

The Simpsons - Bart Wars (1989)
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These are the episodes for this DVD:
1. Dog Of Death (Season 3)
2. Marge Be Not Proud (Season 7)
3. The Secret War Of Lisa Simpson (Season 8)
4. Mayored To The Mob (Season 10)
Update for Season 6's DVD: Some reviewers said that Season 6 would come out sometime in June 2005. The acutal release month is August of 2005.

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Best of the Muppet Show - Mark Hamill / Paul Simon / Raquel Welch (1976) Review

Best of the Muppet Show - Mark Hamill / Paul Simon / Raquel Welch (1976)
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This DVD contains 3 episodes of the Muppet Show TV series from the 70's. It is no exaggeration to say that this was the best TV ever produced, chock-full of humor and inspiration.
Each episode consists of a series of muppet skits, tied together with a weekly celebrity guest-host. In addition to Mark Hamill (mentioned in the title), this DVD contains episodes hosted by Paul Simon and Raquel Welch.
Before the release of this DVD series, the shows were available only from Time/Life, under a monthly-subscription-type arrangement or as boxed sets (at premium prices). The open release of the DVD is something muppet fans have anticipated for a long time. Wakka-wakka-wakka!

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Mark Hamill:Luke Skywalker, C-3P0, and R2-D2 hijack the crew from "Pigs in Space" to rescue Chewbacca, then join in a big "star" tunes finale in a galaxy far, far away. Paul Simon:The popular singer-songwriter has a run-in with the law while performing "Scarborough Fair" with Miss Piggy and joins the Muppet band for a rollicking "Loves Me Like a Rock." Raquel Welch:The international sex symbol goes prehistoric to sing and dance with a giant spider and teams with Miss Piggy for a show-stopping "I Am Woman."

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The Making of Star Wars as told by C-3PO and R2-D2 Review

The Making of Star Wars as told by C-3PO and R2-D2
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Originally released to the home video market in 1979 by the then-fledgling Magnetic Video corporation, this is the rarest of Star Wars material on video. It's also the first piece of Star Wars material, predating even the VHS release of Episode IV: A New Hope, by two years. (Lucasfilm and Fox would not officially
Originally aired on ABC in 1977, this special features behind-the-scenes footage from the sets, the visual effects, interviews with the cast and creators of the legendary film. Interviews with Mark Hamill, Carrie Fisher, George Lucas, and Gary Kurtz are featured on this video narrated by the late William Conrad. This special was only reissued once in the United States on video in its original format, as part of a double feature with a similar special on The Empire Strikes Back.
The video and audio quality is typical for late 1970's video releases, with the source print being a 16mm print. Also, attached to most of the Magnetic Video prints is a trailer for The Empire Strikes Back that is not present with the current trilogy DVD set.
The only other U.S. video release of this special is a 1995 reissue through a mail-in offer with Kellogg's Cereals, which replaces William Conrad's voiceover with another actor. The rest of the special is similar to its initial appearance.

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Unauthorized Star Wars Story Review

Unauthorized Star Wars Story
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Unfortunately I bought a copy of this tape last November hoping for that for an un-authorised version something new and different,I am a SW fan but found the interview's repititious and overall, not of much interest as a hole,I also have the original 1977 The Making of Star Wars,far more entertaining though I understand most-likely un-obtainable now,in my opnion rent the Unauthorised version first before buying and decide for yourself. Just because your'e a fan does'nt mean you have to like everything put out there connected to the Star Wars franchise, it is boring and a disappointment,buyer's beware in future I will view/rent first before purchasing!

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Star Wars IV: A New Hope (1977) Review

Star Wars IV: A New Hope  (1977)
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I am one of those geeks who was ten years old when Star Wars came out (note: it was not originally called "Episode IV.") I watched it in the theater perhaps a dozen times. It was the most amazing thing I had ever seen.
This release contains two DVDs: the version that Lucas has been tinkering with, and on a bonus disc, the original movie in 4:3 letterbox, taken from the best-available videodisc masters.
About that "tinkering." The 2004 version of Episode 4 looks, for the most part, quite gorgeous. The _restoration_ that Lucasfilm did is impressive: the blacks are blacker, the whites whiter, the color richer, the contrast improved all around, and the soundtrack is great. The dirt and scratches are gone, the shaky color very solid.
However, at some point Lucas crossed over from "restoration" into making a new movie. That's fine; he has the right to do so. But for him to say that the original Star Wars is not really what he had in mind, when it was one of the most famous and popular movies in history and became entrenched in the culture -- well, I find that weirdly arrogant. And when he says, in effect, that his altered version _is_ "Star Wars" and the original _isn't_ -- well, hmmm. A movie is a historical artifact. There's a difference between preservation and tinkering. Mainly, that tinkering mostly is there to gratify the artist, while preservation serves the art -- and the fans of the art. Artistic creation is a fragile and uncertain process. For Lucas to assume that he knew exactly what made Star Wars great and presume to make it better misstates the amount of control that artists actually have over how their creations are received by the public.
Where you draw this line is slightly unclear. I think the cleanup of the backgrounds is fine. The improvement of the soundtrack to use the latest technology available is wonderful. I'm not sure why Kenobi's weird cry that drives away the sandpeople was replaced with a slightly different weird cry. He's redone some of the explosions twice now. I'm not sure why they all became pink in 2004. Why did he feel that Alderaan and the Death Star needed to explode in giant rings? Why do the lightsabers now give off blinding green flashes when they collide? Most of these changes are not improvements; they are just distractions. They tend to stick out like a sore thumb to fans who have seen the movie many times.
But there are more than just the small arbitrary changes, I'm not really happy with the addition of dinosaur-like creatures in Mos Eisley, and I'm really not happy with giving these little bits and pieces cartoonish _sound_ that sounds like it came from Episode 1. Star Wars, the original, had a different tone, a different mood, than Empire and Jedi and the whole prequel trilogy. It's a little darker. It's a world where rebels and stormtroopers are violently killed and Han Solo shoots first. Lucas is free to make that world happier and more cartoonish in his later films, but altering, and in some cases censoring violence from the original, is a very strange thing to do.
So, although I really admire the improvements to the image and sound in the 2004 edition, I generally prefer watching the original 1977 cut. For that, I'm sorry to report that the digital transfer, from the videodisc master, is only adequate. Many fans are griping that it is 4:3 instead of anamorphic 19:9. This means it isn't full-width on a widescreen TV. That doesn't particularly bother me, but I'm viewing it on an old TV, not a widescreen TV. It looks like a very good analog videotape, but we've recently -- and rather abruptly, in terms of years -- gotten used to DVDs of films that were transferred to the digital realm and mastered there. It's actually taken from the master for the analog videodisc. The audio is good, but again we now tend to compare it to all-digital productions. Negative comments on Amazon about the black level are on the mark; some of the space scenes make black outer space look brown, or gray. This is particularly evident when we see Vader's helmet in his tie fighter; his helmet is blacker than the black background of space. But that is true in the original film; it was noticeable in the theater on opening day. A number of the desert scenes have poor contrast and faded color; some of this is film deterioration, and some is because the contrast and color in some of the outdoor Tatooine scenes were never that good to begin with. There are noticeable scratches. The color is shaky in some scenes, particularly outdoor scenes, and flickers a bit. It looks like a film that is considerably older than it is. I've seen restored films from considerably earlier that look a lot better than this one does.
Here's the thing: it didn't have to be this way. We would have considered it to be a fairly good video rendering at one point in time. But our expectations have been raised considerably -- and, in fact, Lucas himself is largely responsible for raising those expectations, because of his constant embrace of new technology for delivering films to audiences. The 2004 DVD release has all those black level problems fixed. There aren't any visible scratches. The contrast is excellent. The colors are vivid. The missing dialog is restored.
So which version do I want to watch? Well, the answer is neither. I want to watch a version that doesn't exist: call it "Star Wars: the Nostalgia Edition." That version would be fully _restored_, but not _altered_. And it would have things like Han Solo's scene with Jabba available as a "deleted scene" special feature, along with all the other so-called lost footage such as the scene at Anchorhead, which introduces (and makes sense of) Luke's relationship with Biggs. It would have been presented with respect for the original work, not as a bonus disc given no special treatment. Instead, Lucas has disowned that picture.
And here's the thing: I'd be shocked if Lucas didn't have every scene, unaltered, from the first film in beautifully restored digital form. After all, wouldn't a restored original film have been the starting point for this whole process of remastering that led to the 1997 and 2004 versions?
So, I'm not actually advocating that we give up the advances in restoration that are evident in the 2004 release. But don't bother with the tinkering. The fans don't care about it. Keep the original death star cell block footage. Sure, the tunnel behind the actors is obviously a matte painting, and the perspective is off kilter when the camera angle changes. But you know what? I saw Star Wars at least ten times in the theater and I never noticed the problem -- because it isn't a "problem," it's an artifact of the budget and technology that existed in 1977. You notice it if you are looking at the frame cynically, not when you are immersed in the story. It might be an irritant to Lucas now, but it is the effect we grew up with. For the "Nostalgia Edition," let Star Wars be Star Wars.
Then Lucas can go on with his director's cuts, turning Star Wars into a 3-D cartoon until the sun explodes, for all I care. Just don't make me watch Greedo shoot first!

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Star Wars Return of the Jedi Review

Star Wars Return of the Jedi
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Premiere Magazine's movie screenplays tend to be a bit plain & straightforward-looking, yet eye-catching at the same time. Depending on whether or not the movie is considered a classic or `popular', the color of the thin posterboard-stock cover will be black or red (the latter being the case for the ROTJ script), respectively. The writing on the cover & spine is in gold foil. The front cover is a die-cut, with the movie's release one-sheet poster featured in the void. Although the die-cut gives the script an attractive look, it tends to get caught up on the edges of the other books on my shelf when I put it away, which can lead to wrinkling and tearing of the cover. So needless to say, I gotta make sure there's a decent space between books when I put this away.
The Script itself is printed in the basic screenplay typeset and format, with each page printed on one side only. The typeface isn't too bold, and can be hard to read at times. The back of the book includes all of the movies (up to 1994) the main cast members have appeared in, as well as four color & four B/W photo reproductions from the movie. I was somewhat disappointed by the kinds of photos included with the ROTJ script- they're the rather plain & very common publicity stills that have been seen many times over in endless other Star Wars publications. I was kinda hoping for some `new' pics, but I guess I'm just S.O.L. in that department...
Aside from `Return of the Jedi', there are also Premiere scripts of the first two pre-SE `Star Wars' flicks, the Star Trek movies from II through VI, The Indiana Jones Trilogy, Rocky, The Wizard of Oz, and many others. If you've a fave movie that's considered a classic, or a popular modern release from the 80s or earlier, there's a good chance that Premiere magazine published a script of it. Unfortunately, they've all been out of print for several years now, which means you're gonna hafta do some big-time hunting if you want to get the Premiere screenplay of your fave flick. More power to you...
One last thing: this particular script is of the original ROTJ. Check out the `Return of The Jedi Script Facsimile' if you're looking for a somewhat similar presentation of the Special Edition screenplay.
`Late

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Return of the Jedi (1983) Review

Return of the Jedi  (1983)
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This could very easily be an ecstatic 5-star review. The original, unaltered Star Wars trilogy, finally on DVD with no droid & alien cartoon antics, no Hayden Christensen's face on Sebastian Shaw's body, no videogame-quality Jabba the Hutt, the original Academy Award-winning special effects, the music we remember... This should be a red-letter DVD release for Star Wars fans. Sadly, it is not.
Here's why you should boycott this release:
1. The picture & sound are intentionally presented in mediocre quality. These DVD's are transferred from the exact same videotape used to create the laserdisc release in 1993. That means a non-anamorphic, muddy, letterboxed picture that will have to be zoomed in to fill widescreen TVs or computer monitors. Lucasfilm refuses to fulfill the basic minimum standards of a current DVD release and make a new transfer. The quality of this DVD presentation will not live up to that of such timeless classics as Caddyshack II & Ishtar.
2. It's overpriced. If Lucasfilm is only willing to toss out these beloved films in this shoddy version, and they are unwilling to spend any time or money at all on their release, that is their right. They should charge accordingly. As bootleg-quality laserdisc transfers, these DVD's should sell for $5-$10, tops. Incredibly, Lucasfilm is charging $90 retail for these three movies! That's almost twice the cost of the (still available) box set with the exact same Special Edition discs!
They're trying to justify the cost by bundling the unaltered movies (the only reason to buy this version) with the Special Edition movies, but they must know it's a sham. Anybody who is willing to pay $90 ($60 @ Amazon) for the Special Edition DVD's has already bought the existing box sets. The Special Edition discs in this set are a complete waste of plastic, and they do not justify the outrageous cost.
If, for some reason, you have not yet purchased Star Wars on DVD, this set may be an adequate value. For anyone else, this set plus the existing box set you already have will run you a total of $160 retail ($110 @ Amazon). Is that a fair price to pay for an intentionally mediocre release of the movie that made Lucas' empire possible? Is it right to release this classic piece of cinematic history with picture and sound quality far below the latest releases of Buckaroo Banzai or Barbarella? I'll leave that for you to decide.

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Star Wars (1977) Review

Star Wars  (1977)
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I am one of those geeks who was ten years old when Star Wars came out (note: it was not originally called "Episode IV.") I watched it in the theater perhaps a dozen times. It was the most amazing thing I had ever seen.
This release contains two DVDs: the version that Lucas has been tinkering with, and on a bonus disc, the original movie in 4:3 letterbox, taken from the best-available videodisc masters.
About that "tinkering." The 2004 version of Episode 4 looks, for the most part, quite gorgeous. The _restoration_ that Lucasfilm did is impressive: the blacks are blacker, the whites whiter, the color richer, the contrast improved all around, and the soundtrack is great. The dirt and scratches are gone, the shaky color very solid.
However, at some point Lucas crossed over from "restoration" into making a new movie. That's fine; he has the right to do so. But for him to say that the original Star Wars is not really what he had in mind, when it was one of the most famous and popular movies in history and became entrenched in the culture -- well, I find that weirdly arrogant. And when he says, in effect, that his altered version _is_ "Star Wars" and the original _isn't_ -- well, hmmm. A movie is a historical artifact. There's a difference between preservation and tinkering. Mainly, that tinkering mostly is there to gratify the artist, while preservation serves the art -- and the fans of the art. Artistic creation is a fragile and uncertain process. For Lucas to assume that he knew exactly what made Star Wars great and presume to make it better misstates the amount of control that artists actually have over how their creations are received by the public.
Where you draw this line is slightly unclear. I think the cleanup of the backgrounds is fine. The improvement of the soundtrack to use the latest technology available is wonderful. I'm not sure why Kenobi's weird cry that drives away the sandpeople was replaced with a slightly different weird cry. He's redone some of the explosions twice now. I'm not sure why they all became pink in 2004. Why did he feel that Alderaan and the Death Star needed to explode in giant rings? Why do the lightsabers now give off blinding green flashes when they collide? Most of these changes are not improvements; they are just distractions. They tend to stick out like a sore thumb to fans who have seen the movie many times.
But there are more than just the small arbitrary changes, I'm not really happy with the addition of dinosaur-like creatures in Mos Eisley, and I'm really not happy with giving these little bits and pieces cartoonish _sound_ that sounds like it came from Episode 1. Star Wars, the original, had a different tone, a different mood, than Empire and Jedi and the whole prequel trilogy. It's a little darker. It's a world where rebels and stormtroopers are violently killed and Han Solo shoots first. Lucas is free to make that world happier and more cartoonish in his later films, but altering, and in some cases censoring violence from the original, is a very strange thing to do.
So, although I really admire the improvements to the image and sound in the 2004 edition, I generally prefer watching the original 1977 cut. For that, I'm sorry to report that the digital transfer, from the videodisc master, is only adequate. Many fans are griping that it is 4:3 instead of anamorphic 19:9. This means it isn't full-width on a widescreen TV. That doesn't particularly bother me, but I'm viewing it on an old TV, not a widescreen TV. It looks like a very good analog videotape, but we've recently -- and rather abruptly, in terms of years -- gotten used to DVDs of films that were transferred to the digital realm and mastered there. It's actually taken from the master for the analog videodisc. The audio is good, but again we now tend to compare it to all-digital productions. Negative comments on Amazon about the black level are on the mark; some of the space scenes make black outer space look brown, or gray. This is particularly evident when we see Vader's helmet in his tie fighter; his helmet is blacker than the black background of space. But that is true in the original film; it was noticeable in the theater on opening day. A number of the desert scenes have poor contrast and faded color; some of this is film deterioration, and some is because the contrast and color in some of the outdoor Tatooine scenes were never that good to begin with. There are noticeable scratches. The color is shaky in some scenes, particularly outdoor scenes, and flickers a bit. It looks like a film that is considerably older than it is. I've seen restored films from considerably earlier that look a lot better than this one does.
Here's the thing: it didn't have to be this way. We would have considered it to be a fairly good video rendering at one point in time. But our expectations have been raised considerably -- and, in fact, Lucas himself is largely responsible for raising those expectations, because of his constant embrace of new technology for delivering films to audiences. The 2004 DVD release has all those black level problems fixed. There aren't any visible scratches. The contrast is excellent. The colors are vivid. The missing dialog is restored.
So which version do I want to watch? Well, the answer is neither. I want to watch a version that doesn't exist: call it "Star Wars: the Nostalgia Edition." That version would be fully _restored_, but not _altered_. And it would have things like Han Solo's scene with Jabba available as a "deleted scene" special feature, along with all the other so-called lost footage such as the scene at Anchorhead, which introduces (and makes sense of) Luke's relationship with Biggs. It would have been presented with respect for the original work, not as a bonus disc given no special treatment. Instead, Lucas has disowned that picture.
And here's the thing: I'd be shocked if Lucas didn't have every scene, unaltered, from the first film in beautifully restored digital form. After all, wouldn't a restored original film have been the starting point for this whole process of remastering that led to the 1997 and 2004 versions?
So, I'm not actually advocating that we give up the advances in restoration that are evident in the 2004 release. But don't bother with the tinkering. The fans don't care about it. Keep the original death star cell block footage. Sure, the tunnel behind the actors is obviously a matte painting, and the perspective is off kilter when the camera angle changes. But you know what? I saw Star Wars at least ten times in the theater and I never noticed the problem -- because it isn't a "problem," it's an artifact of the budget and technology that existed in 1977. You notice it if you are looking at the frame cynically, not when you are immersed in the story. It might be an irritant to Lucas now, but it is the effect we grew up with. For the "Nostalgia Edition," let Star Wars be Star Wars.
Then Lucas can go on with his director's cuts, turning Star Wars into a 3-D cartoon until the sun explodes, for all I care. Just don't make me watch Greedo shoot first!

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Star Wars Episode IV - A New Hope (Full Screen) (1977) Review

Star Wars Episode IV - A New Hope (Full Screen) (1977)
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I am one of those geeks who was ten years old when Star Wars came out (note: it was not originally called "Episode IV.") I watched it in the theater perhaps a dozen times. It was the most amazing thing I had ever seen.
This release contains two DVDs: the version that Lucas has been tinkering with, and on a bonus disc, the original movie in 4:3 letterbox, taken from the best-available videodisc masters.
About that "tinkering." The 2004 version of Episode 4 looks, for the most part, quite gorgeous. The _restoration_ that Lucasfilm did is impressive: the blacks are blacker, the whites whiter, the color richer, the contrast improved all around, and the soundtrack is great. The dirt and scratches are gone, the shaky color very solid.
However, at some point Lucas crossed over from "restoration" into making a new movie. That's fine; he has the right to do so. But for him to say that the original Star Wars is not really what he had in mind, when it was one of the most famous and popular movies in history and became entrenched in the culture -- well, I find that weirdly arrogant. And when he says, in effect, that his altered version _is_ "Star Wars" and the original _isn't_ -- well, hmmm. A movie is a historical artifact. There's a difference between preservation and tinkering. Mainly, that tinkering mostly is there to gratify the artist, while preservation serves the art -- and the fans of the art. Artistic creation is a fragile and uncertain process. For Lucas to assume that he knew exactly what made Star Wars great and presume to make it better misstates the amount of control that artists actually have over how their creations are received by the public.
Where you draw this line is slightly unclear. I think the cleanup of the backgrounds is fine. The improvement of the soundtrack to use the latest technology available is wonderful. I'm not sure why Kenobi's weird cry that drives away the sandpeople was replaced with a slightly different weird cry. He's redone some of the explosions twice now. I'm not sure why they all became pink in 2004. Why did he feel that Alderaan and the Death Star needed to explode in giant rings? Why do the lightsabers now give off blinding green flashes when they collide? Most of these changes are not improvements; they are just distractions. They tend to stick out like a sore thumb to fans who have seen the movie many times.
But there are more than just the small arbitrary changes, I'm not really happy with the addition of dinosaur-like creatures in Mos Eisley, and I'm really not happy with giving these little bits and pieces cartoonish _sound_ that sounds like it came from Episode 1. Star Wars, the original, had a different tone, a different mood, than Empire and Jedi and the whole prequel trilogy. It's a little darker. It's a world where rebels and stormtroopers are violently killed and Han Solo shoots first. Lucas is free to make that world happier and more cartoonish in his later films, but altering, and in some cases censoring violence from the original, is a very strange thing to do.
So, although I really admire the improvements to the image and sound in the 2004 edition, I generally prefer watching the original 1977 cut. For that, I'm sorry to report that the digital transfer, from the videodisc master, is only adequate. Many fans are griping that it is 4:3 instead of anamorphic 19:9. This means it isn't full-width on a widescreen TV. That doesn't particularly bother me, but I'm viewing it on an old TV, not a widescreen TV. It looks like a very good analog videotape, but we've recently -- and rather abruptly, in terms of years -- gotten used to DVDs of films that were transferred to the digital realm and mastered there. It's actually taken from the master for the analog videodisc. The audio is good, but again we now tend to compare it to all-digital productions. Negative comments on Amazon about the black level are on the mark; some of the space scenes make black outer space look brown, or gray. This is particularly evident when we see Vader's helmet in his tie fighter; his helmet is blacker than the black background of space. But that is true in the original film; it was noticeable in the theater on opening day. A number of the desert scenes have poor contrast and faded color; some of this is film deterioration, and some is because the contrast and color in some of the outdoor Tatooine scenes were never that good to begin with. There are noticeable scratches. The color is shaky in some scenes, particularly outdoor scenes, and flickers a bit. It looks like a film that is considerably older than it is. I've seen restored films from considerably earlier that look a lot better than this one does.
Here's the thing: it didn't have to be this way. We would have considered it to be a fairly good video rendering at one point in time. But our expectations have been raised considerably -- and, in fact, Lucas himself is largely responsible for raising those expectations, because of his constant embrace of new technology for delivering films to audiences. The 2004 DVD release has all those black level problems fixed. There aren't any visible scratches. The contrast is excellent. The colors are vivid. The missing dialog is restored.
So which version do I want to watch? Well, the answer is neither. I want to watch a version that doesn't exist: call it "Star Wars: the Nostalgia Edition." That version would be fully _restored_, but not _altered_. And it would have things like Han Solo's scene with Jabba available as a "deleted scene" special feature, along with all the other so-called lost footage such as the scene at Anchorhead, which introduces (and makes sense of) Luke's relationship with Biggs. It would have been presented with respect for the original work, not as a bonus disc given no special treatment. Instead, Lucas has disowned that picture.
And here's the thing: I'd be shocked if Lucas didn't have every scene, unaltered, from the first film in beautifully restored digital form. After all, wouldn't a restored original film have been the starting point for this whole process of remastering that led to the 1997 and 2004 versions?
So, I'm not actually advocating that we give up the advances in restoration that are evident in the 2004 release. But don't bother with the tinkering. The fans don't care about it. Keep the original death star cell block footage. Sure, the tunnel behind the actors is obviously a matte painting, and the perspective is off kilter when the camera angle changes. But you know what? I saw Star Wars at least ten times in the theater and I never noticed the problem -- because it isn't a "problem," it's an artifact of the budget and technology that existed in 1977. You notice it if you are looking at the frame cynically, not when you are immersed in the story. It might be an irritant to Lucas now, but it is the effect we grew up with. For the "Nostalgia Edition," let Star Wars be Star Wars.
Then Lucas can go on with his director's cuts, turning Star Wars into a 3-D cartoon until the sun explodes, for all I care. Just don't make me watch Greedo shoot first!

Click Here to see more reviews about: Star Wars Episode IV - A New Hope (Full Screen) (1977)

Part IV in a George Lucas epic, Star Wars: A New Hope opens with a rebel ship being boarded by the tyrannical Darth Vader. The plot then follows the life of a simple farmboy, Luke Skywalker, as he and his newly met allies (Han Solo, Chewbacca, Ben Kenobi, C-3PO, R2-D2) attempt to rescue a rebel leader, Princess Leia, from the clutches of the Empire. The conclusion is culminated as the Rebels, including Skywalker and flying ace Wedge Antilles make an attack on the Empires most powerful and ominous weapon, the Death Star.

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Star Wars - Episode IV, A New Hope (Special Edition) (1977) Review

Star Wars - Episode IV, A New Hope (Special Edition)  (1977)
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I am one of those geeks who was ten years old when Star Wars came out (note: it was not originally called "Episode IV.") I watched it in the theater perhaps a dozen times. It was the most amazing thing I had ever seen.
This release contains two DVDs: the version that Lucas has been tinkering with, and on a bonus disc, the original movie in 4:3 letterbox, taken from the best-available videodisc masters.
About that "tinkering." The 2004 version of Episode 4 looks, for the most part, quite gorgeous. The _restoration_ that Lucasfilm did is impressive: the blacks are blacker, the whites whiter, the color richer, the contrast improved all around, and the soundtrack is great. The dirt and scratches are gone, the shaky color very solid.
However, at some point Lucas crossed over from "restoration" into making a new movie. That's fine; he has the right to do so. But for him to say that the original Star Wars is not really what he had in mind, when it was one of the most famous and popular movies in history and became entrenched in the culture -- well, I find that weirdly arrogant. And when he says, in effect, that his altered version _is_ "Star Wars" and the original _isn't_ -- well, hmmm. A movie is a historical artifact. There's a difference between preservation and tinkering. Mainly, that tinkering mostly is there to gratify the artist, while preservation serves the art -- and the fans of the art. Artistic creation is a fragile and uncertain process. For Lucas to assume that he knew exactly what made Star Wars great and presume to make it better misstates the amount of control that artists actually have over how their creations are received by the public.
Where you draw this line is slightly unclear. I think the cleanup of the backgrounds is fine. The improvement of the soundtrack to use the latest technology available is wonderful. I'm not sure why Kenobi's weird cry that drives away the sandpeople was replaced with a slightly different weird cry. He's redone some of the explosions twice now. I'm not sure why they all became pink in 2004. Why did he feel that Alderaan and the Death Star needed to explode in giant rings? Why do the lightsabers now give off blinding green flashes when they collide? Most of these changes are not improvements; they are just distractions. They tend to stick out like a sore thumb to fans who have seen the movie many times.
But there are more than just the small arbitrary changes, I'm not really happy with the addition of dinosaur-like creatures in Mos Eisley, and I'm really not happy with giving these little bits and pieces cartoonish _sound_ that sounds like it came from Episode 1. Star Wars, the original, had a different tone, a different mood, than Empire and Jedi and the whole prequel trilogy. It's a little darker. It's a world where rebels and stormtroopers are violently killed and Han Solo shoots first. Lucas is free to make that world happier and more cartoonish in his later films, but altering, and in some cases censoring violence from the original, is a very strange thing to do.
So, although I really admire the improvements to the image and sound in the 2004 edition, I generally prefer watching the original 1977 cut. For that, I'm sorry to report that the digital transfer, from the videodisc master, is only adequate. Many fans are griping that it is 4:3 instead of anamorphic 19:9. This means it isn't full-width on a widescreen TV. That doesn't particularly bother me, but I'm viewing it on an old TV, not a widescreen TV. It looks like a very good analog videotape, but we've recently -- and rather abruptly, in terms of years -- gotten used to DVDs of films that were transferred to the digital realm and mastered there. It's actually taken from the master for the analog videodisc. The audio is good, but again we now tend to compare it to all-digital productions. Negative comments on Amazon about the black level are on the mark; some of the space scenes make black outer space look brown, or gray. This is particularly evident when we see Vader's helmet in his tie fighter; his helmet is blacker than the black background of space. But that is true in the original film; it was noticeable in the theater on opening day. A number of the desert scenes have poor contrast and faded color; some of this is film deterioration, and some is because the contrast and color in some of the outdoor Tatooine scenes were never that good to begin with. There are noticeable scratches. The color is shaky in some scenes, particularly outdoor scenes, and flickers a bit. It looks like a film that is considerably older than it is. I've seen restored films from considerably earlier that look a lot better than this one does.
Here's the thing: it didn't have to be this way. We would have considered it to be a fairly good video rendering at one point in time. But our expectations have been raised considerably -- and, in fact, Lucas himself is largely responsible for raising those expectations, because of his constant embrace of new technology for delivering films to audiences. The 2004 DVD release has all those black level problems fixed. There aren't any visible scratches. The contrast is excellent. The colors are vivid. The missing dialog is restored.
So which version do I want to watch? Well, the answer is neither. I want to watch a version that doesn't exist: call it "Star Wars: the Nostalgia Edition." That version would be fully _restored_, but not _altered_. And it would have things like Han Solo's scene with Jabba available as a "deleted scene" special feature, along with all the other so-called lost footage such as the scene at Anchorhead, which introduces (and makes sense of) Luke's relationship with Biggs. It would have been presented with respect for the original work, not as a bonus disc given no special treatment. Instead, Lucas has disowned that picture.
And here's the thing: I'd be shocked if Lucas didn't have every scene, unaltered, from the first film in beautifully restored digital form. After all, wouldn't a restored original film have been the starting point for this whole process of remastering that led to the 1997 and 2004 versions?
So, I'm not actually advocating that we give up the advances in restoration that are evident in the 2004 release. But don't bother with the tinkering. The fans don't care about it. Keep the original death star cell block footage. Sure, the tunnel behind the actors is obviously a matte painting, and the perspective is off kilter when the camera angle changes. But you know what? I saw Star Wars at least ten times in the theater and I never noticed the problem -- because it isn't a "problem," it's an artifact of the budget and technology that existed in 1977. You notice it if you are looking at the frame cynically, not when you are immersed in the story. It might be an irritant to Lucas now, but it is the effect we grew up with. For the "Nostalgia Edition," let Star Wars be Star Wars.
Then Lucas can go on with his director's cuts, turning Star Wars into a 3-D cartoon until the sun explodes, for all I care. Just don't make me watch Greedo shoot first!

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The Stars of Star Wars - Interviews from the Cast (1984) Review

The Stars of Star Wars - Interviews from the Cast (1984)
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This DVD is a hodge-podge of footage of people waiting in line, brief interviews with the stars of the films, short cuts of sci-fi films and television shows, longer interviews with the series' fans, and a few other eccentricies. The narration of the DVD is really well done and covers up for some of the poor editing. However, other than the narration, that's about it. The "interviews" with the stars are really short and most were done waiting in line for movie premiers. The DVD also contrasts Star Wars to Star Trek and towards the end of the disc an attempt at comparing Ed Wood to George Lucas is made. Can you believe it, comparing PLAN 9 FROM OUTER SPACE to STAR WARS! Unbelievable.
The only DVD extras are a series of short interviews with some of the stars of Star Wars. Most are with cast members from THE PHANTOM MENACE. However, there are a couple other interviews that took place over twenty years ago with THE EMPIRE STRIKES BACK. The best interview in the whole set is with Harrison Ford and Anthony Daniels; it is by far the most entertaining and interesting part of the DVD.
This is a DVD that only Star Wars fans can appreciate it. It's not too bad for a hodge-podge collection of film. However, some of the editing is poor and there isn't anything new or thought-provoking. Besides that, the DVD compares Ed Wood's films to STAR WARS. If it weren't for the good narration and the Harrison Ford/Anthony Daniels interview, the DVD would have received one star just for the Ed Wood comparison.

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There has never been a phenomenon quite like it in the history of movies. Now, experience firsthand the power and impact of STAR WARS with this exciting documentary. See interviews with the stars and filmmakers of both the original STAR WARS series and the new prequel THE PHANTOM MENACE. Experience the thrill of PHANTOM's opening day and the premiere of the 1997 Special Edition Re-release of the STAR WARS series. Learn what influenced George Lucas when he created STAR WARS and what effect the film has had on the world of science fiction. Travel back in time to meet the creator of special effects then into the future to see how the worlds of STAR TREK and STAR WARS compare. Laugh at Mel Brooks' hilarious spoof SPACEBALLS then listen in as Hollywood superstars like Sharon Stone, Gary Busey, Hugh Hefner, Magic Johnson, Jennifer Tilly, Christina Ricci and Fran Drescher tell why they're fans and what effect the films have had on their lives. Best of all, go behind the scenes and meet George Lucas, Liam Neeson, Samuel L. Jackson, Natalie Portman, Mark Hamill, Carrie Fisher, Harrison Ford and many more as they talk about their roles in the most successful movie series of all time-- they're the STARS of STAR WARS!Bonus Material:The Complete Interviews Collectors bonus! Enjoy the complete, uninterrupted interviews with the stars of THE PHANTOM MENACE including Liam Neeson, Jake Lloyd, Natalie Portman, and Samuel L. Jackson. Plus Harrison Ford, Carrie Fisher, Mark Hamill, Billy Dee Williams and George Lucas himself discuss THE EMPIRE STRIKES BACK and the original1977 STAR WARS. Chapter stops you can go directly to on DVD include: The complete interviews with *Liam Neeson *Jake Lloyd *Natalie Portman *Harrison Ford *Carrie Fisher *Samuel L. Jackson *Mark Hamill *George Lucas *Billy Dee Williams

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From Star Wars to Jedi - Making of a Saga (1985) Review

From Star Wars to Jedi - Making of a Saga  (1985)
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FROM STAR WARS TO JEDI: THE MAKING OF A SAGA is exactly what the title implies, a behind-the-scenes look at the creative process that brought us the original trilogy of Star Wars, Empire Strikes Back, and Return of the Jedi. Many fascinating facts are revealed. Did you know that Jaba the Hut cost over $100,000 to make and most likely is the biggest puppet in movie history? Two men were required to be inside the puppet to operate Jaba. Did you know that the Ewoks were modelled after Chewbaca, but Lucas went to the opposite extremes in their appearances? Instead of very tall, he made them very short. Instead of long fur, he gave them short hair. Further insight into the story of the saga is revealed, and never-before-seen out-takes of actors are shown. Mark Hamill ("Luke") narrates.
This video is 65 minutes in length, and it will be of interest to any fan of the original trilogy, and perhaps even fans of the new trilogy (Episodes I - III).


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Filmmaker George Lucas reaches the pinnacle of cinematic entertainment with his intergalactic trilogy.This stunning documentary takes viewers from conception to reality in all aspects of the Star Wars creations-from Industrial Light & Magic, Lucasfilm's Academy Award winning special effects division wherin the fantastica space creatures and models were constructed - to the very insdie of the evil Jabba the Hutt! This spectacular project was followed from the first storyboards to the actual worldwide filming by writer Richard Schickel.Discussions with George Lucas include the creator's emotions towards the wonderful worlds he originated, and uncover the various film themes and extensive character development of its stars.Illustrated with actual film footage, this imaginative and comprehensive chronicle will be a wonder to viewers of all ages

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Star Wars Episode V - The Empire Strikes Back (2-discs with Full Screen enhanced and original theatrical versions) (1980) Review

Star Wars Episode V - The Empire Strikes Back (2-discs with Full Screen enhanced and original theatrical versions) (1980)
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Lucasfilm is marketing this trilogy release on the inclusion of the unaltered versions of the films when in fact this is a shoddy laserdisc transfer on a bonus disc and the buyer is forced to purchase, yet again, the 2004 versions also. This is essentially retail fraud given that Lucasfilm holds itself as a bastion of home video quality and film preservation - these transfers are 13 years old, non-anamorphic and substandard. YOU WILL BE PAYING $[...] FOR OLD LASERDISCS TRANSFERRED TO DVD. YOU HAVE BEEN WARNED. You will not be able to watch them on a widescreen TV with adequate quality - this is shameful and shameless marketing taking advantage of buyers. DO NOT BUY!

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For the first time ever and for a limited time only, the enhanced versions of the Star Wars: Episode IV A New Hope, Star Wars: Episode V The Empire Strikes Back and Star Wars: Episode VI Return of the Jedi will be available individually on DVD. Plus, these 2-Disc DVD's will feature a bonus disc that includes, for the first time ever on DVD, the original films as seen in theaters in 1977, 1980 and 1983.

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Star Wars Trilogy with Exclusive Best Buy Tin (original theatrical releases) - Widescreen Review

Star Wars Trilogy with Exclusive Best Buy Tin (original theatrical releases) - Widescreen
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I had a chance to watch the Star Wars disc from this supposedly unaltered set and was bummed out that even these are not the version that were in theaters back when I saw them. I know this because when I was 8 I got to watch a bootleg Beta Max version of the first film nearly 50 times at a friends house. I had also seen it the year before in theaters in 1977.
This disc is missing 3 items that were in the original theatrical release. I will list all three.
1. When they are all in the control center(in the death star), C3P0 points and tells Kenobi where to release the tractor beam in 3 different points at the same location. (This was not on the DVD)
2. This one is the most obviuos ommission. When Luke and Leia are at the Chasm before Luke throws the grappling Hook to swing across. In the theater version , he puts the grappling hook in his gun and fires it at the ceiling so it will hook on. Unfortunately it misses for them and it falls down. Luke then needs to coil the whole cord up again with the hook and this time he tosses it and it catches. If you watch any version of the film you will see a really poor edit of Luke pulling up the cord from his belt multiple times as if it had fallen once. But Lucas couldn't just shorten the scene because it would have thrown off the music so he copied and pasted Luke pulling up the cord 2 times. For what ever reason, he felt the first time using a gun was not needed to be left in.
3. This one is minor but when they get through the blast door in the death star to avoid Vader, you can hear the Storm troopers tell the door operator (somewhere) to "Close the blast Doors" and then after it closes, you hear someone say "open the blast doors". In all the versions since the movie came out in theaters the "Close the blast Doors" line has been edited out. It is possible it is still on the non THX version of the Laser Disc.
There is also a shortened scene in the Return of the Jedi but that is for another day. George shortened that as well.
George if you are reading this (And I know you are not) Why don't you actually put the "REAL" theatrical version on DVD and not this Psuedo version of Theatrical. All these DVDS are is of a transfer from the THX Laser Disc Version. I think the original Laser Disc version might have a little more in them, but I am not sure.
BTW, George even did this with Episode III as well. He took out a 15 second scene of General Grevious climbing out side of the crashing ship as it was going down at the beginning of the film. he deleted it because he later realized that General Grevious could not breath outside in space. We know he breathes because of his coughing all through out the film. Those 15 seconds never made it to the DVD or the deleted scene section. Woops ;o)
I don't knwo why he does this to all of his films.
I wish my friend still has his Beta Max copy but it has been long gone for 20 years.

Click Here to see more reviews about: Star Wars Trilogy with Exclusive Best Buy Tin (original theatrical releases) - Widescreen

All three original Star Wars film (episodes IV, V and VI) in the original theatrical form, presented in widescreen with Dolby 2.0 Stereo. Includes six DVDs, two versions of each film (new enhanced versions, as well as the theatrical versions). This was an ultra rare set sold at Best Buy that included an exclusive tin that holds all six discs! Also includes tons of extra features, including commentary tracks and more!

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Star Wars Trilogy (1980) Review

Star Wars Trilogy  (1980)
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Unlike the new Star Wars movies (from the older stories)these original movies, before they were 'remastered', had true 'spirit' or 'heart' or whatever - they were REAL. The 'special effects' (damn good for that time, if u care) weren't what made the movies such awesome adventures. It was a combination of things - a yearning to live the impeccable warrior life of a Jedi, to battle a terrible evil empire, to avenge the deaths of friends, family & unknown innocents, to live in the beautiful forests of Endor with the strange, primitive creatures called 'Ewoks', to bravely enter into the unkown - if you do not understand, all I can say is what a pity. The pathetic attempts at humour found in the new movies were not in these original movies - they were not needed.
When I was growing up, Star Wars, like Conan & Monkey Magic (the real life series not the cartoon), inpires me. Lots.

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Star Wars Trilogy [VHS]

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