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Star Wars: Episode III - Revenge of the Sith (2005) Review

Star Wars: Episode III - Revenge of the Sith  (2005)
Average Reviews:

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I have often thought upon viewing the prequel trilogy, the intervening years between the original and the new. To be sure, most of the criticisms of the new trilogy are adult in nature. We speak ill of wooden dialogue and acting, convoluted storylines, and themes that aren't true to the nature of the purity of science fiction. I was only five when Episode IV was release, so my only criticism of that particular film came in the form of whining to my folks that I couldn't see it again and again and again.
My point is this: George Lucas has his flaws, most of which are related to him being out of the director's chair for more than 20 years before embarking on his new trilogy toy, but I think, more importantly, that we as a filmgoing populace have changed as well. The fact that Lucas has been able to bridge that gap successfully (while telling the story backwards, to boot!) demonstrates the man's immense talents. Perfect? Far from it, but damned entertaining, nonetheless.
Which brings me to the crown jewel of the prequel trilogy. "Revenge of the Sith" is the second best film of all six, ranking only behind "The Empire Strikes Back" in terms of depth an substance. The acting is better and the writing, if not terrific, is helped by a game cast and a pace that doesn't allow you to catch your breath. Hayden Christiansan, for the most part, owns this role, displaying an adult gravity he was unable to display in the dramatically clunky "Attack of the Clones" The rage, frustration, and fear contrasted with Anakin's heroism and confidence in the face of battle made for a complex character who you found yourself rooting for despite the story's preordained outcome.
The special effects, as usual, are outstanding, but for the most part serve the film this time. There are points during the first two prequel films that you feel Lucas and Co. are simply showing off some of their shiny new toys, but in this film there is a more concrete sense of purpose.
Dramatically the film belongs to Ian McDiarmid. His performance creates the right balance of charm and villiany and by doing so makes Anakin's turn all the more believable even though the turn itself feels a tad sudden. In fact, I dare say that I enjoyed McDiarmid more when he was under the guise of Palpatine than when he fully reveals himself as Sidious. The scene during the opera is one of the great dramatic highpoints of any of the six movies.
As for the flaws: sure, there were a few. I would like to have seen a more galvanizing series of events leading to Anakin's turn, perhaps some more perceived betrayals at the hands of the Jedi Council? I would like to have seen a more fleshed out performance by Natalie Portman, who seems to be more of an afterthought than a character in the third film. (On a side note, Portman is a terrific actress, but was, in this humble reviewer's opinion, the most ill-served of the entire cast by the clunky dialogue that pervades all three films.)
The one part to which I didn't object that seemed to be the bane of many Star Wars fans is the scene involving the birth of Vader. I liked the allusions to "Frankenstein" for that is what Vader's story eventually becomes in the following trilogy: a search for his humanity, much like Mary Shelley's creation.
I also didn't have a problem with Vader's reaction to the fact he'd caused Padme's death. You have to remember that, despite the fact that he now has James Earl Jones' booming voice, he's still Anakin and still very young. It does sound odd, I admit, but it's still completely in character. You also have to remember that Darth Vader will have a good 20 to 25 years to complete his transformation into the cold, remorseless killing machine we come to know and love in Episode IV.
In all, "Revenge of the Sith" does a terrific job of tying things together in a manner that harkens back to when I was a child watching Star Wars for the first time. It's impossible, as an adult, to completely dismiss some of the flaws in the later films, but Episode III definitely comes close. It is a magnificent piece of escapist filmaking that has heart, soul, and character and I would highly recommend it to anyone, Star Wars fan or no, looking for a fun time at the movies.

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Star Wars I: The Phantom Menace (1999) Review

Star Wars I: The Phantom Menace (1999)
Average Reviews:

(More customer reviews)
I saw this film on theatrical release in and was very disappointed. Of course, alot of the disappointment initially had to do with the incredible hype build-up that accompanied the new trilogy. Nothing could have lived up to the public's expectations.
That having been said, The Phantom Menace is disappointing not so much because it stinks, but because, I fell, with some additional tweaking, it could have been much much better. Its almost as if Lucas got the plot ideas and character concepts developed to a schematic level and then sort of lost interest in them and did not develop them any further.
Specific gripes:
1. We never really bond with or understand Qui-Gon's character or his relationship with young Anakin. He states that he thinks Anakin may be the chosen one, but that is not really sufficient. We need to see an emotional bond or some kind of identification between the two, but it just isn't there.
2. Not to pick on Jake Lloyd (he's probably a great kid), but Lucas or whoever just did not get a good performance out of him. Plus, there is no hint in young Anakin at this point of character traits or flaws that might later foreshadow his fall. Yoda says he sees anger and fear in Anakin and the Jedi Council make vague predications that he may eventually be dangerous, but we as audience members just don't see it. We are supposed to infer that Anakin is somehow damaged by his life as as slave and subsequent separation from his mother, but again, we don't see any of this. His life as a slave doesn't seem to indicate any hardship; his big scene saying goodbye to his mom is not particularly moving (mainly due to wooden acting by Lloyd; Pernilla August as his mom does a good job thought). Also, if he's a slave, how does he have time/resources to build robots and pod racers? Just not very true to life.
Perhaps if we had seen Anakin and/or his mom subjected to some sort of abuse or exploitation we would have a better indication both of the fear and anger in Anakin and also a potential emotional reason for why Qui-Gon wants to rescue Anakin. When I reflected on it, I thought it would almost be better if Anakin were like the feral boy in Road Warrior II: an unkempt, unclean, and agressive character that had to be somewhat tamed and civilized by his Jedi rescuers. We don't see any character flaws, any little hints of selfishness, anger, fear or frustration. As is, young Anakin is just an average cute kid; we don't see any depth to why he wants to escape his life as a slave or run off to join the Jedi so we don't really care.
3. Source of humor: The original series had a mix of humor based upon the droids 3PO and R2D2 and also with the human characters (primarily interactions between Solo, Leia, and Luke). In TPM, the primary source of humor is generated from droids and Jar Jar Binks with little or no humorous banter or interaction between human characters. This has two effects: 1)relying on computer-generated characters for humor means the primary form of humor becomes physical slapstick, which is one of the main complaints about the Jar Jar charcter; and 2)the interactions between the human main characters, when deprived of humor, makes their relationships seem dry and mechanical, another source of the shallow characterizations.
The one humorous moment that stands out is when, after being ambushed by the Trade Feds at the beginning, Obi-Won says to Qui-Gon with a wry smile: "Well, you were right about one thing Master....the negotiations were short!" This one moment stands out because it is one of the few jokes between human characters and it works and expresses some of Obi-Won's personality. It also effectively echoes some of the banter and attitude that made Solo's character so liekable and crucial to the original films, an attitude and sensibility that is lacking in TPM. As is, we are stuck with Jar Jar's pratfalls for yuks, and it just doesn't work unless you are 5 years old.
4. The shallowness of Darth Maul: Similar to other problems with character depth, we don't know enough about Maul. He says early in the film that at last he will have revenge on the Jedi. Revenge for what? We never know beyond vague notions that the Sith and Jedi are ancient enemies. That is not enough. We either need to be shown more back story on this or have some reason for Maul's motivation. His fight scenes with the Jedi at the end are dynamite and clearly the actor is very skilled in martial arts and projects a menacing attitude with only minimal dialog or screen time, but we never really know anything about him other than "he is a bad guy" and that is not enough.
5. Plot goofiness. As others have pointed out, all the midi-chlorian business is a red herring of mumbo-jumbo that takes the mystical mystery out of the Force and reduces it to a medical condition. The Jedi are supposed to be wise, powerful seers, but them seem oblivious to the presence and intentions of the bad guys over and over again. Having young Anakin build C3PO is silly and seems like a forced "cricle closer". Further, having Anakin start out on Tatooine doesn't seem right and seems liek another circle closer that is forced. Wouldn't he remember all this years later as Darth Vader in Episode 4? Wouldn't there be some result of this coincidence? As noted above, having a slave that doesn't seem to be deprived or suffering and has the time/resources to build robots and pod racers as a hobby seems goofy too.
Again, it seemed to me like Lucas got the plot and characters to a certain point and then quit on them. With only a little extra effort or different emphasis on certain elements, the movie could have been much improved and the audience would have had more insight into the characters and identified with them more. As is, the lack of character development combined with wooden acting makes it hard for the audience to care. The special effects set pieces are spectacular, and the computer generated elements are pioneering and well executed, but without a reason to care about or like the characters, its hard to get too excited.
Again, not a horrid movie, but frustrating because with just a few changes or extra effort, it could have been so much better.


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Star Wars I: The Phantom Menace (1999) Review

Star Wars I: The Phantom Menace  (1999)
Average Reviews:

(More customer reviews)
I saw this film on theatrical release in and was very disappointed. Of course, alot of the disappointment initially had to do with the incredible hype build-up that accompanied the new trilogy. Nothing could have lived up to the public's expectations.
That having been said, The Phantom Menace is disappointing not so much because it stinks, but because, I fell, with some additional tweaking, it could have been much much better. Its almost as if Lucas got the plot ideas and character concepts developed to a schematic level and then sort of lost interest in them and did not develop them any further.
Specific gripes:
1. We never really bond with or understand Qui-Gon's character or his relationship with young Anakin. He states that he thinks Anakin may be the chosen one, but that is not really sufficient. We need to see an emotional bond or some kind of identification between the two, but it just isn't there.
2. Not to pick on Jake Lloyd (he's probably a great kid), but Lucas or whoever just did not get a good performance out of him. Plus, there is no hint in young Anakin at this point of character traits or flaws that might later foreshadow his fall. Yoda says he sees anger and fear in Anakin and the Jedi Council make vague predications that he may eventually be dangerous, but we as audience members just don't see it. We are supposed to infer that Anakin is somehow damaged by his life as as slave and subsequent separation from his mother, but again, we don't see any of this. His life as a slave doesn't seem to indicate any hardship; his big scene saying goodbye to his mom is not particularly moving (mainly due to wooden acting by Lloyd; Pernilla August as his mom does a good job thought). Also, if he's a slave, how does he have time/resources to build robots and pod racers? Just not very true to life.
Perhaps if we had seen Anakin and/or his mom subjected to some sort of abuse or exploitation we would have a better indication both of the fear and anger in Anakin and also a potential emotional reason for why Qui-Gon wants to rescue Anakin. When I reflected on it, I thought it would almost be better if Anakin were like the feral boy in Road Warrior II: an unkempt, unclean, and agressive character that had to be somewhat tamed and civilized by his Jedi rescuers. We don't see any character flaws, any little hints of selfishness, anger, fear or frustration. As is, young Anakin is just an average cute kid; we don't see any depth to why he wants to escape his life as a slave or run off to join the Jedi so we don't really care.
3. Source of humor: The original series had a mix of humor based upon the droids 3PO and R2D2 and also with the human characters (primarily interactions between Solo, Leia, and Luke). In TPM, the primary source of humor is generated from droids and Jar Jar Binks with little or no humorous banter or interaction between human characters. This has two effects: 1)relying on computer-generated characters for humor means the primary form of humor becomes physical slapstick, which is one of the main complaints about the Jar Jar charcter; and 2)the interactions between the human main characters, when deprived of humor, makes their relationships seem dry and mechanical, another source of the shallow characterizations.
The one humorous moment that stands out is when, after being ambushed by the Trade Feds at the beginning, Obi-Won says to Qui-Gon with a wry smile: "Well, you were right about one thing Master....the negotiations were short!" This one moment stands out because it is one of the few jokes between human characters and it works and expresses some of Obi-Won's personality. It also effectively echoes some of the banter and attitude that made Solo's character so liekable and crucial to the original films, an attitude and sensibility that is lacking in TPM. As is, we are stuck with Jar Jar's pratfalls for yuks, and it just doesn't work unless you are 5 years old.
4. The shallowness of Darth Maul: Similar to other problems with character depth, we don't know enough about Maul. He says early in the film that at last he will have revenge on the Jedi. Revenge for what? We never know beyond vague notions that the Sith and Jedi are ancient enemies. That is not enough. We either need to be shown more back story on this or have some reason for Maul's motivation. His fight scenes with the Jedi at the end are dynamite and clearly the actor is very skilled in martial arts and projects a menacing attitude with only minimal dialog or screen time, but we never really know anything about him other than "he is a bad guy" and that is not enough.
5. Plot goofiness. As others have pointed out, all the midi-chlorian business is a red herring of mumbo-jumbo that takes the mystical mystery out of the Force and reduces it to a medical condition. The Jedi are supposed to be wise, powerful seers, but them seem oblivious to the presence and intentions of the bad guys over and over again. Having young Anakin build C3PO is silly and seems like a forced "cricle closer". Further, having Anakin start out on Tatooine doesn't seem right and seems liek another circle closer that is forced. Wouldn't he remember all this years later as Darth Vader in Episode 4? Wouldn't there be some result of this coincidence? As noted above, having a slave that doesn't seem to be deprived or suffering and has the time/resources to build robots and pod racers as a hobby seems goofy too.
Again, it seemed to me like Lucas got the plot and characters to a certain point and then quit on them. With only a little extra effort or different emphasis on certain elements, the movie could have been much improved and the audience would have had more insight into the characters and identified with them more. As is, the lack of character development combined with wooden acting makes it hard for the audience to care. The special effects set pieces are spectacular, and the computer generated elements are pioneering and well executed, but without a reason to care about or like the characters, its hard to get too excited.
Again, not a horrid movie, but frustrating because with just a few changes or extra effort, it could have been so much better.


Click Here to see more reviews about: Star Wars I: The Phantom Menace (1999)



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Star Wars I: The Phantom Menace (1999) Review

Star Wars I: The Phantom Menace (1999)
Average Reviews:

(More customer reviews)
I saw this film on theatrical release in and was very disappointed. Of course, alot of the disappointment initially had to do with the incredible hype build-up that accompanied the new trilogy. Nothing could have lived up to the public's expectations.
That having been said, The Phantom Menace is disappointing not so much because it stinks, but because, I fell, with some additional tweaking, it could have been much much better. Its almost as if Lucas got the plot ideas and character concepts developed to a schematic level and then sort of lost interest in them and did not develop them any further.
Specific gripes:
1. We never really bond with or understand Qui-Gon's character or his relationship with young Anakin. He states that he thinks Anakin may be the chosen one, but that is not really sufficient. We need to see an emotional bond or some kind of identification between the two, but it just isn't there.
2. Not to pick on Jake Lloyd (he's probably a great kid), but Lucas or whoever just did not get a good performance out of him. Plus, there is no hint in young Anakin at this point of character traits or flaws that might later foreshadow his fall. Yoda says he sees anger and fear in Anakin and the Jedi Council make vague predications that he may eventually be dangerous, but we as audience members just don't see it. We are supposed to infer that Anakin is somehow damaged by his life as as slave and subsequent separation from his mother, but again, we don't see any of this. His life as a slave doesn't seem to indicate any hardship; his big scene saying goodbye to his mom is not particularly moving (mainly due to wooden acting by Lloyd; Pernilla August as his mom does a good job thought). Also, if he's a slave, how does he have time/resources to build robots and pod racers? Just not very true to life.
Perhaps if we had seen Anakin and/or his mom subjected to some sort of abuse or exploitation we would have a better indication both of the fear and anger in Anakin and also a potential emotional reason for why Qui-Gon wants to rescue Anakin. When I reflected on it, I thought it would almost be better if Anakin were like the feral boy in Road Warrior II: an unkempt, unclean, and agressive character that had to be somewhat tamed and civilized by his Jedi rescuers. We don't see any character flaws, any little hints of selfishness, anger, fear or frustration. As is, young Anakin is just an average cute kid; we don't see any depth to why he wants to escape his life as a slave or run off to join the Jedi so we don't really care.
3. Source of humor: The original series had a mix of humor based upon the droids 3PO and R2D2 and also with the human characters (primarily interactions between Solo, Leia, and Luke). In TPM, the primary source of humor is generated from droids and Jar Jar Binks with little or no humorous banter or interaction between human characters. This has two effects: 1)relying on computer-generated characters for humor means the primary form of humor becomes physical slapstick, which is one of the main complaints about the Jar Jar charcter; and 2)the interactions between the human main characters, when deprived of humor, makes their relationships seem dry and mechanical, another source of the shallow characterizations.
The one humorous moment that stands out is when, after being ambushed by the Trade Feds at the beginning, Obi-Won says to Qui-Gon with a wry smile: "Well, you were right about one thing Master....the negotiations were short!" This one moment stands out because it is one of the few jokes between human characters and it works and expresses some of Obi-Won's personality. It also effectively echoes some of the banter and attitude that made Solo's character so liekable and crucial to the original films, an attitude and sensibility that is lacking in TPM. As is, we are stuck with Jar Jar's pratfalls for yuks, and it just doesn't work unless you are 5 years old.
4. The shallowness of Darth Maul: Similar to other problems with character depth, we don't know enough about Maul. He says early in the film that at last he will have revenge on the Jedi. Revenge for what? We never know beyond vague notions that the Sith and Jedi are ancient enemies. That is not enough. We either need to be shown more back story on this or have some reason for Maul's motivation. His fight scenes with the Jedi at the end are dynamite and clearly the actor is very skilled in martial arts and projects a menacing attitude with only minimal dialog or screen time, but we never really know anything about him other than "he is a bad guy" and that is not enough.
5. Plot goofiness. As others have pointed out, all the midi-chlorian business is a red herring of mumbo-jumbo that takes the mystical mystery out of the Force and reduces it to a medical condition. The Jedi are supposed to be wise, powerful seers, but them seem oblivious to the presence and intentions of the bad guys over and over again. Having young Anakin build C3PO is silly and seems like a forced "cricle closer". Further, having Anakin start out on Tatooine doesn't seem right and seems liek another circle closer that is forced. Wouldn't he remember all this years later as Darth Vader in Episode 4? Wouldn't there be some result of this coincidence? As noted above, having a slave that doesn't seem to be deprived or suffering and has the time/resources to build robots and pod racers as a hobby seems goofy too.
Again, it seemed to me like Lucas got the plot and characters to a certain point and then quit on them. With only a little extra effort or different emphasis on certain elements, the movie could have been much improved and the audience would have had more insight into the characters and identified with them more. As is, the lack of character development combined with wooden acting makes it hard for the audience to care. The special effects set pieces are spectacular, and the computer generated elements are pioneering and well executed, but without a reason to care about or like the characters, its hard to get too excited.
Again, not a horrid movie, but frustrating because with just a few changes or extra effort, it could have been so much better.


Click Here to see more reviews about: Star Wars I: The Phantom Menace (1999)



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Star Wars - Episode I, The Phantom Menace (Widescreen Edition Boxed Set) (1999) Review

Star Wars - Episode I, The Phantom Menace (Widescreen Edition Boxed Set)  (1999)
Average Reviews:

(More customer reviews)
I saw this film on theatrical release in and was very disappointed. Of course, alot of the disappointment initially had to do with the incredible hype build-up that accompanied the new trilogy. Nothing could have lived up to the public's expectations.
That having been said, The Phantom Menace is disappointing not so much because it stinks, but because, I fell, with some additional tweaking, it could have been much much better. Its almost as if Lucas got the plot ideas and character concepts developed to a schematic level and then sort of lost interest in them and did not develop them any further.
Specific gripes:
1. We never really bond with or understand Qui-Gon's character or his relationship with young Anakin. He states that he thinks Anakin may be the chosen one, but that is not really sufficient. We need to see an emotional bond or some kind of identification between the two, but it just isn't there.
2. Not to pick on Jake Lloyd (he's probably a great kid), but Lucas or whoever just did not get a good performance out of him. Plus, there is no hint in young Anakin at this point of character traits or flaws that might later foreshadow his fall. Yoda says he sees anger and fear in Anakin and the Jedi Council make vague predications that he may eventually be dangerous, but we as audience members just don't see it. We are supposed to infer that Anakin is somehow damaged by his life as as slave and subsequent separation from his mother, but again, we don't see any of this. His life as a slave doesn't seem to indicate any hardship; his big scene saying goodbye to his mom is not particularly moving (mainly due to wooden acting by Lloyd; Pernilla August as his mom does a good job thought). Also, if he's a slave, how does he have time/resources to build robots and pod racers? Just not very true to life.
Perhaps if we had seen Anakin and/or his mom subjected to some sort of abuse or exploitation we would have a better indication both of the fear and anger in Anakin and also a potential emotional reason for why Qui-Gon wants to rescue Anakin. When I reflected on it, I thought it would almost be better if Anakin were like the feral boy in Road Warrior II: an unkempt, unclean, and agressive character that had to be somewhat tamed and civilized by his Jedi rescuers. We don't see any character flaws, any little hints of selfishness, anger, fear or frustration. As is, young Anakin is just an average cute kid; we don't see any depth to why he wants to escape his life as a slave or run off to join the Jedi so we don't really care.
3. Source of humor: The original series had a mix of humor based upon the droids 3PO and R2D2 and also with the human characters (primarily interactions between Solo, Leia, and Luke). In TPM, the primary source of humor is generated from droids and Jar Jar Binks with little or no humorous banter or interaction between human characters. This has two effects: 1)relying on computer-generated characters for humor means the primary form of humor becomes physical slapstick, which is one of the main complaints about the Jar Jar charcter; and 2)the interactions between the human main characters, when deprived of humor, makes their relationships seem dry and mechanical, another source of the shallow characterizations.
The one humorous moment that stands out is when, after being ambushed by the Trade Feds at the beginning, Obi-Won says to Qui-Gon with a wry smile: "Well, you were right about one thing Master....the negotiations were short!" This one moment stands out because it is one of the few jokes between human characters and it works and expresses some of Obi-Won's personality. It also effectively echoes some of the banter and attitude that made Solo's character so liekable and crucial to the original films, an attitude and sensibility that is lacking in TPM. As is, we are stuck with Jar Jar's pratfalls for yuks, and it just doesn't work unless you are 5 years old.
4. The shallowness of Darth Maul: Similar to other problems with character depth, we don't know enough about Maul. He says early in the film that at last he will have revenge on the Jedi. Revenge for what? We never know beyond vague notions that the Sith and Jedi are ancient enemies. That is not enough. We either need to be shown more back story on this or have some reason for Maul's motivation. His fight scenes with the Jedi at the end are dynamite and clearly the actor is very skilled in martial arts and projects a menacing attitude with only minimal dialog or screen time, but we never really know anything about him other than "he is a bad guy" and that is not enough.
5. Plot goofiness. As others have pointed out, all the midi-chlorian business is a red herring of mumbo-jumbo that takes the mystical mystery out of the Force and reduces it to a medical condition. The Jedi are supposed to be wise, powerful seers, but them seem oblivious to the presence and intentions of the bad guys over and over again. Having young Anakin build C3PO is silly and seems like a forced "cricle closer". Further, having Anakin start out on Tatooine doesn't seem right and seems liek another circle closer that is forced. Wouldn't he remember all this years later as Darth Vader in Episode 4? Wouldn't there be some result of this coincidence? As noted above, having a slave that doesn't seem to be deprived or suffering and has the time/resources to build robots and pod racers as a hobby seems goofy too.
Again, it seemed to me like Lucas got the plot and characters to a certain point and then quit on them. With only a little extra effort or different emphasis on certain elements, the movie could have been much improved and the audience would have had more insight into the characters and identified with them more. As is, the lack of character development combined with wooden acting makes it hard for the audience to care. The special effects set pieces are spectacular, and the computer generated elements are pioneering and well executed, but without a reason to care about or like the characters, its hard to get too excited.
Again, not a horrid movie, but frustrating because with just a few changes or extra effort, it could have been so much better.


Click Here to see more reviews about: Star Wars - Episode I, The Phantom Menace (Widescreen Edition Boxed Set) (1999)



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Star Wars I: The Phantom Menace (1999) Review

Star Wars I: The Phantom Menace  (1999)
Average Reviews:

(More customer reviews)
I saw this film on theatrical release in and was very disappointed. Of course, alot of the disappointment initially had to do with the incredible hype build-up that accompanied the new trilogy. Nothing could have lived up to the public's expectations.
That having been said, The Phantom Menace is disappointing not so much because it stinks, but because, I fell, with some additional tweaking, it could have been much much better. Its almost as if Lucas got the plot ideas and character concepts developed to a schematic level and then sort of lost interest in them and did not develop them any further.
Specific gripes:
1. We never really bond with or understand Qui-Gon's character or his relationship with young Anakin. He states that he thinks Anakin may be the chosen one, but that is not really sufficient. We need to see an emotional bond or some kind of identification between the two, but it just isn't there.
2. Not to pick on Jake Lloyd (he's probably a great kid), but Lucas or whoever just did not get a good performance out of him. Plus, there is no hint in young Anakin at this point of character traits or flaws that might later foreshadow his fall. Yoda says he sees anger and fear in Anakin and the Jedi Council make vague predications that he may eventually be dangerous, but we as audience members just don't see it. We are supposed to infer that Anakin is somehow damaged by his life as as slave and subsequent separation from his mother, but again, we don't see any of this. His life as a slave doesn't seem to indicate any hardship; his big scene saying goodbye to his mom is not particularly moving (mainly due to wooden acting by Lloyd; Pernilla August as his mom does a good job thought). Also, if he's a slave, how does he have time/resources to build robots and pod racers? Just not very true to life.
Perhaps if we had seen Anakin and/or his mom subjected to some sort of abuse or exploitation we would have a better indication both of the fear and anger in Anakin and also a potential emotional reason for why Qui-Gon wants to rescue Anakin. When I reflected on it, I thought it would almost be better if Anakin were like the feral boy in Road Warrior II: an unkempt, unclean, and agressive character that had to be somewhat tamed and civilized by his Jedi rescuers. We don't see any character flaws, any little hints of selfishness, anger, fear or frustration. As is, young Anakin is just an average cute kid; we don't see any depth to why he wants to escape his life as a slave or run off to join the Jedi so we don't really care.
3. Source of humor: The original series had a mix of humor based upon the droids 3PO and R2D2 and also with the human characters (primarily interactions between Solo, Leia, and Luke). In TPM, the primary source of humor is generated from droids and Jar Jar Binks with little or no humorous banter or interaction between human characters. This has two effects: 1)relying on computer-generated characters for humor means the primary form of humor becomes physical slapstick, which is one of the main complaints about the Jar Jar charcter; and 2)the interactions between the human main characters, when deprived of humor, makes their relationships seem dry and mechanical, another source of the shallow characterizations.
The one humorous moment that stands out is when, after being ambushed by the Trade Feds at the beginning, Obi-Won says to Qui-Gon with a wry smile: "Well, you were right about one thing Master....the negotiations were short!" This one moment stands out because it is one of the few jokes between human characters and it works and expresses some of Obi-Won's personality. It also effectively echoes some of the banter and attitude that made Solo's character so liekable and crucial to the original films, an attitude and sensibility that is lacking in TPM. As is, we are stuck with Jar Jar's pratfalls for yuks, and it just doesn't work unless you are 5 years old.
4. The shallowness of Darth Maul: Similar to other problems with character depth, we don't know enough about Maul. He says early in the film that at last he will have revenge on the Jedi. Revenge for what? We never know beyond vague notions that the Sith and Jedi are ancient enemies. That is not enough. We either need to be shown more back story on this or have some reason for Maul's motivation. His fight scenes with the Jedi at the end are dynamite and clearly the actor is very skilled in martial arts and projects a menacing attitude with only minimal dialog or screen time, but we never really know anything about him other than "he is a bad guy" and that is not enough.
5. Plot goofiness. As others have pointed out, all the midi-chlorian business is a red herring of mumbo-jumbo that takes the mystical mystery out of the Force and reduces it to a medical condition. The Jedi are supposed to be wise, powerful seers, but them seem oblivious to the presence and intentions of the bad guys over and over again. Having young Anakin build C3PO is silly and seems like a forced "cricle closer". Further, having Anakin start out on Tatooine doesn't seem right and seems liek another circle closer that is forced. Wouldn't he remember all this years later as Darth Vader in Episode 4? Wouldn't there be some result of this coincidence? As noted above, having a slave that doesn't seem to be deprived or suffering and has the time/resources to build robots and pod racers as a hobby seems goofy too.
Again, it seemed to me like Lucas got the plot and characters to a certain point and then quit on them. With only a little extra effort or different emphasis on certain elements, the movie could have been much improved and the audience would have had more insight into the characters and identified with them more. As is, the lack of character development combined with wooden acting makes it hard for the audience to care. The special effects set pieces are spectacular, and the computer generated elements are pioneering and well executed, but without a reason to care about or like the characters, its hard to get too excited.
Again, not a horrid movie, but frustrating because with just a few changes or extra effort, it could have been so much better.


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Star Wars Episode 1: La Menace Fantome Review

Star Wars Episode 1: La Menace Fantome
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I saw this film on theatrical release in and was very disappointed. Of course, alot of the disappointment initially had to do with the incredible hype build-up that accompanied the new trilogy. Nothing could have lived up to the public's expectations.
That having been said, The Phantom Menace is disappointing not so much because it stinks, but because, I fell, with some additional tweaking, it could have been much much better. Its almost as if Lucas got the plot ideas and character concepts developed to a schematic level and then sort of lost interest in them and did not develop them any further.
Specific gripes:
1. We never really bond with or understand Qui-Gon's character or his relationship with young Anakin. He states that he thinks Anakin may be the chosen one, but that is not really sufficient. We need to see an emotional bond or some kind of identification between the two, but it just isn't there.
2. Not to pick on Jake Lloyd (he's probably a great kid), but Lucas or whoever just did not get a good performance out of him. Plus, there is no hint in young Anakin at this point of character traits or flaws that might later foreshadow his fall. Yoda says he sees anger and fear in Anakin and the Jedi Council make vague predications that he may eventually be dangerous, but we as audience members just don't see it. We are supposed to infer that Anakin is somehow damaged by his life as as slave and subsequent separation from his mother, but again, we don't see any of this. His life as a slave doesn't seem to indicate any hardship; his big scene saying goodbye to his mom is not particularly moving (mainly due to wooden acting by Lloyd; Pernilla August as his mom does a good job thought). Also, if he's a slave, how does he have time/resources to build robots and pod racers? Just not very true to life.
Perhaps if we had seen Anakin and/or his mom subjected to some sort of abuse or exploitation we would have a better indication both of the fear and anger in Anakin and also a potential emotional reason for why Qui-Gon wants to rescue Anakin. When I reflected on it, I thought it would almost be better if Anakin were like the feral boy in Road Warrior II: an unkempt, unclean, and agressive character that had to be somewhat tamed and civilized by his Jedi rescuers. We don't see any character flaws, any little hints of selfishness, anger, fear or frustration. As is, young Anakin is just an average cute kid; we don't see any depth to why he wants to escape his life as a slave or run off to join the Jedi so we don't really care.
3. Source of humor: The original series had a mix of humor based upon the droids 3PO and R2D2 and also with the human characters (primarily interactions between Solo, Leia, and Luke). In TPM, the primary source of humor is generated from droids and Jar Jar Binks with little or no humorous banter or interaction between human characters. This has two effects: 1)relying on computer-generated characters for humor means the primary form of humor becomes physical slapstick, which is one of the main complaints about the Jar Jar charcter; and 2)the interactions between the human main characters, when deprived of humor, makes their relationships seem dry and mechanical, another source of the shallow characterizations.
The one humorous moment that stands out is when, after being ambushed by the Trade Feds at the beginning, Obi-Won says to Qui-Gon with a wry smile: "Well, you were right about one thing Master....the negotiations were short!" This one moment stands out because it is one of the few jokes between human characters and it works and expresses some of Obi-Won's personality. It also effectively echoes some of the banter and attitude that made Solo's character so liekable and crucial to the original films, an attitude and sensibility that is lacking in TPM. As is, we are stuck with Jar Jar's pratfalls for yuks, and it just doesn't work unless you are 5 years old.
4. The shallowness of Darth Maul: Similar to other problems with character depth, we don't know enough about Maul. He says early in the film that at last he will have revenge on the Jedi. Revenge for what? We never know beyond vague notions that the Sith and Jedi are ancient enemies. That is not enough. We either need to be shown more back story on this or have some reason for Maul's motivation. His fight scenes with the Jedi at the end are dynamite and clearly the actor is very skilled in martial arts and projects a menacing attitude with only minimal dialog or screen time, but we never really know anything about him other than "he is a bad guy" and that is not enough.
5. Plot goofiness. As others have pointed out, all the midi-chlorian business is a red herring of mumbo-jumbo that takes the mystical mystery out of the Force and reduces it to a medical condition. The Jedi are supposed to be wise, powerful seers, but them seem oblivious to the presence and intentions of the bad guys over and over again. Having young Anakin build C3PO is silly and seems like a forced "cricle closer". Further, having Anakin start out on Tatooine doesn't seem right and seems liek another circle closer that is forced. Wouldn't he remember all this years later as Darth Vader in Episode 4? Wouldn't there be some result of this coincidence? As noted above, having a slave that doesn't seem to be deprived or suffering and has the time/resources to build robots and pod racers as a hobby seems goofy too.
Again, it seemed to me like Lucas got the plot and characters to a certain point and then quit on them. With only a little extra effort or different emphasis on certain elements, the movie could have been much improved and the audience would have had more insight into the characters and identified with them more. As is, the lack of character development combined with wooden acting makes it hard for the audience to care. The special effects set pieces are spectacular, and the computer generated elements are pioneering and well executed, but without a reason to care about or like the characters, its hard to get too excited.
Again, not a horrid movie, but frustrating because with just a few changes or extra effort, it could have been so much better.


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Star Wars Trilogy (Widescreen Edition) (1980) Review

Star Wars Trilogy (Widescreen Edition)  (1980)
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This is just an alert since there seems to be some confusion about a trilogy release with the original unaltered versions along with the special editions vs a trilogy set that only contains the special editions and no copies of the original unaltered versions.
The reviews for both sets are merged together... that is why you are seeing people claim that it has the original unaltered versions, and people complaining they do not. THIS set that I specifically clicked on to make this comment on is on the 2004 release which DOES NOT CONTAIN THE ORIGINAL UNALTERED VERSIONS. The box image is silver and has Darth Vader's mask on the box. This set ONLY contains the SE along with a 4th bonus disc of making of features and trailers and a sneak peak at episode III. If you want the trilogy set that contains both the SE and the unaltered versions but no bonus features, make sure when purchasing from Amazon, that the picture is a picture of Darth Vader and Luke clashing with light sabers and the box has a lot of blue coloring. It also says IV V VI along the bottom. Scroll down to DVD info and it should say release date: 2008. THAT is the version you are looking for.
If you place an order on the Trilogy with the Silver box with Darth Vaders mask on it, you are going to get the 2004 release of the trilogy and that's probably not the one you want... This review is going to appear on both sets though... So make sure before you buy, that you are on the correct trilogy page. Check the picture. Check the release date.
There are plenty of reviews of the actual product so I'm not going to go into that. Just wanted to clear up some confusion.

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Star Wars (Ws) (1999) Review

Star Wars (Ws) (1999)
Average Reviews:

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I saw this film on theatrical release in and was very disappointed. Of course, alot of the disappointment initially had to do with the incredible hype build-up that accompanied the new trilogy. Nothing could have lived up to the public's expectations.
That having been said, The Phantom Menace is disappointing not so much because it stinks, but because, I fell, with some additional tweaking, it could have been much much better. Its almost as if Lucas got the plot ideas and character concepts developed to a schematic level and then sort of lost interest in them and did not develop them any further.
Specific gripes:
1. We never really bond with or understand Qui-Gon's character or his relationship with young Anakin. He states that he thinks Anakin may be the chosen one, but that is not really sufficient. We need to see an emotional bond or some kind of identification between the two, but it just isn't there.
2. Not to pick on Jake Lloyd (he's probably a great kid), but Lucas or whoever just did not get a good performance out of him. Plus, there is no hint in young Anakin at this point of character traits or flaws that might later foreshadow his fall. Yoda says he sees anger and fear in Anakin and the Jedi Council make vague predications that he may eventually be dangerous, but we as audience members just don't see it. We are supposed to infer that Anakin is somehow damaged by his life as as slave and subsequent separation from his mother, but again, we don't see any of this. His life as a slave doesn't seem to indicate any hardship; his big scene saying goodbye to his mom is not particularly moving (mainly due to wooden acting by Lloyd; Pernilla August as his mom does a good job thought). Also, if he's a slave, how does he have time/resources to build robots and pod racers? Just not very true to life.
Perhaps if we had seen Anakin and/or his mom subjected to some sort of abuse or exploitation we would have a better indication both of the fear and anger in Anakin and also a potential emotional reason for why Qui-Gon wants to rescue Anakin. When I reflected on it, I thought it would almost be better if Anakin were like the feral boy in Road Warrior II: an unkempt, unclean, and agressive character that had to be somewhat tamed and civilized by his Jedi rescuers. We don't see any character flaws, any little hints of selfishness, anger, fear or frustration. As is, young Anakin is just an average cute kid; we don't see any depth to why he wants to escape his life as a slave or run off to join the Jedi so we don't really care.
3. Source of humor: The original series had a mix of humor based upon the droids 3PO and R2D2 and also with the human characters (primarily interactions between Solo, Leia, and Luke). In TPM, the primary source of humor is generated from droids and Jar Jar Binks with little or no humorous banter or interaction between human characters. This has two effects: 1)relying on computer-generated characters for humor means the primary form of humor becomes physical slapstick, which is one of the main complaints about the Jar Jar charcter; and 2)the interactions between the human main characters, when deprived of humor, makes their relationships seem dry and mechanical, another source of the shallow characterizations.
The one humorous moment that stands out is when, after being ambushed by the Trade Feds at the beginning, Obi-Won says to Qui-Gon with a wry smile: "Well, you were right about one thing Master....the negotiations were short!" This one moment stands out because it is one of the few jokes between human characters and it works and expresses some of Obi-Won's personality. It also effectively echoes some of the banter and attitude that made Solo's character so liekable and crucial to the original films, an attitude and sensibility that is lacking in TPM. As is, we are stuck with Jar Jar's pratfalls for yuks, and it just doesn't work unless you are 5 years old.
4. The shallowness of Darth Maul: Similar to other problems with character depth, we don't know enough about Maul. He says early in the film that at last he will have revenge on the Jedi. Revenge for what? We never know beyond vague notions that the Sith and Jedi are ancient enemies. That is not enough. We either need to be shown more back story on this or have some reason for Maul's motivation. His fight scenes with the Jedi at the end are dynamite and clearly the actor is very skilled in martial arts and projects a menacing attitude with only minimal dialog or screen time, but we never really know anything about him other than "he is a bad guy" and that is not enough.
5. Plot goofiness. As others have pointed out, all the midi-chlorian business is a red herring of mumbo-jumbo that takes the mystical mystery out of the Force and reduces it to a medical condition. The Jedi are supposed to be wise, powerful seers, but them seem oblivious to the presence and intentions of the bad guys over and over again. Having young Anakin build C3PO is silly and seems like a forced "cricle closer". Further, having Anakin start out on Tatooine doesn't seem right and seems liek another circle closer that is forced. Wouldn't he remember all this years later as Darth Vader in Episode 4? Wouldn't there be some result of this coincidence? As noted above, having a slave that doesn't seem to be deprived or suffering and has the time/resources to build robots and pod racers as a hobby seems goofy too.
Again, it seemed to me like Lucas got the plot and characters to a certain point and then quit on them. With only a little extra effort or different emphasis on certain elements, the movie could have been much improved and the audience would have had more insight into the characters and identified with them more. As is, the lack of character development combined with wooden acting makes it hard for the audience to care. The special effects set pieces are spectacular, and the computer generated elements are pioneering and well executed, but without a reason to care about or like the characters, its hard to get too excited.
Again, not a horrid movie, but frustrating because with just a few changes or extra effort, it could have been so much better.


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Begin your STAR WARS DVD collection with STAR WARS: Episode 1 THE PHANTOM MENACE.Packed with over six hours of additional material, including exclusive documentaries and never-before-seen deleted scenes, this 2-disc set provides the perfect showcase for the incredible detail and breathtaking scope of George Lucas's first episode in the mythic STAR WARS saga.

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Star Wars I: The Phantom Menace (Special Collector's Edition) (1999) Review

Star Wars I: The Phantom Menace (Special Collector's Edition)  (1999)
Average Reviews:

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I saw this film on theatrical release in and was very disappointed. Of course, alot of the disappointment initially had to do with the incredible hype build-up that accompanied the new trilogy. Nothing could have lived up to the public's expectations.
That having been said, The Phantom Menace is disappointing not so much because it stinks, but because, I fell, with some additional tweaking, it could have been much much better. Its almost as if Lucas got the plot ideas and character concepts developed to a schematic level and then sort of lost interest in them and did not develop them any further.
Specific gripes:
1. We never really bond with or understand Qui-Gon's character or his relationship with young Anakin. He states that he thinks Anakin may be the chosen one, but that is not really sufficient. We need to see an emotional bond or some kind of identification between the two, but it just isn't there.
2. Not to pick on Jake Lloyd (he's probably a great kid), but Lucas or whoever just did not get a good performance out of him. Plus, there is no hint in young Anakin at this point of character traits or flaws that might later foreshadow his fall. Yoda says he sees anger and fear in Anakin and the Jedi Council make vague predications that he may eventually be dangerous, but we as audience members just don't see it. We are supposed to infer that Anakin is somehow damaged by his life as as slave and subsequent separation from his mother, but again, we don't see any of this. His life as a slave doesn't seem to indicate any hardship; his big scene saying goodbye to his mom is not particularly moving (mainly due to wooden acting by Lloyd; Pernilla August as his mom does a good job thought). Also, if he's a slave, how does he have time/resources to build robots and pod racers? Just not very true to life.
Perhaps if we had seen Anakin and/or his mom subjected to some sort of abuse or exploitation we would have a better indication both of the fear and anger in Anakin and also a potential emotional reason for why Qui-Gon wants to rescue Anakin. When I reflected on it, I thought it would almost be better if Anakin were like the feral boy in Road Warrior II: an unkempt, unclean, and agressive character that had to be somewhat tamed and civilized by his Jedi rescuers. We don't see any character flaws, any little hints of selfishness, anger, fear or frustration. As is, young Anakin is just an average cute kid; we don't see any depth to why he wants to escape his life as a slave or run off to join the Jedi so we don't really care.
3. Source of humor: The original series had a mix of humor based upon the droids 3PO and R2D2 and also with the human characters (primarily interactions between Solo, Leia, and Luke). In TPM, the primary source of humor is generated from droids and Jar Jar Binks with little or no humorous banter or interaction between human characters. This has two effects: 1)relying on computer-generated characters for humor means the primary form of humor becomes physical slapstick, which is one of the main complaints about the Jar Jar charcter; and 2)the interactions between the human main characters, when deprived of humor, makes their relationships seem dry and mechanical, another source of the shallow characterizations.
The one humorous moment that stands out is when, after being ambushed by the Trade Feds at the beginning, Obi-Won says to Qui-Gon with a wry smile: "Well, you were right about one thing Master....the negotiations were short!" This one moment stands out because it is one of the few jokes between human characters and it works and expresses some of Obi-Won's personality. It also effectively echoes some of the banter and attitude that made Solo's character so liekable and crucial to the original films, an attitude and sensibility that is lacking in TPM. As is, we are stuck with Jar Jar's pratfalls for yuks, and it just doesn't work unless you are 5 years old.
4. The shallowness of Darth Maul: Similar to other problems with character depth, we don't know enough about Maul. He says early in the film that at last he will have revenge on the Jedi. Revenge for what? We never know beyond vague notions that the Sith and Jedi are ancient enemies. That is not enough. We either need to be shown more back story on this or have some reason for Maul's motivation. His fight scenes with the Jedi at the end are dynamite and clearly the actor is very skilled in martial arts and projects a menacing attitude with only minimal dialog or screen time, but we never really know anything about him other than "he is a bad guy" and that is not enough.
5. Plot goofiness. As others have pointed out, all the midi-chlorian business is a red herring of mumbo-jumbo that takes the mystical mystery out of the Force and reduces it to a medical condition. The Jedi are supposed to be wise, powerful seers, but them seem oblivious to the presence and intentions of the bad guys over and over again. Having young Anakin build C3PO is silly and seems like a forced "cricle closer". Further, having Anakin start out on Tatooine doesn't seem right and seems liek another circle closer that is forced. Wouldn't he remember all this years later as Darth Vader in Episode 4? Wouldn't there be some result of this coincidence? As noted above, having a slave that doesn't seem to be deprived or suffering and has the time/resources to build robots and pod racers as a hobby seems goofy too.
Again, it seemed to me like Lucas got the plot and characters to a certain point and then quit on them. With only a little extra effort or different emphasis on certain elements, the movie could have been much improved and the audience would have had more insight into the characters and identified with them more. As is, the lack of character development combined with wooden acting makes it hard for the audience to care. The special effects set pieces are spectacular, and the computer generated elements are pioneering and well executed, but without a reason to care about or like the characters, its hard to get too excited.
Again, not a horrid movie, but frustrating because with just a few changes or extra effort, it could have been so much better.


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Star Wars - Episode II, Ataque de los Clones (Attack of the Clones) (2002) Review

Star Wars - Episode II, Ataque de los Clones (Attack of the Clones)  (2002)
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SIMPLY ASTONISHING!!!!!!! I have only seen it once, but it was amazing! Yoda simply stole the show at the lightsaber duel at the end. FINALLY some full-speed kendo-style swordplay! I take fencing and I still couldn't follow their movements in the lightsaber duel! WOW!!!!!!!!!!!!

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The STAR WARS saga continues on DVD with Episode II Attack of the Clones. Anakin Skywalker has grown into an accomplished Jedi apprentice, and he faces his most difficult challenge yet as he must choose between his Jedi duty and forbidden love. Relive the adventure the way it was meant to be seen in spectacular digital clarity, including the climactic Clone War battle and Jedi Master Yoda in the ultimate lightsaber duel. Experience this 2-disc set that features over six hours of bonus materials, and see how Episode II unlocks the secrets of the entire STAR WARS saga.

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Star Wars: Episode III - Revenge of the Sith (2005) Review

Star Wars: Episode III - Revenge of the Sith (2005)
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I have often thought upon viewing the prequel trilogy, the intervening years between the original and the new. To be sure, most of the criticisms of the new trilogy are adult in nature. We speak ill of wooden dialogue and acting, convoluted storylines, and themes that aren't true to the nature of the purity of science fiction. I was only five when Episode IV was release, so my only criticism of that particular film came in the form of whining to my folks that I couldn't see it again and again and again.
My point is this: George Lucas has his flaws, most of which are related to him being out of the director's chair for more than 20 years before embarking on his new trilogy toy, but I think, more importantly, that we as a filmgoing populace have changed as well. The fact that Lucas has been able to bridge that gap successfully (while telling the story backwards, to boot!) demonstrates the man's immense talents. Perfect? Far from it, but damned entertaining, nonetheless.
Which brings me to the crown jewel of the prequel trilogy. "Revenge of the Sith" is the second best film of all six, ranking only behind "The Empire Strikes Back" in terms of depth an substance. The acting is better and the writing, if not terrific, is helped by a game cast and a pace that doesn't allow you to catch your breath. Hayden Christiansan, for the most part, owns this role, displaying an adult gravity he was unable to display in the dramatically clunky "Attack of the Clones" The rage, frustration, and fear contrasted with Anakin's heroism and confidence in the face of battle made for a complex character who you found yourself rooting for despite the story's preordained outcome.
The special effects, as usual, are outstanding, but for the most part serve the film this time. There are points during the first two prequel films that you feel Lucas and Co. are simply showing off some of their shiny new toys, but in this film there is a more concrete sense of purpose.
Dramatically the film belongs to Ian McDiarmid. His performance creates the right balance of charm and villiany and by doing so makes Anakin's turn all the more believable even though the turn itself feels a tad sudden. In fact, I dare say that I enjoyed McDiarmid more when he was under the guise of Palpatine than when he fully reveals himself as Sidious. The scene during the opera is one of the great dramatic highpoints of any of the six movies.
As for the flaws: sure, there were a few. I would like to have seen a more galvanizing series of events leading to Anakin's turn, perhaps some more perceived betrayals at the hands of the Jedi Council? I would like to have seen a more fleshed out performance by Natalie Portman, who seems to be more of an afterthought than a character in the third film. (On a side note, Portman is a terrific actress, but was, in this humble reviewer's opinion, the most ill-served of the entire cast by the clunky dialogue that pervades all three films.)
The one part to which I didn't object that seemed to be the bane of many Star Wars fans is the scene involving the birth of Vader. I liked the allusions to "Frankenstein" for that is what Vader's story eventually becomes in the following trilogy: a search for his humanity, much like Mary Shelley's creation.
I also didn't have a problem with Vader's reaction to the fact he'd caused Padme's death. You have to remember that, despite the fact that he now has James Earl Jones' booming voice, he's still Anakin and still very young. It does sound odd, I admit, but it's still completely in character. You also have to remember that Darth Vader will have a good 20 to 25 years to complete his transformation into the cold, remorseless killing machine we come to know and love in Episode IV.
In all, "Revenge of the Sith" does a terrific job of tying things together in a manner that harkens back to when I was a child watching Star Wars for the first time. It's impossible, as an adult, to completely dismiss some of the flaws in the later films, but Episode III definitely comes close. It is a magnificent piece of escapist filmaking that has heart, soul, and character and I would highly recommend it to anyone, Star Wars fan or no, looking for a fun time at the movies.

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The Star Wars saga is now complete on DVD with Episode III REVENGE OF THE SITH. Torn between loyalty to his mentor, Obi-Wan Kenobi, and the seductive powers of the Sith, Anakin Skywalker ultimately turns his back on the Jedi, thus completing his journey to the dark side and his transformation into Darth Vader. Experience the breathtaking scope of the final chapter in spectacular clarity and relive all the epic battles including the final climactic lightsaber duel between Anakin and Obi-Wan.

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Star Wars II: Attack of the Clones (2002) Review

Star Wars II: Attack of the Clones  (2002)
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SIMPLY ASTONISHING!!!!!!! I have only seen it once, but it was amazing! Yoda simply stole the show at the lightsaber duel at the end. FINALLY some full-speed kendo-style swordplay! I take fencing and I still couldn't follow their movements in the lightsaber duel! WOW!!!!!!!!!!!!

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Star Wars: The Prequel Trilogy (Episodes I - III) (2011) Review

Star Wars: The Prequel Trilogy (Episodes I - III)  (2011)
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The worst movies ever made. I loved the originals and watched these news ones in the theater and I because I was caught up in the hype. I wanted to like it because I waited so long for these movies to come out. But with each movie release I was increasingly disappointed. Why are they the worst movies?
1. Very bad acting (and the movies had good actors like Ewan McGregor and Natalie Portman, I don't know what happened) 2. Cheesy and annoying characters like Jar Jar Binks, Boss Nass, Battle Droids, etc.
3. Relied too much on CG to tell the story. 4. George Lucas lost his touch as a director long time ago.
Counter arguments that I've heard:
1. About Jar Jar Binks "It's supposed to have some humor in it"(That's true but these movies weren't funny)
2. About the cheesy and annoying acting. "It's not supposed to be an academy award movie just have fun with it."(Sorry, getting a headache from watching these movies isn't fun)
3. Overall stupidity ( Bad plot, bad direction, no sense of purpose, no loveable characters, story telling sucks) "It's supposed to be for kids" (I these films were dumbed down for today's kids, that's not a good trend because seem to be getting dumber)

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Star Wars: The Prequel Trilogy on Blu-ray will feature Star Wars Episodes I-III utilizing the highest possible picture and audio presentation. Star Wars Episode I: The Phantom Menace (32 Years Before Episode IV) Stranded on the desert planet Tatooine after rescuing young Queen Amidala from the impending invasion of Naboo, Jedi apprentice Obi-Wan Kenobi and his Jedi Master discover nine-year-old Anakin Skywalker, a young slave unusually strong in the Force. Anakin wins a thrilling Podrace and with it his freedom as he leaves his home to be trained as a Jedi. The heroes return to Naboo where Anakin and the Queen face massive invasion forces while the two Jedi contend with a deadly foe named Darth Maul. Only then do they realize the invasion is merely the first step in a sinister scheme by the re-emergent forces of darkness known as the Sith.
Star Wars Episode II: Attack of the Clones (22 Years Before Episode IV) Ten years after the events of the Battle of Naboo, not only has the galaxy undergone significant change, but so have Obi-Wan Kenobi, Padmé Amidala, and Anakin Skywalker as they are thrown together again for the first time since the Trade Federation invasion of Naboo. Anakin has grown into the accomplished Jedi apprentice of Obi-Wan, who himself has transitioned from student to teacher. The two Jedi are assigned to protect Padmé whose life is threatened by a faction of political separatists. As relationships form and powerful forces collide, these heroes face choices that will impact not only their own fates, but the destiny of the Republic. Star Wars Episode III: Revenge of the Sith (19 Years before Episode IV) Three years after the onset of the Clone Wars, the noble Jedi Knights have been leading a massive clone army into a galaxy-wide battle against the Separatists. When the sinister Sith unveil a thousand-year-old plot to rule the galaxy, the Republic crumbles and from its ashes rises the evil Galactic Empire. Jedi hero Anakin Skywalker is seduced by the dark side of the Force to become the Emperor's new apprentice - Darth Vader. The Jedi are decimated, as Obi-Wan Kenobi and Jedi Master Yoda are forced into hiding. The only hope for the galaxy are Anakin's own offspring - the twin children born in secrecy who will grow up to become Luke Skywalker and Princess Leia Organa.

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